CVIndependent

Tue10242017

Last updateWed, 27 Sep 2017 1pm

In the 1990s, when the ska-revival movement was in full swing, you probably heard of a band called Reel Big Fish.

Reel Big Fish made its way into the hearts of MTV viewers and rock-radio listeners with the 1997 hit single “Sell Out.” That ska-revival movement of the 1990s soon faded away, as did much of Reel Big Fish’s popularity. However, the band is still performing—and remains one hilarious good time.

See for yourself when Reel Big Fish performs on Sunday, Oct. 8, as part of the Desert Oasis Music Festival at the Empire Polo Fields.

Frontman Aaron Barrett is the only original member remaining in the band. However, Billy Kottage, the band’s trombonist since 2013, said during a recent phone interview that the band remains in high demand.

“The Warped Tour is a huge reason for that,” said Barrett. “That’s been a staple throughout the band’s career. Certain bands find success because they have a hit on the radio or they get that one song like ‘Sell Out,’ but most bands have an original following that falls off eventually. Because we’ve done the Warped Tour every two or three years, we always keep getting new fans. People who are in their early teenage years want to go to the Warped Tour and see bands, and we have parents bringing their kids now; 1997 was 20 years ago. We’ve never gotten off the road. Certain bands will take years off, but Reel Big Fish has not taken a year off. … We’ll play over 200 shows a year, or more. That’s what you have to do these days. If you stop touring, they’ll forget about you.”

Kottage said Reel Big Fish is also a hit internationally.

“We play all over the world,” he said. “We played in Indonesia last year. We played in Thailand and Japan, and we play just about all of the continents, except for Antarctica. It might be from some commercial success or Internet success—I don’t really have an explanation for it—but we’re bigger internationally than we are here. We’re about to go do a tour in October in England. We’re about to go do 14 dates in 2,000-capacity venues in a country that’s the size of California. It’s kind of crazy.”

The last recording Reel Big Fish released was a Christmas EP in 2014. The band has not released a full-length album since 2012’s Candy Coated Fury, and Kottage said it’s hard to say when Reel Big Fish will next record a new album.

“We just recorded a month ago for a Halloween compilation that’s 0 percent ska and actually 100 percent metal. But we had a great time recording that,” he said. “I think in the next few months, it might happen, but maybe it might not happen. Who knows?”

Ska music’s popularity waxes and wanes—and it might be making yet another resurgence. Kottage said he can’t explain ska’s up-and-down popularity.

“It’s hard for me to say, because ska has never really gone away for me, because I’m playing it in more than 200 shows a year,” he said. “As far as a resurgence goes, I think that comes with the bands people have latched onto. Streetlight Manifesto was like that, but now The Interrupters are the band that’s like that, and they have a big following. It’s having the right music at the right time.”

Kottage said he and his bandmates are looking forward to the Desert Oasis Music Festival.

“We’re going to get there the night before, and Steel Pulse is playing that night, and I know we’re all huge Steel Pulse fans, and that’s exciting,” he said. “The lineup in general is exciting. We won’t get to see a lot of bands the first day, but we’re going to try hard to see Steel Pulse. We all like reggae a lot. We play a lot more punk shows than reggae shows, but I think we all wish we played more reggae festivals. We played that 311 cruise this year, and we all had a great time playing that. It’s cool to hook up with bands that you don’t get to see a lot, especially when you tour in the same circles and see a lot of the same faces.”

Reel Big Fish will perform at the Desert Oasis Music Festival on Sunday, Oct. 8, at the Empire Polo Fields, located at 81800 Avenue 51, in Indio. Passes start at $99. For tickets or more information, visit www.desertoasismusicfestival.com

Published in Previews

Representatives of many of the Coachella Valley's top businesses, groups and organizations gathered on Wednesday, Dec. 7, at Copa Nightclub for the Best of Coachella Valley 2016-2017 Party.

The revelry was the culmination of a process that started back in August, when first-round voting in the third annual Coachella Valley Independent readers' poll began. The top three to five vote-getters in each category then moved on to a second round of voting, which took place through October. The results were announced at CVIndependent.com on Nov. 28 and in the December edition of the Independent

Held at Copa, the Best Nightclub winner, the party was hosted by Independent editor/publisher Jimmy Boegle. After the awards, Best Local Band winner Venus and the Traps treated the audience to a set.

Below are pictures from the evening, by Independent contributor Cory Courtney. Enjoy!

Published in Snapshot

Here are the results of the third annual Best of Coachella Valley readers' poll!

An all-time-high number of people voted in both rounds this year—and the slate of winners and finalists represent all parts of the valley.

Come celebrate the winners with us during the Best of Coachella Valley 2016-2017 Awards Show and Celebration, presented by Renova Solar. It will take place at 5:30 p.m., Wednesday, Dec. 7, at Copa Nightclub—this year's Best Nightclub winner.

Thanks to all of you who voted in this year's poll!

Welcome to the Best of Coachella Valley 2016-2017.

—Jimmy Boegle, This email address is being protected from spambots. You need JavaScript enabled to view it.


ARTS

 

Best Art Gallery

Coachella Valley Art Scene

 

Runners up:

2. CODA

3. Heather James

4. Melissa Morgan

 

Best Indoor Venue

McCallum Theatre

 

Runners up:

2. Pappy and Harriet’s Pioneertown Palace

3. The Hood Bar and Pizza

4. Fantasy Springs Special Events Center

5. The Date Shed

 

Best Local Arts Group/Organization

Palm Springs Art Museum

 

Runners up:

2. Coachella Valley Art Scene

3. McCallum Theatre

4. La Quinta Arts Foundation

5. Coachella Valley Repertory Theatre

 

Best Local Band

Venus and the Traps

 

Runners up:

2. The Flusters

3. Brightener

4. The Myx

5. War Drum

 

Best Local DJ

Alf Alpha

 

Runners up:

2. DJ Day

3. Alex Harrington

4. DJ Pwee

5. Tommy Locust

 

Best Local Musician (Individual)

Jesika Von Rabbit

 

Runners up:

2. Nico Flores

3. Keisha D

4. Kal David

5. EeVaan Tre

 

Best Local Visual Artist

Sofia Enriquez

 

Runners up:

2. Elena Bulatova

3. Ryan “Motel” Campbell

4. Marconi Calindas

 

Best Movie Theater

Century La Quinta and XD

 

Runners up:

2. Camelot Theatres

3 TIE

Regal Palm Springs Stadium 9

Regal Rancho Mirage Stadium 16 and IMAX

5. Century Theatres at the River

 

Best Museum

Palm Springs Art Museum

 

Runners up:

2. Children’s Discovery Museum of the Desert

3. Coachella Valley History Museum

4. Agua Caliente Cultural Museum

5. La Quinta Museum

 

Best Outdoor Venue

Empire Polo Club

 

Runners up:

2. The Living Desert

3. Pappy and Harriet’s Pioneertown Palace

4. Fantasy Springs Rock Yard

5. Palm Desert Civic Center Park

 

Best Producing Theater Company

Palm Canyon Theatre

 

Runners up:

2. Coachella Valley Repertory

3. Desert Rose Playhouse

4. Coyote StageWorks

5. Dezart Performs


LIFE IN THE VALLEY

 

Best Alternative Health Center

La Quinta Wellness Center

 

Runners up:

2. Palm Springs Healing Center

3. Desert Hot Springs Health and Wellness Center

 

Best Farmers’ Market

College of the Desert Street Fair Farmers’ Market

 

Runners up:

2. Certified Farmers’ Market Old Town La Quinta

3. Certified Farmers’ Market Palm Springs

4. Palm Springs VillageFest

5. Certified Farmers’ Market Palm Desert

 

Best Local Activist/Advocacy Group/Charity

Coachella Valley Rescue Mission

 

Runners up:

2. Palm Springs Animal Shelter

3. Desert AIDS Project

4. LGBT Community Center of the Desert

5. Shelter From the Storm

 

Best Gym

24 Hour Fitness

 

Runners up:

2. World Gym

3. EOS Fitness

4. In-Shape

5. Planet Fitness

 

Best Public Servant

Rep. Raul Ruiz

 

Runners up:

2. La Quinta Mayor Linda Evans

3. Palm Springs Mayor Rob Moon

4. Palm Springs City Councilman Geoff Kors

 

Best Yoga

Urban Yoga

 

Runners up:

2. Bikram Yoga Palm Desert-El Paseo

3. TIE

Evolve Yoga

Yoga Central

5. Bikram Yoga University Village

 

Best Bowling

Fantasy Springs Bowling Center

 

Runners up:

2. Palm Springs Lanes

3. Canyon Lanes Bowling at Morongo

 

Best Auto Repair

Palms to Pines Automotive

 

Runners up:

2. Desert Classic Cars

3. Desert Lexus

4. L&L Automotive

5. Singh’s Automotive Repair

 

Best Car Wash

Elephant Car Wash/Rancho Super Car Wash

 

Runners up:

2. La Quinta Car Wash

3. Indio Car Wash

4. Airport Quick Car Wash

 

Best Plant Nursery

The Living Desert’s Palo Verde Garden Center

 

Runners up:

2. Moller’s Garden Center

3. Vintage Nursery

4. Bob Williams Nursery

 

Best Pet Supplies

Petco

 

Runners up:

2. Bones ’n’ Scones

3. PetSmart

4. Miriam’s Poochella Grooming

5. Desert Feed Bag

 

Best Annual Charity Event

Evening Under the Stars (AIDS Assistance Program)

 

Runners up:

2. McCallum Theatre Annual Gala

3. Ramblin’ and Gamblin’ (Big Brothers Big Sisters of the Desert)

4. Dinner in the Canyons (Agua Caliente Cultural Museum)

5. Center Stage (LGBT Community Center of the Desert)

 

Best Place to Gamble

Augustine Casino

 

Runners up:

2. Agua Caliente Casino Resort Spa

3. Spa Resort Casino

4. Fantasy Springs Resort Casino

5. Spotlight 29

 

Best Local TV News

KESQ News Channel 3

 

Runners up:

2. KMIR Channel 6

3. CBS Local 2

 

Best Local TV News Personality

Ginger Jeffries, KMIR Channel 6

 

Runners up:

2. Patrick Evans, CBS Local 2

3. Karen Devine, KESQ News Channel 3

4. Bianca Rae, KESQ News Channel 3

5. Gino LaMont, KMIR Channel 6

 

Best Local Radio Station

Mix 100.5

 

Runners up:

2. 93.7 KCLB

3. Jammin 99.5 FM

4. K-News 94.3

5. La Ponderosa 96.7 FM

 

Best Local Radio Personality

Jimi “Fitz” Fitzgerald, CV 104.3 FM

 

Runners up:

2. Bradley Ryan, Mix 100.5

3. Mozingo, Mix 100.5

4. Bill Feingold, K-News 94.3

5. Dan McGrath, Sunny 103.1 FM

 

Best Bookstore

Barnes & Noble

 

Runners up:

2. Rancho Mirage Public Library Booknook

3. Revivals

4. The Book Rack

 

Best Retail Music/Video Store

Record Alley

 

Runners up:

2. Best Buy

3. Barnes and Noble

 

Best Comics/Games Shop

Game Stop

 

2. Desert Oasis

3. Interstellar Comic Books and Collectables

 

Best Hotel Pool

Ace Hotel and Swim Club

 

Runners up:

2. Agua Caliente Casino Resort Spa

3. Fantasy Springs Resort Casino

4. The Riviera

5. The Saguaro

 

Best Sex Toy Shop

Skitzo Kitty

 

Runners up:

2. Not So Innocent

3. Spencer’s Gifts

4. GayMart


FASHION AND STYLE

 

Best Clothing Store (Locally Owned)

Bobby G’s

 

2. Wil Stiles

3. Glossy

 

Best Resale/Vintage Clothing

Angel View

 

Runners up:

2. Revivals

3. Gypsyland

4. Penny Lane Boutique

5. Plato’s Closet

 

Best Furniture Store

Mathis Brothers

 

Runners up:

2. Revivals

3. Ashley Furniture Homestore

4. Mor Furniture for Less

 

Best Antiques/Collectables Store

TIE

The Estate Sale Co

Victoria’s Attic

 

Runners up:

3. Misty’s Consignments

4. Classic Consignment

 

Best Jeweler/Jewelry Store

El Paseo Jewelers

 

Runners up:

Leeds and Son

Hephaestus

Daniel’s Jewelers

Robann’s Jewelers

 

Best Hair Salon

J. Russell! The Salon

 

Runners up:

2. Salon 119 and Spa

3. Dishwater Blonde Salon

4. Revive Salon and Spa

5. Read Brown

 

Best Spa in a Resort/Hotel

Spa La Quinta (La Quinta Resort)

 

Runners up:

2. The Spa at Desert Springs (JW Marriott)

3. Sunstone Spa at Agua Caliente

4. Agua Serena Spa at Hyatt Regency Indian Wells

5. Well Spa at Miramonte

 

Best Day Spa (Non-Resort/Hotel)

Massage Envy

 

Runners up:

2. Desert Zen

3. Studio M Salon and Spa

4. Revive Wellness Center

5. Bliss Chakra Spa

 

Best Florist

My Little Flower Shop

 

Runners up:

2. Indio Florist

3. Rancho Mirage Florist

4. Palm Springs Florist

5. Lotus Garden Center

 

Best Tattoo Parlor

TIE

Art and Ink Tattoo Studio

The Tattoo Gallery

 

Runners up:

3. Flagship Tattoo

4. Adornment Piercing and Private Tattoo

5. Strata Tattoo Lab

 

Best Eyeglass/Optical Retailer

Costco

 

Runners up:

2. Desert Vision Optometry

3. Milauskas Eye Institute

4. Walmart

5. Old Town Optometry


OUTSIDE!

 

Best Urban Landscaping

El Paseo

 

Runners up:

2. Sunnylands

3. Downtown Palm Springs

 

Best Public Garden

The Living Desert

 

Runners up:

2. Palm Desert Civic Center Park

3. Sunnylands

4. El Paseo

5. Ruth Hardy Park

 

Best Place for Bicycling

La Quinta

 

Runners up:

2. Palm Springs

3. Palm Desert

4. Highway 74

5. Frank Sinatra Drive

 

Best Recreation Area

Joshua Tree

 

Runners up:

2. Tahquitz Canyon

3. Whitewater Preserve

4. Lake Cahuilla

5. Coachella Valley Preserve

 

Best Hike

Bump and Grind

 

Runners up:

2. Indian Canyons

3. Tahquitz Canyon

4. Palm Springs Museum Trail

5. South Lykken Trail

 

Best Park

Palm Desert Civic Center Park

 

Runners up:

2. TIE

Freedom Park (Palm Desert)

Ruth Hardy Park

4. Rancho Las Flores (Coachella)

5. Demuth Park (Palm Springs)

 

Best Outdoor/Camping Gear Store

Big 5 Sporting Goods

 

Runners up:

2. Dick’s Sporting Goods

3. Yellow Mart

 

Best Bike Shop

Palm Desert Cyclery

 

Runners up:

2. Palm Springs Cyclery

3. Tri-A-Bike

4. Joel’s Bicycle Shop

 

Best Sporting Goods

Big 5 Sporting Goods

 

Runners up:

2. Dick’s Sporting Goods

3. Yellow Mart

4. Pete Carlson’s Golf and Tennis

5. PGA Tour Superstore

 

Best Public Golf Course

Desert Willow Golf Resort

 

Runners up:

2. PGA West

3. Eagle Falls Golf Course at Fantasy Springs

4. The Golf Club at Terra Lago

5. The Lights at Indio Golf Course


FOR THE KIDS

 

Best Playground

Palm Desert Civic Center Park

 

Runners up:

2. La Quinta Civic Center Park

3. Ruth Hardy Park

4. Rancho Mirage Community Park

5. Cathedral City Town Square

 

Best Place to Buy Toys

Toys “R” Us

 

Runners up:

2. Mr. G’s for Kids

3. Target

4. Walmart

5. Big Lots

 

Best Kids’ Clothing Store

Old Navy

 

Runners up:

2. The Childrens Place

3. Tillys

4. Fallas

5. Revivals

 

Best Restaurant for Kids

Chuck E. Cheese’s

 

Runners up:

2. Shakey’s Pizza

3. Red Robin

4. Stuft Pizza Bar and Grill

5. Old Spaghetti Factory

 

Best Place for Family Fun

The Living Desert

 

Runners up:

2. Children’s Discovery Museum of the Desert

3. Boomers

4. Chuck E. Cheese

5. Desert Ice Castle

 

Best Place for a Birthday Party

Chuck E. Cheese’s

 

Runners up:

2. The Living Desert

3. Boomers

4. Lulu California Bistro

5. Desert Ice Castle


FOOD AND RESTAURANTS

 

Best Casual Eats

Café 54 at Augustine Casino

 

Runners up:

2. In-n-Out Burger

3. Lulu California Bistro

4. Eureka!

5. Stuft Pizza Bar and Grill

 

Best Caterer

Lulu California Bistro

 

2. Lavender Bistro

3. Jennifer’s Kitchen and Catering

4. Dash and a Handful

5. Cello’s Pantry

 

Best Diner

Keedy’s Fountain Grill

 

Runners up:

2. Café 54 at the Augustine Casino

3. Elmer’s

4. John’s

5. Rick’s Restaurant

 

Best Organic Food Store

Trader Joe’s

 

2. Sprouts Farmers Market

3. Whole Foods

4. Harvest Health Foods

5. Clark’s Nutrition

 

Best Delicatessen

Sherman’s Deli and Bakery

 

Runners up:

2. TKB Bakery and Deli

3. Manhattan in the Desert

4. Real Italian Deli

5. Clementine Gourmet Marketplace

 

Best Custom Cakes

TIE

Over the Rainbow

Sherman’s Deli and Bakery

 

Runners up:

3. Pastry Swan Bakery

4. Manhattan in the Desert

5. Exquisite Desserts

 

Best Desserts

Sherman’s Deli and Bakery

 

Runners up:

2. French Corner Café

3. Pastry Swan Bakery

4. Over the Rainbow

5. Manhattan in the Desert

 

Best Ice Cream/Shakes

Cold Stone Creamery

 

Runners up:

2. Great Shakes

3. Ben and Jerry’s

4. Brandini Toffee

5. Creamistry

 

Best Date Shake

Shields Date Garden

 

Runners up:

2. Hadley’s

3. Great Shakes

 

Best Frozen Yogurt

Yogurtland

 

2. Beach House

3. Golden Spoon

4. Jus Chillin

5. Eddie’s Frozen Yogurt

 

Best Bakery

French Corner Café

 

Runners up:

2. Aspen Mills

3. Over the Rainbow

4. Pastry Swan Bakery

5. Peninsula Pastries

 

Best Barbecue

Smoke Tree BBQ Bar and Grill

 

Runners up:

2. Babe’s Bar-B-Que and Brewhouse

3. Pappy and Harriet’s Pioneertown Palace

4. Jackalope Ranch

5. Dickey’s Barbecue Pit

 

Best Burger

In-n-Out Burger

 

Runners up:

2. Café 54 at Augustine Casino

3. Tyler’s Burgers

4. Eureka!

5. Smokin’ Burgers and Lounge

 

Best Veggie Burger

Native Foods Café

 

Runners up:

2. Eureka!

3. Palm Greens Café

4. Trio

5. Eight4Nine Restaurant and Lounge

 

Best Sandwich

Sherman’s Deli and Bakery

 

Runners up:

2. TKB Bakery and Deli

3. The Sandwich Spot

4. Manhattan in the Desert

5. Aspen Mills

 

Best Pizza

Stuft Pizza Bar and Grill

 

Runners up:

2. Bill’s Pizza

3. Giuseppe’s Pizza and Pasta

4. Piero’s PizzaVino

5. Blaze Pizza

 

Best Wings

Buffalo Wild Wings

 

Runners up:

2. Stuft Pizza Bar and Grill

3. Wingstop

4. Neil’s Lounge

5. Billy Q’s

 

Best Bagels

Townie Bagels

 

Runners up:

2. Panera Bread

3. Sherman’s Deli and Bakery

4. Einstein Bros. Bagels

5. Manhattan in the Desert

 

Best Smoothies

Fresh Juice Bar

 

Runners up:

2. Jamba Juice

3. Juice It Up

4. Beach House Yogurt

 

Best Buffet

Café 54 at Augustine Casino

 

Runners up:

2. Grand Palms Buffet at Agua Caliente

3. Fresh Grill Buffet at Fantasy Springs

4. Oasis Buffet at Spa Resort Casino

5. Potrero Canyon Buffet at Morongo

 

Best Coffee Shop for Coffee

Starbucks

 

Runners up:

2. Koffi

3. IW Coffee

4. Vintage Coffee House

5. Ristretto

 

Best Coffee Shop for Hanging Out

Koffi

 

Runners up:

2. Starbucks

3. Old Town Coffee

4. IW Coffee

5. Ernst Coffee

 

Best Tea

Coffee Bean and Tea Leaf

 

Runners up:

2. Starbucks

3. Teavana

4. Koffi

5. Ristretto

 

Best Breakfast

Wilma and Frieda’s Café

 

Runners up:

2. Elmer’s

3. Spencer’s Restaurant

4. Sunshine Cafe

5. John’s

 

Best California Cuisine

Lulu California Bistro

 

Runners up:

2. La Quinta Cliffhouse

3. Zin American Bistro

4. Spencer’s Restaurant

5. Trio

 

Best Brunch

Pinocchio in the Desert

 

Runners up:

2. Wilma and Frieda’s

3. Spencer’s Restaurant

4. Louise’s Pantry

5. The Tropicale

 

Best Chinese

PF Chang’s

 

Runners up:

2. City Wok

3. Wang’s in the Desert

4. JOY at Fantasy Springs

5. New Fortune

 

Best Greek

Greek Islands Restaurant

 

Runners up:

2. Miro’s Restaurant

3. Nina’s Greek Cuisine

4. Koutouki Greek Estiatorio

5. Athena Gyro

 

Best French

La Brasserie

 

Runners up:

2. Si Bon

3. Le Vallauris

4. Cuistot

5. Chez Pierre

 

Best Indian

Monsoon Indian Cuisine

 

Runners up:

2. India Oven

3. Naan House

 

Best Japanese

Kobe Japanese Steakhouse

 

Runners up:

2. Okura Robata Grill and Sushi Bar

3. JOY at Fantasy Springs

4. Shabu Shabu Zen

5. Shogun Restaurant

 

Best Italian

Mario’s Italian Cafe

 

Runners up:

2. Ristorante Mamma Gina

3. Castelli’s

4. Trilussa

5. Livreri’s Palm Springs

 

Best Sushi

Okura Robata Grill and Sushi Bar

 

Runners up:

The Venue Sushi Bar and Sake Lounge

Shogun Restaurant

Dragon Sushi

Edoko Sushi

 

Best Seafood

Fisherman’s Market

 

Runners up:

2. Café 54 at Augustine Casino

3. Pacifica Seafood Restaurant

4. Mitch’s on El Paseo

5. Spencer’s Restaurant

 

Best Steakhouse

LG’s Prime Steakhouse

 

Runners up:

2. Ruth’s Chris Steak House

3. Fleming’s Prime Steakhouse and Wine Bar

4. TIE

Morgan’s in the Desert

Steakhouse at the Spa

 

Best Thai

Thai Smile Palm Springs

 

Runners up:

2. Thai House

3. Pepper’s Thai Cuisine

4. Le Basil

5. Blue Orchid

 

Best Vietnamese

Pho Vu

 

Runners up:

2. Pho 533

3. Rooster and the Pig

4. Watercress Vietnamese Bistro

5. Pho Na

 

Best Vegetarian/Vegan

Native Foods Café

 

Runners up:

2. Palm Greens Café

3. Nature’s Health Food and Café

4. Luscious Lorraine’s

5. Café Jasmin

 

Best Upscale Cuisine

Spencer’s Restaurant

 

Runners up:

2. Wally’s Desert Turtle

3. Le Vallauris

4. Johannes

5. Jillian’s

 

Best Outdoor Seating

Jackalope Ranch

 

Runners up:

2. Spencer’s Restaurant

3. Las Casuelas Terraza

4. Lavender Bistro

5. The Tropicale

 

Best Late-Night Restaurant

Yard House

 

Runners up:

2. Lulu California Bistro

3. Alicante

4. Smokin’ Burgers

5. Bongo Johnny’s

 

Best Mexican

La Casita

 

Runners up:

2. Fresh Agave

3. El Mirasol

4. Rio Azul Mexican Bar and Grill’

5. Casa Mendoza

 

Best Salsa

Las Casuelas (Original)

 

Runners up:

2. Rio Azul Mexican Bar and Grill

3. Las Casuelas Terraza

3. Las Casuelas Quinta

5. Felipe’s

 

Best Burrito

Taqueria Guerrero

 

Runners up:

2. Castaneda’s Mexican Food

3. Chipotle

4. Rio Azul Mexican Bar and Grill

5. Casa Mendoza


SPIRITS AND NIGHTLIFE

 

Best Beer Selection

Yard House

 

Runners up:

2. Burgers and Beer

3. The Beer Hunter

4. Eureka!

5. Babe’s Bar-B-Que and Brew House

 

Best Local Brewery

Coachella Valley Brewing Co.

 

Runners up:

2. La Quinta Brewing Co.

3. Babe’s Bar-B-Que and Brew House

 

Best Place to Play Pool/Billiards

The Beer Hunter

 

Runners up:

2. Neil’s Lounge

3. Hunters

4. Bart Lounge

5. Score the Game Bar

 

Best Cocktail Menu

Tommy Bahama Restaurant and Bar

 

Runners up:

2. The Tropicale

3. Eureka!

4. Mitch’s on El Paseo

5. Trio

 

Best Gay/Lesbian Bar/Club

Toucan’s

 

Runners up:

2. Chill Bar

3. Hunters

4. The Tropicale

5. Spurline

 

Best Happy Hour

Stuft Pizza Bar and Grill

 

Runners up:

2. Applebee’s

3. The Tropicale

4. La Quinta Cliffhouse

5. Mitch’s on El Paseo

 

Best Dive Bar

The Hood Bar and Pizza

 

Runners up:

2. Neil’s Lounge

3. Hair of the Dog

4. Red Barn

5. Score

 

Best Margarita

Las Casuelas (Original)

 

Runners up:

2. Fresh Agave

3. El Mirasol

4. Rio Azul Mexican Bar and Grill

5. Casa Mendoza

 

Best Martini

Sullivan’s Steakhouse

 

Runners up:

2. Mitch’s on El Paseo

3. Mastro’s Steakhouse

4. The Tropicale

5. Trio

 

Best Nightclub

Copa

 

Runners up:

2. Zelda’s

3. Hunter’s

4. Bart Lounge

5. Chill Bar

 

Best Sports Bar

The Beer Hunter

 

Runners up:

2. Burgers and Beer

3. Buffalo Wild Wings

4. Alicante

5. Village Pub

 

Best Wine Bar

Zin American Bistro

 

Runners up:

2. Sullivan’s Steakhouse

3. La Rue Wine Bar

4. Vue Grille and Bar

5. Dead or Alive

 

Best Wine/Liquor Store

Total Wine and More

 

Runners up:

2. BevMo!

3. Costco

4. Trader Joe’s

5. Fame Lounge

 

 

Best Bar Ambiance

Eureka!

 

Runners up:

2. Chill Bar

3. The Tropicale

4. Matchbox

5. Workshop Kitchen+Bar

Published in Readers' Picks

Indio is the Coachella Valley’s largest city—and faces complex challenges due to the fact that it’s the home of Coachella, Stagecoach and Desert Trip.

In this year’s city election, seven people are running for two seats on the Indio City Council: Incumbents Glenn Miller and Lupe Ramos Watson, and challengers Joan Dzuro, Gina Chapa, Sam Torres, Jackie Lopez and Noe Gutierrez.

Joan Dzuro (right), a retired human resources consultant, cited a lack of both redevelopment funds and a concise plan for redevelopment as problems in Indio, due in large part to the state of California dissolving all redevelopment agencies back in 2012.

“One of the challenges that we have is the loss of the redevelopment funds,” Dzuro said. “… When those funds were removed by Sacramento, it became harder to find funding for that. I’m very encouraged by the hiring of (the city’s new director of economic development), Carl Morgan, because he’s able to come up with plans to talk to investors and businesses, and to try to work on options for some of that funding. You always need more funds when you have a fast-growing city. Public safety needs to be able to keep up with that, and it costs money.”

Dzuro said that her 35 years in corporate human resources give her much-needed experience.

“I’ve dealt with corporations from the business side and the employee side,” she said. “I think that’s the strength I can bring to the council, and bring in jobs and create businesses for the city, and have those businesses contribute new marketable skills to our unemployed and to the younger people graduating from college.”

Gina Chapa, a community organizer who worked for Congressman Raul Ruiz, said the lack of diverse commerce is a big issue.

“We’re struggling a lot with bringing in new businesses, supporting businesses, and actually having a thriving commercial area,” she said. “Also, I see that there’s a huge disparity between different populations in Indio. In order to feel like a complete city, we need to find a way to build bridges between the different communities in Indio. I feel that there’s a lack of ownership or participation. There’s a large population of disaffected or apathetic residents who feel disconnected to their local government.”

Chapa (right) said her roots are in Indio. “I’m a longtime community organizer and community resident. I was born in Indio and went to school in Indio. I’m raising my son in Indio, and I’m connected to various communities in Indio.”

Sam Torres, a former city councilman, said Indio’s slow economic recovery has caused problems.

“We’re starting to see some signs of (recovery in) the last few years, but we haven’t seen the robust economy we thought we were going to have,” he said. “I think that there’s another issue, and that’s the fact we’re starting to see two Indios. One is the north side and the far south side along the polo fields. The south side gets a lot of attention and is a new and dynamic community. But we’ve been leaving out the communities that have always been here. The residents in these communities are the ones who were building this economy. If you look in those neighborhoods, you can see the decay.”

Why should Indio voters put Torres back on the City Council, two years after he lost a re-election bid?

“I know the job. Now I really know this city,” he said. “I tell the truth and tell it like it is: ‘This is the problem, and this is what it takes to fix it.’ I do not bow to special interests, because the city residents elect me, and I don’t have a scheme to make money off this city.”

Jackie Lopez (right), who works as the district director for Assemblymember Eduardo Garcia, said Indio’s largest challenge involves commerce.

“The No. 1 issue is places to shop,” Lopez said. “People spend their money outside of Indio. One of my main goals is better economic development. There are a lot of business owners struggling to make it. On the north side of Indio, we have a village market that could be a grocery store that’s sitting there. There are people who live across the street looking for places to shop that are walkable, and they’re getting to the point where they’re relying on their children and public transportation. Even though there are places to shop on the other side of the overpass, it’s too far for them. … I also feel that hotels are another concern with these festivals in our city; a lot of our tourists are staying outside of the area.”

Lopez said her work experience makes her a good fit for the City Council.

“I’m a lifelong resident here and have eight years working for the state Legislature,” she said. “I know how to get our money back from the state. I have worked on numerous pieces of legislation at the state level, (and worked) with our congressman to leverage funds for victims of the Salton Sea.” 

Noe Gutierrez—a behavioral health specialist, writer for CV Weekly and musician—said the city has not focused enough on small business.

“Downtown Indio hasn’t flourished like it should have,” he said. “I think smart growth is what we need—focusing on small-business owners and helping people get set up and started, as well as following them through. We all know the numbers of small businesses and when they open. Generally, they close within three years. We need to develop a plan we can follow.”

Gutierrez (right) said his experience in understanding people will serve him on the City Council.

“I grew up in Indio, and went to school in Indio, and I understand the backstreets, the different neighborhoods, the different types of people who live in those neighborhoods, and I understand their perception of things,” he said. “I have a huge amount of empathy given my background working as a social worker. My job is to put myself in other people’s shoes, so I feel I do a pretty good job doing that. … One thing I’m known for is gathering people together, getting them connected and establishing long-term relationships that are beneficial.”

The incumbents have had front-line experience dealing with Indio’s economic challenges in recent years. Glenn Miller said that while some newer areas of Indio—closer to Interstate 10—are fairly prosperous, the city’s downtown is suffering.

“Some of our older parts are taking a toll from the economic downturn,” he said. “It’s getting the actual funding availability, not only from the city of Indio, but also from our business community to invest into some of the areas that have been hit hardest due to the economic downturn, such as our downtown area.”

Miller, who has been on the council since 2008, has seen the city deal with hard financial times.

“When I first came on to the council, we had a structural $13 million deficit,” he said. “We burned through $35 million in reserves. Now we have a structurally balanced budget with over a half-million dollars in reserves, so financially, it is economically sound. But when you start talking about where you want the city to go when listening to our residents, one of the things they ask for is different kinds of shopping and business opportunities, education and investing in infrastructure.”

Miller said he should be re-elected because of his dedication to the city and the fact that he spends most of his free time working for a better Indio.

“I’m the most active and involved council member out of all the council members,” he said. “I’m very much engaged and spend all my free time working with our businesses, nonprofits and residents on what’s important to them.

“Indio will grow not only locally, but regionally. Not everyone who lives in Indio works in Indio. So the stronger the Coachella Valley is as a whole, and the more relationships we can build with College of the Desert and with our school district, it will be an advantage to the city of Indio, and I’m able to engage in those relationships.”

Councilmember Lupe Ramos Watson (right) said she’s concerned that Indio is losing out on sales-tax revenue.

“Our first and biggest challenge is to recapture some of the sales tax that is leaking out to other cities,” Watson said. “Several years ago, we conducted an economic-strategy analysis to figure out how much of our disposable income is being spent within the city boundaries to produce sales tax revenue, and how much was leaking out to other cities. We figured out that more than 50 percent of our potential sales tax revenue is leaking to other cities.”

Watson said she deserves to remain on the council due to the steps that she and her colleagues have taken regarding economic development.

“We just hired an economic development director a couple of months ago,” she said. “Because of the strategy we put together a couple of months ago, we have a plan for the downtown area that we’re completing to make sure the businesses that come into that area not only revitalize the downtown area, but add sales tax to our revenue and augment the opportunities as the ‘City of Festivals.’ With my background in planning in addition to development, I believe I’m a great asset to the city of Indio to help unfold these projects.”

We asked each of the candidates: What is the real identity of Indio?

“I believe Indio’s biggest attraction is that we’re a family-oriented city,” Dzuro said. “We emphasize our parks, the teen center and the Boys and Girls Club of America. We work together as a community with our festivals. The Tamale Festival and the Date Festival are family events. We really try to bring in the families to our community, and I think that’s what we emphasize more than anything.”

Chapa said that she feels the city government is not properly engaging with the older parts of the city.

“We know what it’s all called: ‘The City of Festivals,’” Chapa said. “That’s what it’s marketed as. It … doesn’t have just one identity. We know people understand Indio from the outside because of Coachella and the large snowbird community. As for the identity that it once had, there are many 40-plus-year residents living here who aren’t being included in the new face of Indio and the ‘City of Festivals.’ The identity is something we need to work on as a city, and (we need to) reach out to the community to build an identity so the people can feel like they’re part of the city, and that we can build our city together.”

Torres said Indio is not reaping the economic benefits it should be.

“The city of Indio is the ‘City of Festivals,’ but we used to be the second seat of the county, and we’re now in the backseat to Palm Springs,” Torres (right) said. “Any of the big events they have here, even at the casinos, they call it ‘Greater Palm Springs.’ We provide the neighbors and facilities, but the cash registers are ringing in the west valley. The local leaders have allowed that to happen and don’t have a plan to bring that identity back to Indio, and that’s where we made a huge mistake. It’s called the ‘’City of Festivals,’ but we’re really the ‘Greater Palm Springs Chamber of Commerce Backseaters.’”

Lopez said she wants Indio to once again be considered the hub of the Coachella Valley.

“We have so much potential, and we’re still growing,” she said. “On the other side of the freeway, I just found out we’re getting a Sonic and some other new places to shop and eat. The hope is to make sure we have a council member who will reinvest back into our community. We do pay taxes, and we’d like to see some of that money come back in infrastructure or attracting new places to shop and eat in downtown Indio—becoming the hub of the valley again.”

Gutierrez also said the city does not capitalize enough on the ‘City of Festivals’ label.

“There are some blinders on us,” he said. “We’re known for Coachella, but we don’t really expand on that. We’re just the site for Coachella. … We can’t rely on one-time events where people come, hang out and then leave, and probably never come back. We need a continuous inclusion of all age groups, ethnicities and everything.”

As for the identity of Indio, Miller (right) feels it has a lot to offer culturally.

“It’s the ‘City of Festivals’ and the city of culture. The city also has a bright future,” he said. “I think people see that in our rich history and being the largest city, but … multiple art developments and art pieces are going up throughout the city by world renowned artists who want to be part of the city of Indio and its culture.”

Watson said that she feels the city’s identity as the “City of Festivals” ties everything together.

“We’ve always celebrated our culture through the festivals,” she said. “It’s a community of celebration; Indio is full of hard-working individuals who work through our seasons to fulfill every need of their families, and when it’s time to celebrate, it’s done through our festivals. That is … a hard working community that understands that we need to work hard and work together to build a community that meets our needs.”

Published in Politics

Goldenvoice's first-ever Desert Trip, from Friday, Oct. 7, through Sunday, Oct. 9, drew tens of thousands of fans from around the world to see Bob Dylan, the Rolling Stones, Neil Young, Sir Paul McCartney, The Who and Roger Waters—and they're doing it all over again this coming weekend.

Independent assistant editor Brian Blueskye and photography contributor Guillermo Prieto (Irockphotos.net) were fortunate enough to take in the inaugural Desert Trip—also known by some snarkier folks as Oldchella and Agecoach—from the grandstands.

For a recap of day one, click here.

For a recap of day two, click here.

For a recap of the final day, click here.

Here are some images from the grandstands and from around the festival grounds, all by Prieto.

Desert Trip’s inaugural weekend is now in the books—and not even the highly anticipated debate between Hillary Clinton and Donald Trump could keep people away from the final-day performances by The Who and Roger Waters.

Some music critics and fans in recent years have mused that it might be time for The Who to hang it up, since the only remaining original members are frontman Roger Daltrey and songwriting wizard and guitarist Pete Townshend. These musings ignore the fact that The Who includes some great touring members, including Ringo Starr’s son, Zak Starkey, who has sat in the late Keith Moon’s spot on drums since 1996; and bassist Pino Palladino, who took over bass duties after the death of John Entwistle in 2002. Palladino has played with Paul Simon, Joe Walsh and Nine Inch Nails.

Critics have also claimed that Townshend’s hearing issues have caused problems with The Who’s live performances. Well, I can tell you that at Desert Trip, The Who was loud—probably the loudest of the six Desert Trip performers.

The Who kicked off the set with “I Can’t Explain” and “The Seeker.” The band surprisingly threw in “Who Are You” a little early—but that was quite all right, considering how much material the group managed to go through in almost two hours.

Before playing “I Can See for Miles,” Townshend explained it was the band’s first hit. He also said that he felt bad for the people in front of the stage, because they had to look at “two old cunts,” meaning he and Daltrey.

As a big fan of The Who’s 1973 concept album/rock opera, Quadrophenia, I was delighted to hear “5:15” as well as the self-titled instrumental, during which some of the world’s most recent historical moments were shown on the video wall—the Vietnam War, the first Gulf War, Sept. 11 and the Iraq War, to name some of them. This was followed by “Love, Reign O’er Me.”

After a performance of 1982’s “Eminence Front,” The Who then made light of their “other” concept album/rock opera, Tommy. They started off a four-song showcase with “Amazing Journey” and followed with “Acid Queen,” “Pinball Wizard” and “See Me, Feel Me.” The group ended with “Baba O’Riley and “Won’t Get Fooled Again.”

Yes, The Who is not the same band it once was. Roger Daltrey’s voice has understandably began to wear with age, a fact which was very evident during “Love, Reign O’er Me.” That’s not to say his voice has lost all its power. Indeed, The Who put on a powerful performance and was a huge hit with the Desert Trip crowd.

If there’s a relative outlier on the Desert Trip bill, it’s Roger Waters. Pink Floyd started as an intense psychedelic rock band before frontman Syd Barrett did too much LSD and suffered a severe mental breakdown. Yes, Pink Floyd was intense and far out; the band’s early material is influential to many punk bands.

Waters left Pink Floyd in the mid ’80s after The Wall became an epic hit, but he’s remained an influential musician and has carried on Pink Floyd’s legacy. Rumors ran rampant about the performance, and one of them came true—the sound system was amazing.

Waters took the stage after a dark ambient instrumental played for about 20 minutes with the video screen depicting rocky surface, perhaps on the moon. Nearly three amazing hours would follow.

Waters started off “Breathe” from Dark Side of the Moon, and followed with “Set the Controls for the Heart of the Sun,” a fine example of Pink Floyd’s heavy psychedelia.

The visuals on “Time,” “Us and Them” and “Shine on You Crazy Diamond” were great, but it was topped by the stunning visuals—typical Pink Floyd artwork of the ’70s style animation that’s a cross between Salvador Dali and the movie Fantastic Planet—during “Welcome to the Machine.”

After “Have a Cigar,” Waters began to play “Wish You Were Here,” and that’s when things got ... well, interesting.

The end of the song was interrupted by the sounds of a helicopter and sirens—which blared in surround sound throughout the grounds. Suddenly, a building resembling the one on the cover of Animals appeared across the video wall on the stage, and four large smoke stacks came out of the top of the stage—complete with steam. Waters continued with “Pigs on the Wing, Pt. 1.”

References to Donald Trump began flashing on the screen. An image of Trump with the word “Charade” underneath. An animation of Donald Trump throwing up. A really disturbing picture of Donald Trump in female form, complete with breasts. Finally, during “Another Brick in the Wall Part 2,” an inflatable pig made its way around the grandstands and floor that had “Divided we fall,” “Donald Trump is an arrogant, racist, lying, sexist pig” and “Fuck Trump’s wall!” painted on the side.

Songs including “Mother,” “Run Like Hell” and “Brain Damage/Eclipse” followed.

Waters didn’t really do an encore, and instead talked to the audience about his efforts to boycott Israel and end what he believes is apartheid against the Palestinians. He then proceeded to play “Bring the Boys Back Home” and closed out his set with “Comfortably Numb.” Surprisingly, many members of the Desert Trip audience, many of whom have money and presumably disagree with some of Waters’ political positions, gave him a warm reception.

I have never seen a stage production at the level of Waters’ show at Desert Trip. Actually, I don’t think anybody has ever seen a stage production at the level of Waters’ show at Desert Trip. Somehow, he managed to top everything Paul McCartney and the Rolling Stones had to offer. It was an incredible end to the weekend and the festival.

Published in Reviews

After a thrilling (if traffic-choked) first day of Desert Trip, attendees returned on Oct. 8 for Day 2—excited about the performance of Saturday headliner Paul McCartney.

But before Sir Paul took the stage, it was time for Neil Young and his current band, the Promise of the Real, which includes Willie Nelson’s sons, Lukas and Micah. Let’s just say the appearance of the stage was … odd.

On both stage right and left were large teepees with “Water is Life” painted on them; two smaller teepees flanked each of the large ones. The backdrop resembled a canvas bag of seeds, with the words “Seeds of Life. Indio, CA. Organic.” This was a reference to Neil Young’s latest album, recorded with the Promise of the Real, titled Earth, which references the plight of the small farmer, Monsanto, environmentalism and many other farming and environmental issues. Considering Young sits on the board of Farm Aid and was one of its founders, his interest in farming issues should come as no surprise.

Young took the stage as the sun was setting, but only after a few women pretended to plant and maintain seeds. He started off his set alone playing “After the Gold Rush” and his 1972 hit—and only No. 1 single—“Heart of Gold.” He continued with “Comes a Time” and “Mother Earth.”

At the end of his four-song solo set, men in white hazmat suits came out shooting tanks of air onto the stage, apparently meant to symbolize chemicals. The Promise of the Real then joined Young to play “Out on the Weekend” and “Human Highway.”

The song “Down by the River” featured an extended jam, with Young and Lukas Nelson trading impressive guitar solos. A few minutes later, Young joked with the crowd about how Roger Waters, formerly of Pink Floyd, would be closing Desert Trip with on Sunday night, saying, “Roger is going to build a wall and make Mexico great again!” After playing “Welfare Mothers,” Young suggested that it should become Donald Trump’s new campaign song.

Young closed out his set with “Rockin’ in the Free World,” joking that he only had 40 seconds left in his set and that he was going to try to play it in its entirety within that time. Thankfully, the song went on for about five minutes and was incredible.

Young’s set was energetic, mixing material new and old. The Promise of the Real proved to be a perfect backing band, ably handling Young’s Southern and country rock, and even his heavier rock material.

At 9:45 p.m., Paul McCartney walked onto the stage after the Beatles’ “Revolution 9” blasted over the PA system. He started his set with “Hard Day’s Night” and followed with “Jet,” which featured a colorful video on the big screen showing clouds in a pink hazy sky with a jet flying through.

“We’re going to have a party in here, Liverpool-style!” McCartney declared.

He mistakenly called the audience “Coachella” throughout much of his set, but he later on referred to “Indio” a couple of times. The first half seemed to be a warm-up, as he was clearly pacing himself. McCartney’s not Mick Jagger, who runs around onstage; he’s not Neil Young, who plays grunge-style guitar chords. He’s not a high-energy performer. And that’s just fine.

In fact, during the latter part of the first half of his almost-three-hour set, he slowed things down even more, performing the early Beatles/Quarrymen demo song “In Spite of All the Danger” in front of a hologram of an old, rundown house in the night. The hologram remained for “Love Me Do” and “And I Love Her.”

McCartney took the time to explain the meaning of the song “Here Today,” about a conversation that he and John Lennon never got to have—and how you never know how long you’ll be able to have conversations with people before they are gone. The emotional tune brought a few tears to people’s eyes—which was no surprise, especially given the news of the murders of two police officers in Palm Springs earlier that day.

After McCartney performed “For the Benefit of Mr. Kite,” things picked up and became more intense. He also brought out Neil Young to perform “Day in the Life,” “Why Don’t We Do It in the Road?” and “Give Peace a Chance.”

The performances of “Band on the Run” and “Back in the U.S.S.R.” made for great visuals on the video wall. The album cover of Paul McCartney and Wings’ Band on the Run album suddenly became animated, with each of the members on the cover talking to each other and laughing. “Back in the U.S.S.R.” featured animated pop art and footage of people in the old Soviet Union doing everyday activities—even Russian dancing.

The Rolling Stones ended the show on Friday with pyrotechnics—and McCartney outdid them during “Live and Let Die.”

Before the encore, people sang along to the chorus of “Hey Jude” for a few minutes as McCartney told the boys to sing it, then the girls, and then everyone. As for the encore, McCartney mentioned the Rolling Stones covered “Come Together,” so he had decided to return the favor and cover their first UK hit single, “I Wanna Be Your Man,” which was followed by “Helter Skelter,” complete with very trippy visuals. He closed out the night with “Carry That Weight.”

Published in Reviews

The unofficial nickname of Desert Trip, as everyone knows, is “Oldchella.” The jokes have been flying regarding the possibility of AARP discounts at the Empire Polo Club, where Goldenvoice is holding the three-day affair over two consecutive weekends.

After night one of Desert Trip, it’s official: The crowd at Desert Trip is certainly older than the Coachella audience. Nonetheless, the concert, featuring older legends of rock ‘n’ roll, still had an incredibly exciting vibe.

First up on Friday night, Oct. 7, was Bob Dylan. I’m a fan of Dylan’s recordings from the 1960s; I own all of them and know most of them by heart. But in the ’70s, he went electric and shifted his musical style—and his live shows can be a disappointment if you’re not a fan of everything he’s ever done. In fact, during one recent concert, he apparently did not have a song in his set list from before 1997.

Chuck Klosterman was right in his most recent book, But What If We’re Wrong, when he stated that Bob Dylan does not rock—instead, he serenades the crowd with his lyrics as he goes in whatever direction he wants to take.

Dylan started his set by hinting that he was going to play the classics. He opened with “Rainy Day Woman” (with many people screaming, “Everybody must get stoned!”) and followed with “Don’t Think Twice” and “Highway 61.” The structures of the songs, however, were altered to have more of a country or country-rock sound. Dylan was seated at his piano for most of the night as the giant screen behind him played vintage footage—of construction, a train moving down the track, people during the Great Depression, and so on. Later, “Twist of Fate” was the best song of his set.

It was an honor to see Dylan performing at Desert Trip. Hey, he’s Bob Dylan, and he can do whatever he wants. In his set, which was just more than an hour, he offered a nice mix of classics and more recent material.

As the intermission passed the hour-long mark, growing anticipation for the Rolling Stones could be felt throughout the entire festival. When the show finally began, it was magical.

The Stones rolled in, acknowledged the crowd, and started a two-hour set with “Start Me Up” and “You Got Me Rocking.” Mick Jagger mentioned the band has been in the recording studio recently working on Blue and Lonesome, which is scheduled for release in December. The band played one of the new tracks, a cover of Bukka White’s 1937 Delta blues track, “Shake ‘Em on Down.”

Just about every classic Rolling Stones track, with the exception of “Street Fighting Man,” was played on Friday night. Keith Richards performed “Slipping Away” by himself before the band, sans Jagger, backed him on “Little T&A.” One of the biggest crowd responses came during “Miss You,” as the audience sang the “ooooooh ooooooh” parts and danced to its funky rhythm. Even Sir Paul McCartney, in a private loge directly behind some media seats, danced along to the song with his wife, Nancy Shevell. “Sympathy for the Devil” featured a visual on the video wall of demonic scrolls and symbols.

“Gimme Shelter” featured amazing backing vocals; the female vocal lead who sang the chorus was phenomenal. Speaking of vocals: The encore started with the University of California Irvine choir singing the intro to “You Can’t Always Get What You Want” before Mick Jagger and the rest of the band joined them.

After closing with “(I Can’t Get No) Satisfaction,” the sky lit up with a fireworks show that went on for about two minutes before the band finally took a bow.

I’d never seen the Rolling Stones live before, and I can now say that no DVD or live album does them justice. I don’t care how old they are: The band turned in an energetic, packed set. It was pretty damn awesome.

Published in Reviews

Coachella’s second weekend started off on Friday, April 18, on a comfortable note: The heat was not overbearing, with temperatures generally remaining in the 80s. Not even the arrival of some ominous clouds in the afternoon would put a damper on the fun.

The Gabba Gabba Heys, a Ramones tribute band, started things off in the Gobi tent at noon. As someone who was fortunate enough to catch the very last Ramones tour during a stop in Cleveland, I can say that the Gabba Gabba Heys sound exactly like the Ramones. When they opened up with “Rockaway Beach,” a portion of the crowd in front of the stage began to mosh. Ramones tunes such as “Teenage Lobotomy,” “Blitzkrieg Bop,” “Rock and Roll High School” and “I Wanna be Sedated” were performed with the Ramones sound intact—although visually, the Dee Dee Ramone was a little pudgier and shorter than the original, and the Joey Ramone was much better-looking.

As the members of GOAT sound-checked on the Outdoor stage, members of Flatbush Zombies, who had just performed, walked into the photo pit and chatted up attendees for a few moments. After GOAT took the stage, they proved to be just as amazing as they were at Pappy and Harriet’s earlier this month. The Coachella crowd cheered “GOAT! GOAT! GOAT!” before the band began to play. GOAT performed “Diarabi,” “Run To Your Mama” and a few other songs from their only album to date, World Music.

As for some of the Coachella art you’ve probably seen on your friends’ Facebook pages: In between performances by GOAT and the Dum Dum Girls, Anthony Green was heard on the Main stage saying, “From where I’m standing, It looks like the Robot is going to fuck the Astronaut in the ass.” From the Outdoor stage area, that assessment seemed spot-on.

When the Dum Dum Girls took the Outdoor stage, frontwoman Dee Dee Penny came out wearing a sheer outfit that revealed her breasts in their entirety, save the nipples, which were covered with black circles. They opened up with “He Gets Me High,” and followed with “I Got Nothing.” The sound of the Dum Dum Girls reminded me of the Pretenders at times, especially during “Are You Okay?” The almost-all-female band drew a crowd and put on a solid set. This is a group we’ll be hearing plenty more about in the near future.

In the mid-afternoon, dark clouds began to form over the Empire Polo Club. The wind also picked up, creating fears of a nasty storm. However, that didn’t stop attendees from having a good time.

At 4:35 p.m., the Jon Spencer Blues Explosion took the stage in the Gobi tent. The Blues Explosion never stopped in between sets, and was all over the place with material. One song that seemed to catch everyone’s attention was a cover of the Beastie Boys’ “She’s On It.” The crowd got a show one would expect from the Jon Spencer Blues Explosion, with loud volume, plenty of feedback and Jon Spencer working the crowd like the master of rock he is.

Around the time the sun went down, the threats of rain and high winds subsided—and delightfully cooler temps made the crowd more comfortable.

When Chromeo took the Main stage at 7:40 p.m., a sizable crowd was waiting, even though Broken Bells were performing not too far away on the Outdoor stage. Chromeo did something daring: The band played two of their biggest songs first—“Night by Night” and “Hot Mess.” The smell of marijuana filled the air; glow sticks lit up; inflatable pool toys were held in the air; people were dancing all over the place. The energy was impressive, but could they manage to hold the crowd with their other material? The answer: a resounding yes. The band ended with “Fancy Footwork.”

The Replacements are on a reunion tour—and the members appeared to have some problems early in their set on the Outdoor stage. Before they took the stage, a couch was brought out and put in front of the drum riser. When the band members came out and started “Takin’ a Ride,” Replacements frontman Paul Westerberg didn’t seem as energetic as he had during other recent performances. The whole band was decked out in plaid suits and bowties, except for Westerberg.

After the third song, Green Day frontman Billie Joe Armstrong walked onto the stage in his own plaid suit. Westerberg asked, “What are you doing here, Billie Joe?” Armstrong replied: “Dreams really do come true!” After a few songs during which Westerberg planted himself on the sofa, sang along and played guitar, it became evident that Billie Joe was onstage to stay. Westerberg announced that he was having back trouble, and that The Replacements had heard that Armstrong had always wanted to play with them—so they hired him as an “extension” for the evening. Armstrong breathed life into the set and managed to draw a large crowd to the Main stage. During “Bastards of Young,” the three-ax attack was unbelievable.

A rather amusing note: The Los Angeles Times recently suggested that if a family is going to Coachella, the parents should go see Bryan Ferry. Well, when I peeked inside the Mojave tent toward the end of Ferry’s set, the crowd was mostly middle-age-to-older. Another amusing note: One of the balloon chains broke, sending all of the balloons into the night air.

As the evening’s end approached, and Main stage headliner OutKast was preparing to take the stage, The Cult began to perform in the Mojave, and dedicated their set to a 24-year-old woman who died while attending Coachella last week. Cult frontman Ian Astbury told the audience to take care of one another and stay hydrated, just before the band opened up with “Rain.”

As for Outkast’s set: If you burn through all your hit songs at the beginning of your headlining set, you may just lose some of your audience. The same annoying hologram tent was onstage as it was during Weekend 1, and the visuals were not good unless you were really up close.

Outkast opened up with a stellar performance of “Bombs Over Baghdad,” which probably should have been saved for the closing number. On the plus side, Big Boi and Andre 3000 looked a lot more energetic than they did last week. After performing “Gasoline Dreams,” they went right into “ATLiens.” Shortly thereafter came “Rosa Parks” and “Ms. Jackson.”

Many fans, after hearing all these songs so early, decided to skip out to avoid traffic; after all, there was not much to stay for at that point. It made for an odd ending to an otherwise fantastic Day 1.

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Published in Reviews

Indio’s annual Southwest Arts Festival is pulling away from the traditional art it has showcased for almost three decades: Now in its 28th year, the festival will focus attention on contemporary work, organizers say.

About 290 artists from 22 states will set up shop at the Empire Polo Club from Friday, Jan. 24, through Sunday, Jan 26, exhibiting an array of pieces that include abstract art and glass work.

Summer Parkinson, the Southwest Arts Festival’s coordinator, says that this year’s festival will be unlike any other.

“We really tried to make this year’s festival more contemporary, but still have a sense of some traditional art,” said Parkinson, who has been involved with the festival for 10 years, but recently became the event’s coordinator. “The festival is really going to encompass everything contemporary art is offering, such as oil paintings, clay and textile works.

“The biggest thing for us is putting a contemporary flavor on this festival. It’s really turned from a regional arts festival to a festival featuring art from all over the country.”

Parkinson expects about 15,000 people to attend. About 13,000 attended last year’s festival, she says.

Artists look forward to the festival all year, according to spokeswoman Ellen Paris.

“Artists love coming to the festival because they are treated so nicely and with such hospitality,” Paris said. “They’re not just artists, but also fans of art, which I really think makes it a show for the audience and the artists.”

Paris, who has been involved with the festival for four years, says about 70 percent of the artists are returning from previous years.

“First-time artists who come love the atmosphere that the festival provides, so they keep coming back,” Paris said.

The festival serves as the biggest fundraiser for the Indio Chamber of Commerce, who uses the earnings to fund a visitors’ center and the chamber’s mission.

Joshua Bonner, the president and CEO of the Indio Chamber of Commerce, says this year’s festival is going to be one that families won’t want to miss.

“There is going to be so much going on; so much for everybody to look at,” he said. “This is going to be a really exciting festival; there is going to be such a wide spread of art like this event has never seen before.”

Bonner, who took over as the president and CEO of the chamber earlier this month, says credit goes to the Parkinson, festival’s coordinator. “Parkinson and everybody who helped organize and put this thing together really did a wonderful job. It’s going to be a lot of fun.”

Artist Nancy Egan’s oil-on-canvas painting “Museumscape” was chosen for the festival’s signature poster. Over the years, the festival’s signature posters have become collectors’ items, making Egan’s painting even more special. Her work has been showcased in galleries spanning from Laguna Beach to San Juan Capistrano.

The Southwest Arts Festival will be held from 10 a.m. to 5 p.m., Friday through Sunday, Jan. 24-26 at the Empire Polo Club, 81800 Avenue 51, in Indio. Admission is $8 for adults; and free for children 12 years old and younger. Self-parking is $5; valet parking is $8. For more information, call 760-347-0676, or follow the festival on Facebook.

Published in Visual Arts