Coachella Day 3 started off on a much hotter note—but that did not diminish the excitement of festival-goers. After all, this was the last day of the festival, so it was time to savor every moment.
Early in the afternoon, the Mojave tent hosted the Preservation Hall Jazz Band from New Orleans. At the same time, Trombone Shorty was playing on the Main stage, so it sounded like New Orleans at Mardi Gras.
As Trombone Shorty finished up, it was time for Fishbone. The band started off a high-energy set with “Party at Ground Zero”—and when the song picked up, so did the mosh pit. The band then broke into “Fat Chicks/Bustin’ Loose.” The funk/punk/reggae/ska legends have never received the respect they’ve deserved, but they had some big-name fans on this day: Later in the set, Andre 3000 and Big Boi from Outkast showed up in the VIP aisle to catch the band. During “Everyday Sunshine,” Angelo Moore hopped over the barrier to go crowd surfing. Fishbone ended the set with “Sunless Saturday.”
During Fishbone’s set, the Coachella app notified attendees that Chance the Rapper—scheduled for the Main stage after Fishbone—would not be performing. Attendees passed the news to each other, though many fans seemed clueless as they gathered.
The 1975, one of the more anticipated up-and-coming acts, performed on the Outdoor stage late in the afternoon, right as Zoe was scheduled to go on the Main stage. The 1975’s sound seemed straight out of the 1980s at times, with a little bit of modern pop thrown in. While some songs were catchy, others were downright cheesy—even featuring Kenny G-style saxophones.
One highlight of the afternoon/early evening, despite the heat, was the performance by Superchunk in the Gobi tent. The indie-rock band from the era of Fugazi and the Pixies put on an electrifying performance, proving the members can still perform with the best of them.
As the sun was going down, the reunited Neutral Milk Hotel took the Outdoor stage. Frontman Jeff Mangum came out and played a song by himself before he was joined by the rest of band. He has become notorious for asking people not to photograph him, and when he made the request on Sunday for attendees to put their cell phones and cameras away, there were some cheers—but some took photos anyway. Some of the songs were great, but the vibe was ruined whenever the band would leave the stage for Mangum to play solo. While some attendees people were into it, I found it was time to move on to something more lively: The Toy Dolls in the Gobi.
The English punk-rock band is known for their humorous shows, and The Toy Dolls were indeed a sight to see. Guitarist Michael Algar and bassist Tom Blyth would strut in opposite directions while playing; Blyth at one point suffered through some technical issues with his bass. Algar joked, “Sorry, we’re English.” The mixture of confetti, funny sunglasses and humor along with the Oi! punk led even some of the hipsters in the Gobi to get down with it.
As Lana Del Rey was finishing her set on the Outdoor stage, Beck took the Main stage. He opened with a rocking performance of “Blue Moon,” and then followed with “Loser,” his breakout single from 1993.
When Motörhead took the stage in the Mojave (shortly before Arcade Fire took the Main stage), it was clear that frontman Lemmy Kilmister is, in some ways, not the same. He’s always been a Jack Daniels-drinking, Marlboro-smoking ironman who would tell you, “Don’t do heroin; do speed instead.” He’s recently been battling just to stay alive, having a pacemaker installed and trying to get his diabetes under control; it was amazing he was even able to get onstage. However, when he did, he proved that he remains the same in one way: He rocked! “We are Motörhead, and we play rock ’n’ roll,” he said before the band tore into the opening song, “Damage Case.” Their performances of “Over the Top” and “Rock It” were top-notch and proved that while Lemmy might be old, he’s still “God” as far as his fans go. At the end of the set, a huge circle pit started on the left side of the stage as special guest Slash joined the boys for “Ace of Spades,” and the finishing number, “Overkill.”
It was difficult to adjust to Arcade Fire after experiencing Motörhead. When Motörhead finished, Arcade Fire was already about five songs into the set; “The Suburbs” was playing as I approached the Main stage. After “Reflektor,” the group performed a cover of Prince’s “Controversy” with Beck, and the group finished with the Preservation Hall Jazz Band joining them for “Wake Up.”
Arcade Fire, in a way, got a big boost from Coachella in 2005. Win Butler talked about how back then, the band’s manager was also their road crew, and all their equipment was stored in sleeping bags or cardboard boxes. Now, they are headliners.
Who knows which up-and-coming bands that played in the smaller tents and in earlier time slots at Coachella 2014 will one day headline the festival? Stay tuned to find out.
Scroll down to see a photo gallery. Photos by Kevin Fitzgerald.