CVIndependent

Thu10222020

Last updateMon, 24 Aug 2020 12pm

The eighth annual Desert Daze returned to Lake Perris this year, marking the second year in a row that Phil Pirrone’s music festival has set up camp at this non-desert spot, located an hour or so away from the Coachella Valley.

While last year’s festival faced a lot of logistical challenges, organizers put those largely behind them this year—I easily traveled through the main gate to the general admission parking lot.

I was motivated to make the drive from the real desert to see the reunion of Stereolab on Friday; the last time I saw the band was in Pomona at the Glass House, just prior to their breakup. Performing on the Moon Stage (main stage), lead singer of Lætitia Sadier was perfect—and yes, heavy synth music does sound better in French. Fans screamed Lætitia’s name; she responded with, “Merci … let’s ping pong”—of course, introducing the song “Ping Pong.” The magical set included the incredible “Noise of Carpet”; I hope they continue together and make new music.

Animal Collective was up next; the band mellowed the crowd, which was fitting for a festival that transports one from the vast expanse of the Inland Empire to an oasis of music next to a nearby-but-isolated lake. I’ve attended Desert Daze since the beginning, and one thing is consistent: The selection of music draws music fans rather than of festival-goers looking for the perfect backdrop for their next IG snap.

Flaming Lips, the Friday headliner, always puts on an incredible show. Lead singer Wayne Coyne’s apparent obsession with inflatables kept him busy in between songs from 1999 release The Soft Bulletin: Giant balloons were thrown from the stage, and Coyne would encourage the crowd by yelling, “Come on! Come on!” if he noticed the fans paying too much attention to the music instead of keeping the balloons bouncing. Coyne commented: “This is a spectacularly special night tonight.” Trying to induce a fan named Lindsay into labor, Coyne asked: “We’re going to do this song in the hopes that Lindsay has her baby right here. That is her wish. If you scream, it would help.” It is unclear if the fan participation resulted in the first baby being born at Desert Daze.

Parquet Courts was part of Devo-lution on Saturday, with lead singer Andrew Savage wearing a Devo hat, in anticipation of the day’s upcoming co-headliner. The set included the song “Freebird II,” about living in an age of economic and personal uncertainty. The fiery set included a dusty mosh pit.

The Block Stage is the traditional psychedelic stage—or what I call the Friends of Phil Pirrone Stage. He’s the founder of the festival and lead singer of the band JJUUJJUU. His wife Julie Edwards of Deap Vally and their daughter were on hand to catch the JJUUJJUU set, which was incredible—the best JJUUJJUU set I have heard.

Devo was up next over on the Moon Stage—and one could see Devo hats everywhere. I talked briefly to Mike and Heather Buracchio from Joshua Tree, who brought their two kids to see Devo. Devo did not disappoint, with hits such as “Whip It,” “Uncontrollable Urge” and “Girl U Want.”

Keeping with tradition of the Block Stage, the Psychedelic Porn Crumpets brought great music from Perth, Australia, in support of new album And Now for the Whatchamacallit. The band enthralled me with trippy tunes, keeping the psychedelic tradition alive—a true treat for the ears.

Back on the Moon Stage, Gene Ween greeted the fans: “Good evening. We are Ween. This song is called ‘Take Me Away.’” The result was screams from the crowd. Ween’s two-hour set included the entire album Chocolate and Cheese, which had hardcore Ween fans singing along with every word.

On Sunday, The Black Angels returned to Desert Daze, putting on an incredible performance on the Moon Stage. Alex Maas introduced the band: “You stuck it out! We’re the Black Angels. We’re from Austin, Texas, and we are going to play some songs.” The Black Angels never disappoint; the set included ”El Jardin” and “Bad Vibrations.”

Khruangbin, from Houston, was up next on the Moon Stage. The band blends psychedelic music with dreamy soul and hooks inspired by Top 40 tunes over the last three decades.

I was excited to see The Claypool Lennon Delirium collaboration, with Les Claypool of Primus and Sean Lennon. This new project is, in a word, astonishing. Music that sounds like it came from a magical mystery tour is melded with the masterful musings of Les Claypool. I know tradition dictates that the psychedelic music belongs on the Block Stage, but this performance was worthy of the Moon Stage.

Closing out the Moon Stage was the Wu-Tang Clan, performing selections from Enter The Wu-Tang (36 Chambers). Seven living members were onstage; the crowd did not care if a few members were missing, including Method Man and Ghostface Killah. The highlight was when Young Dirty Bastard substituted for his father, the late Ol’ Dirty Bastard.

The set offered an incredible end to a wildly successful Desert Daze experience. I admit I would love to see Desert Daze back in a real desert—but until then, I will happily commute westward to the new home of Desert Daze.

Published in Reviews

Who knows how many couples have fallen in love after meeting at Coachella?

For example, Breaking Bad star Aaron Paul met his wife at Coachella. That’s where Sean Lennon and Charlotte Kemp Muhl met, too—a meeting that led not only to romance, but to the birth of their band, Ghost of a Saber Tooth Tiger.

“We met here 10 years ago by the fountain in the VIP tent,” said Lennon after their Coachella performance on Friday, April 17. “We didn’t start dating right away, but that’s when we became friends. We met through mutual friends. This festival used to be really relaxed, and it was just a friendlier vibe.”

Muhl agreed.

“There was definitely less people back then, and this was sort of a new festival,” she said. “It sort of felt like being in the wilderness in the desert, running into a stranger by a fountain in the desert. It felt very magical. Now it’s such a scene.”

Lennon and Muhl come from very different backgrounds. Lennon’s father, John Lennon, and his mother, Yoko Ono, defined hippie Bohemian life in New York City. Muhl’s family comes from Atlanta.

“Oddly, we have very similar politics and beliefs,” Muhl said. “I think opposite sides of the spectrum tend to meet in the middle. Our families still haven’t really met.”

Putting a band together as a couple can either strengthen a relationship or make it turbulent. However, both Lennon and Muhl said it’s working for them.

“At first, we started the band because we felt like we wouldn’t be able to have a relationship if we didn’t have some project together. She was really busy, and I was doing my solo project,” Lennon said. “It was sort of a solution for us not getting to see each other enough. We didn’t know it was going to be as serious as it is now; back then, it was just sort of a hobby.”

Muhl conceded there are challenges.

“It’s definitely difficult to collaborate with your lover,” she said. “Most bands don’t stay together for more than a couple of albums, and they break up.”

Lennon said his approach to making music is easy-going and just comes naturally.

“In terms of genres, I feel like genres were more relevant in the ’70s and ’80s, and now they’re less relevant,” he said. “I don’t even really think in terms of genres when we make music. I believe in making chords, melodies and lyrics we think are cool, but we’re not thinking of whether it’s reggae or country.”

For Muhl, her modeling career sometimes puts restrictions on her.

“It’s a conflict of interest,” Muhl said. “It’s not just in terms of time. My main contract, Maybelline, is more lenient and supportive of me touring, but there are a lot of conflicts. Right after this, I have to immediately fly to New York to shoot for Maybelline. It’s also a conflict of interest in terms of personal image. I can’t do anything too controversial, per se, so I can’t get that Mike Tyson face tattoo I want, or make that snuff film.

“I don’t make any money from music, so I have to model.”

Coachella 2015’s second weekend kicked off at 11 a.m., Friday, April 17, with a bang for local music fans.

Alchemy—which also played at Tachevah earlier this week, and at Coachella’s first weekend—launched the weekend on the Outdoor Stage. While their Tachevah performance was good, their Coachella performance was even better. Vocalist Andrew Gonzalez noted that the audience was much better this week—and some fans even started a mosh pit during the performance.

After Alchemy, Ghost of a Saber Tooth Tiger took to the Outdoor Stage. The band is fronted by Sean Lennon and Charlotte Kemp Muhl; it was a homecoming, of sorts, since they met at Coachella 10 years ago. Their music at times sounded like Deep Purple, with a little bit of Pink Floyd thrown in. Lennon made reference to a couple of the band’s music videos, once claiming: “You’ll like it if you like nipples.”

After Ghost of a Saber Tooth Tiger, Brant Bjork and the Low Desert Punk Band took the Outdoor Stage. Bjork, the drummer of the pioneering desert rock band Kyuss, should have had a bigger turnout. The crowd was thin, but full of desert rock devotees. Bjork and his band managed to pump out a lot of volume and rock the audience at the same time. Desert local and Throw Rag frontman Sean Wheeler joined in for his last number.

I walked into the show by Charles Bradley and his Extraordinaires—and soon discovered that the 66-year-old soul singer had young folks swaying and dancing to his sounds of love. However, Bradley went a few minutes over his scheduled set time—and show organizers cut the sound. Nonetheless, the band continued to play the last two minutes of his song without the PA system.

In the late afternoon, Azealia Banks took the Coachella stage. Banks has taken the world by storm, and I admit I was turned on by the first 15 minutes … however, I quickly grew tired of her act. I like my hip-hop with some rhyme and reason to it.

Speaking of rhyme and reason, Raekwon and Ghostface Killah began playing on the Outdoor Stage toward the middle of Banks’ set. The Wu-Tang Clan’s crowd was huge at the Outdoor Stage in 2013; Raekwon and Ghostface Killah managed to get a pretty large crowd crammed into the Outdoor Stage area for their performance this year. Raekwon handled the first two songs by himself, stating, “Ghostface is out back taking a shit.” After the photographers were ushered out of the photo pit, however, Ghostface Killah appeared. Their set was energetic, and featured songs from their solo efforts along with Wu-Tang works including “C.R.E.A.M.,” “Wu-Tang Ain’t Nuthin’ to Fuck Wit” and “Triumph.”

As the sun began to set, Lykke Li began to play in the Mojave tent. The Swedish indie-pop singer put on a mesmerizing performance with a combination of songs both slower and upbeat. The visual effects at times made it look as if she were performing in a forest; at other times, the effects offered a light show.

I admit I had my doubts about Steely Dan performing at Coachella. Well, now, I can eat my words: Steely Dan performed to a large crowd, including many younger fans who obviously knew the material. The jazz/blues combo sound of Steely Dan was a hit, with many festival-goers screaming “STEELY FUCKING DAN!” in between songs.

While Steely Dan came from the initial psychedelic era, Tame Impala comes from a new era of psychedelic music. The Australian outfit had a large turnout at the Outdoor Stage when they played Coachella in 2013, and it was fitting for them to play on the main stage before AC/DC. The intro was Elton John’s “Can You Feel the Love Tonight?” As Tame Impala played, the psychedelic visuals were fantastic; a combination of older songs and new songs filled the setlist. Tame Impala is new and improved: The band sounds a lot tighter now than it used to. When frontman Kevin Parker announced their last song, he told the crowd not to be sad, because AC/DC was going to come out—and it was going to get crazy.

He was right. AC/DC took the Coachella stage crowd by surprise when the stage got dark and the band got down to business—with no intro whatsoever—opening with “Hell Ain’t a Bad Place to Be.” The setlist was pretty close to the Weekend One show, and the performance was just as good.

I overheard many younger people saying things like, “I can’t believe I’m seeing AC/DC,” and, “My dad is going to be so jealous.” This proves that AC/DC is for everyone, including the children.

Scroll down to see a photo gallery from Friday’s Coachella goings-on.

Published in Reviews