CVIndependent

Thu07022020

Last updateMon, 20 Apr 2020 1pm

Tysen Knight was surrounded by street art while growing up—and it inspired him to become a street artist himself.

Now living in Palm Springs, Knight has helped bring street art into the mainstream. He’s also an actor and a filmmaker, and his first street-art documentary, The Art of Hustle: Street Art Documentary, made the festival circuit—winning some awards along the way. A follow-up, The Art of Hustle: Homeless Street Artists Documentary, is in post-production and could hit screens as early as January. Meanwhile, Colliding Worlds Fine Art Gallery in Cathedral City is currently showing an exhibit of Knight’s art

During a recent interview, Knight discussed how street art inspired him.

“I discovered I was good at art around the ages of 10 to 13. I showed my parents, and they seconded it, and it took off from there,” Knight said. “I grew up in New Jersey near Philadelphia, and I had family in Northern New Jersey across from New York. We would go to New York and get on the subways, and I was exposed to graffiti and street art in the subway trains. For a kid who was creative, that fascinated me.

“I took those images back and had a couple of friends in my neighborhood who were also artists. We would airbrush on jeans and try to look cool. We would get spray-paint cans, and I would show them what I would see in New York City, and we would try to replicate those images. It was really big in New York in the ’70s, ’80s and ’90s.”

Knight said he saw many of the iconic images painted by New York City’s most-famous street artists.

“When I was a kid, I would see a lot of those images—but I couldn’t pinpoint who did it,” he said.

Today, artists such as Banksy, Shepard Fairey, Anthony Lister and Ben Eine have taken street art into a whole new level of mainstream respect.

“Those guys were able to push it up to the forefront and actually made galleries take a look at this stuff. Banksy and guys of that nature made gallery owners think, ‘Whoa, this stuff actually has value,’” Knight said. “Over time, no one cared about it. You’d put up a beautiful piece of artwork, whether it was legally or illegally, and they would spray-paint over it, or the city would come and cover it up. But now that these guys are able to push the culture into the mainstream, I think it’s actually a beautiful thing. Jean-Michel Basquiat and Keith Haring were setting the groundwork, too, but now guys like Banksy and Shepard Fairey have taken it to a whole different level, and you can go to auctions and see a Banksy piece go for the same price as a Picasso piece.”

Knight explained the premise behind his second documentary, The Art of Hustle: Homeless Street Artists Documentary.

“I had a little stint of homelessness for a couple of months. I ran into a street artist in downtown Palm Springs who goes by the name of Skratch,” Knight said. “He was selling this weird abstract art, and I was drawn to him. I started talking to him, and he said, ‘I sell my art. I need to make $15 a day so I can get something to eat and take care of myself.’ … I gave him my business card, and he called me. I had him involved in the first documentary. When I showed the film, everyone was really intrigued by Skratch.

“I want to shed a light on people whom most people overlook. I got back into contact with Skratch and said, ‘I want to do a documentary on you.’ I filmed him for about nine months, and I was fortunate enough to meet two other homeless street artists. It’s fascinating how talented these people are; to be in that situation and be able to create, it’s pretty amazing. This film is taking people on a journey to show that although these people are homeless, and you overlook them every day, they’re actually talented and creating beautiful things.”

Knight said he was humbled by Skratch.

“A piece that Skratch would spend hours on, he would sell it for $5. There’s art on Sotheby’s going for $100 million; a Banksy piece that was shredded went for some ridiculous amount of money. At the end of the day, they’re all creations. To see someone create something and only charge $5 for it, I was like, ‘Wow!’ That was a really humbling experience for me to see that. People were actually purchasing it.”

I asked Knight how big the street-art scene is in the Coachella Valley.

“It’s very small, and it’s very contained,” he said. “I was fortunate enough to meet a local tattoo artist, and he was able to navigate me through the street-art scene here. It’s very small and nothing compared to major cities. In fact, you could probably count all of the people on one hand.”

Knight is now helping a new generation learn about art.

“I was fortunate enough to meet the art coordinator for the Palm Springs Unified School District. I sat down with her and told her what I had going on, and she said I would be the perfect candidate to mentor young boys through this art program,” he said. “We visit five different middle schools, and there are five of us all together. We do art, drum, dance, spoken word and photography. … We’d go to all the different schools with the canvases and teach kids how to paint, and talk to them, mentor them, see what their likes and dislikes are, and go from there.

“I feel I’m at the point in my career where I’m able to create art and give back, and inspire young people to explore their talents—especially in a time like now, when everything is divided.”

For more information, visit www.tysenknight.com.

Published in Visual Arts

Several monthly art walks take place in the Coachella Valley. They’re pleasant ways to spend cool (or perhaps not-so-cool) desert evenings.

The galleries involved all put on their best faces, and many of them schedule new exhibits to coincide with the events. You can wander at your own pace; talk with artists; and get a feeling for what is happening in our community. You’ll probably be offered light snacks and a glass of wine—and there’s often a performance thrown in as well.

I recently had the opportunity to attend two of them: One in Palm Springs, and the other in Cathedral City.

The Backstreet Art District in Palm Springs hosts its event on the first Wednesday of the month from 5 to 8 p.m. It’s located on Cherokee Way, discreetly hidden behind the Mercedes-Benz dealership off Highway 111. If you haven’t been before, you’ll feel a little bit like an explorer once you find it. It’s a collection of individual galleries and artist studios housed in a compact strip mall. There isn’t much else around, and it’s not visible from the highway.

I arrived just after sunset and found small groups of people wandering in and out of brightly lit storefront galleries. My first stop was Tom Ross Gallery, which features the exquisite abstracts of the artist Rosenberg (aka Ross). He uses a technique of back-painting on acrylic panels to create shimmering lace-like panels in metallic colors. The works have real depth to them because of the technique—and the finished pieces are often a surprise to the artist himself. He describes the paintings as “meditations.”

Around the corner is Galleria Marconi. I spoke with artist Marconi Calindas about his work. He’s originally from the Philippines and divides his time between San Francisco and Palm Springs. His paintings are brightly colored graphics reminiscent of early pop art. At one of his exhibits, he said, he was asked if he’d ever looked at the paintings through 3-D glasses. He was offered a pair—and was surprised to discover his paintings jump into three dimensions. Be sure to witness the transformation for yourself.

Poldi owner Julianna Poldi is a teacher at the Desert Art Center. The exhibit I saw featured her work and that of her students. I was impressed with the quality of her students’ work; I would have never guessed it was a student art exhibit.

At Maxson Art, Greg and Linda Maxson offer a delightful mixture of their own work and pieces by artists they represent. Linda does hand-painted ceramic tiles and paintings. She’s working on a new series that incorporates burlap fabric attached to the canvas, which is then over-painted to create subtle abstracts. Greg makes beautifully crafted wooden boxes that are also musical instruments. There’s a collection of stained-glass kaleidoscopes from another artist that is sure to inspire oohs and aahs with the glittery displays. I was also treated to a performance preview of storytelling by Los Angeles performer Larry Dean Harris.

The highlight of the evening was the exhibit at Stephen Baumbach Photography Studio and Gallery. It’s the first comprehensive show for artist Rebecca Dant. Rebecca teaches printmaking at the Create Center for the Arts; I met her during my volunteer work there. In the show, she presents not only her recent prints, but also paintings and tie-dye art that has not been previously shown. The paintings are a knock out; I could easily live with one or two of them. The abstracts contain multiple references to Miro and to Matisse’s cut-out period. It’s a rare opportunity to see stunning work.

For more information, visit www.backstreetartdistrict.com.


The Second Saturday Art Walk on Perez Road in Cathedral City has a decidedly different flavor. The industrial-retail complex setting is much more urban and gritty—but certainly just as interesting. This art walk is scheduled every second Saturday from 5 to 8 p.m.

Several businesses near the galleries are open for the event as well. A couple of midcentury furniture stores are on hand, and if you enjoy rummaging around estate sales (like I do), Mel’s Estate Sale is fantastic. The owner, Malina, will delight you with tidbits of wisdom and humor as you rummage through her incredible collection of just about everything.

Custom metal artist Jeffrey Spakes works in hand-ground aluminum; his space is a combination gallery and studio. The wall pieces have color applied at high temperatures that makes the works appear to change as you move in front of them. He also created the palm tree for the Cathedral City New Year’s Eve ball drop. The palm tree is now being repurposed into a fantastical giant statue of the Tin Man in the back of his studio.

If you’re looking for sculpture or ceramic art, Trenz Gallery is a great destination. The all-white space is a perfect setting for brilliantly colored glass, ceramic and metal sculptures. There are some exceptional paintings, too. It’s all about color in this jewel box of a gallery.

Irreverence in Art: The World of Robyn Goudy occupies the front space in the Colliding Worlds Fine Art Gallery. The dense collages immediately reminded me of outsider and tramp art; they are witty and irreverent. The artist himself is both of those things as well. I asked him where it came from. “It comes from my attitude,” he replied. Well, as they say, attitude is everything.

For more information, visit www.discovercathedralcity.com/event/2nd-saturdays-art-walk-perez-road-2017-10-14/2018-04-14/.

Published in Visual Arts