Theater and Dance
As a child, my older sister was scared to death of the Wicked Witch of the West in The Wizard of Oz. My sister would flee the room in terror when the old green hag appeared onscreen. Sis is not alone: The witch, and her alter ego, the bicycle-riding, dog-hating Almira Gulch, have been feared and reviled by scores of little ones for years.
But what if Miss Gulch had a softer, more vulnerable side? The Desert Ensemble Theatre Company explores that possibility in its latest production, Miss Gulch Returns, a one-man show featuring local cabaret performer Jerome Elliott in a delightful performance.
The show, written by New York singer/pianist Fred Barton, became a hit 20 years ago, and holds up well. The premise is that Miss Gulch feels disrespected after her big musical number was cut from The Wizard of Oz movie, so she hits the cabaret circuit in search of showbiz success—and love.
The show opens with Elliott, looking quite dapper in a black tux, detailing in the first musical number how he met Miss Gulch in a bar (“You’re The Woman I’d Wanna Be”). Moments later, he morphs into Miss Gulch herself, losing the tux and appearing in a long black dress and a black hat adorned with a large bow. (Elliott pulls off drag quite well.)
He warns us that if we’re not careful, “Miss Gulch is what every one of us is going to become”—old, bitter and frustrated (“I’m a Bitch”).
There are lots of laughs and plenty of suggestive lyrics (“Pour Me a Man”) as Miss Gulch struggles valiantly to find true love, singing torch songs for a living and hitting the bottle a bit too much. One of the highlights of the evening is one of the few ballads, the poignant “Everyone Worth Taking’s Been Taken.”
Elliott is a solid, seasoned performer with a strong voice. He seems right at home onstage and is reminiscent of an old song-and-dance man like Donald O’Connor. He possesses great comic timing and can really throw out a zinger, as he does to a lover who’s just dumped him: “One look at you, and I knew you were one of those guys who thinks monogamy is a game put out by Parker Brothers.” Later, he compares lovers to dentures: “You don’t want them in your mouth all night, but you do want them within arm’s reach first thing in the morning.”
This material isn’t earthshaking—there are no big show-stopping numbers, and there are slow moments here and there—but the lyrics are clever, and there’s just the right amount of raunchiness to keep us entertained. The piano-bar set is simple and just right, and musical director Charlie Creasy provides excellent keyboard accompaniment. The production runs just about 90 minutes, which is perfect for a one-man musical show.
Desert Ensemble Theatre’s production of Miss Gulch Returns is funny, bawdy, touching and worth seeing. Kudos to director Tony Padilla, who has helped Elliott create a believable, three-dimensional character in Almira Gulch. Even my sister would like her.
Miss Gulch Returns, a production of the Desert Ensemble Theatre Company, is performed at 7 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, April 16, at the Pearl McManus Theater at the Palm Springs Woman’s Club, 314 S. Cahuilla Road, in Palm Springs. Running time is about 90 minutes, including a 15-minute intermission. Tickets are $22; and $18 for students, seniors and military. For tickets or more information, call 760-565-2476, or visit www.detctheatre.org.