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Sat12142019

Last updateTue, 18 Sep 2018 1pm

Last weekend’s annual Desert Daze music festival offered music enthusiasts a supersize meal of indy, alt, psych, punk and crazy tunes at the Institute of Mentalphysics, with music replacing meditation, yoga and UFOs.

Three days in Joshua Tree offered an upgrade from the one-day edition at the Sunset Ranch Oasis. The traffic jam in Mecca was replaced with a good traffic flow. Also gone were the traffic challenges that occurred during a recent Childish Gambino gig, held at the Institute of Mentalphysics by another promoter, that stoked mislaid reservations about Desert Daze.

Safety was a priority, as every car was subjected to a detailed search, including the opening of trunks. According to one of the security staffers I spoke to, they did remove an ax and a sword from a car on the first day.

Yes, promoter Phil Pirrone of JJUUJJUU had the logistics down for this increasingly ambitious festival. Desert Daze was spread out over the 400 acres of the center. The Moon Stage, for example, was easy to find—you just looked for the harvest moon that was dead-center over the stage. But getting lost was part of the fun; that is how I found a shrine to bygone technology hidden in a path behind vendors.

Desert Daze also included local artists, including Sand and Suede, which features handmade creations by owner Jenn Starr. Joshua Tree clothing designer Totally Blown uses a shotgun to design one-of-kind pieces. I later ran into co-founder Sarah Harris, and she was not packing a 12-gauge—just some joy from the music.

The Death Valley Girls made another appearance in the desert featuring fast-paced macabre garage rock. I bumped into the queen of Joshua Tree, Jesika Von Rabbit, near the small Buddha temple; she was quickly joined by Brant Bjork and Sean Wheeler, two desert kings of rock, for a quick photo.

The Sonics played favorites like “Louie, Louie” and “The Witch,” rivaling Television as the longest-tenured performers at Desert Daze; the band was founded in 1960.

Toro y Moi came back to the high desert, bringing some psychedelic funk to the Moon Stage during a windy and dusty night. Fellow Pappy’s alum Deerhunter also played on the Moon Stage, wearing a hoodie while commenting: “I want to dedicate this next song to Hanna. … I just pissed on my fucking leg,” offering Dezert Daze’s foremost TMI moment.

Saturday brought the Los Angeles trio L.A. Witch, which has been moving up in popularity over the last few years; I first saw the group perform at a small gig at the Ace Hotel in Palm Springs.

Saturday’s lineup included another female fronted band—The Coathangers, from Atlanta, who previously opened for the Black Lips in Pioneertown. The Coathangers are a buzz-worthy band; after 10 years of grueling touring, the group has earned respect in the indie scene.

Cherry Glazerr’s animated midafternoon Saturday performance showed off fuzzy and dreamy songs, comparable to those from the defunct band The Like. Thee Oh Sees also played on Saturday; I was happy to have the safety and security of the photo pit barrier, because the last time I saw the band, at my favorite desert roadhouse, I almost broke my ankle trying to get a shot in a mosh pit. Thee Oh Sees bring fun musical proto punk chaos whenever the group appears.

Indie Danish rockers The Raveonettes played on the Block Stage, playing newer songs like “Sisters” and classics like “Love in a Trashcan.” The Raveonettes are releasing a new single every month this year.

Another high desert alum, The Black Angels, played the entire album Passover, a 2006 release; it was a true treat. I first saw Black Angels vocalist Alex Maas in 2013, playing a soldout set at Pappy and Harriet’s.

Primus headlined on Saturday, and Les Claypool’s six-string bass was magical during “My Name Is Mud.” Drummer Julie Edwards of Deap Vally was in the pit during the beginning of the set with her 10-month old baby, Mira, who was wearing giant ear protectors; the toddler got really excited during heavy drum beats, suggesting that Mira received Momma’s drumming genes.

Claypool got partisan by offering a tongue-and-cheek comment poking fun at Donald Trump’s claim “that he can grab a woman’s vagina,” adding, “I say ‘vagina’ because I’m a gentleman.” I presume Mr. Claypool was unable to borrow Roger Waters’ floating pig that featured anti-Trump comments at Desert Trip.

On Sunday, Warpaint’s Jenny Lee took her dog, Ludo, onstage as she performed songs from her 2015 solo record Right On! I love the way Jenny Lee drops the bass lines; she was very impressive as a solo act, dominating the stage as she marched to her interpretation of true rock. She was one of the highlights of Sunday.

La Luz had an early set on Sunday; the group has been building a fan base by opening for bands like the Entrance Band and playing at the taste-making Echo Park Rising fest. La Luz is the only doo-wop surf band whose fans like to mosh—a true mystery.

Deap Vally was a highlight of Sunday’s afternoon, featuring Julie Edwards, the co-organizer of Desert Daze and the spouse of promoter Phil Pirrone. Deap Vally starred the howling vocals of lead singer Lindsey Troy, and the set featured “Gonnawanna” from September release Femejism.

METZ’s heavy punk sound was mosh-pit worthy, as the noise-rock group plays traditional punk that sparked a small circle pit in front of the otherwise mellow Block Stage.

On Sunday night, I hurried to catch Foxygen at the Block Stage set for a 7:30 p.m. scheduled start; attendees could see the stage crew trying to identify an unknown sound issue that finally resolved for a start time around 8.

Television headlined the Moon Stage. An apology came from Tom Verlaine, as he explained the band was asked to start a half-hour late. Verlaine asked for the spinning lights to be turned off, stating, “We’re going to have seizures if you keep those twirling discs on.” The lighting person complied, making it darker on stage. Fans in the front row sang along to “Prove It,” a detective story-themed tune from the 1977 release Marquee Moon.

I have followed Desert Daze since it began at Dillon’s Roadhouse in North Palm Springs. Little by little, this festival has grown to the point where music fans now have an opportunity to hear a lot of progressive music in a setting that’s not too large. Desert Daze is a place to hear great music—not a place just to be seen. Hopefully, the community embraces this DIY festival that has just one purpose: to rock.

Published in Reviews

Our big April Music Issue will start hitting newsstands next week—and to celebrate, we're releasing April's Coachella-themed FRESH Sessions mix a bit early!

The Coachella Valley Music and Arts Festival has been around since 1999, and has grown—massively—ever since. This year’s lineup features a diverse collection of performers from all over the world. To celebrate the festival, for this month’s FRESH Sessions, I've compiled a set of tracks that includes some music by up-and-coming artists at the festival, as well as songs by some more well-known acts.

I like Coachella because it showcases a wide variety of performers and genres. Everything from indie rock to trance is represented under various tents, all with an atmosphere that is electric. While the festival has lost a bit of its local element, unfortunately, it still seems to carry a strong sense of culture and creativity.

As for my appearances in April: Watch my Facebook page (www.facebook.com/ansofficial) for an updated list of gigs—but make sure you don’t miss the Pre-Coachella Warehouse Party, at Coachella Valley Brewing Co. (30640 Gunther St., Thousand Palms), starting at 3 p.m., Saturday, April 5. Tickets are $35, and that includes four CV Brewing Co. beers, lots of music, live art and tons more. Get your tickets now at brownpapertickets.com!

In the meantime, here’s the April FRESH Sessions. Enjoy—and watch out for a surprise!

  • Chromeo featuring Toro Y Moi, “Come Alive”
  • Duck Sauce, “Barbara Streisand”
  • Anna Lunoe and Touch Sensitive, “Real Talk”
  • Flight Facilities featuring Elizabeth Rose, “I Didn't Believe”
  • Chromeo, “Bonafied Lovin’”
  • DJ Topsider, “Mast (Yale x Classixx)”
  • Anna Lunoe “Up and Down”
  • Alf Alpha x All Night Shoes, “Deep End”
  • Justin Timberlake, “Suit and Tie” (Aeroplane Remix)
  • Flume featuring Chet Faker, “Left Alone”
Published in Subatomic

Welcome to the March edition of FRESH Sessions!

I want to thank Ivanna Love (aka Cici Ochoa) for stepping in last month with her selection of tracks. There are more guest mixes on the way!

I am always looking to evolve and share the best tracks I can find, often featuring local talent. This month, I've featured a track from Coachella Valley favorite Pedro Le Bass. You can find his music via at soundcloud.com/pedrolebass.

Follow me on Facebook for an up-to-date list of shows. I'll be at Clinic Bar Lounge on Friday, March 7, and toward the end of the month, on Friday, March 28, I am part of the lineup for the NestEggg Food Bank Benefit Show at Bar, 340 N. Palm Canyon Drive, in Palm Springs. (The show was organized by my friend Brian Blueskye, of the Independent!)

The March FRESH Mix is embedded below. Enjoy!

  • Basement Love, “Boy”
  • Toro y Moi, “Harm in Change”
  • Yuksek featuring Amanda Blank, “Extraball” (Tobasko Remix)
  • Colby O’Donis, “State of Mind” (Pedro Le Bass’ Pharmacy Remix)
  • Framewerk, “Electric Religion” (Original Mix)
  • Ks French, “Ain’t Nobody” (Ks French Re-edit)
  • Kant, “Love Like This” (Original Mix)
  • All Night Shoes, “So Far Away”
Published in Subatomic