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Wed09182019

Last updateTue, 18 Sep 2018 1pm

The 15th and apparently final Campout came early to Pappy and Harriet’s, July 31 through Aug. 3. Yeah, the July 31 gig was technically a solo David Lowery show—but don’t tell that to all the Campout fans who came out.

The Campout started when Cracker recorded the record Kerosene Hat in Pioneertown. Lead guitarist Johnny Hickman shared via social media: “Memories of the morning that Pappy and I were making go-bos (sound walls) to use in the soundstage/barn where we recorded Kerosene Hat. Our producer, the late Don Smith, came in and yelled, ‘Johnny … get your guitar-playing fingers away from that skill (sic) saw.’” The gold record for Kerosene Hat hangs on the Wall of Fame at Pappy and Harriet’s.

Wednesday night featured Peter Case, who had a short but incredible set that was briefly interrupted by a young lady who was asked to leave. That was followed was a very intimate set by the ringleader himself, David Lowery, who performed songs from an autobiographical record he recorded on a four-track in his bedroom titled In the Shadow of the Bull. Lowery sat on a stool and said, “Good evening, this is the first time we’ve tried a pre-Campout Campout.”

His show was, for me, the highlight of the four days of music. The songs included one about the time he remembered his father, who was in Korea—but Lowery used artistic license and changed the location to Vietnam, because it rhymed with the verse. He also sang about growing up in Southern California, via the song titled “Superbloom.” The personal solo appearance helped solidify the bond Lowery has with fans.

Thursday night featured the Trippy Trio (David Lowery, Johnny Hickman and Matt “Pistol” Stoessel), Monks of Doom, Ike Reilly, The Hula Girls, and the Suffragettes, all officially starting off the yearly family reunion—this time with some sadness, because this would be the last Campout. Johnny Hickman could easily be found—just look for legion of female fans who normally surround him. He always takes the time to talk and mingle with his Crumb family.

David Lowery introduced the Monks of Doom, who engaged in some epic shredding. Ike Reilly, a true charmer and Campout regular, had the audience come onstage during “Put a Little Love in It,” and also had Johnny Hickman join him during his performance.

The Trippy Trio was a great, stripped-down version of Cracker, with the band wearing their liberal interpretation of ponchos. The group opened with “Teen Angst,” and the set also included “Dr. Bernice.” Ike Reilly came out to help with “Duty Free.”

The indoor set on Thursday is usually a highlight, but the Suffragettes fell short with a redundant instrumental performance. The Hula Girls were fun, but the tiki-themed surf music did not mix well with the Americana being served outside.

Friday night brought back Jesika Von Rabbit. She is such a regular at the festival that fans bring their own ears—a tradition going back to her original band Gram Rabbit, whose members referred to themselves as the Royal Order of Rabbits. Jesika, too, went way back to the Gram Rabbit days, playing “Devil’s Playground.” Her new record Dessert Rock, is a must listen.

Cracker and Camper Van Beethoven played on both Friday and Saturday, as did many of the members’ various solo projects—perfect for Cracker and Camper Van Beethoven fans, because they get to see the talents of each member.

On Saturday, as I sat outside on a bench, I saw Peter Buck of R.E.M. walking around, admiring the 80-plus-year-old building. I spotted another quarter of R.E.M., Mike Mills, taking photos with fans.

I ran into super-fan Ben Wariner, who informed me that Peter Buck plays with Saturday performing band the Minus 5, and Mike Mills sometimes joins in. This was news to me, and I was elated. The lead singer of the Minus 5, Scott McCaughey, summed up the festival by saying this: “This is a great place to be. Lots of great bands with the same people, and then there is us.”

I was disappointed that this was supposed to be the final Campout. There are no greater fans than Cracker and Camper fans; their intensity is a little strong, but it comes from their connection to these two bands lead by one man. Crumbs and Campers were full of speculation and gossip, with lots of hopes that the tradition would continue via a stripped-down version of the Campout under another name. David Lowery gave hope for a return when he shared this: “It’s been a great run … plenty of opportunities to play in the future, including here.”

Until next time, Mr. Lowery.

Published in Reviews