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The summer slowdown is beginning after a rainy, windy, busy season. The snowbirds are gone—but May is still packed with a lot of compelling events.

The McCallum Theatre is winding down with a couple of events before going dark over the summer. At 7 p.m., Thursday, May 2; 8 p.m., Friday and Saturday, May 3 and 4; and 2 p.m., Sunday, May 5, College of the Desert Performing Arts will be performing Phantom of the Opera. Tickets are $23 to $43. Take a journey through 5,000 years of Chinese culture at 7:30 p.m., Thursday, May 9; 2 p.m., Friday, May 10; and 2 and 7:30 p.m., Saturday, May 11, with Shen Yun. This is a musical and dance performance of various tales and legends from China. Tickets are $120 to $150. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs Resort Casino is rocking into May. At 8 p.m., Saturday, May 18, the supergroup (and the word “supergroup” is an understatement in this case) Hollywood Vampires will be performing. It’s Joe Perry of Aerosmith along with ... Johnny Depp and Alice Cooper! With a lineup like that, you need a word bigger than “supergroup.” Tickets are $59 to $99. At 8 p.m., Friday, May 24, R&B superstar Maxwell will be returning to the Coachella Valley. In 2016, Maxwell released his album blackSUMMERS’night to high critical acclaim. Tickets are $59 to $99. At 8 p.m., Sunday, May 26, Runaways guitarist and all-around bad ass Joan Jett will be performing. Tickets are $49 to $89. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Agua Caliente Resort Casino Spa Rancho Mirage has a star-packed May with several sold-out events. Here are a couple with tickets left as of our press deadline. At 8 p.m., Friday and Saturday, May 10 and 11, enjoy CIRCOVIA, a Cirque-style extravaganza, created by Misha Matorin, a former member of Cirque du Soleil. Tickets are $40 to $60. At 8 p.m., Friday, May 31, comedian, actor and writer Rodney Carrington will be appearing. You probably remember Carrington’s raunchy comedy from the late ’90s when everyone was sending .WAV files of his raunchy songs to your AOL e-mail address. Tickets are $35 to $55. Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Spotlight 29 has a big Latin-music event in May. At 8 p.m., Saturday, May 4, Norteño group Los Huracanes del Norte will be performing, along with Banda Machos. Los Huracanes del Norte is internationally acclaimed Latin group, as is Banda Machos—so what we are trying to say is that this is a huge deal. Tickets are $35 to $45. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Morongo Casino Resort and Spa is the place to be if you’re passionate about … TACOS! At 11 a.m., Saturday, May 18, it’ll be time for the Morongo Taco Festival 2019. What could be better than a taco festival? Maybe it’d be more appropriate on a Tuesday—but a Saturday will do just fine, because any time is good for tacos. Tickets are $10, and tacos from 30 various vendors are $2. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Pappy and Harriet’s Pioneertown Palace rides into the spring/early summer season with an impressive May calendar. At 8 p.m., Friday, May 24, Matisyahu (upper right) will be performing. Matisyahu’s career started with him winning over audiences as a devout Hasidic reggae star, but over the years, he’s become more spiritually evolved and has branched out musically. Tickets are $40. At 4 p.m., Saturday, May 25, the outdoor festival Stoned and Dusted will be taking place, with Melvins, Fu Manchu, Brant Bjork and others. Tickets are $60. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

The Date Shed is ending the season with a few events in May. At 8 p.m., Friday, May 10, Los Angeles jam band The Higgs will be performing. Tickets are $10. At 8 p.m., Thursday, May 23, MURS will take the stage. MURS is a socially minded rapper on the independent side of the rap game. He’s a brilliant lyricist—and this is one show you won’t want to miss. Tickets are $20-$25. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.facebook.com/dateshed.

The Purple Room Palm Springs has a star-studded May schedule. At 8 p.m., Saturday, May 4, soul singer Chadwick Johnson will be performing. Johnson has worked with famed producer David Foster, has performed for former President Bill Clinton, and has received international success for his combination of soul music with pop and jazz. Tickets are $30 to $35. At 8 p.m., Friday, May 17, Nutty will be doing a vinyl-record release in collaboration with local artist Shag. Nutty is self-described as “jetsetter jazz.” Translation: The group takes rock ’n’ roll hits and puts on a jazz spin on them. Tickets are $30 to $35. At 8 p.m., Saturday, May 18, actress, songwriter and singer Amanda McBroom (below) will be performing. McBroom is probably best-known for writing the title track for the film The Rose, and she had recurring roles on shows such as Starsky and Hutch, Star Trek: The Next Generation and many others. Tickets are $35 to $40. Michael Holmes’ Purple Room, 1900 E. Palm Canyon Drive, Palm Springs; 760-322-4422; www.purpleroompalmsprings.com.

Published in Previews

The month of March is packed with events in the Coachella Valley. Take in the revelry of St. Patrick’s Day; enjoy the tennis at the BNP Paribas Open; and relish these music events.

The Empire Polo Fields will once again be hosting the Rhythm, Wine and Brews Experience on Saturday, March 5. With performances by 311 (see our interview here), Matisyahu and the local ’80s themed band Long Duk Dong, the event also features excellent craft beer (get info from The Beer Goddess here) and some of the finest wines. Music, wine and beer make a wonderful good-time combo, don’t they? Tickets are $70 to $150; www.rwbexp.com.

The season’s end is getting closer—which means the McCallum Theatre’s season will also soon come to an end, so be sure to enjoy the busy schedule in March. At 7 p.m., Wednesday, March 9, prepare to be dazzled and mystified by Tao: Seventeen Samurai. This show combines athleticism and taiko drumming; tickets are $22 to $52. At 8 p.m., Thursday, March 17, Canadian blues rocker Colin James will be stopping by. James has a career full of hit singles and 15 Juno Awards. Tickets are $27 to $67. At 8 p.m., Saturday, March 19, Steve Tyrell will be returning to the McCallum. I had the pleasure of interviewing Tyrell last year; he explained how he’s adapted to the ever-changing music industry—and even recorded his latest album in his house. Tickets are $47 to $77. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

If you could be at only one local music venue in March, the venue to choose would be the Fantasy Springs Resort Casino. At 8 p.m., Saturday, March 12, Grammy-Award-winning rapper Nelly will perform. Considering his 2000 debut album Country Grammar has sold 8 million copies, he should be a household name. He’s enjoyed more success ever since, and has branched out into film as well as television, with his own reality show, Nellyville. Tickets are $39 to $79. At 8 p.m., Saturday, March 19, Motown legend Smokey Robinson will take the stage. While Bob Dylan has dubbed him “America’s greatest poet,” I concede I am having a problem getting past the freakishly young-looking photos of the 76-year-old Robinson in promotional materials and on album covers. Some of them are downright hilarious; some are spooky; and some look like political-propaganda fodder. Tickets are $29 to $59. At 8 p.m., Saturday, March 26, get “Physical” with a performance by Olivia Newton-John. While Newton-John is often remembered for that 1981 hit, she may be best remembered for her role opposite John Travolta in Grease. Tell me about it, stud. Tickets are $39 to $69. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

The Agua Caliente Casino Resort Spa has an event in March that should be a great show on behalf of a great cause. At 7 p.m., Thursday, March 3, a benefit for American Cancer Society Desert Spirit will feature an intimate performance by Rick Springfield. Tickets are $49 to $129. The Show at Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Spotlight 29 is hosting a couple of events you won’t want to miss. At 8 p.m., Saturday, March 5, get ready to get funky with The Gap Band. Honestly, I really enjoy the Gap Band. There’s just something about “You Dropped a Bomb on Me”; it’s catchy as hell. The band has some great bass lines, excellent guitar and good keyboards—all of which make for fun funk songs. Tickets are $35 to $55. If you’re in more of a country mood, that’s fine, because at 8 p.m., Saturday, March 19, country-music sensation the Eli Young Band will be performing. Remember a few years ago when “Even If It Breaks Your Heart” was all over country radio? Tickets are $45 to $65. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

The Morongo Casino Resort Spa is offering a couple of worthy events—on the same night! At 9 p.m., Friday, March 11, .38 Special will be performing. The band used to include Donnie Van Zant, who is the middle brother of the late Ronnie Van Zant, and Johnny Van Zant of Lynyrd Skynyrd. Sadly, inner-ear issues forced him into retirement. Tickets are $30 to $40. If you love the ’80s, you’ll want to be in Cabazon at 11 p.m., Friday, March 11, because the Spazmatics (upper right) will be performing. The ’80s tribute band is a lot of fun to watch. Tickets are $10. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

As always, Pappy and Harriet’s is hosting some must-see events. At 9 p.m., Tuesday, March 8, Shannon and the Clams will be returning to Pappy’s. The band performed a fantastic show at The Hood Bar and Pizza last month; if you missed that, here’s another chance to see ’em. Tickets are $15. At 8 p.m., Saturday, March 19, get ready for some laughs and great music, because The Evangenitals will be back! Admission is free. Here’s another welcome return performance: At 9 p.m., Tuesday, March 22, The Melvins (below) will take the stage. It seems the Melvins are making a regular thing out of playing at Pappy’s; the band first played there in the summer of 2013, and Buzz Osbourne came through Pappy’s for a solo performance in 2014. Tickets are $18. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

The Date Shed has one event on the March calendar: At 9 p.m., Friday, March 25, Seedless will be performing. Seedless is a rock/reggae band out of Orange County that has shared the stage with Sublime With Rome, The Dirty Heads and others. Tickets are $13 to $17. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.dateshedmusic.com.

Published in Previews

I’ve seen Buzz Osborne several times at Pappy and Harriet’s; last time, he performed his one-man King Buzzo show, which highlighted his crazy charisma as he strolled around the stage with an acoustic guitar.

Last Wednesday, gloom-metal fans got to see Buzz with the Melvins—complete with two drummers, Dale Crover and Coady Willis, who provided the sonic freight train. Jared Warren was on bass, showing off a black eye he said was courtesy of a mugging. He claimed he fought off a dozen or so robbers who said, “Give me all your money.”

The sonic drenching that smashed fans rivaled any sound-bath chamber designed by aliens from Venus in the nearby town of Landers

Thank God for foam earplugs. I felt my kidneys move a little with the roar from Osborne’s guitar—but I have two, and that helps in these sweet situations. I was thankful for the lack of moshing, which was supplanted by cranium-crushing head sways that managed to keep everyone upright.

The show was sold out, and fans were crammed in, feeling the raw boom by these skillful rockers. The highlight for me was the song “The Water Glass,” which showcased the superb cadence of the drummers, while Buzz—wearing a druid smock—led the band like a wild wizard: “Here we go, every day, all the way, in the grove, on the move, hoo hoo hah hah.” Osborne asked his band for a restart of the song, saying: “I totally messed it up.” A mistake was not evident to me, nor do I suspect anybody in the audience noticed any goof-ups. But I defer to King Buzzo and his 30 years of performing experience.

Published in Reviews

While most bands rest on occasion, the Melvins keep on going.

The band released a new album in 2013, and then another one in 2014. They’ll be back at Pappy and Harriet’s on Wednesday, Aug. 26.

During a recent phone interview, frontman Buzz Osborne discussed that 2014 album, Hold It In, and how it came to feature not only Jeff Pinkus, the bassist for Butthole Surfers, but also Paul Leary, the guitarist for Butthole Surfers. Hold It In is a fantastic album that combines the Melvins’ traditional sound with some oddities—in a good way.

“I always wanted to do a record with those guys,” Osborne said. “I’ve always loved the Butthole Surfers, so it seemed easy to do. We ran it by Pinkus, and it just seemed like it was going to be a good thing. When we got Pinkus, we were just going to do a fun EP, but it just kind of grew into a full-on album. I thought, ‘Let’s get Paul (Leary) on board.’”

However, getting Leary on board wasn’t easy. “Paul thought it was a great idea, but he was hesitant about it at first, because he didn’t know us, but it didn’t take him too long once he got into it. It’s a really great record, and I’m hoping we can do some more with Paul. That would be great.”

Leary not only played on the album; he also took part, with the whole band, in producing it.

“It was a dream come true,” Osborne said. “He’s always been one of my favorite guitar-players, and he doesn’t really have an interest in what we’re doing, but I don’t really care about that. It’s one of those things where you don’t ask, ‘What do you think of my stuff?’ I don’t make that mistake, not ever. We wanted it to be different, and that was the point.”

During the past few years, the Melvins have often used Jeff Pinkus on bass, because bassist Jared Warren was taking what the band has called “paternity leave.” Osborne explained that while the band’s work ethic is strong, the members have an attitude that if a member wants time off, everybody else is fine with it. Warren has since returned to the band and is currently touring with them.

“By the time we did that tour in 2013, his kid was just about to be born,” Osborne said about Warren. “He didn’t want to have to blow the tour and have to go to home. We thought it was right to let him take some time off and (for us to) do the tour with somebody else, and the whole thing grew from that. We’re in the position now where we can do what we want, and no one cares.”

Osborne said fans can expect more Melvins records soon.

“We have two albums in the can at the moment that we did recently,” he said. “One is an album that was shelved about 14 years ago, and the other one is newer stuff. I’m not too sure when they’ll come out, but that’s what we’re doing.”

The Melvins are known for shelving material and revisiting it, and for playing songs Osborne wrote but never recorded.

“That’s always been the case,” Osborne explained. “There hasn’t been a time where we’re not doing songs that are older. It’s just kind of how it works, given you don’t finish everything at once. Sometimes, when you write stuff for an album, you don’t always finish it.”

Recording albums on a regular basis can be an obstacle when it comes to budgets, but Osborne said the Melvins have never spent large sums of money on recording.

“Spending a lot of money on albums depends on what you believe is a lot of money,” he said. When I mentioned the budget for a Metallica album as an example, Osborne responded: “Fuck no! Are you kidding me? You can buy several houses with that, or record 20 fucking albums with the money they spend on one album. That’s a joke. A total joke.”

The Melvins will perform an all-ages show with Big Business at 8 p.m., Wednesday, Aug. 26, at Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, in Pioneertown. Tickets are $18. For tickets or more information, call 760-365-5956, or visit www.pappyandharriets.com.

Published in Previews

Buzz Osborne, the heavy riff guitarist for the Melvins, has gone acoustic.

He recently recorded an acoustic album, just released, titled This Machine Kills Artists, and he’ll be bringing his one man acoustic show to Pappy and Harriet’s Pioneertown Palace on Thursday, July 31.

During a recent phone interview, Osborne didn’t offer many details on the name of the album, released in early June by Ipecac Records. In fact, he turned the tables by asking me what came to mind when I heard the title; I told him it reminded me of “This machine kills fascists,” a statement famously written on Woody Guthrie’s guitar.

“The thing with Woody Guthrie is I never knew if he meant the guitar, or if he meant him,” Osborne said. “He never got specific, and people just sort of assumed. I think he assumed that music has the power to do something of that nature—or does he need you to take the guitar and use it as a weapon and literally and physically kill someone with it? Which you probably could—and then you have to figure out what his definition of a fascist is.”

I suggested to Osborne that Guthrie may have been making a reference to his favoring of labor unions against those who abused workers who migrated to California from Oklahoma during the Great Depression.

“What’s real interesting is if you study the history of the Okies, the vast majority (of them) had nothing like that happen to them when they got to California,” Osborne responded. “The reality is, those people came here and did real well in California. They were well-off, and a lot of them were well-off to begin with, and moved here for better pickings. I can’t say it was a mistake; I’ve been to Oklahoma.”

Enough about history: Let’s talk about the music. What inspired Osborne to make a solo album—and an acoustic one to boot?

“I’ve always played acoustic guitar and have always loved playing acoustic guitar,” Osborne said. “I’ve done a lot of things in my vast, three-decade-long career. I’ve never been afraid of doing weird stuff as far as stuff that would be left of center of what I normally do. I really feel that there’s nothing I can’t do and be universally accepted by, I’d say, 80 percent of whatever my living audience is at that moment. Twenty percent of people won’t like it, no matter what … but there will be a new 20 percent to take its place. So, it’s odd, you know?”

Osborne said he’s always writing songs of some sort.

“I consider myself a songwriter in one form or another. It doesn’t necessarily mean I write for someone else to play my music, although I would, but it never comes up,” he said. “I wade through a lot of stuff, and it’s like digging for gold. Some of these songs could have been on earlier records, and some of them are very new.”

Osborne added that some of the feedback he’s received regarding his songwriting does not make sense.

“Let’s say (the Melvins) put out a new record, and it has different guys on the record, and then I’ll hear somebody say, ‘Well, I liked your earlier records, and I don’t like what you’re doing now.’ I say, ‘You know, a third of those songs were written during the era that you like, so they aren’t new.’ You just can’t win,” Osborne said with a laugh.

Osborne explained that musical legends inspired him to go acoustic for This Machine Kills Artists, which is credited to King Buzzo.

“One of my all-time favorites is Pete Townshend from The Who,” Osborne said. “He did this live show called Secret Policeman’s Ball back in 1979, and that always inspired me with how he could take Who songs like ‘Won’t Get Fooled Again’ on acoustic guitar, and make them sound just as good. I realized very quickly that it’s not the arrow: It’s the Indian. I always had that in the back of my mind—that (if) music is good, and it’ll be good, no matter what.”

Bob Dylan’s acoustic efforts also influenced Osborne, he said.

“Bob Dylan could do an acoustic version of ‘Like a Rolling Stone,’ and no one ever thought it was bad. Folk music is fine, but I always thought Bob Dylan made (music) a lot better. Woody Guthrie and Pete Seeger were big heroes of his, but he took what they were doing and bettered it, which is what you always hope would happen. (Dylan’s music) is mean-spirited. It’s not better days are coming; it’s much more realistic. … It’s not campfire sing-along stuff.”

Of course, he and the Melvins are not without their critics. While Osborne said he’s somewhat sensitive to criticism, he doesn’t have any regrets about his success.

“In 30-plus years of doing this, I’ve never had anyone tell me something … that makes me walk away saying, ‘You know, he’s right. This is right; I’m terrible.’ Never; not one time,” he said. “No one has ever given me good advice as criticism, not once. I’ve done music a lot more than the average person out there. I’ve been involved in it for a long time. … Things I’ve thought were good when I originally started influenced people and touched people around the world, and were ideas that were originally mine. That makes me feel really good.”

King Buzzo (aka Buzz Osborne) will perform with Emma Ruth Rundle at 9 p.m., Thursday, July 31, at Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, in Pioneertown. Tickets are $15. For tickets or more information, call 760-365-5956, or visit pappyandharriets.com.

Published in Previews

The Melvins don’t take themselves too seriously.

They’re currently celebrating 30 years together while touring behind Everybody Loves Sausages, an album of covers that includes a version of Queen’s “Best Friend.”

They’re also making a stop at Pappy and Harriet’s Pioneertown Palace on Tuesday, Aug. 27.

The Melvins were formed in Montesano, Wash., in 1983 by Buzz Osborne (vocals, guitar). The original lineup also included Matt Lukin (bass) and Mike Dillard (drums). Eventually, Dillard left the band and was replaced by Dale Crover; Lukin also left the band, and The Melvins have gone through several bass players since.

The band’s unique cross between hardcore punk and doom metal has been linked to the grunge bands of the Northwest, largely due to the fact that Osborne was a high school classmate of late Nirvana frontman Kurt Cobain, and Cobain supported of The Melvins while Nirvana was going on to become a mainstream success.

The Melvins, meanwhile, have not been such a mainstream success; however, they remain legends of the underground and an extraordinary live band—and they actually look like they enjoy being in a band together.

“We really have nothing to live up to; that’s a plus,” Osborne said during a recent phone interview from Los Angeles. “I still like doing what I’m doing; I would probably be doing it to some degree in some fashion, whether I was playing sports arenas or not.

“I’m definitely a workaholic. When you stand up next to certain arena-rock people, you think those people would have more time on their hands and certainly more money to do whatever they want to, and they seem for some reason to work less. I’ve never understood that, and it’s very strange to me.”

When it comes to The Melvins’ connection to grunge and the fact that they’re categorized into the same scene as Pearl Jam, Osborne said the connection never boosted their image.

“We certainly sound more like Mudhoney than we do Pearl Jam,” Osborne said. “In a similar position … Pearl Jam’s audience would have no concept or have any interest in either us or Mudhoney. Pearl Jam has sold millions of records, and they’re like U2, which means they’re untouchable. They don’t care. Why should they?”

Beyond their faithful core audience, The Melvins haven’t been opposed to playing to new and mainstream audiences. However, The Melvins list Lollapalooza ’96 and Ozzfest ’98 as their least-favorite experiences. They ended up getting invited to Lollapalooza during the era when grunge was already dead, and the nu-metal bands were dominating the market.

“The interesting thing about Lollapalooza is they never had any interest in us when Perry Farrell was at the helm,” Osborne said. “Perry always thought we were ‘too metal’ for his liking and his festival. They would openly say, ‘Perry doesn’t like your band. We would like you guys to come, but Perry said no.’ … The second Perry wasn’t involved, we were in there. We played the second stage; we played to a lot of people every day, and it was great. But it was hard to be there when people had no interest.”

Osborne has an amusing story about how the band found themselves in Ozzfest in 1998.

“Ozzfest flatly said they didn’t want us to do it. When I say that, I mean they openly said they did not want us to do it. The only reason we did it is because Tool was co-headlining, and they said, ‘We want one band on this tour we can like, so we won’t do it unless The Melvins play.’”

In hindsight, there’s no love lost between The Melvins and the figureheads of those festivals.

“I’ve always said this stuff about Perry and especially Ozzy being drugged-out morons, but when Ozzy’s wife came out and said, ‘I had no idea he was on prescription drugs,’ I mean, I knew he was on prescription drugs! How the fuck could she not had known? She’s just bullshitting us!”

As Everybody Loves Sausages hits the shelves, Osborne said those covers were recorded among a lot of other material.  The band wanted to give fans an inside look at the songs that inspired them. Osborne noted that the cover of Iron Head’s “Black Betty” was not planned for the album, but rather for a commercial contest.

“We did that for a Super Bowl commercial-making contest,” said Osborne. “This company had all these bands record versions of that song, and the winner would get to have their version in a Super Bowl commercial. We didn’t win. They gave us some money to make it, and we could do whatever we wanted with the song, and we didn’t have any problem with that.”

As for what is bringing The Melvins to Pappy and Harriet’s, Osborne explained that the band is booked at the FYF Festival in Los Angeles on Aug. 25, and contractual agreements with promoter Goldenvoice prevent them from playing within a certain radius of Los Angeles.

Osborne also said bassist Jared Wallen will miss the show due to “paternity leave” and said that Jeff Pinkus from the Butthole Surfers will be filling in.

“We’ve never played there before, so it should be good,” Osborne said. “We looked for a venue that was somewhere around the Los Angeles area, and we couldn’t play Orange County, so we just figured it made sense to play Pappy and Harriet’s.”

The Melvins will perform an all-ages show with Honky at 9 p.m., Tuesday, Aug. 27, at Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown. Tickets are $15. For more information, call 760-365-5956, or visit www.pappyandharriets.com.

Published in Previews