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Last updateTue, 18 Sep 2018 1pm

Theater and Dance

27 Mar 2018
Everyone is doing it. Well, all the coolest people are, at least. Of course, we’re talking about opera. What did you think we were talking about? In Quantum of Solace, James Bond was climbing around the backstage area during a performance of Tosca at the Bregenz Festival in Austria. Not cool enough for you? Well, Bugs Bunny even did it, in the classic 1957 cartoon short “What’s Opera, Doc?” This means there will be plenty of cool people at Palm Springs’ Sunrise Park on Sunday, April 8, for the annual, free extravaganza that is Opera in the Park. It all began 20 years ago with a piano and just a couple singers, thanks to Arlene Rosenthal, now of Well in the Desert. Today, the event attracts more than 5,000 attendees. This year, eight singers will perform different arias, including selections from Leonard Bernstein’s West Side Story and Candide. Bruce Johansen,…
24 Mar 2018
Spring has sprung, and here’s to yet another sneezy season of searching for allergy relief. Ker-choo! But to take our minds off our misery, Coyote StageWorks’ The Cocktail Hour has opened at the lovely Annenberg Theater at the Palm Springs Art Museum. Now, as for what happened on opening night … Before the curtain parted, the director David Youse appeared and frankly explained to the audience that “one of the cast” had fallen ill a couple of weeks ago, and might have to carry a script to help him get through the show. When the play began, it became obvious that said actor was Jeffrey Jones, whom you will remember as the wonderfully dumb emperor in the overwhelming movie Amadeus. He was forced to rely on his script through almost all of the show—and to add to the problem, he had to don reading glasses to read its words. It’s…
12 Mar 2018
The title Suddenly Last Summer has to be one of the most unforgettable, ever. Desert Rose Playhouse has revived this “Southern Gothic” one-act drama by Tennessee Williams, which was adapted into the amazing 1959 movie. That film gave me a permanent case of the creeps (and left me forever debating who was prettier: Elizabeth Taylor or Anthony Perkins?). In fact, the show is actually referred to as a “horror story,” giving credence to my goose bumps. Here, producer Paul Taylor and director Jim Strait emphasize the music in those soft Louisiana accents and the rhythm of the drawling dialogue. “It’s free-verse poetry,” Strait told me, and he’s right. The open set is a lush garden, in late spring 1936, burgeoning with life. It actually plays a part in the foreboding—using Venus flytraps, those plants which trap and devour insects, as a topic of discussion. Kudos to Allan Jensen for the…
11 Mar 2018
To be perfectly honest, I dreaded seeing The Goat, or Who Is Sylvia? The Coachella Valley Repertory Company has earned a sparkling reputation for its work … and then founding artistic director Ron Celona chooses to do an Edward Albee play? High risk! Playwright Albee, of course, is best known for Who’s Afraid of Virginia Woolf?, and he’s one of the premier names of Theatre of the Absurd. This began as a post-World War II movement, evolving out of the existentialist philosophy of the time. It grew on both sides of the Atlantic; the horrors of the war left people questioning the meaning of life and the purpose of their existence, which left them feeling futile and depressed. Interestingly, the term “theatre of the absurd” was coined by a theater critic named Martin Esslin. See? We’re not so bad. So here is the absurd in this play: We meet Martin—not…
10 Mar 2018
A play set in a 1940s radio station in Chicago—now, how much opportunity for fun is that? Playwright Tony Padilla is directing the world premiere of his The Thespian Radio Hour at the Pearl McManus Theatre at the Palm Springs Woman’s Club, on behalf of the Desert Ensemble Theatre Company. Padilla has been lauded for his plays, receiving the Desert Theatre League’s Bill Groves Award for Outstanding Writing and the Joan Woodbury Mitchell Award for his impact on local theater—and he’s received international recognition as well. The writing here is solid. Padilla uses the stereotypes of early radio personalities to make his case. Linda Cooke, for example, plays crusty producer Agnes Cohen, who fusses and worries about everything, endlessly bossing everyone around. Her sidekick, the youthful Steve Randy, played by Nick Wass, is the unappreciated kid who directs the actors and narrates the broadcast and writes the scripts and commercials…
27 Feb 2018
He left Cuba at age 11—but Tony Padilla remembers the Revolution. “We were in Santiago, near Guantanamo,” he said. “We could see fighting in the hills where Fidel Castro was hiding. At first, we were all Fidel fans. Then he said, ‘Now we are Communists.’ Everybody said, ‘What?’” Today, Padilla is one of the Coachella Valley’s most renowned playwrights. In March, his Desert Ensemble Theatre Company will produce one of his newest plays, comedy The Thespian Radio Hour. “I have to tell you, I’m glad he’s dead now,” Padilla said about Castro. “We weren’t in real danger then. … My dad was a barber; my mom was a singer. She was stunning! “I remember seeing Che Guevara in Santiago. When he spoke, he was like Hitler, so charismatic. You could see how thousands would follow.” Ironically enough, Padilla would years later audition for the role of Che Guevara in Evita…