CVIndependent

Mon11192018

Last updateTue, 18 Sep 2018 1pm

The second of this summer’s two Splash House parties landed Aug. 10 at the Palm Springs Air Museum.

By now, Splash House is running like a fine vintage watch: Shuttles running from the three main pool-party venues—the Renaissance, the Riviera and the Saguaro—delivered Splashers to the pre-party at the Air Museum on Gene Autry Trail. I’m sure most of the young fans understood the deep connection Autry had to music, baseball and Palm Springs.

I am kidding: These EDM fans were here to party and listen to the best electronic music, in an effort to warm up for the pool parties that followed the next two days.

The Black Madonna headlined the pre-party. I had no idea who she was, which allowed me to listen with no biases or preconceived notions. It turns out she is a native of Kentucky who began her career as many do, by selling mix tapes in warehouses and—in her case—farm fields that became underground music venues. She magically melds different genres of music into tracks that fit well together, helping her stand out in the bro-dominated EDM scene. Her original mix of “He Is the Voice I Hear” was absolutely enchanting.

British DJ Hannah Wants brought her house beats to the Saguaro on a very hot Saturday afternoon. The Saguaro is the über-party place of Splash House; the proximity of the room’s balconies to the elevated DJ stage makes it a faultless spot if attendees do not want to leave their rooms.

Louis the Child was excited to be headlining the Renaissance on Saturday night. Robby Hauldren asked the crowd if they wanted a standard set, or a one-of-a-kind set. The crowd was mum on the subject, so the duo went with an incredible new set. “It’s Strange” was a pleasing tune. Aware of the long, hot day, Hauldren inquired as to the mood of the audience: “Are you still all right out there? Are you feeling the love? Are you feeling amazing?” This garnered a cheer from the sun-baked crowd.

Hauldren announced with excitement: “This is our first time headlining a festival.” He then announced the last song, a recorded track, “Better Not” (featuring Wafia), which played as they waved to fans.

One of the highlights of the Splash House after-hours party, once again held at the Air Museum, was Mija—a post-modern harlequin-like tech-house dream. Her “Notice Me”—with the words “I want you so badly in this weather, If only we could be together”—was joyful.

I was excited to see DJ Alex Harrington, whom I first met several years ago at Splash House when Gorgon City played in front of a few hundred fans at the now-defunct Hard Rock Hotel. Alex got the nod to open on the same stage where Gorgon City was the headliner last Sunday at the Renaissance. Harrington, a local and a former Independent contributor, has a new record coming out, Stargazer, and this was a great opportunity to show case his talent to a noon crowd who got to listen to his original material.

Splash House is like any music festival, in the sense that one can find gems while wandering around early in the day—like Silva, a DJ/producer playing a 1 p.m. set at the Riviera.

On a shuttle ride back the Saguaro, I met Kaley from Los Angeles, and Tina from Portland. Both ladies had floaties that were partially inflated. As Kaley was inflating her floatie, she said the air valve tasted like salad—and that she hates salad. She later explained that the night before, after the Louis the Child set, they’d acquired the floaties after they were abandoned by their previous owners; presumably, the person who previously inflated the floatie liked salads. Later that day, they waved happily when they spotted me at the Riviera. The best thing about Splash House is that everyone is in good spirits; it is easily the most laid-back music scene I cover all year.

Early Sunday evening, Grammy-nominated Camelphat packed the Renaissance during their nearly 90-minute set, keeping the bass strong, which re-energized the dancers.

Gorgon City returned to Splash House to close out the night. Fans adored new track “Love Me.” I am sure that while standing on the massive stage, they reflected upon the first time they played this event—in a room that was smaller than that stage.

As Splash House concluded for another year, I wondered: Is this a music festival, or just a well-planned pool party? Frankly, I don’t think it matters, because attendees are getting exactly what they paid for—a fun weekend under the sun with thousands of like-minded fun-seekers.

Published in Reviews

A sold-out Splash House officially got the summer season started in Palm Springs June 8-10. The celebration started at the Palm Springs Air Museum on a pleasant if windy summer night, before the daytime fun began at The Renaissance, The Riviera and The Saguaro.

I’ve been coming to Splash House for a few years now, so I fully understand how this hip counterpart to Coachella is an excellent excuse to party—and show off the results of your CrossFit training. Cole Porter said it best: “And that’s why birds do it, bees do it—even educated fleas do it; let’s do it.” And so some of the best DJs around created the soundtrack as the young and the young at heart looked for love—or at least a dance partner for the night.

The VIP section at the Palm Springs Air Museum allowed attendees to spread their figurative wings and relax on comfortable couches—and even offered access to the side of the stage, allowing attendees to be next to the talent, yet away from the crowded masses.

Touch Sensitive was the standout in the early evening at the museum, thanks in part to the disco song about positive affirmation, “Veronica”: “Hey baby, am I the only one that makes you lose your mind? Yes baby, hey baby, am I the one you want to fuck all the time? Yes baby.”

On Saturday afternoon at the Riviera, SMLE was a blast, spinning the original track “With Me” featuring Mary Ellen and Hyper Turner: “I’m waiting for my phone to ring; I’m wondering where you could be, and I’m waiting for that knock on my door, feeling restless; I can’t take any more.” The Riviera pool was crammed with so much splashing I was surprised there was any water left after the SMLE set.

The Dusky DJ set highlighted an awesome fun mashup featuring “Oh Yeah” by the Swiss band Yellow, highlighted on Ferris Bueller’s Day Off—which came out decades before most of the audience was born.

The Grammy-nominated Duke Dumont closed out the Renaissance on Saturday, pleasing sunbathers and dancers loving the cool ambiance of “Ocean Drive”: “Don’t say a word while we danced with the devil.”

Security was over-the-top Sunday for attendees trying to get into the Riviera. People wearing just bikinis and banana hammocks were being patted down in search of contraband … which was odd. However, the line was worth it to see Chet Porter, who greeted the crowd: “Hello, Splash House; my name is Chet Porter. Are you having a good time?” Fans grooved to “Sad Machine X I love Kayne Mashup,” a fantastic improvement to the self-love tune, “I Love Kanye” by Kayne West.

After three days in the heat, another enjoyable Splash House was in the can. I’ll see you in August for Splash House Part II.

Published in Reviews

Cliff Young has been a well-known face in the Southern California food scene for more than two decades.

He’s owned coffee carts and coffee houses. He’s done restaurant reviews. He’s organized food festivals. He’s hosted popular radio and TV shows, including a local PBS show, Out to Eat, for more than five years. Through it all, however, his true passion has always been coffee—specifically, roasting coffee.

About six months ago, he put aside his media efforts to focus on his passion full-time via his brand-new Coachella Valley Coffee Co. The “small-batch artisanal coffee roasting” company today makes coffees specifically tailored to individual restaurants, while also roasting coffee that’s great to brew up at home—and Young always makes sure that a chunk of the proceeds go toward philanthropy. Young’s coffee can be purchased online or at retailers including Tipper’s Gourmet Marketplace and the Palm Springs Air Museum.

To order coffee or learn more, visit coachellavalleycoffee.com. We recently sat down with Young at—where else?—a coffee house for a chat.

What possessed you to go ahead and start Coachella Valley Coffee Company?

I’ve been roasting since 1994. I started my first coffee business at Kaiser Permanente in Fontana—a little coffee cart. If you go to any Kaiser … those coffee carts were started by me. So I’ve been in the coffee business a long time. I wanted more control over my product, so I started going to Seattle, and hanging out with the roasters in San Francisco. I love taking this raw green coffee bean, which is about 12 to 15 percent moisture, and turning it into this gorgeous brown bean. Done rightly, the sugars come out.

A lot of people think, “Oh, I’ll just buy a roaster. I’m going to put this in, and it comes out.” No, it doesn’t. I learned from the old guys up in San Francisco, when Alfred Peet was still alive. It was nose and ears—it was olfactory and your ears. I can smell what’s going on with that coffee bean during the roasting process, and I can listen to it. I love standing next to my roaster, and just closing my eyes, and going, “That bean’s at 386 degrees,” and I’ll be within a degree or two, because you can hear what’s going on with that coffee. Even though we all have computers now telling us what to do, a computer can’t smell; a computer doesn’t taste.

I sold all of my other roasting businesses in ’08, before I started my PBS television show, because I was going to get rich on PBS. (Laughs.) Out to Eat was a fun show; I was No. 2 in ratings behind Huell Howser. Even after Huell died, he was still beating me in the ratings.

After moving back out here from Los Angeles, I said, “I’ve got to do something besides PBS, because I’m not paying the bills.” I’ve always been very, very good at roasting. Everybody has something they’re good at, and that was my thing. I built my own restaurants, opened my own restaurants—but this coffee thing, it got me. It’s my thing. I travel to the farms and meet the farmers …

Let me ask you about that. I just finished a bag of fantastic Nicaraguan coffee from you at home. How do these beans get from Nicaragua or Sumatra, or wherever it is, to your roaster?

Cliff Young, the roastmaster general, goes to Nicaragua, or Guatemala, or Costa Rica, or Colombia—I go to every country except for the African countries. I might buy from brokers who’ve been in the business for 30 years. I go visit farms. I learned years ago that just because it’s from, you know, Columbia, it doesn’t mean it’s good coffee. Columbia grows a lot of bad coffee, and so does Guatemala. The key is finding the farmers who take care of their crops, who are making sure they have the right fertilizers, natural, and that they’re feeding (their crops). Then you pay them properly … so they’re making money, and I get a great product.

I just got back from Nicaragua, where I’ve been going since ’03—(with) some of the best coffees ever. Luckily, I took one of my roasting friends with me, a kid who used to work for me, who now owns my very first coffeehouses in Redlands, and is roasting and doing a good job. We bought the entire crop. He said, “This is the best coffee we’ve ever had,” and thank god he has a bigger credit card than me. Then we book shipping containers and get it up here. It takes us a couple of weeks. Then I hold it … in a controlled environment. Even though we’re out in the desert, I have a controlled warehouse, because I want to keep that moisture content at 12 percent in that raw bean, so I have something to work with when it’s time to roast.

I think that’s what sets me apart: I travel. I know the farmers, and I make sure the farmers are taken care of. I enjoy traveling to these countries and making sure that not just the farm, but the local community, is taken care of.

Since you started doing this full-time again, how’s the reception been?

I thought it would be better, because I thought, “OK, I know so many of the shops and the restaurateurs in the valley; they’ve been on my television show, and on my radio shows,” so I thought they would just crawl all over me. It’s tough, and I know part of it is that I’m new. There are a couple other roasters out here that have been doing it for three years, or five years. I’ve got 25 years under my belt, and there’s a world of difference. I think I just have to put my product in front of them and let them try it, and compare it to anybody else’s, and they’ll notice the difference.

Where can your coffee be found right now?

A couple of the places in the Coachella Valley are Heirloom Craft Kitchen in La Quinta … and Wabi Sabi (Japan Living) and Tipper’s Gourmet Marketplace in downtown Palm Springs; Oscar’s just picked us up, and Alebrije Bistro Mexico. … It took me about three tries to get a roast level that they were happy with. Theirs is really a half dark and half city roast.

You’re actually customizing your coffee for your different clients?

Yeah, I try to customize it for each restaurant, because … different coffees go with different foods. For Alebrije and the Mexican food with a little more fat in it, I wanted to get a darker roast in there that cleanses the palate. If I was going into more of a strictly breakfast restaurant, I’m going to stick with a little bit of a lighter roast.

What’s the best cup of coffee you’ve ever had?

It was on one of my first trips to Nicaragua in 2004. We didn’t want to stay in the city with the farm owner at their nice house, so we stayed at the farm with the workers, because I thought, “Oh, how cute, I want to pick coffee.” Well, that lasted about a half-hour, because it’s hard, and it was raining, and I’m falling down. … We stayed there at the farm in their new building, which just meant it was a one-room building with a concrete floor. Every day, we had black beans and rice and tortillas. You could hear the cook when she got to work at 5 a.m., because you could just hear slap, slap, slap as she’s making tortillas in the morning.

What made it good was … we figured out everything: We got a great coffee; we brewed it correctly. Roasted correctly, coffee has natural sugars in it, and you know you’ve done it right when people are putting less and less flavored syrups or sweeteners in their coffee. We take that liquid, that 12 percent moisture, and we caramelize (the bean) correctly at the right heat, and we have about 5 seconds while we can turn that into sugar, or we can destroy it. … (It’s not) full of sugar; it’s not that kind of sweet. It’s smooth. It’s almost velvety.

Most of us drink our coffee at home. When you’re making coffee for the general public, you can’t really customize it to a food, like you are for a restaurant. What do you do to make sure that coffee is great?

What am I doing? I’m packing it into a plastic bag with a valve that releases the carbon dioxide, because as coffee ages, it’s letting out (carbon dioxide). After a couple of weeks, all the gas is gone; all the CO2 is gone. CO2 is good, because it also moves flavors around in your mouth, so once all the CO2 is gone, it’s stale, old coffee.

When you get coffee, grind it right before you brew it, because within a few minutes of grinding coffee, 50 percent of those oils and the flavor disappear. So grind it fresh, and then use good water. If you drink your water from the tap, and it tastes good, then it’s good. We don’t have to over-complicate this. Buy a decent grinder—you can get one for $30. So you have good, fresh-ground coffee, good water and hot water—water’s got to be right off of the boil, about 202 degrees. That’s the issue with a lot of home coffee makers—they don’t get hot enough, and if you don’t get hot enough, you’re not extracting everything you want to.

Published in Features & Profiles

Thanks to the exploding popularity of craft beer, large-scale beer events these days are becoming ever-more common.

But it’s safe to say that the Palm Springs Air Museum’s annual Props and Hops Craft Beer Fest is the only large-scale beer event around these parts where you can sample fantastic brews and go for a ride in a vintage airplane.

The Sixth Annual Props and Hops Craft Beer Fest will take place from noon to 5 p.m., Saturday, Nov. 18. Air Museum spokesperson Ann Greer pointed out how great of a venue the Air Museum is for events; the Air Museum now hosts everything from Palm Springs Leather Pride to Splash House after-parties.

“The Air Museum in general is a very unique facility, with 86,000 square feet inside, and 40,000 square feet outside,” Greer said. “It’s near the airport, so there are no sound issues or concerns about the volume of the music, and there’s plenty of parking.”

Unlike Splash House and Leather Pride, Props and Hops is the museum’s own event—and that means it has a definite airplane vibe. This year, pilots of three different airplanes will be offering attendees rides for an extra fee: a P-51 Mustang; a DC-3; and the B-25 “Executive Sweet.” Rides on the DC-3 can be purchased in advance via the Air Museum for $195 (which includes festival admission); rides on the other two planes must be purchased at the event, or by calling the plane owners directly. (See the Props and Hops website for more information.)

If you have no interest in a plane ride, but you love craft beer, no worries: Props and Hops will be featuring beer from 20-plus breweries, including our valley’s very own La Quinta Brewing Co. and Coachella Valley Brewing Co. Food from In-n-Out Burger, G’s Taco Spot and Knights of Columbus Pizza will be available for sale.

“It’s very laid back,” Greer said. “You can be outside or inside, whatever your preference. If you want, you can just hang out, listen to music and watch planes take off.”

As for that music: Alex Harrington will be providing the day’s entertainment, along with singer David Macias. Harrington—the former Coachella Valley Independent resident DJ—is one of the valley’s most in-demand DJs, and he said he’s a fan of Props and Hops.

“Opportunities to play venues like this don’t come along too often,” he said. “It’s kind of hard to vibe off of airplanes taking off, but the energy at the event is really good.”

This will be the first Props and Hops to include the Palm Springs Air Museum’s brand-new hangar, which focuses on the Cold War, the Korean War and the Vietnam War. Greer mentioned that Props and Hops is a useful event for the Air Museum, because it gives the facility exposure to a younger crowd.

In a similar vein, Harrington said he’s excited about the fact that Props and Hops will introduce his brand of electronic dance music to people who have never heard him perform before.

“I love to bring my sound and the idea of DJing to new crowds,” Harrington said.

The Sixth Annual Props and Hops Craft Beer Fest takes place from noon to 5 p.m., Saturday, Nov. 18, at the Palm Springs Air Museum, 745 N. Gene Autry Trail, in Palm Springs. General admission is $40 in advance, or $45 at the door, and includes a commemorative tasting mug and eight 4-ounce beer-tastings. Designated drivers pay $5 at the door. Props and Hops is a 21-and-older event, although well-behaved dogs on leashes are welcome; attendees are encouraged to bring folding chairs. For tickets or more information, visit pspropshops.com.

Published in Local Fun

The three-day party that it is Splash House returned for the second and final time this summer, running Aug. 11-13.

The Friday night pre-party, at the Palm Springs Air Museum, featured the best performances of the entire weekend, in my book—but I must admit I’m biased toward performers who use instruments.

Klatch, hailing from the West Coast dance scene, kicked things off on Friday with a traditional DJ set, igniting the early evening crowd. Edlerbrook took things in a different direction with smoldering vocals merging with ambient digitized electronic sampling. The track “Difficult to Love” is an agreeable tune about how we see early experiences optimistically, compared to the actual eventual reality of the experience: “I’m difficult to love at the best of times; oh, at the best of times, I’m high again (high, high, high); and maybe that was mistake (my mistake, my mistake, uhm); you said I waste time, and I never get why you’re in love with me.”

Elderbrook wowed fans with the song “How Many Times,” ending with the tune and saying, “Peace,” before walking off the stage. After his performance, a happy devotee grabbed me by the shoulder and proclaimed, “That’s Elderbrook. He is going to be big; write it down.”

I just want to say I completely fell in love with Sofi Tukker, a New York-based duo featuring Sophie Hawley-Weld and Tucker Halpern. The cheerful Halpern mentioned, “The last time we were out here was for Coachella.” Sofi Tukker’s music was very danceable, with electronic beats and strong guitar riffs from Hawley-Weld, and lots running around the stage. The song “Greed” took on POTUS directly with full electronic goodness: “Your ego, your crashing, your greed, keeping you up all night.”

Bob Moses ended the night with a fantastic song, “Like It or Not,” with some words of wisdom: “It’s gotta mean something; it’s gotta mean something to you; it’s gotta keep pushing; you gotta keep pushing through.”

The Saguaro, the Riviera, and the Renaissance accommodated crowds once again on Saturday and Sunday. I started Saturday off at the Saguaro, the most intimate of the three venues, where the balconies were covered up more than the attendees. As I walked in, a guy stopped me, seeing my camera gear, and had his friends clear a path in front of the DJ so he could do a summersault … just because. The atmosphere at the Saguaro is all about being there and having fun; most of the crowd was away from the DJ booth, instead enjoying the pool and/or looking for a future mate.

Over at the Riviera on Saturday, the pool was packed and overflowing; there always seem to be pools of water on the sides, caused by the crowded conditions. Manila Killa spun pure joy, enthralling listeners with indie-pop electronica.

On Saturday, Gigamesh, aka Matthew Thomas Masurka, performed on the Renaissance stage. His set was slated to be an hour long, but his time onstage was cut short due to his equipment heating up; the west-facing stage unfortunately lacked protection from the heat.

Splash House ran like a Swiss watch when it came to set times, but security was very strict, even checking wallets for contraband. It was hot as heck, which may have explained the more-subdued crowd on the between-venue shuttles, as compared to the June Splash House: I did not witness any dancing or singing this time around.

Hoping for another great time at the Air Museum, I headed back on Saturday night for former LCD Soundsystem frontman James Murphy’s DJ set, which was competent but lacked the punch of the performances the night before. Only the diehards could dance in the sweltering heat that night, and the VIP lounge was packed with seated guests observing instead of engaging in the music.

On Sunday at the Renaissance, Sango sampled some amazing tracks, including Young Thug’s rap verse which doubles as sage advice from a gunslinger: “Don’t try to take it; I got guns; I’m talkin’ guns, not pellets.” Sango kept the thumping loud, with plenty of hooks that excited the evening admirers.

Closing out Splash House at the Renaissance was Kaytranada. Unfortunately, the scorching set by Sango may have heated things up too much, because technical difficulties hampered the beginning of his show. He took the problems with a smile: “My shit is not set up yet. I am going to play whatever! ... This is a god damn disaster,” he said as a large skipping sound flowed through the massive speakers. Later, the sampling of Suede’s “NxWorries” was the perfect way for him to express frustration for this minor glitch in his headlining gig: “If I call you a bitch, it’s ’cause you’re my bitch, and as long as no one else call you a bitch, then there won’t be no problems. Now, If I call you a trick, it’s ’cause you paid the rent.” We can only speculate whether this track was dropped to express frustration with the production staff. At the end, Kaytranada had everyone dancing, with smiles on the faces of the die-hard partygoers.

Splash House once again was a joyful event. Everyone chills out and gets along, no matter their background, ethnicity or sexual orientation. If we could infuse the inclusiveness of this event into the rest of the country, we would all be better for it.

Published in Reviews

The three-day party known as Splash House returned to Palm Springs last weekend for the first of two stints this summer, opening Friday night with a celebration at the Palm Springs Air Museum.

“Yo, Splash House, right now, this is LondonBridge,” said one of the opening-night DJs. “You are all going to kiss someone you’ve never kissed before,” he predicted as he laid down the beats that got the early birds dancing.

Some in attendance partied a little too much, too early, as I ran into some first-year osteopathic medical-school students who created a technicolor yawn near the picnic area that needed to be mopped up. However, not all in attendance were bound to be doctors, as I overheard a bleached-blond surfer dude make a profound statement: “I think that’s an airport.” His companion, a human version of a Barbie doll, replied: “Yeah I think it is.”

Malaa, a rumored Frenchman, who loves heavy bass lines, drew the crowd close; perhaps attendees were trying to peek under the mask. Malaa was a delight when the track “When a Fire Starts to Burn” pounded through the massive speakers—a great start to the first night of Splash House.

For the uninitiated: Splash House is a pool party hosted at three hotels, this time The Saguaro, the Riviera, and the Renaissance, all in Palm Springs. On Saturday, I started things off at the Saguaro with a lot of people showing their body confidence. The layout at the Saguaro allows all balcony guests to have a great view of the happenings below. Kudos to the Holy Ship! Flag-draped balcony—that rocked! Josh Vela, known as MSCLS, had an early slot on Saturday, and he brought a fun underground club set, pumping the crowd up with a question: “Splash House, how are you feeling?” which got a happy cheer back from the fans.

Splash House is a well-run event—including strict ID checks at every venue, and a timely shuttle that transports attendees between each hotel while providing free bottled water to keep people hydrated. The bus drivers are very tolerant of enthusiastic behavior; a young man on one of my shuttle trips scaled the ceiling of the bus, providing bonus entertainment as I was on my way to the Riviera to see Brasstracks, the Brooklyn-based duo that pumps blissful horns mixed with electronic goodness. I have a soft spot for actual instruments, and Brasstracks blew me away the new track “Good Love,” off the EP of the same name.

Thomas Jack was back at Splash House after headlining in 2015, bringing tropical and dark house music to the Renaissance on Saturday; it moved the happy and friendly attendees into a blissful place.

The party must go on, so I headed to the Air Museum on Saturday night on a very cool and windy evening to watch the nonstop party. However, I cut things short in order to pace myself for Sunday—which turned out to be my highlight of the festival, at the Renaissance.

Nora En Pure, a former model, combined tribal thumping with piano melodies, crafting a sensual feel. She concentrated on the turntables in front of her, at one point sampling Tears for Fears’ “Shout.” I highly recommend you listen to her new EP, Conquer Yosemite.

Sam Feldt is best known for his rendering of the party tune “Show Me Love,” and the Dutchman brought lots of effervescent tracks to a large audience. His set included a brass section, which brought a bonus layer of complexity.

Bonobo, who performed at Coachella this year, closed out Splash House with a DJ set. His great music was the catalyst for the celebratory and, at times, hedonic happenings that surrounded me as fans were losing their minds.

The laid-back vibe of Splash House is unique to the desert; gone are the attitudes of music fans behind a velvet rope in L.A., giving Splash House an edge for fun-seekers who skip fake tans in favor of some real desert sun.

Published in Reviews

When Classixx released debut album Hanging Gardens in 2013, the duo struck gold when single “All You’re Waiting For” became a nu-disco anthem.

In 2014, Classixx (Michael David and Tyler Blake) co-headlined the Tachevah Block Party in Palm Springs with Fitz and the Tantrums. In 2016, the duo released sophomore album Faraway Reach, and this year, they made their second appearance at Coachella. This weekend, Classixx will be returning to the Coachella Valley and performing at Splash House’s after-party, After Hours at the Museum.

The DJs are inspired by genres from disco to R&B, making them something of an oddity in the world of dance music. During a recent phone interview with Tyler Blake, he said that at times, he and David feel like they stick out like a sore thumb.

“I think since we’ve been playing live a lot over the past couple of years, that we feel like we’re in between a band and DJs, and sometimes for people who aren’t super-familiar with electronic music, it can feel confusing,” Blake said. “But at the end of the day, we just put on as good of a show as we can, whether we’re DJing or playing live. I think that the quality is really what we’re concerned with. Hopefully, if we’re doing things right, people walk away from the show having had a good time, and that’s all that really matters.”

Considering that David and Blake do a lot of what’s called nu-disco, I asked Blake if he felt that disco music ever really died.

“I think that (disco) was dormant for a while,” he replied. “I think in the ’70s and early ’80s, everybody was playing disco, and it was very well-loved. Every rock band even had a disco song, and even KISS had a disco song. It was really loved, and then this ‘disco sucks’ movement happened. People burned disco records, and after that, it had a bad taste in people’s mouths. When people thought of disco, they thought of bar mitzvah music like KC and the Sunshine Band. They didn’t realize that disco came from a really cool underground structure, and also kind of a gay subculture. In a lot of ways, it was really punk. A lot of things wouldn’t have had happened if there was no disco. There would be no house music. It’s really what started modern dance music.”

The differences between nu-disco and the disco of old really come down to technology, Blake said.

“To make a really proper-sounding disco record in the late ’70s or early ’80s, you had to have a really state-of-the-art studio,” he said. “One of the things about those records is that the playing on them is fantastic—people like Bernard Edwards and Nile Rodgers of Chic and other world-class musicians playing at the highest level. Mike and I appreciate that. We can play, but there’s a lot more technology now to make things sound more unique and modern. I think we try to incorporate modern sounds into what we do.”

Classixx’s second album, Faraway Reach, was another critical success. Blake explained the difference between the two albums.

“I think our approach was very similar. Our approach is always to make music that we want to hear,” he said. “… If we hear something that influences us, and we want to incorporate it, that’s what we do. The difference between the first record and the second record is the first record was the first Classixx album of our lives. It was really trying to put something together to represent us and introduce us to the world. The second time around, we were a little less concerned about establishing a sound. We felt a lot more free to do what we wanted to do. We wanted to make something that sounded a lot more modern instead of retro this time. I think at the end of the day, that’s the impression I get from it.”

Blake said he and David are currently working on new music.

“Our touring has slowed down,” he said. “We did a lot of touring in the second half in 2016 supporting Faraway Reach. Now we’re home, and we’re trying to make a lot more music. We’re putting less pressure on ourselves to make an entire new album. … Our idea is vague as to how we’re going to release it—whether we’re going to put out singles or make an EP, or who knows, maybe enough material that is cohesive enough to put out another album. Right now, we’re just focusing on making music without any sort of plan.”

After playing Tachevah and twice at Coachella, Classixx is a good fit for the Coachella Valley, Blake said.

“It’s a beautiful place,” he said. “This show that we’re playing will be at night, and we’re playing outside at the Palm Springs Air Museum. We love playing outside in Palm Springs; it’s really beautiful, especially for our music. People tend to think of our music as something you play in the summer or at a pool party. It’s not really a conscious decision for us to make music for that environment, but it seems like it lends itself well to it.”

Splash House’s June edition takes place Friday, June 9, through Sunday, June 11. General admission passes start at $135; after-hours-only passes start at $40. For more information, visit www.splashhouse.com.

Published in Previews

The biggest month for music in the Coachella Valley is here, thanks to Coachella and Stagecoach—and even if you’re not going to either of the fests, there are still plenty of other things to do.

The McCallum Theatre has a variety of shows in April, the last big month in the theater’s 2016-2017 season. At 8 p.m., Thursday, April 6, the daughter of Lucy and Desi, Lucie Arnaz will be performing her favorites from the Great American Songbook, backed by the Desert Symphony. Tickets are $67 to $115. At 8 p.m., Friday, April 7, get ready to laugh with Rita Rudner. Rudner is a legendary comedienne and will have you in stitches. Tickets are $37 to $87. At 8 p.m. Saturday, April 22, actress and singer Kristin Chenoweth will perform songs from Glee, Wicked and various Broadway standards. Tickets are $57 to $97. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs Resort Casino has a great April schedule. At 8 p.m., Friday, April 7, Kenny Loggins will be performing. Loggins has had quite a career, including “Danger Zone” from Top Gun (and, more recently, Archer), “I’m Alright” from Caddyshack, the main song for the Footloose soundtrack—and a lot of hits that weren’t in movies. Alas, when I interviewed Loggins at Stagecoach in 2013, he was more interested in the M&Ms he was eating off of a napkin than my questions. Tickets are $39 to $69. At 8 p.m., Saturday, April 8, Creedence Clearwater Revisited will be returning to the desert. The PR rep told me the group has a new singer, Dan McGuinness, who had subbed at various times for former vocalist John Tristao. Tickets are $39 to $59. At 8 p.m., Friday, April 21, David Crosby will be stopping by for a solo performance. On top of his work with Crosby, Stills and Nash, he was a member of The Byrds, and he’s been inducted into the Rock and Roll Hall of Fame with both bands. Tickets are $39 to $59. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 800-827-2946; www.fantasyspringsresort.com.

Agua Caliente Casino Resort Spa is hosting several sold-out shows in April, but as of our press deadline, there was still one show with tickets left: At 8 p.m., Saturday, April 22, actor and comedian Kevin James will be appearing. James had a successful run on the show The King of Queens, and achieved some degree of movie fame by playing Paul Blart: Mall Cop. It seems in recent years that he’s been in too many bad projects produced by Adam Sandler. It should be interesting to see how his stand-up comedy will be after years of sitcoms and films. Tickets are $65 to $95. The Show at Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Spotlight 29 casino has a couple of events to consider. At 8 p.m., Saturday, April 22, ’80s/’90s R&B sensation Keith Sweat (upper right) will be performing. Some of the best R&B music of that era was written and performed by Sweat; he’s released 12 albums and won the Favorite Male R&B/Soul Artist Award at the 1997 American Music Awards. Tickets are $25 to $45. I can’t believe I am about to write this sentence: At 8 p.m., Saturday, April 29, Extreme Midget Wrestling will be returning to Spotlight 29. I honestly don’t know what to say here. Like anyone else, people with dwarfism are doctors, scientists, actors and actresses—yet people often first think of crap like this when it comes to dwarfism. Also, most people with dwarfism prefer the term “little people.” Whatever entertainment floats your boat, I guess. Tickets are $20. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Morongo Casino Resort Spa, much like Agua Caliente, is hosting a lot of great April shows that are already sold out. Get ready for glistening beefcake when Thunder From Down Under returns at 8 p.m., Friday, April 7. Tickets are $25—and the show was close to selling out as of our deadline, so act fast. At 9 p.m., Friday, April 28, Jana Kramer will take the stage. You may know her from One Tree Hill or (gag) Dancing With the Stars, but both her albums have reached the Top 5 on the U.S. country charts. Tickets are $29. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Pappy and Harriet’s Pioneertown Palace is the place to be in April, especially during Coachella and Stagecoach, when a lot of the festival acts stop by. At 8 p.m., Thursday, April 6, the band named after a KCRW DJ, Cherry Glazerr will be performing. Considering KCRW has been playing the band quite a bit, and Chery Glaser herself said she’s honored by the band’s name, it’s worth going to check them out. Tickets are $14. At 4 p.m., Saturday, April 8, Brant Bjork will be bringing back his Rolling Heavy-sponsored Desert Generator festival. On the bill this time are Earthless, Orchid, The Shrine and Black Rainbows. Tickets are $55 to $295. At 9 p.m., Sunday, April 30, hot off a Stagecoach performance, Son Volt will perform. Tickets are $25. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

Take note of this Coachella-related event: At 9 p.m., Thursday, April 13, Goldenvoice and FYF will present Young Turks in Palm Springs at the Palm Springs Air Museum. The show will feature Ben UFO, Four Tet, Francis and the Lights, Jamie xx, Kamaiyah, and Sampha with special guests PNL. Tickets are $30. Palm Springs Air Museum, 745 N. Gene Autry Trail, Palm Springs; 760-778-6262; aeglive.com.

The Date Shed has one event scheduled. At 8 p.m., Saturday, April 8, Katchafire (below) will be performing. The reggae band from New Zealand is celebrating its 20th anniversary, and the stop at the Date Shed should be pretty epic. Tickets are $25 to $35. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.dateshedmusic.com.

Published in Previews

Comedy

Gabriel Iglesias

The famously fluffy comedian performs. 8 p.m., Saturday, May 2; and 6 p.m., Sunday, May 3. $45 to $75. The Show at Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage. 888-999-1995; www.hotwatercasino.com.

Film

Arthur Lyons Film Noir Festival

This unique festival features an eclectic mixture of landmark and obscure vintage movies from the classic film noir era. Various times and prices, Thursday, May 14, through Sunday, May 17. Camelot Theatres, 2300 E. Baristo Road, Palm Springs. Arthurlyonsfilmnoir.ning.com.

Music

Dueling Pianos

America’s top dueling-pianos show returns for one night only of energetic song, fun and audience participation by two extremely talented piano performers. What makes this show unique? The audience chooses all the songs. The audience also chooses what not to play and when to stop. 7 p.m., Saturday, May 2. $10. Purple Room, 1900 E. Palm Canyon Drive, Palm Springs. 800-838-3006; purpleroompalmsprings.com

Fantasy Springs Rock Yard Concert Series

At 7:30 p.m., full-throttle rock music fires up, and the live music continues until midnight. Friday, May 1: Tribute to Duran Duran. Saturday, May 2: Tribute to Red Hot Chili Peppers. Saturday, May 9: Tribute to Queen. Friday, May 15: Tribute to ZZ Top. Saturday, May 16: Tribute to Van Halen. Saturday, May 23: Tribute to Prince. Saturday, May 30: Tribute to Guns N’ Roses. Call for other shows. Free. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio. 888-331-5645; www.fantasyspringsresort.com.

For the Love of Broadway With Carole Cook

Meet a true Broadway star, Carole Cook, of 42nd Street and TV shows The Lucy Show and Here’s Lucy. 7 p.m., Friday and Saturday, May 22 and 23; and 1 p.m., Sunday, May 24. $30. Purple Room, 1900 E. Palm Canyon Drive, Palm Springs. 800-838-3006; purpleroompalmsprings.com.

Grooves at the Westin: Hiroshima

Grammy-nominated Hiroshima creates a musical world all its own. The intoxicating mix of traditional Japanese folk music and instruments interwoven with jazz, R&B, salsa and more has been a pioneering voice in contemporary music since the 1970s. 7 p.m., Saturday, May 16. $45 and up. Westin Mission Hills Golf Resort and Spa, 71333 Dinah Shore Drive, Rancho Mirage. 760-770-2150; www.westinmissionhills.com.

Vanessa Sheldon, Harpist, With PSHS Orchestra

Vanessa Sheldon will perform a variety of solo harp music and the Handel Concerto with the Palm Springs High School Orchestra. Soloists from the high school will also be featured on flute, saxophone and viola. 4 p.m., Sunday, May 10. $15. Palm Desert Community Presbyterian Church, 47321 Highway 74, Palm Desert. 760-861-0350; www.gold2ivory.com.

Special Events

AIDS Assistance Program’s Evening Under The Stars Gala

The 22nd annual Evening Under the Stars gala will feature a performance by music legend Darlene Love, followed by dancing to a high-energy band. Love has had several Billboard hits and was featured in the Academy Award-winning movie Twenty Feet From Stardom. The event includes cocktails, dinner, dancing, and silent and live auctions of extraordinary trips, one-of-a-kind collectibles, marvelous merchandise and more. 5:30 p.m., Saturday, May 9. $395 and up. O’Donnell Golf Club, 301 N. Belardo Road, Palm Springs. 760-325-8481; aidsassistance.org/evening-under-the-stars.php.

Brew at the Zoo

"Save Wildlife One Beer at a Time." Enjoy a sampling of handcrafted beers, food and live entertainment from more than 50 local breweries and restaurants. Proceeds help The Living Desert care for more than 500 animals and 1,600 protected acres, and provide scholarship programs for thousands of visiting school children. 6:30 p.m., Saturday, May 2. $50; $40 members; $125 VIP. The Living Desert, 47900 Portola Ave., Palm Desert. 760-346-5694; www.livingdesert.org/event/brew-at-the-zoo.

Discover Indio Block Party

Join the city of Indio and the Indio Chamber of Commerce to celebrate the 85th anniversary of Indio with a free community block party. Included in the festivities will be a motorcycle show, classic car show, carnival rides, food trucks, barbecue, kids activities, mini-train rides, art installations, live bands and more. 10 a.m. to 2 p.m., Saturday, May 16. Free. Indio Chamber of Commerce, 82921 Indio Blvd., Indio. 760- 347.0676; indiochamber.org.

The Geology of Gold and Silver

This lecture by D.D Trent, a professor emeritus at Citrus College, is part of the Old School House Lecture Series, which started in 1999 and is run in partnership with the Twentynine Palms Historical Society. 7 p.m., Friday, May 8. $5 at the door. Old Schoolhouse Museum, 6760 National Park Drive, Twentynine Palms. 760-367-5535.

Memorial Day Flower Drop and Air Fair

This special day at the Palm Springs Air Museum includes a brief memorial service dedicated to all of our fallen comrades, who paid the ultimate price for our freedoms. In their honor is a fly-by and flower drop of more than 3,000 red and white carnations from a B-25 Mitchell bomber. 1 p.m., Monday, May 25. $16 with discounts. Palm Springs Air Museum, 745 N. Gene Autry Trail, Palm Springs. 760-778-6262; palmspringsairmuseum.org.

Visual Arts

Summoning Ghosts: The Art of Hung Liu

This exhibition of art by prominent Chinese artist Hung Liu features more than 65 works, including 34 large-scale paintings, ephemera (sketch books, photos, informal paintings) and studies from private and public collections from around the world. On display 10 a.m. to 5 p.m., Tuesday, Wednesday, Friday and Sunday; and noon to 8 p.m., Thursday, through Sunday, May 24. $12.50, with various discounts and free periods. Palm Springs Art Museum, 101 Museum Drive, Palm Springs. 760-322-4800; www.psmuseum.org.

Submit your free arts listings at calendar.artsoasis.org. The listings presented above were all posted on the ArtsOasis calendar, and formatted/edited by Coachella Valley Independent staff. The Independent recommends calling to confirm all events information presented here.

Published in Local Fun

Film

Screening of ‘Tim’s Vermeer’

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all of art: How did 17th century Dutch master Johannes Vermeer manage to paint so photo-realistically, 150 years before the invention of photography? The epic research project Jenison embarks on to test his theory is as extraordinary as what he discovers. This is a Penn and Teller Film, produced by Penn Jillette. Q&A to follow with Lisa Soccio, assistant professor/gallery director at College of the Desert. 6 p.m., Thursday, April 16. Free. University of California at Riverside—Palm Desert, 75080 Frank Sinatra Drive, Palm Desert. 760-202-4007; palmdesert.ucr.edu/programs/ArtDoc13.html.

Music and More

Aiden James

Don’t miss Aiden James performing his latest single, “Last Reminder,” from his album Trouble With This, which launched at No. 28 on the iTunes Top 100. Dinner at 5:30 p.m., with show at 7 p.m., Friday, April 10. $20 show only. Purple Room, 1900 E. Palm Canyon Drive, Palm Springs. 800-838-3006; purpleroompalmsprings.com.

The Best of Sam Harris

Sam Harris’ career has run the gamut from singer and songwriter to actor on Broadway, film and television, to writer, director, producer and now, author. After winning Star Search in its premiere season, Sam and his powerhouse pop, gospel and theater influenced vocals have never looked back. 8 p.m., Saturday, April 11. $60 to $75. Annenberg Theater at the Palm Springs Art Museum, 101 Museum Drive, Palm Springs. 760-325-4490; www.psmuseum.org.

Cabaret 88: Donna Theadore

An American actress and singer who first came to attention as a headliner at many famous nightclubs during the 1960s, Theodore won a Theater World Award and Drama Desk Award, and received a Tony Award nomination for her performance in the 1975 musical Shenandoah. She is best remembered for her appearances with Johnny Carson on the Tonight Show, making more than 50 guest appearances. 6 p.m., Wednesday, April 8. $88. Annenberg Theater at the Palm Springs Art Museum, 101 Museum Drive, Palm Springs. 760-325-4490; www.psmuseum.org.

Comedy at the Symphony

Piano humorist Wayland Pickard leads an evening of music and comedy in the PBS tradition of Victor Borge, Roger Williams, Peter Nero and Liberace—all rolled into one. His impressions include selections from famous “piano men” such as Billy Joel, Elton John, Scott Joplin, Jerry Lee Lewis and even Schroeder from “Peanuts.” 7 p.m., Saturday, April 11. $25 to $45, with discounts. Helene Galen Performing Arts Center, Rancho Mirage High School, 31001 Rattler Road, Rancho Mirage. 760-360-2222; www.cvsymphony.com.

Opera in the Park

This free annual concert is a celebration of opera music. Bring a picnic lunch and join thousands of Coachella Valley residents and visitors to enjoy an afternoon of incredible music in an informal, tranquil outdoor setting with a professional orchestra and eight young up-and-coming opera singers. Noon to 4 p.m., Sunday, April 12. Free. Sunrise Park, 401 S. Pavilion Way, Palm Springs. 760-325-6107; palmspringsoperaguild.org.

Palm Springs Gay Men’s Chorus Presents: Extrabbaganza

The Swedish pop group ABBA topped the music charts from 1975-1982. Their music found new life in movie musicals. The Palm Springs Gay Men’s Chorus will perform a long list of ABBA’s hits. 8 p.m., Saturday, April 25; and 3 p.m., Sunday, April 26. $25 to $50. Temple Isaiah, 332 W. Alejo Road, Palm Springs. 760-219-2077; www.psgmc.com.

Tachevah, A Palm Springs Block Party

A concert for music fans midway between the two 2015 Coachella weekends. The celebration of music and our city takes place outside the Spa Resort Casino in downtown Palm Springs, and a DJ will keep the party rolling in between band sets. 5 to 10 p.m., Wednesday, April 15. Free. Spa Resort Casino, at Tahquitz Canyon Way and Calle Encilia, Palm Springs. Facebook.com/Tachevah.

The USO Variety Show

The USO has been entertaining troops worldwide in times of peace and war for more 70 years. Now, the Bob Hope USO needs you to laugh, enjoy and have some fun remembering the good ol’ times. Join us for a live nostalgic tribute to Bob Hope and his band of Hollywood celebs; enjoy free tours of the museum pre- or post-show time. 2 p.m., Thursday, April 9. $55 to $75. Palm Springs Air Museum, 745 N. Gene Autry Trail, Palm Springs. 760-778-6262; palmspringsvacationtravel.com.

Zero Gravity: Music Festival After Hours Party

Zero Gravity will feature a mixture of top talent, emerging artists and special guest appearances. This year, the fairgrounds will be transformed into a mega-club party with amazing sound, lighting, lasers, larger-than-life artwork, exceptional VIP services and more. 11 p.m., Friday and Saturday, April 10-18. Must request an invitation at the website; lineup and ticket prices TBA. Riverside County Fairgrounds, 82503 Highway 111, Indio. Rocketboyevents.com.

Special Events

Cathedral City LGBT Days

Not your typical Pride event, this weekend promises to be interactive, festive and OUTrageous! Enjoy area restaurants, music, hot air balloon rides, the costume “charity bed race” LGBT films and more. Various times, prices and locations in Cathedral City. Friday, April 3, through Sunday, April 5. 760-770-0340; www.discovercathedralcity.com/index.php/event/cathedral-city-lgbt-days.

The Dinah Shore Weekend

Club Skirts presents The Dinah, the largest girl party music festival in the world, rocking Palm Springs since 1991. Various times and locations, Wednesday, April 1, through Sunday, April 5. Prices vary; weekend passes $269. Thedinah.com.

White Party Palm Springs

The largest gay dance party in the world. DJs, live performances, pool parties and more. Various times, prices and locations, Friday, April 24, through Monday, April 27. Jeffreysanker.com.

Visual Arts

99 Bucks Sale

The Palm Springs Artists Council presents this annual major fundraiser for the Education Department. Celebrities as well as Artists Council members and other artists create artwork on 5-by-7 canvases for this popular and intriguing one night event. The purchaser selects works to buy, and only after purchase do they learn the name of the artist. 4:30 to 6:30 p.m., Saturday, April 11. Free. Riviera Resort and Spa Grand Ballroom, 1600 N. Indian Canyon Drive, Palm Springs. 760-322-4850; www.psmuseum.org/artists-council.

Indian Wells Arts Festival

More than 200 award-winning artists featuring hundreds of pieces of one-of-a-kind artwork available for purchase. The Second Annual Objet Trouvé Found Art Festival joins once again, featuring award-winning found artists creating a “festival of festivals.” 10 a.m. to 5 p.m., Friday, April 3, through Sunday, April 5. $13; children 12 and under free. Indian Wells Tennis Garden, 78200 Miles Ave., Indian Wells. 760-346-0042; www.indianwellsartsfestival.com.

Submit your free arts listings at calendar.artsoasis.org. The listings presented above were all posted on the ArtsOasis calendar, and formatted/edited by Coachella Valley Independent staff. The Independent recommends calling to confirm all events information presented here.

Published in Local Fun

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