CVIndependent

Mon08292016

Last updateSun, 30 Aug 2015 2pm

TV

24 Aug 2016
by  - 
The Strain (Sunday, Aug. 28, FX), season premiere: The most disconcerting part of the Season 3 opener of The Strain, FX’s scariest series (sorry, American Horror Story)? Setrakian (David Bradley) reminding us that it’s only been 23—23!—days since the Euro-vampires landed in New York City. Dr. Eph (Corey Stoll) is boozing through the pain of his girlfriend’s death and his son’s kidnapping by his now-vamp wife, and his bio-weapon is losing its lethality against “the munchers”—all of this stress could explain why his hair won’t grow back. The locals believe they’re still “New York Strong,” but even the military, which has essentially given up on saving the city, is outmatched. (It does make for some great Call of Duty: Vamp Town action sequences, though.) New Yorkers are on their own to fight The Strain … but what’s a little vampire takeover after beating back a Sharknado? 2016 MTV Video Music…
17 Aug 2016
by  - 
Halt and Catch Fire (Tuesday, Aug. 23, AMC), two-hour season premiere: AMC just can’t quit Halt and Catch Fire, a critical darling that hasn’t cracked 1 million viewers since its premiere in 2014, despite improving markedly over the course of two seasons (both available on Netflix, FYI). The ’80s-set drama chronicles the personal-computer revolution more accurately than the, what, 19? Steve Jobs biopics cluttering the cultural landscape, and gives some long-overdue credit to women in the early days of PC tech. Season 2 really, ahem, caught fire when the story shifted focus to Cameron (Mackenzie Davis) and Donna (Kerry Bishé) and their Mutiny Co. startup struggles. Season 3 picks up in 1986, with Mutiny leaving Texas for Silicon Valley, a make-or-break play that leaves Donna’s engineer husband, Gordon (Scoot McNairy), professionally and emotionally adrift. The three are followed out west by ex-partner/antagonist/eyebrow creeper Joe (Lee Pace), because that’s how Joe…
10 Aug 2016
by  - 
The Get Down (Friday, Aug. 12, Netflix), series debut: It’s the last Prestige TV debut of the summer, and viewers and critics alike are probably going to go easier on Baz Luhrmann’s The Get Down than they did on that other high-profile ’70s NYC musical-history tour, HBO’s Vinyl. It’s nearly as messy as that Martin Scorsese/Mick Jagger rock ’n’ roll blowout, but The Get Down, which chronicles the origins of hip-hop in the Bronx, uses that chaos to better effect—it just takes a few episodes to, well, get down to it. Like Vinyl, The Get Down kicks off with an overstuffed 90-minute episode that tries to introduce everything but accomplishes little; unlike Vinyl, it gets better and, occasionally even stunning, from there. Unfortunately, Part 1 is only six episodes; Part 2 won’t drop until 2017. Didn’t anybody explain to Luhrmann how Netflix works? Perfect Sisters (Saturday, Aug. 13, Lifetime), movie:…
03 Aug 2016
by  - 
Don’t Trust the B in Apt. 23 (Netflix; 26 episodes): Before she was Jessica Jones, and after she was a Breaking Bad casualty, Krysten Ritter was the funniest bitch ABC ever dared to cancel. Besides Elisabeth Hasselbeck, anyway. Gravity (Hulu, 10 episodes): But, before she was the B, Ritter starred in this mopey-but-magnetic Starz dramedy about a suicide-survivors group. The show is occasionally as dark-humored as Jessica Jones. Original title: Suicide for Dummies. Penny Dreadful (Hulu, Netflix; 27 episodes): The just-ended Showtime steampunk soap opera is one part Victorian X-Files and 50 parts crazeepy (crazy + creepy), with Eva Green’s killer performance inducing all of the feels. Better Off Ted (Netflix; 26 episodes): Ted Crisp (Jay Harrington) works for mega-corporation Veridian Dynamics, an obvious precursor to Mr. Robot’s Evil Corp., in yet another of ABC’s genius comedy cancellations. Happyish (Hulu, Netflix; 10 episodes): Steve Coogan (stepping in for Philip Seymour…
27 Jul 2016
by  - 
Sharknado: The 4th Awakens (Sunday, July 31, Syfy), movie: Who’s joining Ian Ziering and Tara Reid (apparently, the #AprilLives campaign from Sharknado 3: Oh Hell No! worked) this time? David Hasselhoff (Baywatch), Gena Lee Nolin (also Baywatch), Alexandra Paul (again with the Baywatch), Gary Busey (snubbed Donald Trump VP candidate), Cheryl Tiegs (elderly model-shamer), Carrot Top (elderly prop comic), Stacey Dash (pretend Fox News “conservative”), Duane Chapman (“Dog” the Bounty Hunter), Vince Neil (Motley Crue), Corey Taylor (Slipknot/Stone Sour), various “personalities” from Bravo reality shows, and more from the “Is Pepsi OK?” department of central casting. After chomping on Los Angeles, New York City and Washington, D.C., the next logical (?) locale to be hit with a Sharknado is, of course, Las Vegas. (Don’t fret; Palm Springs will probably get its turn by Sharknado 16.) Now the story … doesn’t matter in the least, duh. 2016 Teen Choice Awards (Sunday,…
20 Jul 2016
by  - 
BoJack Horseman (Friday, July 22, Netflix): Prior to the premiere of Season 3, Netflix released promo art that placed cartoon character BoJack Horseman (voiced by Will Arnett) in the same league as troubled dramatic TV anti-heroes Tony Soprano, Don Draper and Frank Underwood. It’s no joke: They all struggled to find happiness within the American Dream (though it could be argued that House of Cards’ Frank Underwood is simply nuts—and still a better presidential choice than anyone running in reality), and so continues BoJack. He should be happy: He’s back in the public eye, doing press and Oscar (!) campaigning for his dream starring role in Secretariat … but it’s all meaningless, hollow crap. More so than depression and ennui—yes, a cartoon has forced me to break out the fancy words—BoJack Horseman is about the aggressive shallowness of Hollywood and celebrity, and Round 3 goes even deeper and darker than…
13 Jul 2016
by  - 
Vice Principals (Sunday, July 17, HBO), series debut: While I still contend that Eastbound and Down was one of the greatest TV comedies ever, I’ll also admit that it was long out of material by its fourth and final season, and that Danny McBride probably shouldn’t carry a series on his own—and, most importantly, that water jetpacks are cool AF. HBO’s new Vice Principals, which re-teams McBride and writer/producer Jody Hill, solves one problem right away by giving McBride’s “new” character—basically Kenny Powers minus the mullet—a foil in Walton Goggins (Justified). The pair play high school vice principals vying to replace the retiring principal (Bill Murray!)—until the school district hires an outsider (Kimberly Hebert Gregory), prompting them to take a break from pissing on each other in staggeringly escalating volleys of vulgarity and instead team up to bring her down. Vice Principals is E&D 2.0; it’s as familiar as it…
06 Jul 2016
by  - 
The Night Of (Sunday, July 10, HBO), series debut: One review has already beaten me to the punch in tagging HBO’s new crime miniseries The Night Of as “the longest, bleakest Law and Order episode ever,” but I’ll press on. Novelist/screenwriter Richard Price (Clockers, The Wire) and writer/filmmaker Steve Zaillian (A Civil Action) spend eight episodes chronicling eight bad, bad days in the life of Nasir Khan (Riz Ahmed), a New York City college student who thinks he’s lucked into the Manhattan party of the year—until he wakes up covered in blood next to a girl who’s been stabbed to death. Much tense and ssslllooowww drama unfolds from there, with none-too-subtle call-outs to an overtaxed justice system, the constant state of surveillance in which we live, racial profiling and, of course, The Wire (Michael Kenneth Williams!). More so than True Detective, The Night Of is an intricately produced downer of…
29 Jun 2016
by  - 
Sex&Drugs&Rock&Roll (Thursday, June 30, FX), season premiere: The debut of Denis Leary’s Sex&Drugs&Rock&Roll last summer presaged two rock-centric dramas, HBO’s just-cancelled Vinyl and Showtime’s currently meh Roadies—and his occasionally haphazard, always-swaggering comedy still nails inter-band relationships better than either. As Season 2 opens, Johnny Rock (Leary) and his Assassins bandmates react to the death of a fellow musician—2016 is the year for it—as only rock narcissists would: We each gotta establish solo-career immortality! (Wiki “Kiss,” “1978” and “mountains of record-company cocaine,” kids.) As terrible/hilarious as that idea sounds, SDRR doubles-down with actor Campbell Scott (as himself) buying the Irish Potato Famine rock opera by bassist Rehab (John Ales) from Season 1 and remaking it as a Hamilton-esque Broadway musical. Sex&Drugs&Rock&Roll is still gloriously ridiculous—rip off the knob, and turn it up. Greatest Hits (Thursday, June 30, ABC), series debut: In 2015, a study circulated stating that the average person stops…
22 Jun 2016
by  - 
Queen of the South (Thursday, June 23, USA), series debut: USA continues to get somewhat browner—this is a baby step for the not-quite-whitest network on cable. (That’d be Glenn Beck’s The Blaze.) In the net’s new Queen of the South, Teresa Mendoza (Alice Braga) flees to America from Mexico when her drug-dealer boyfriend is murdered, and then plots her bloody revenge upon the cartel that killed him. Queen of the South is flashier and pricier than the Telemundo series, La Reina Del Sur, from which it was lifted, but the grit and pain remain, and Teresa’s transformation from grieving victim to vengeful badass would make Walter White tip his fedora. The initial episodes occasionally feel rushed and jam-packed, as if this production is attempting to squeeze the original’s 63 hours of action and drama into 10, but Braga carries it effortlessly (and sometimes terrifyingly). Now let’s see if USA’s audience…

Page 1 of 17