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18 May 2013

Review: David Pevsner Bares His Sexual Soul in Desert Rose’s ‘Musical Comedy Whore’

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David Pevsner stars in Musical Comedy Whore, which he also wrote. David Pevsner stars in Musical Comedy Whore, which he also wrote.

The eyebrow-raising title alerts: This is probably not just another cabaret show. And then playwright-actor-singer-lyricist-dancer David Pevsner proves it isn't.

Making its world premiere at the Desert Rose Playhouse, Musical Comedy Whore escorts us into another world. The one-act, one-man show is the season’s closer for Desert Rose. (Artistic director Jim Strait opens the evening with a description of the company’s history and the shows on tap next season, which begins on Sept. 27.)

Pevsner pops onto the stage wearing a plain green T-shirt and old jeans. Gasp—is he not even wearing makeup? Where is the razzmatazz and glitter of “musical comedy” that we’ve come to expect? Good heavens—he hasn’t even touched up his graying hair! What are we in for?

The answer to that question: raw honesty. Pevsner is here to tell us about his life—unvarnished, unretouched, unpardoned. He neither whines nor makes excuses nor assigns blame, as he begins with his childhood and guides us through the tales of his sexual experiences, all while using song and dance. There are no props, no costume changes—nothing but his narrative. Talented pianist Patrick Karst (perhaps you’ve seen him at Spencer’s) kicks in with occasional vocal harmonies, but other than that, this is simply one man’s barefaced story of growing up gay in America. Yes, there are plenty of four-letter words and explicit descriptions, but Pevsner’s focus on the truth makes us realize that the story could be told in no other way.

The excellent lighting by Phil Murphy, the slick stage management of Steve Fisher, and the shrewd direction by Randy Brenner make for a smooth and professional production. The show’s lyrics were penned by Pevsner, with a host of contributors of original music.

We watch Pevsner work without a break, or so much as a sip of water, for a solid 90 minutes—an awesome task from which young cabaret aspirants could learn much about work ethics. He leads us through the tale of his strange, scary and sometimes dangerous sexual adventures.

Already I can hear people thinking: “Yes, but do we need to know this? TMI?” Even Pevsner anticipates this, and with a shrug, he admits that the show is written as much for himself as for us.

Which brings us to: How many of us are capable of standing on a bare stage and recounting our most intimate moments to a live audience? This immediately re-focuses our perspective: Out of the 333 million people in America, how many could perform such a show? This realization makes Musical Comedy Whore a very rare experience. When you see the show, realize—whether or not it makes you squirm—that you are in the presence of unflinching honesty from a brave and fearless writer-performer.

The cozy, year-old LGBT and gay-friendly Desert Rose Playhouse is located in the Commissary, on Highway 111 in Rancho Mirage. The natural acoustics are so marvelous that Pevsner performs without amplification; what a relief it is to be spared the ear-splitting volume and annoying feedback so common nowadays.

I only wish that the charming managing director, Paul Taylor, could somehow rake the seating so that visibility everywhere is equal. Getting stuck behind a couple of large heads can compromise one’s appreciation. However, the theater’s energy is beautiful, warm and satisfying, and the chairs are comfortable.

You’ll probably leave the show with many mixed feelings … but could you do what you just watched Pevsner do?

Musical Comedy Whore is performed at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, June 16, at the Desert Rose Playhouse, at The Commissary, 69620 Highway 111, in Rancho Mirage. Tickets are $25, and the show runs 90 minutes without an intermission. For tickets or more info, call 760-202-3000, or visit www.desertroseplayhouse.org.

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