CVIndependent

Sat06062020

Last updateMon, 20 Apr 2020 1pm

We’re under an emergency shelter-at-home order in California, with a lot of businesses closed down—meaning many people are now without a steady income, including the Coachella Valley’s hard-working, talented musicians.

Many of us also now have a lot of time on our hands … so why not use that time to get to know the local music scene better—while supporting these musicians in the process?

Also, remember that music can be a healer of wounds! For me, music can turn a terrible day into a great day—so I hope that this list can bring you joy in this uncertain time.

Because of all this, I’ve compiled a “Coachella Valley Quarantine” playlist of some of my favorite songs by valley bands. By streaming their songs on Spotify, Apple Music, YouTube or any other service, you will also assist them financially … not much, but every little bit helps!

Click here for the Spotify version of the playlist.

Click here for the YouTube version.

“Last Day,” Captain Ghost

I started the playlist off with this one, because the only way to transition into the apocalypse is with roars and sick guitar riffs. This song is as heavy as it is funky—dare I say, with perhaps a hint of ska? The screamed-out chorus lines of “set forth your hands / like it’s the last day on Earth” make this song a perfect soundtrack for the end times. You can read more about Captain Ghost in the interview I did with them last year at CVIndependent.com; facebook.com/CaptainGhostBand.

“Coachella Gold,” Giselle Woo and the Night Owls

After being announced as part of the 2020 Coachella lineup, Giselle Woo and the Night Owls’ profile in the music scene became bigger than ever. Alas, the postponement of the festival means the world will have to wait to experience in person the greatness we’ve seen evolving over the past few years. “Coachella Gold” makes you proud to live here—and a sense of community is definitely something we all need during this time. Learn more about Giselle here; facebook.com/GiselleWooandTheNightOwls.

“Beat Up Your Mom (Sides One and Two),” Sleazy Cortez

In these times of mass hysteria and paranoia, you really could use a good laugh. Sleazy Cortez’s comedy stoner-punk jams are a perfect 20-second hand wash to take your worries away. You don’t even have to worry about too many lyrics, because the only words to this song are: “Beat up your mom.” Side One’s fast punk transitions beautifully into Side Two’s slow-burning blues groove for an epic 3 1/2-minute track. Learn more about Sleazy Cortez here; sleazycortez.bandcamp.com.

“Alone,” Black Water Gospel

“This is how it feels to be alone,” sings Lance Riebsomer in the chorus of this song. The desperation in his voice echoes many people’s uncertainties in this time of isolation—yet this song has one of those guitar solos will help you feel amazing. It’s hard to describe, so just listen. I challenge you to not bob your head at least once throughout the entire track; it may be impossible. Read more about Black Water Gospel here; facebook.com/BlackWaterGospel.

“Back on Track,” Brightener

Whenever I listen to Brightener, I can’t help but smile. Will Sturgeon has a voice that just makes you happy, and any track from his band will lift your spirit. It’s no wonder the band has played many top-notch gigs in Los Angeles, not to mention Coachella in 2016. “Back on Track” is one of Sturgeon’s funkier songs, and will make your stay-cation a lot dancier. Learn more about Brightener here; brightener.bandcamp.com.

“Gallium,” Calico Wonderstone

Calico Wonderstone dominated the backyard music scene, but has only played a few shows at local venues, so the band’s name is unknown to many. The band dropped a five-song EP, but has not played a show since releasing it, meaning it has been severely underappreciated. “Gallium” is an indie-rock jam, and lead singer Ramses Lopez’s unique vocal style adds an edgier tone to the groove; soundcloud.com/calicowndrstne.

“Mainframe,” Fever Dog

Fever Dog has brought full effort into each of the genres the band has pursued. The group’s first two albums were heavy stoner rock, and then in 2017, Fever Dog released the Mainframe EP—three tracks of psychedelic jams. The title track sounds like something straight out of Pink Floyd, and is the perfect track to let your mind wander away from the negativity. Learn more about Fever Dog here; feverdog.bandcamp.com.

“Elevator Dance,” The Flusters

The Flusters offer a perfect mix of dreamy grooves and rockin’ choruses. Take “Elevator Dance,” for example; the verses are very Doors-esque, with lead singer Doug VanSant’s reverbed voice haunting the listener’s ear. But then, the guitar turns up for the choruses—and turns the slow groove to a full-on jump-around-and-dance vibe. Check out more about The Flusters here; theflusters.com.

“Wao Wao,” Ocho Ojos

Ocho Ojos’ catalogue features the best of the best when it comes to psychedelic cumbia. The band has played Coachella twice, and has performed at pretty much every venue in the valley—a handful of times—while sprinkling some out-of-town shows in between. The Latin rhythms shine bright on “Wao Wao,” and the 4 1/2-minute banger features synth player Danny Torres and guitarist Cesar Flores trading off solos in epic fashion; facebook.com/ochoojoscv.

“Funk Jam,” Desert Rhythm Project

This is a pretty self-explanatory track from Joshua Tree favorites Desert Rhythm Project. Funk is a healer of many things; in fact, I’ve been told there’s nothing a little groove can’t fix. Lead singer Mikey Reyes' soothing voice guides listeners through this song; it’s almost as if he’s checking in with us after every extended groove to make sure we’re OK. And this track is packed tight with groove, as it’s a six-minute song that features every essential funk instrument—horns, bass and, of course, a talk-box solo; desertrhythmproject.com.

“Sand Dune,” FrankEatsTheFloor

Shameless self-promotion: This is my band, and a song I wrote—of which I’m particularly proud. I used our desert landscape to represent how lonely you can feel in a situation of unreciprocated love. I wrote it when I felt lonely; I was sitting inside all day staring at the sand dunes, but now that I have to stay inside, I truly understand how lonely it can be living in a sandy jungle. The bassline is prominent, primarily because I wrote the song around the riff—but also because it sounds cool. Learn more about us here; facebook.com/FrankEatsTheFloor.

“Tied Up,” Instigator

We’re all tied up at home, so why not throw on this aptly named metal tune from local rockers Instigator? The intro riff has been stuck in my head ever since I first heard it; about 40 seconds into the song, the headbanging begins in full effect. Leader Mark Wadlund just posted on Facebook: “‘Coronavirus’ is a great name for a song on a heavy-metal concept album about disease,” so maybe something good will come out of this situation. Read more about Instigator here; facebook.com/instigatorofficial.

“Isolated,” Israel’s Arcade

Speaking of aptly named songs, this indie-rock track from Israel’s Arcade is the perfect song for your isolation blues. “Don’t come find me … let me rot,” sings Israel Pinedo over a melancholy instrumental—featuring some sweet saxophone backup. The standout part of this track is the lead guitar, as its back-and-forth rhythm, while extremely catchy, elicits a true sense of loneliness. Learn more about them here; instagram.com/israelsarcade.

“Strange,” Ormus

Ormus’ first album was a collection of hard-hitting metal-punk tracks, complete with frontman Martin Posada’s death growls. But “Strange” sounds like something straight from the ’70s, with Posada and bass-player Serene Noell sharing vocal duties on a rock track that’s very Black Sabbath-esque. However, Ormus’ signature sound comes back in the middle of a song, for a minute-long metal-punk death-growl interlude; facebook.com/ormusband.

“Bad Conscience Blues,” Plastic Ruby

Plastic Ruby’s unique “Desert Jangle” sound slows down a bit on “Bad Conscience Blues.” Lead singer John Marek’s reverb-caked voice sings over a slow-burning psychedelic-blues track that is as groovy as it is bluesy. The three-minute-long jam would not be complete without the organ solo, however—as everybody knows that you can't have psychedelic jams without an organ. Learn more about the band here; plasticruby.com.

“King Street,” Pescaterritory

“King Street” is one of those songs that makes you feel cool. The pounding rock beat of the song may just lead you to strut around your isolation chamber. Halfway through the song, guitarist Jason Zembo steals the show with what may be one of my favorite guitar solos of all time. The best way to beat the virus is with rock ’n’ roll! Read more about the band here; facebook.com/pescaterritory.

“Ppl Like U,” Throw the Goat

The first release from Throw the Goat after a recent lineup change proves that the same ol’ Goat is still there. It’s a punk outcry against hypocrites and the current state of the world—a perfect song for letting out your rage. The band is setting up for a full album about the political nonsense, appropriately titled Vote Goat 2020. Read more about the group here; facebook.com/throwthegoat. (Photo below by Keleigh Black)

“The Death of a Gentleman,” YIP YOPS

The Yip Yops’ recent lineup departures left the group as a two-piece—but the boys are determined to not change the sound that much. “The Death of a Gentleman” is an ’80s-style synth-rock gem that sounds so much like Depeche Mode. It’s groovy; it’s danceable; it even has somber moments. A lot of ground is covered in three minutes, and will cover many of the moods you are feeling during this time. Read more about them here; yipyops.com.

“Baby’s Breath,” Koka

Another notable band in the backyard-show scene in the valley is Koka, an indie-rock group with soothing melodies that offer a bedroom-pop vibe. Their sounds have brought them Internet attention, with “Baby’s Breath” nabbing more than 37,000 listens on Soundcloud alone. Lead singer Edith Aldaz’s vocal lines are catchy; singing the oohs of this song’s chorus will definitely help alleviate some stress; instagram.com/koka.wav.

“I Wanna Be Over You,” The Hive Minds

The last song on this playlist ends things on a high note. A happy instrumental is met by lead singer Derek Jordan Gregg reminiscing about the good times: “Remember the way that I fell when I held you, December.” Gregg wants to go back to “feeling himself”—don’t we all? This song is cheery and proves that music can be a source of joy, even in times like these; www.facebook.com/thehiveminds.

Best Band to Help You Learn Spanish

Ocho Ojos

In all honesty, the only Spanish words I—a decidedly white guy—know are lyrics to Ocho Ojos songs.

Following a last-minute booking at Coachella in 2017, and an album and EP release in 2018, the duo transformed into a quartet, with the band’s sound evolving into something that could be described as “psychedelic cumbia.”

This has been a standout year for Ocho Ojos: The band was again on the Coachella schedule—when the poster was released, not as a last-minute addition. This prompted a frenzy for Ocho Ojos, as the group could seemingly be seen performing anywhere in the valley, and even in Los Angeles. The shows could range from 30 minutes to three hours, thanks to the band members’ ability to perform many popular Spanish tunes in addition their own catalog—all while keeping the crowd singing along and dancing the night away.

When Sunday nights at Coachella came, the boys proceeded to close out the Sonora Stage in front of a packed tent. The energy was electric, and it was something only a band that truly represents the Coachella Valley could pull off.

Don’t believe me? Then take it from Rolling Stone: “Ocho Ojos managed to make their performance feel like a grand family function of pure baile with all your primos and extended relatives in attendance.” The performances were listed by the publication’s writers as one of the 16 best things they saw.

—Matt King


Best Weird Place to See a Band

Gadi’s Bar and Grill

In a building at 56193 Twentynine Palms Highway that has been home to various restaurants since the 1960s, Gadi’s Bar and Grill (www.gadisbarandgrill.com)has now been around since 2014, when Gadi Okevi bought what was then a Yucca Valley rib joint.

One side has a tiny bar with dining booths … but a short walk down a hallway will take you to an adjoining second barroom with a sound stage. Here’s where things get weird: Looming above the generic tables, chairs and tile floor is some wacked-out wavy woodwork that worms its way over the room. It was apparently created in the ’60s, and the wood-lined walls and ceiling don’t match anything else.

Why the funky ceiling was built remains a mystery. Was it was done as a creative way to hide vents? Or to amplify acoustics? Who knows. Whatever the case may be, soundman Jason Maxfield always makes the room sound amazing.

Gadi’s hosts an eclectic mix of live shows, from smaller local bands to occasional bigger acts, in genres including country, metal, old school punk or rock—Gadi doesn’t seem to have met a genre he doesn’t like. And thanks to Jason Maxfield, it all sounds amazing—whether or not that crazy ceiling is a help or a hinderance.

—Beth Allen


Best Ramen

Ramen Musashi

We’ve often posited in these pages that the Coachella Valley is about five years behind the big cities regarding the arrival of food and drink trends—and such is the case when it comes to ramen.

This time last year, if I wanted reliably good ramen in the Coachella Valley, I had nowhere to go, at least that I knew of. However, today, I have at least one regularly available option: Hooray for Ramen Musashi, located at 44491 Town Center Way, in Palm Desert.

This little restaurant was opened earlier this year by the good folks who also operate Musashi Japanese Restaurant and Sushi Bar, which has been around since 1996. In other words, Ramen Musashi is run by restaurateurs who know what they’re doing—and this is proven by every bowl of original Musashi tonkatsu that comes out of the kitchen.

Here’s what I wrote about the Musashi tonkotsu a few months back: “The ramen was revelatory. All of the ingredients were perfect. The pork was tender and delicious; the egg was a creamy delight. The garlic chips and onion did not overwhelm, and the noodles were just right. But for me, ramen is all about the broth—and this tonkotsu broth was stellar. It was packed with umami, seasoned masterfully and soooooo delicious.”

Damn. My mouth’s watering just thinking about it.

—Jimmy Boegle


Best Local Album

Captain Ghost, Into the Grave

If you’re looking for an album to listen to while driving very fast, look no further than Into the Grave.

Captain Ghost exploded onto the music scene this year—and very quickly made a name for itself, with lyrics of love and politics being screamed out in a desperate cry over firework-style guitar riffs and tight, crunchy bass and drum lines.

If you get a chance to see Captain Ghost live, take note: It is fun to see people’s reactions to the group, as mustachioed leader Brad Burton towers over his bandmates, almost Joey Ramone-esque, and his sweet stage banter offers a direct contrast to his emphatic cries.

After the band began performing, it began to win more and more hearts with each show—while anticipation grew for the release of Captain Ghost’s debut album, which is a hard-hitting 35 minutes of rock. Tracks like “Raise the Flag,” “Behold the Press” and “Last Day” are sure to make any music fan a Captain Ghost fanatic.

—Matt King


Best Evidence of Our Flourishing Theater Scene

CVRep Playhouse in Cathedral City

I’ve been fortunate enough to occasionally attend theatrical productions in the Coachella Valley for seven years now, and I’m shocked—in a good way—at how much the theater scene has absolutely flourished during that timeframe.

Dezart Performs is wowing audiences with top-notch performances in its home at the Palm Springs Woman’s Club—a home the company is quickly outgrowing. Dezart’s fellow Woman’s Club tenant, Desert Ensemble Theatre Company, is continuously mounting edgy productions of brand-new shows; Desert Theatreworks has helped revitalize the Indio Performing Arts Center with a steady slate of varied productions; and the LGBT-focused Desert Rose Playhouse continues to raise the figurative bar with seemingly every play. (Its summer production of Ruthless! was one of the funniest shows I’ve ever seen, period.)

However, this all pales in comparison to what Coachella Valley Repertory has pulled off: Raising millions of dollars to turn the old IMAX theater in Cathedral City into a Broadway-caliber, state-of-the-art playhouse.

It is, in a word, stunning. Founder Ron Celona—along with his staff, board and volunteers—have changed the game for Coachella Valley theater with the CVRep Playhouse. It’s proof that while the Coachella Valley as a whole may still be a “small town,” our theater scene is worthy of a big city.

—Jimmy Boegle


Best Comic Book Shop by Day, and Music Venue by Night

Interstellar Comic Books and Collectibles

Music nerds and comic nerds can unite under one roof at Interstellar Comics.

In the heart of Palm Springs, on Tahquitz Canyon Drive just off Indian Canyon Drive, sits this colorful comic-book shop. Whether you’re in search of a vintage find, or are excited about a new issue, you can find both on the shelves at Interstellar. You can even come in to play various card games, such as Magic the Gathering, with your friends.

But on occasion, when the sun sets over the strip, you can hear local bands reverberating within the walls of the shop. Interstellar has been host to a few shows over the year, once every couple months or so—and I couldn’t think of a better place to perform or watch a show. During these shows, local artists also sell their art inside the multifaceted space. In other words: If you catch a show at Interstellar, you are celebrating all that the local art scene has to offer, in one place, at the same time.

—Matt King


Best Tucked-Away Pastry Palace

Carousel Bakery

Carousel Bakery is an unassuming little gem, tucked away in a hidden corner of the airport-adjacent El Cielo Center (440 S. El Cielo Road), known mostly for its Spectrum storefront.

Inside, friendly and hard-working owners Elizabeth and Alberto create all their baked masterpieces from scratch, with no pre-made anything. Yep: They actually cut up and cooked a real pumpkin to make that fresh pie in the case. The result is the best possible combination of professionally baked goods and homemade appeal.

Along with a surprising variety of traditional bakery fare (pies, cakes, cookies, muffins, croissants, bagels, etc.), Carousel produces some delicious Latin specialties. Think sweet empanadas in an array of flavors ranging from apple to the more-exotic guava with cheese. And don’t miss their one-day-only offerings of Pan de Muerto for Day of the Dead, and Rosca de Reyes for Epiphany.

Carousel serves tasty sandwiches that are enough of a reason to visit, but the real jewels here are the pastries. So the next time you’ve had to wait 45 minutes to return equipment at the Spectrum store, take the edge off with a baked treasure from Carousel.

—Jeffrey Clarkson


Best Place to Feel Childlike Wonderment and Joy

Bob’s Crystal Cave at the Sky Village Swap Meet

A tiny enclave in the middle of Yucca Valley’s seven-acre Saturday-and-Sunday swap meet (7028 Theatre Road), Bob’s Crystal Cave is an anomaly amidst junk and vintage vendors, stained-glass art and desert cactus gardens.

What is it, exactly? Well, it’s a Flintstones-esque building created from chicken wire and spray foam—and its puffy porthole-pocked exterior unveils a walk of wonderment. A short wander through the spray-foam-packed hall reveals locked doors (what lurks behind them?) and small windows here and there. You can peek into a whimsical miniature world of tiny trees; and mosaics of glass, mirror and precious stone. Water flows throughout into pools of lazily swimming goldfish.

Sadly, creator Bob Carr died in January of this year. But his legacy lives on through his serene creation, one that can make even the biggest curmudgeon crack a smile. Bob’s Crystal Cave is so cool that it’s written about in “the definitive guide to the world’s hidden wonders,” Atlas Obscura.

—Beth Allen


Best Place to Learn About and Look at the Cosmos

Joshua Tree Astronomy Arts Theater

The Joshua Tree Astronomy Arts Theater is an open-air theater located next to the Joshua Tree Lake RV and Campground, at 2601 Sunfair Road.

What is it? Well, it’s a fenced-in area with a large stage and screen—including plenty of nice, sloped outdoor-chair seating, with plenty of room to set up your own chairs or blankets. It’s a big, dark place—perfect for stargazing.

Along the left side of the “theater” are various telescopes manned by gregarious members of the Southern California Desert Video Astronomers (www.scdva.org), who are happy to tour the constellations with anyone who wanders over. People of all ages can come to relax and learn tales of the cosmos. The group hosts regular events with cool themes like Friday the 13th’s “Spooky Superstitions: Lucky Stars and Moons of Doom,” or an amazing night of meteor showers at their peak. The JTAAT has also hosted movies (about aliens!) and the live tunes of local musician Clive Wright, who plays guitar along with “singing plants.”

When you go, BYOB—food, beers, buds—or, in other words, pack a picnic! Don’t forget to bring a flashlight so you can find your way to the porta-potties in the parking lot.

—Beth Allen


Best Combination of Silky and Fried

The California Avocado Fries at Grill a Burger

The other day, I was driving down the road, when all of a sudden, a thought popped into my mind: “Damn, I could go for some avocado fries at Grill-a-Burger right now.”

Now, let me place this random thought in proper context: I had not been to Grill-a-Burger in about a year and a half. I haven’t had avocado fries of any sort since then. So, what in tarnation led me to have this thought at this time? Was it the result of some unknown stimuli? A signal from the mothership?

I have no freaking idea. All I know is that ever since, I have not been able to get Grill-a-Burger’s avocado fries off my mind. These deliciously filling wedges have it all: Sweet. Savory. Smoothness. A Panko-breadcrumb crunch. Yum.

If you like avocado to the slightest degree, you must try these. Get thee to 73091 Country Club Drive, in Palm Desert, pronto.

—Jimmy Boegle


Best Pie

Buttermilk Pie at Billy Reed’s

As our press deadline for this issue approached, the heartbreaking news broke that Robbie Lemley, the co-owner of Billy Reed’s (at 1800 N. Palm Canyon Drive, in Palm Springs), had passed away at the age of 86.

After the news broke, local social-media pages were flooded with remembrances and tributes, both to Lemley himself and the iconic restaurant he helped create. I didn’t know Lemley personally (although I am sure he greeted me a time or three during my visits to Billy Reed’s). However, I adore his work: Billy Reed’s is truly one of a kind.

Billy Reed’s is the place where I celebrated my most recent birthday. It’s the place I recently took some close friends who just moved here for their first “official meal” as Palm Springs residents. And it’s the place that introduced me to what has become one of my favorite desserts: buttermilk pie.

A piece of this pie looks simple, but its flavor is surprisingly complex. I don’t know exactly what the bakers at Billy Reed’s put in their version, but buttermilk pie, I’ve come to learn, typically includes a blend of buttermilk, eggs, butter, flour, lemon, vanilla and a whole lot of sugar. The resulting custard pie is pure decadence.

Thank you, Mr. Lemley, for the special place you helped make. And thank you for broadening my dessert horizons just a little, too.

—Jimmy Boegle

Published in Staff Picks

Captain Ghost, a four-piece alternative-rock band, is a growing presence in the Coachella Valley music scene thanks to the group’s powerful anthems and ballads—plus its political and perhaps even conspiratorial lyrics.

And then there’s that intriguing name. I sat down to talk with Bradley Burton (songwriter/vocals/rhythm guitar), Nick Hales (lead guitar), Mikey Hendricks (bass guitar) and Corwin Hendricks (drums).

“I took a sheet of paper and wrote down names that came to mind. I had some really good ones, but they were all taken—pretty much every one,” Burton said. “Captain Ghost was one of the first things I wrote down. I didn’t really like it at first, but when I found out there were no other bands named Captain Ghost, I thought it was kinda cool.

“Coincidentally, there is a book from the ’50s called Captain Ghost, which I’d love to read now. One of my first choices for a name was ‘The Promised Software.’”

Mikey Hendricks said the band’s power and exuberant stage presence have been helpful in growing a fan base.

“The big thing about playing live shows, especially out here in this tight-knit community, is to just make it fun,” Hendricks said. “Back in high school, I was in a band playing house shows and generator parties in the middle of the desert, and the big thing was jumping off of amps, swinging guitars around, and making it fun for all of your friends who were there every single weekend. The music doesn’t always hold itself or keep people’s attention, so you just want to make it fun for everyone and keep it interesting.”

Corwin Hendricks added: “The music just has so much energy. It’s hard to not get into it.”

The expression and passion of the music slaps you in the face from the first few verses of the band’s lead single, “Poison Skies.”

“That song pretty much wrote itself when I learned about what was going on in the environment, and the plans that all these scientists have to combat global warming,” Burton said. “Their techniques kinda frustrated me—raining all these metals down. To know that some of these metals are neurotoxins, and watching my kids go outside and play knowing this stuff is coming down just pissed me off.”

Why was “Poison Skies” chosen as the band’s first single?

“The deciding factor is I envisioned the video for it,” Mikey Hendricks said. “It’s a dual-concept video with nuclear-era World War II footage, spraying chemicals on plants—basically proof that the government has poisoned us in the past, and suggesting, ‘What makes you think they’re not doing it right now?’ We went out and shot in Sky Valley and slapped free-domain footage of civil-defense videos and duck-and-cover films on top of it.”

The political lyrics continue on second single “Raise the Flag,” while the third single, “True Blue,” is a love ballad.

“I think it’s really important for an artist to have some personal songs. A lot of the topics on songs we’ve talked about are fairly new to me,” Burton said. “I’ve been writing songs for a long time, and they started out as personal and selfish, either about me or about a girl. But as I've grown up and educated myself, they took a turn in the current direction. I don’t always want to be writing about social or political things. It’s actually been an accomplishment for me to get back into personal songwriting. ‘True Blue’ is a song about a relationship where you try to be true—but mixed with some end-times type of flair.”

Burton explained how the band came to be.

“I’m originally from Orange County. My dad and I used to come out here on the weekends to Mission Lakes to play golf and crash golf carts,” Burton said. “In 2002, my dad moved out here, and I ended up moving with him, but I still had a band in OC that I would go back and jam with on the weekends. I was never in a serious band, always just jam or garage bands. … I lived in Vegas for a few years and then moved back to Indio, still writing songs—but I had a family, so that came first. Ever since my first child was on the way, I made it a priority to be a good provider for them.

“After I got a good career, I decided it wasn’t what I wanted to do—my passion is music. I went into a studio and did a few songs, then got invited by a friend to play an acoustic show at Plan B. So I went and played a few songs, then stuck around for the band after, which was Upper Class Poverty (which featured Mikey Hendricks on bass, and Corwin Hendricks on drums). I was really impressed by their rhythm section, and after seeing them play, I thought that I needed some guys like that. We hung out that night, and I hit them up on Facebook.”

Hales came on board after the original guitarist left. “I was/am very busy, but once I heard the tracks, I was in,” he said.

Busy is an understatement: Hales is currently part of eight (!) bands, while Burton has a wife and kids.

“Yeah, we only get to practice on Sunday, and I work trade jobs, Brad’s got a Monday through Friday gig, and Corwin works weekends,” Hales said.

Mikey Hendricks added: “You have to keep the money flowing in so you can keep buying strings. We’d really love for this to be full time and have it be able to support all of us. It’s not really hard for us to be doing what we’re doing right now, because we love what we’re doing. Our upcoming album and release show will hopefully spark things to go further.”

Mikey Hendricks elaborated on the band’s plan of attack.

“Our immediate future is releasing our full-length album on Aug. 17, which will feature Nick Hales’ mandolin debut, with a release show at The Hood that night. We’re then following that with a tour. This upcoming season, we hope to play a lot more shows and create more music for the next album.”

Hales summed up the plan: “Today, the valley. Tomorrow, the world.”

Captain Ghost will perform at 9 p.m., Saturday, Aug. 17, at The Hood Bar and Pizza, 74360 Highway 111, in Palm Desert. Admission is free. For more information on the band, visit captainghost.com.

Published in Previews