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Annenberg Theater Events

James Barbour, who has starred on Broadway in shows including Assassins and Beauty and the Beast, performs at 6 p.m., Wednesday, April 9. $88. Broadway Tenors features Steve Bogardus, John Cudia and David Burnham singing beloved Broadway hits, including songs from Les Misérables and Phantom of the Opera, at 8 p.m., Saturday, April 12. $60 to $75. At the Palm Springs Art Museum, 101 Museum Drive, Palm Springs. 760-325-4490;

A Chorus Line—From Desert Cities Music Theatre

The Musical Theatre University’s Desert Cities Music Theatre presents A Chorus Line, starring Broadway great Eric Kunze and a bunch of talented young actors, at 8 p.m., Friday, April 4; 2 and 8 p.m., Saturday, April 5; and 2 p.m., Sunday, April 6. $15 to $35. At the Helene Galen Theatre at Rancho Mirage High School, 31001 Rattler Road, Rancho Mirage. 760-202-6482;

Coyote StageWorks at the Annenberg Theater

Nora Ephron’s Love, Loss and What I Wore is performed at various times Wednesday through Sunday, from Friday, March 28, through Saturday, April 5. $39 to $55. At the Palm Springs Art Museum, 101 Museum Drive, Palm Springs. 760-325-4490;

Fame, the Musical—From Rancho Mirage High School Performing Arts

The fantastic students at Rancho Mirage High present the musical about the famous New York City performing-arts school, at 7 p.m., Friday and Saturday, April 25 and 26; and 2 p.m., Sunday, April 27. $7 to $15. At the Helene Galen Theatre at Rancho Mirage High School, 31001 Rattler Road, Rancho Mirage;

Frankie and Johnny in the Clair de Lune—From Coachella Valley Repertory

CV Rep concludes their season of Terrence McNally plays with this classic story of two middle-aged people who open up to each other on their first date. 7:30 p.m., Wednesday through Saturday; and 2 p.m., Sunday, through Sunday, April 6. $40. At the Atrium, 69930 Highway 111, No. 116, Rancho Mirage. 760-296-2966;

Jesus Christ Superstar—From Palm Canyon Theatre

The Andrew Lloyd Webber rock opera! At 7 p.m., Thursday; 8 p.m., Friday and Saturday; and 2 p.m., Sunday, from Friday, April 4, through Sunday, April 20. $32; $10 students/children (call the box office). At 538 N. Palm Canyon Drive, Palm Springs. 760-323-5123;

Marvin’s Room—From Indio Performing Arts Center

Kirk Geiger stars in Marvin’s Room, “a hilarious and wondrous account of one woman’s commitment to loving others first, and her belief that giving such love has made her life unbelievably rich, even as she faces her own death,” at 7 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, April 6. $19 to $26. At the Indio Performing Arts Center, 45175 Fargo St., Indio. 760-775-5200;

McCallum Theatre

The hit musical play based on the novel by Dave Barry and Ridley Pearson, Peter and the Starcatcher, is performed at 8 p.m., Friday, March 28; 2 and 8 p.m., Saturday, March 29; and 2 and 7:30 p.m., Sunday, March 30. $25 to $95. Broadway great Patti Lupone sings at 8 p.m., Thursday and Friday, April 3 and 4. $55 to $105. Morgan James, recently in the Broadway revival of Godspell, performs at 8 p.m., Saturday, April 5. $25 to $65. Michael Childers presents One Night Only, a show paying tribute to the Jewish legacy of Broadway; it’s a benefit for Jewish Family Service of the Desert, at 6 p.m., Wednesday, April 23; $75 to $195. The McCallum hosts College of the Desert’s production of Les Misérables at 7 p.m., Thursday, May 1; 8 p.m., Friday and Saturday, May 2 and 3; and 2 p.m., Sunday, May 4. $25 to $45. At the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert. 760-340-2787;

Poster Boys—From Desert Rose Playhouse

The world premiere of Dan Clancy’s Poster Boys, a drama about two plaintiffs recruited to serve as the public faces for a lawsuit against California’s gay-marriage-banning Prop 8, takes place at 8 p.m., Friday and Saturday; and 2 p.m., Sunday, through Sunday, April 20. $25 to $28. At 69260 Highway 111, Rancho Mirage. 760-202-3000;

Sixth Annual Play Reading Series—From Dezart Performs

The company’s renowned Play Reading Series enters its sixth year, with talented actors and directors doing staged readings of submitted plays; the audience votes for the best, and the winner or winners are performed by Dezart Performs during the 2014-2015 season. At 7:30 p.m., Friday, April 11 and 18; and Saturday, April 12 and 19. $8 per show, or $25 for all four. At the Pearl McManus Theatre at the Palm Springs Womans Club, 314 S. Cahuilla Road, Palm Springs. 800-838-3006;

South Pacific—From Shadow Hills High School

The talented students at this Indio high school perform the classic Rodgers and Hammerstein musical, at 7 p.m., Thursday and Friday, April 10 and 11; and 2 and 7 p.m., Saturday, April 12. $10 advance, senior or military; $12 door. At Shadow Hills High School, 39225 Jefferson St., Indio. 760-393-5400, ext. 44301.

Sylvia—From Desert Ensemble Theatre

A.R. Gurney’s play focuses on a dog, the couple that adopts her, and the chaos that ensues. Shows at 7 p.m., Friday, April 25; 2 and 7 p.m., Saturday, April 26; and 2 p.m., Sunday, April 27. $22; $18 students, seniors and military. At the Pearl McManus Theatre at the Palm Springs Womans Club, 314 S. Cahuilla Road, Palm Springs. 760-565-2476;

Theatre 29

The Farndale Avenue Housing Estate Town’s Women's Dramatic Society Murder Mystery, a story about a theater’s opening night gone terribly wrong, takes place at 7 p.m., Friday and Saturday, through Saturday, March 29. $12; $10 seniors and military; $8 students. Alan Palmer’s Fabulous Divas of Hollywood is performed at 7 p.m., Saturday, April 12; and 2:30 p.m., Sunday, April 13. $15. Nunset Boulevard follows the Little Sisters of Hoboken as they’re getting set to perform at what they think is the Hollywood Bowl; turns out it’s actually a bowling alley. Shows at 7 p.m., Friday and Saturday, from Friday, April 25, through Saturday, May 24, with 2:30 p.m. matinees on Sunday, May 4 and 18. $12; $10 seniors and military; $8 students. At 73637 Sullivan Road, Twentynine Palms. 760-361-4151;

The Three Queens of Hearts

Anna Maria Alberghetti, Ruta Lee and Mary Ann Mobley star in this live reunion show which features songs including “Memories” and “Maybe This Time,” at 7 p.m., Friday, April 4. $50. At the Indian Wells Theater at CSUSB Palm Desert, 37500 Cook St. 760-341-6909;

Tribunal—from Script2Stage2Screen

Mark Milo Kessler’s play examines the strange relationship between Izzy, a court translator, and Hannelore, an avowed Nazi, in the days just before the Nuremberg Trials, at 7:30 p.m., Friday and Saturday, April 4 and 5. $10. At the Unitarian Universalist Church of the Desert, 72425 Via Vail, Rancho Mirage. 760-345-7938;

Published in Theater and Dance

For Edward Tournier, the late-March stop at the McCallum Theatre for the traveling Peter and the Starcatcher production will be a Southern California homecoming, of sorts: The actor, who now calls New York City home, spent seven years in the Los Angeles theater scene.

Tournier, who plays always-hungry orphan Ted in the humorous Peter Pan prequel, is one of L.A. theater’s biggest defenders.

“It gets a bad rap around the country, because people claim the actors there only want to be in film and TV,” says Tournier, 30. “But it’s a community where there are God knows how many actors, and it’s the most vibrant breeding ground for new plays that I’ve ever come across. That’s why I stayed there for so long. People there are passionate about theater.”

Shortly after moving to New York City about a year ago, Tournier earned his first touring role in Peter and the Starcatcher, a play written by Rick Elice based on the humorous and whimsical novel penned by Dave Barry and Ridley Pearson. The play had a successful nine-month stint on Broadway in 2012 and 2013, during which it nabbed nine Tony Award nominations—including five wins.

The current tour began last August in Denver, and is slated to conclude in Boston in June. The Independent spoke to Tournier by phone when he was in chilly Minneapolis, shortly before he was to take the stage for the touring production’s 200th show.

“It’s funny: In L.A., if you’re doing a play, you will do three or four performances a week for a relatively short amount of time, like a month or so, or six weeks, for a total of 12 to 15 performances,” he said. “For us (on tour), that’s a drop in the bucket.”

He said the biggest difference between doing eight shows or so per week and doing three or four is the stamina that’s required of the cast and crew—especially since Peter and the Starcatcher is such a physical show.

Another challenge has been keeping the show fresh, Tournier said. Tournier’s character is a mistreated orphan who gets taken under the figurative wings of young Peter and Molly, and he spends much of his time dealing with an overwhelming food obsession.

“It’s a funny, sweet role,” Tournier said. “A lot of my lines are one-liners or punch lines. It’s interesting to gauge how they go over in different regions. Comedy, of course, depends on timing, and … it can be a challenge to keep things from getting stale.”

One of Tournier’s favorite aspects of Peter and the Starcatcher is its theatricality, he said: Twelve actors play 100 different roles; with the help of an onstage band and the audience’s collective imagination, they create the world of Neverland on what Tournier referred to as a bare-bones set.

“This is a play for theater-lovers,” he said. “The things done onstage could not be done in any other medium.”

He said it’s magical to see each audience get engaged in the world that they help create.

“I call it lightning in a bottle,” he said. “It takes such sleight of hand to create this play with limited effects.”

Tournier said that the play is meant for all ages; like with the great cartoons of old, children and adults will each find different levels of humor.

“(The play) really draws on a lot of old theater traditions,” he said.

Peter and the Starcatcher is coming to the renowned McCallum as the Palm Desert venue—one of the busiest in the country during the winter and spring months—enters its homestretch before largely going dark during the summer. In April, the McCallum will host Broadway great Patti LuPone (April 3 and 4) and Diana Krall (April 11), among many others. The McCallum’s ever-popular Open Call Talent Competition performances will occur April 17-19, and the College of the Desert production of Les Misérables will take the stage May 1-4. A show by the Coachella Valley Symphony will close the McCallum’s 2013-2014 season on Friday, May 9.

Peter and the Starcatcher will be performed at 8 p.m., Friday, March 28; 2 and 8 p.m., Saturday, March 29; and 2 and 7:30 p.m., Sunday, March 30, at the McCallum Theatre, 73000 Fred Waring Drive, Palm Desert, Tickets are $25 to $95, For tickets or more information, call 760-340-2787, or visit

Published in Theater and Dance

As an example of how all over the map the McCallum Theatre’s 2013-2014 season offerings are, look at the first four shows.

The season begins on Oct. 13 with the theater’s Second Annual Family Fun Day, featuring the Popovich Comedy Pet Theater and its performing pooches and kitties (yes, performing cats; who knew?). That’s followed five days later by the first-ever performance of Alton Brown Live, a show featuring the off-kilter-in-a-good-way Food Network host. One week later, Mexican theater hit Frida: The Musical—performed entirely in Spanish—is on the boards. Next, country-music star Vince Gill will take the stage.

So … you have pet theater, followed by a goofy but educational chef, followed by a serious Spanish-language musical, followed by country music. And by the way, that’s all followed by a series of dance events that McCallum president/CEO Mitch Gershenfeld hopes will set the stage, so to speak, for a true international dance festival to sprout in Palm Desert.

Got all that?

“We’re trying to present diverse-enough programming to attract every segment of the community,” Gershenfeld says. “We don’t want to be elitist. We want to have a presence in all of the relevant performing-arts genres.”

In all, the 2013-2014 McCallum season lineup—which was announced earlier this week, with season-series tickets going on sale next week—includes more than six dozen shows that range from separate performances by greats Shirley MacLaine, Chita Rivera and Patti LuPone, to plays like Driving Miss Daisy, The Addams Family and Hello, Dolly! (staring … Sally Struthers?!), to dance by Pilobolus and the Moscow Classical Ballet, to something called Cesar Millan Live!

Gershenfeld says he uses a “market-driven approach” while booking the McCallum. In other words, he won’t bring in any show that he knows won’t get butts in seats. However, he says he’ll take a risk if he thinks he can convince the public that a show is worthy.

“If I feel like I can market it and make it work, I’ll do it,” he says.

Gershenfeld is about to enter his second year as the president and CEO of the McCallum, following the retirement last year of longtime head Ted Giatas. Before Giatas’ departure, Gershenfeld handled operations and booking at the McCallum for a dozen years—and he’s kept the booking gig as CEO. In all, the former symphony musician—he’s a tuba player—and theater producer has been booking shows for three decades.

When asked what shows he’s excited about in the upcoming season, he instantly mentions Peter and the Starcatcher, a fresh-from-Broadway play that nabbed five Tony Awards last year. The show, which offers a back-story of sorts for Peter Pan, will arrive at the McCallum March 28-30, 2014.

This show falls in that if-I-can-market-it category for Gershenfeld, he says, clarifying that while traveling Broadway musicals tend to sell well, non-musical plays can struggle when they lose the big names that often star in the shows in New York.

“I am going to talk about this play every chance I get this year,” Gershenfeld says.

And as for that Alton Brown show: It’s being produced by the same people who created the Mythbusters: Behind the Myths tour, and the McCallum is actually letting the producers use the theater for a week or so to “get the show going” before it officially premieres on Oct. 18. As a hint to what the show will be like, Gershenfeld notes that attendees in the first few rows will be given ponchos to wear.

Gershenfeld also points to the Bahia Orchestra Project show on Feb. 16, 2014, as something special. The project was founded in Brazil in 2007, modeled after El Sistema in Venezuela; organizers go into poor areas and provide youngsters with musical instruments, and teach the kids how to play. These Brazilian kids-turned-musicians, with help from star pianist Jean-Yves Thibaudet, will play at the McCallum as part of their first North American tour.

“It’s a wonderful opportunity to hear great music played by these young people who have had a rough go in life,” Gershenfeld says.

Gershenfeld says his goal every season, of course, is to top the previous one, although he concedes that the now-concluding McCallum series—the theater’s 25th anniversary season—was “really good,” and the best-attended since 2007-2008 and the Great Recession.

“I hope people respond to this (upcoming) season as well as the last,” Gershenfeld says.

For more information on the season, or to buy season subscriptions (starting Monday, April 8), visit

Published in Theater and Dance