Last updateMon, 24 Aug 2020 12pm

To paraphrase Dr. Hunter S. Thompson, “When the going gets stupid, the stupid turn pro.”

Now is the time for comedy, so put down the Clorox mojito; turn off Contagion (you can wait until after Gwyneth Paltrow’s brain is removed—it’s my favorite scene, too); and open yourself up to the idea of relaxing with some stupid sitcoms. Trust me; I’m a professional.

Dumb comedies have a strange, soothing effect on the psyche that you just can’t get from other modes of TV. (Reality shows with screeching blow-up dolls throwing White Claws at each other might have a similar upshot, but I’m certainly not going to watch that shit to find out.)

Here are 13 recent comedies to stream right now, ranging from the truly stupid to the deceptively dumb-but-subliminally-genius. Or you could just binge the entirety of Friends on HBO Max—you choose your own brain-removal machine. (Cue The Cult riff.)

Alone Together (Seasons 1-2 on Hulu): Before the #AloneTogether hashtag became a pandemic thing, there was Alone Together, a 2018 comedy about platonic besties trying (barely) to make it in Hollywood. Esther (Esther Povitsky) and Benji (Benji Aflalo) aren’t gorgeous, ambitious or even of average height, but their L.A. self-absorption is hilariously on point, and the millennial jabs are knowing, not scathing.

Broke (Season 1 on CBS and CBS All Access): New CBS comedy Broke debuted just in time for Lockdown 2020 in April—captive audience, literally. The story of obnoxious, destitute relatives moving in is nothing new, but stars Pauley Perrette and Natasha Leggero put a slyly fresh spin on salty-to-sweet sister relationships. The real scene-stealers here are Jaime Camil and Izzy Diaz, often in Spanish (sorry, gringos).

Beef House (Season 1 on Adult Swim): You never know what you’ll get from Tim Heidecker and Eric Wareheim—well, you kinda do, but not really. Beef House is a twisted ’80s sitcom send-up with no love for the genre; T&E deconstruct and destroy it, then build fresh gonzo laughs on the ashes. It’s Full House, but with five middle-aged dudes of questionable origin, which makes as much sense as Full House.

Three Busy Debras (Season 1 on Adult Swim): A trio of suburban housewives—all named Debra and dressed in white—take the surrealism of Beef House, crank it to 11, and rip the knob off. The Three Busy Debras’ misadventures swing wildly from cutely odd to disturbingly dark—straight-up murdering a dude in the first episode, and stuffing him into a purse. (It’s a big purse.) Watch Three Busy Debras, or they’ll “have your tubes tied!”

Dave (Season 1 on FXX and Hulu): YouTube rapper Lil Dicky (Dave Burd) stars as Dave, a 30-something white Jewish rapper who believes he’s the new Kanye West—the old one’s wearing thin, so why not? Dave could have been annoying AF, but the series’ clever writing and Burd’s chill delivery make for an absurdist look at coming up in indie hip-hop. Hell, Justin Bieber and Macklemore make appearances.

Awkwafina Is Nora From Queens (Season 1 on Comedy Central): Awkwafina’s semi-autobiographical series about growing up in Queens, N.Y., arrived to little media noise for a Golden Globe-winning actress running her own show on little ol’ Comedy Central. As stoner-slacker Nora, she’s the Broad City duo wrapped into a single manic package, with brilliant ensemble support from Lori Tan Chinn (Grandma) and BD Wong (dad Wally).

Brews Brothers (Season 1 on Netflix): Brews Brothers is produced by one of the minds from bro-comedy The League, and it shows—it’s like a pilsner-and-pork-tacos pairing of The League and It’s Always Sunny in Philadelphia. It’s not as sharp as either of those, but Brews Brothers, about antagonistic siblings running a Van Nuys brewpub, still delivers laughs. See: a hefeweizen unwittingly named “Weiss Power.”

What We Do in the Shadows (Seasons 1-2 on FX and Hulu): Far from “dumb,” What We Do in the Shadows (based on the 2014 movie) is the smartest comedy ever about supernatural dummies. Staten Island vampire roommates Laszlo (Matt Berry), Nadja (Natasia Demetriou), and Nandor (Kayvan Novak) have been around for centuries, but learned apparently nothing—very ’Merican. Silly with a capital “SSSSS!”

Bless This Mess (Seasons 1-2 on ABC and Hulu): Frazzled New Yorkers Mike (Dax Shepard) and Rio (Lake Bell) move to a rundown Nebraska farm; Green Acres-esque wackiness ensues. However, Bless This Mess doesn’t condescend to the county folk, and the solid cast (which includes vets like Pam Grier and Ed Begley Jr.) serves up laughs warmer than a window-sill pie. Way better than flyover-state bait like The Conners.

The Detour (Seasons 1-4 on Hulu): Over four seasons, The Detour evolved from a National Lampoon’s Vacation-like family road-trip farce into a multilayered comic thriller with disparate angles and hidden agendas—but still never went too “thinky.” Nate (Jason Jones) and Robin (Natalie Zea) have secrets from each other, and their preteen kids, and the consequences get weirder (and funnier) by the season.  

Documentary Now! (Seasons 1-2 on Netflix): Before Bill Hader struck critical gold with HBO’s Barry, he and Fred Armisen created Documentary Now!, a fake PBS-style doc series that allowed them to play a feral variety of characters. Documentary Now! parodies everything from Vice News to Stop Making Sense to Grey Gardens, but with an attention to detail that belies the ridiculousness. All this, and host Helen Mirren (!).

The Other Two (Season 1 on Comedy Central): After years of showbiz struggle and failure, siblings Cary (Drew Tarver) and Brooke (Helene Yorke) are suddenly eclipsed by the overnight viral-video stardom their 13-year-old brother Chase (Case Walker). The twist: Chase is a sweet kid, and The Other Two zigs when expected to zag at every turn. It’s a hysterical takedown of insta-celebrity culture that also stans the fun side.

Tacoma FD (Seasons 1-2 on TruTV): Super Troopers, but firefighters—that’s Tacoma FD, created by and starring Troopers Kevin Heffernan and Steve Lemme. The raunch is dialed back for basic cable, but the idiotic antics and glorious moustaches are in full bro-tastic effect. Tacoma FD is proudly D-U-M-B, but earns its laughs through sheer commitment—and yes, of course there’s a weed-dispensary fire.

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Documentary Now! (Thursday, Aug. 20, IFC), series debut: Relax, it’s not a real documentary series—IFC doesn’t do that anymore. The former Independent Film Channel is now in the Irregularly Funny Comedy business, and Documentary Now! (the exclamation point should’ve been a giveaway) is a faux-doc series from Portlandia and Saturday Night Live folks (Fred Armisen, Seth Meyers and Bill Hader), lent some seriously confusing cred by host Helen Mirren (!). As with Portlandia and SNL, the half-hour eps fluctuate between killer (a profile of a hapless ’70s rock band; being on-location with a Vice-like news program) and filler (Armisen and Hader in old-lady drag), but at least Documentary Now! is only six episodes long, unlike the fictional DN! series, all 50 seasons of which are available in a 294-disc box set—order yours today!

Blunt Talk (Saturday, Aug. 22, Starz), series debut: Starz used to be a premium-cable joke, but the network has been on a creative roll lately: Outlander, Black Sails, Power, the upcoming Ash vs. Evil Dead—hell, even Survivor’s Remorse (which returns for Season 2 tonight) is a better sports dramedy than HBO’s Ballers. The new Blunt Talk could be Starz’s most blatant grab for buzz yet: It’s a raunchy comedy starring Patrick Stewart (yes, that Patrick Stewart) as British newsman Walter Blunt, recently transplanted to Los Angeles to shake up cable news and set ’Merica straight—if his appetite for booze, drugs and women doesn’t kill him first. Stewart tears into this Newsroom-via-Californication role like he’s been waiting forever to play a reckless hedonist, and creator/producer Jonathan Ames (HBO’s late, great Bored to Death) gives him plenty of comic room to roam. If American Dad didn’t kill off Capt. Picard, Blunt Talk will.

The Unauthorized Full House Story (Saturday, Aug. 22, Lifetime), movie: I never understood the fascination with Full House, a half-assed sitcom from the Golden Age of the Half-Assed Sitcom (late ’80s-early ’90s). Every half-hour comedy of the time—and there were hundreds of them—was a loud, indistinguishable, laugh-tracked abomination made up of cheap sets, lazy punchlines and, blech, children. But somehow, Full House has always stood out from the rest—so much so that a Fuller House spinoff is coming to Netflix next year, which would give John Stamos two concurrent TV shows (the other being Fox’s new fall series Grandfathered). There is no universe in which John freakin’ Stamos should have two series. Just kidding: Grandfathered will be long-canceled by then. Oh, The Unauthorized Full House Story? It’s terrible, but you already knew that.

Fear the Walking Dead (Sunday, Aug. 23, AMC), series debut: It’s not like Fear the Walking Dead will have any trouble snagging The Walking Dead’s audience—all 16 million of members of it. The series is undoubtedly going to debut big, but before we get Run the Hell Away From the Walking Dead and The Walking Dead: Miami, the Los Angeles-set Fear the Walking Dead has to, well, not suck. Which it doesn’t, but FTWD only has six episodes in this first season to introduce new characters and set up a pre-“walker” world (in the early stages of the Z-apocalypse, they’re few, still fresh and referred to as “the infected”). We know what’s ahead, but these Angelinos are delusionally optimistic that the outbreak will be contained and don’t know to not let the infected get right up in their faces (far scarier here than in the well-aware environs of The Walking Dead). Fear the Walking Dead has all the potential of the original … as long as there are no farms in the area.

From Dusk Till Dawn: The Series (Tuesday, Aug. 25, El Rey), season premiere: Never heard of the El Rey Network? Had no idea there was TV series based on the classic Mexi-vampire flick? Facepalm. Anyway. From Dusk Till Dawn: The Series was Robert Rodriguez’s first original series to debut on El Rey (also his network) in 2014, a blown-out, 10-episode expansion of his 1997 movie, with new Gecko Brothers (D.J. Cotrona and Zane Holtz), a new Satanico (Eiza González), a new scary-ass adversary (Wilmer Valderrama—yes, really), and an ending that set up a whole new chapter for Season 2 (like Rodriguez was going to cancel his own show on his own network). Check out Season 1 on the on-demand platform of your choice, then come back for Season 2—trust me, it’s worth it.

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