CVIndependent

Thu04272017

Last updateFri, 16 Sep 2016 12pm

Reviews

26 Apr 2017
Pappy and Harriet’s, per usual, was the place to be for people who wanted to catch Coachella 2017 acts without having to battle large crowds and traffic. Last Thursday, Pappy’s hosted a Coachella act doubleheader, and staffers had their hands full ushering the outdoor Future Islands fans out of Pappy’s while clearing the indoor saloon to get ready for the Crash Seat Headrest show, which started a few minutes after midnight (technically making it a Friday show). Lead Singer Will Toledo was short on chitchat; instead, he let his music talk for him. “Vincent” stirred the initial of many riotous sing-alongs, and was the first of three consecutive Teens of Denial tracks, including “Fill in the Blank” and “1937 State Park.” The concert also included "(Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn't a Problem)" and “Drunk Drivers/Killer Whales.” The tunes inspired many…
25 Apr 2017
The Glass Animals played through the pain to turn in a wonderful in-between-Coachella-weekends show at Pappy and Harriet’s on Wednesday, April 19. Jagwar Ma warmed things up with a well-received set, highlighted by the song “Come Save Me.” Jagwar Ma is a blended swirl of delight, mixing EDM with live instruments, resulting in a sound that pleases purists like myself with fab and far-out tracks. A non-clinical observation: There appeared to be plenty of attendees with mushroom eyes from the hallucinating fungus that is all the rage with the younglings, as hazy clouds of smoke floated above. Glass Animals took the stage with front man Dave Bayley walking up to the microphone and saying, “This place is beautiful.” Early on, he felt the need to set the appropriate expectation level among the crowd: “So about a week and a half ago, I broke my ankle.” Wearing an orthopedic boot on…
16 Apr 2017
Tradition, tradition, my sweet Lorde—a Pappy and Harriet’s tradition continued with a surprise show after midnight on Friday/Saturday at the storied adobe bar in Pioneertown. Lorde, aka Ella Yelich-O’Connor, continued the tradition of secret, last-minute shows at Pappy’s, disclosing her first full-length performance since December 2014 with a simple tweet earlier in the day. She followed in the footsteps of Bon Iver playing a secret pre-Coachella warm-up under the nom de guerre of Mouthoil in 2013; the Pixies celebrating a return to Coachella in 2014; and Sir Paul McCartney’s Oldchella mini-gig last October that created the biggest traffic jam ever in Pioneertown. Lorde’s shocker of a show had me scrambling, but I was able to make it for the hour-long warm-up gig, during which she introduced three new songs and played plenty of material from 2013’s Pure Heroine. Unfortunately, I was not allowed to bring in a pro camera, so…
21 Mar 2017
I normally get to Pappy and Harriet’s a couple of hours before the show so I can assure myself a spot next to the stage. But on Friday, March 10, I discovered I had been beaten to the punch by a dozen or so fans who had been there since about 2 p.m., eagerly waiting to see pop-punk outfit Joyce Manor. Some came from the San Fernando Valley and others from Orange County, but all were hardcore fans—and they wanted to make sure they did not miss the show. Audacity from Fullerton opened, turning in a well-executed set. This classic-style punk band is obviously influenced by the well-established punk scene in the northern part of Orange County. “Subway Girls” was particularly catchy and fun, nicely warming fans up for the headliner. The moment the first note from Joyce Manor was heard by the crowd, attendees were catalyzed into a mix…
07 Mar 2017
I suffered from knit-cap envy when I was greeted with a smile last Friday, March 3, by Pappy and Harriet’s chief doorologist Beth Fausnacht Clifford: She was wearing a Deap Vally knit cap—the last one from the merch table, she claimed. A love for Deap Vally runs true in high desert, thanks to many appearances, including an opening gig for Babes in Toyland at that band’s historic reunion at Pappy’s on Feb. 10, 2015. Phil Pirrone, the genius behind Moon Block Party and JJUUJJUU, brought Desert Daze Caravan—a mini Desert Daze Festival—to Pappy and Harriet’s last Friday. Another sold-out show reminded music fans to plan ahead, since sellouts seem to be becoming the norm. Phil Pirrone stepped up and commented, “Does this guitar look green to you? It’s a red guitar,” an observation possibly due to the funky lava-lamp-type lighting projected on the stage. Pirrone’s JJUUJJUU kicked things off with…
14 Dec 2016
Hanni El Khatib surveyed the stage prior to his Friday-night show at Pappy and Harriet’s. He checked his guitar pedals as two fans from Ventura County asked me if a glass jar on the stage was a spittoon. I said no, that it was a tip jar. El Khatib overheard the exchange, looked at us and pointed toward the jar. “Fill that up!” he said in jest. El Khatib did his part by selling out the show, in support of his anticipated new record, Savage Times, slated for release in February, and produced by Crystal Antlers’ leader Jonny Bell. This was the second time he had played at Pappy and Harriet’s—but I suspect, based on the audience’s reaction to the show, it will not be his last. El Khatib opened with “Baby’s OK,” walking straight into the audience and singing most of the song in the middle of the crowd.…
12 Nov 2016
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Culture Club’s performance on Friday night, Nov. 11, at Fantasy Springs made good on a promise. The well-known ’80s new-wave band, fronted by Boy George, was slated to kick off its current reunion here in the Coachella Valley back in November 2014, but after the show was announced Boy George learned he had a serious throat condition that required surgery. The show was cancelled, and the reunion tour was delayed. On Friday night, the band gave fans a two-hour performance that was more than worth the wait. Culture Club started the show with “Church of the Poison Mind,” and Boy George was the last member to walk onstage—dressed in an outfit covered with Xs and Os, which together stand for love. He addressed the audience after the song with his trademark wit and snarky humor, saying that people were probably not sure what they were going to get—and that the…
31 Oct 2016
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Morongo wanted the best, and Morongo got the best when KISS stopped by to perform on Sunday night, Oct. 30. KISS performed in the outdoor tent at Morongo, which has a capacity of about 3,000. It was immediately obvious that this would be a scaled-down show; after all, tents aren’t conducive to over-the-top pyro and members of the band flying around. Also worth noting: This edition of KISS lacks Ace Frehley and Peter Criss, as they were replaced in the early ’00s with Tommy Thayer (guitar) and Eric Singer (drums). When the lights dimmed and the KISS curtain fell, all four members appeared onstage in their usual makeup, and with the help of some minimal pyrotechnics, they started “Detroit Rock City” and were welcomed with a loud reception. Frontman Paul Stanley acknowledged crowd after a performance of “Deuce,” telling the audience, “As you can see, this is a tent. There’s…

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