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Jimmy Boegle

What: The Black Cherry Manhattan

Where: Jake’s Palm Springs, 664 N. Palm Canyon Drive

How much: $14

Contact info: 327-4400; www.jakespalmsprings.com

Why: It’s really freaking yummy.

Let’s start off with the negative stuff: The Black Cherry Manhattan is overpriced. There’s no good reason for a drink to cost $14 when one can get a 750-milliliter bottle of the starring liquor for less than $20. Period.

OK, maybe there’s one reason: The Black Cherry Manhattan is delicious.

The aforementioned starring liquor is Jim Beam Red Stag, a black-cherry flavored bourbon. Now, before all you bourbon purists out there start freaking out and taking umbrage with the idea of flavored freaking bourbon, please chill. I am with you. I am not recommending you rush out and buy a bottle of Red Stag for sipping. (Though if you do, and you like it, that’s fine with me. I am not judgmental like those folks who are taking umbrage.)

However, when this liquor is presented as a Manhattan, and garnished with tasty black cherries, this stuff is good. If you are a Manhattan purist, or you like your Manhattan not-so-sweet and woody, this drink is not for you. But if you may like a sweeter, lighter Manhattan, give this drink a shot. You’ll like it—and while it’s lighter, it’s still got a Manhattan-style punch.

So, splurge a little. Enjoy the $19 delicious meatloaf, and have a Black Cherry Manhattan. It’s almost worth the price.

As an example of how all over the map the McCallum Theatre’s 2013-2014 season offerings are, look at the first four shows.

The season begins on Oct. 13 with the theater’s Second Annual Family Fun Day, featuring the Popovich Comedy Pet Theater and its performing pooches and kitties (yes, performing cats; who knew?). That’s followed five days later by the first-ever performance of Alton Brown Live, a show featuring the off-kilter-in-a-good-way Food Network host. One week later, Mexican theater hit Frida: The Musical—performed entirely in Spanish—is on the boards. Next, country-music star Vince Gill will take the stage.

So … you have pet theater, followed by a goofy but educational chef, followed by a serious Spanish-language musical, followed by country music. And by the way, that’s all followed by a series of dance events that McCallum president/CEO Mitch Gershenfeld hopes will set the stage, so to speak, for a true international dance festival to sprout in Palm Desert.

Got all that?

“We’re trying to present diverse-enough programming to attract every segment of the community,” Gershenfeld says. “We don’t want to be elitist. We want to have a presence in all of the relevant performing-arts genres.”

In all, the 2013-2014 McCallum season lineup—which was announced earlier this week, with season-series tickets going on sale next week—includes more than six dozen shows that range from separate performances by greats Shirley MacLaine, Chita Rivera and Patti LuPone, to plays like Driving Miss Daisy, The Addams Family and Hello, Dolly! (staring … Sally Struthers?!), to dance by Pilobolus and the Moscow Classical Ballet, to something called Cesar Millan Live!

Gershenfeld says he uses a “market-driven approach” while booking the McCallum. In other words, he won’t bring in any show that he knows won’t get butts in seats. However, he says he’ll take a risk if he thinks he can convince the public that a show is worthy.

“If I feel like I can market it and make it work, I’ll do it,” he says.

Gershenfeld is about to enter his second year as the president and CEO of the McCallum, following the retirement last year of longtime head Ted Giatas. Before Giatas’ departure, Gershenfeld handled operations and booking at the McCallum for a dozen years—and he’s kept the booking gig as CEO. In all, the former symphony musician—he’s a tuba player—and theater producer has been booking shows for three decades.

When asked what shows he’s excited about in the upcoming season, he instantly mentions Peter and the Starcatcher, a fresh-from-Broadway play that nabbed five Tony Awards last year. The show, which offers a back-story of sorts for Peter Pan, will arrive at the McCallum March 28-30, 2014.

This show falls in that if-I-can-market-it category for Gershenfeld, he says, clarifying that while traveling Broadway musicals tend to sell well, non-musical plays can struggle when they lose the big names that often star in the shows in New York.

“I am going to talk about this play every chance I get this year,” Gershenfeld says.

And as for that Alton Brown show: It’s being produced by the same people who created the Mythbusters: Behind the Myths tour, and the McCallum is actually letting the producers use the theater for a week or so to “get the show going” before it officially premieres on Oct. 18. As a hint to what the show will be like, Gershenfeld notes that attendees in the first few rows will be given ponchos to wear.

Gershenfeld also points to the Bahia Orchestra Project show on Feb. 16, 2014, as something special. The project was founded in Brazil in 2007, modeled after El Sistema in Venezuela; organizers go into poor areas and provide youngsters with musical instruments, and teach the kids how to play. These Brazilian kids-turned-musicians, with help from star pianist Jean-Yves Thibaudet, will play at the McCallum as part of their first North American tour.

“It’s a wonderful opportunity to hear great music played by these young people who have had a rough go in life,” Gershenfeld says.

Gershenfeld says his goal every season, of course, is to top the previous one, although he concedes that the now-concluding McCallum series—the theater’s 25th anniversary season—was “really good,” and the best-attended since 2007-2008 and the Great Recession.

“I hope people respond to this (upcoming) season as well as the last,” Gershenfeld says.

For more information on the season, or to buy season subscriptions (starting Monday, April 8), visit www.mccallumtheatre.com.

Sunday, 31 March 2013 11:20

Snapshot: Pictures From White Party 2013

The Palm Springs Convention Center was awash in white Saturday night and Sunday morning (March 30 and 31) at White Party 2013.

Chippendales dancer/The Amazing Race alum Jaymes Vaughan joined forces with the great Madame to interview celebrities (such as White Party performer Carmen Electra) on a "white carpet" outside of the convention center. Inside, many thousands of men (and a few women) danced, snapped pictures and enjoyed themselves on a dance floor that got increasingly crowded—and sweaty—as the night went on.

Scroll down to see pictures snapped at the event by the Independent's Jimmy Boegle and Linda Ray.

We’re getting older. We’re getting more Hispanic. And we’re getting a heck of a lot bigger.

Those are the conclusions that can be drawn from a series recently released Coachella Valley growth projections. The state of California earlier this year released statewide figures broken down by county, and the folks at the Southern California Association of Governments (SCAG) were kind enough to release brand-new Coachella Valley-specific projections to the Independent.

The numbers are striking: SCAG projects that while there were 443,000 people in what the association classifies as the Coachella Valley in 2008, there will be 604,000 of us in 2020—just seven short years away. And in 2035, there will be 884,000 of us.

“When you think of our growth over the years, it’s been slow and steady,” said Cathedral City Councilmember Greg Pettis, who also sits on the boards of SCAG and the Riverside County Transportation Commission. “This is an explosion.”

That explosion will largely take place in the East Valley. While the population of every city in the valley is projected to grow by at least 20 percent, Indio is expected to grow from 73,300 people in 2008 to 111,800 in 2035—a 53 percent expansion.

However, the projected growth in Coachella makes Indio’s growth look quaint: The city of 38,200 people in 2008 is expected to balloon to 70,200 in 2020, and 128,700 in 2035, making it the valley’s largest city. (For what it’s worth, the city of Coachella is updating its general plan, and documents show that city officials there are projecting 155,000 people by 2035.)

But the biggest growth won’t happen in any city at all. The unincorporated areas of the valley are expected to see half of all the population growth between 2008 and 2035: While 87,500 people lived in the Coachella Valley’s unincorporated areas in 2008, a whopping 308,600 people will be in those areas in 2035. A SCAG map shows that much of this expansion in unincorporated areas will take place north of Interstate 10 and in the areas south and west of Coachella.

The projections from SCAG and the state show that as we grow, the Coachella Valley’s percentage of Latinos will rise, while the percentage of “non-Hispanic whites” will fall.

Meanwhile, we’ll get older, too. State figures show that Riverside County will be leading California in terms of growth rate. Expanding the timeframe out a bit, these state figures show that between 2010 and 2060, Riverside County’s population will expand by 92 percent (with the Coachella Valley growing at a higher rate than the rest of the county). However, seniors will see the highest percentage of growth: The number of people age 65 to 74 in Riverside County is expected to grow by 210 percent; the number of people between 75 and 84 by 255 percent; and people 85 and older by a whopping 531 percent.

While projections definitely can be wrong—the Great Recession, for example, blew holes in some earlier projections—it’s clear that our little valley will go through a whole lot of change over the next generation.

Reasons for Optimism

The good news is that local leaders said they’re working to prepare for this “explosion,” and in some ways, we’re ahead of the curve.

For example, when it comes to area’s roadways, we’re doing OK.

“So far, we’ve been able to keep up with growth and traffic,” said Tom Kirk, the executive director of the Coachella Valley Association of Governments. “This time of year, some of our roadways are taxed, because we have so many visitors, but our roads are still far less congested than in Los Angeles and other urban areas. We’ve done a good job of keeping up with that.”

He pointed to the fact that Riverside County voters approved—and renewed—a half-cent sales tax measure that funds transportation projects as one reason the valley’s roadways remain relatively viable, and said that impact fees on new developments have—and will continue to—provide funding for new roads.

Pettis noted that Interstate 10 has seen a steady series of interchange improvements, and that there’s a possibility of more new or expanded interchanges, including ones at Da Vall Drive, Landau Boulevard and Jefferson Street.

Kirk also brought up moves that area governments are making to go beyond vehicle-based transportation. Specifically, he mentioned the proposed Whitewater River Parkway, a bike/pedestrian/“neighborhood electric vehicle” pathway—46 miles, at an estimated $70 million cost—that would connect all of the valley’s cities.

“It’s a big part of our plan to move people from point A to point B,” Kirk said.

Kirk also said he feels that the valley is well-prepared to handle the increase in water needs that will come with a large increase in population, noting that the Coachella Valley Water District and other area agencies have long-term commitments to secure the water supply.

“Also, we tend to use less water in newer developments than older developments,” Kirk said.

The recent Coachella Valley Integrated Regional Water Management Plan, prepared by the Coachella Valley Regional Water Management Group, examines many of the water issues facing the valley, and comes up with a comprehensive plan for our water supply. The plan does ring some warning bells, though, including the fact that our local aquifers are decreasing due to over-pumping, and that projected Colorado River water may not be available due to drought and climate change.

Speaking of comprehensive planning, the city of Coachella is putting the finishing touches on its general plan update. Luis Lopez, the city’s community development director, said the plan is the blueprint for the city’s much-larger future.

I asked him: Is the city of Coachella ready to become the valley’s largest?

“As a small-city government, we need to grow and mature and sophisticate into a large city,” Lopez said.

Lopez added that the city is working hard on transportation matters, to make sure future residents will be able to get around the area. He said city planners are putting an emphasis on making streets more pedestrian-friendly, and improving access to public transit.

Officials are also preparing for new developments, such as La Entrada, a 7,800-home project located south of Interstate 10 and east of Highway 86.

“It’s basically like a new town up there,” he said. “We need to create connectivity with the project.”

Causes for Concern

Of course, with growth comes change. Lopez conceded that as more and more agricultural land is gobbled up by homes and development, his small, agricultural town will cease to be so small and agricultural.

“Currently, we’re more rural, with more open space. As those areas become urbanized, there will be a significant change in character,” Lopez said.

Of course, character is just one of many potential worrisome changes. For one thing, less agricultural land means less agricultural business.

And speaking of business: If the size of the valley doubles, where will all these newcomers work?

Pettis cited employment as a potential problem. He said that if plans and proposals to expand College of the Desert (presuming the college can ever get beyond a recent series of scandals and misdeeds) and the Palm Desert campus of the California State University at San Bernardino could come to fruition, that would be a great start. He also said community leaders need to look at expanding the health-care industry (especially considering the increase in the senior population) and getting “some kind of manufacturing” into the desert.

“It needs to be a focus,” he said.

Speaking of a focus, everyone the Independent spoke to agrees that the valley needs to keep the money train that is tourism on track. Pettis is especially hopeful about a proposed (and long-delayed) resort hotel in downtown Cathedral City that he said could bring 500 to 600 jobs.

However, the valley may not need as many jobs, per se, if there were greater rail connectivity to the rest of Southern California. Housing is cheaper in the Coachella Valley than it is in much of Los Angeles and Orange counties, so more people who have jobs in those metropolitan areas could decide to make the commute if the commute were cheaper and easier than it is now.

Both Pettis and Kirk talked up the importance of twice-a-day, seven-day-a-week rail service to Riverside, Orange County and Los Angeles; currently, Amtrak offers only three days of service between Palm Springs and Los Angeles—and the train arrives in North Palm Springs at the ungodly time of 12:36 a.m.

“We have a lot of people traveling (from the Coachella Valley) to Riverside or Moreno Valley every day,” Pettis said. “Well, they’re stuck on the freeways now.”

Finally, Kirk said that the concern that figuratively keeps him up at night is a problem that neither he nor other local leaders can control.

“I do believe for those of us who live in and love the state of California, there’s much that worries me. There are systematic, big picture concerns” when it comes to state government, especially when it comes to funding education and infrastructure, he said.

The Great Unknowns

One of the more interesting aspects of the projected growth involves the fact that so much of it is expected to happen in unincorporated areas. As mentioned above, as of 2008, 87,500 people—or not quite 20 percent of the 443,000 people that lived within the Coachella Valley Association of Governments’ jurisdiction (which, for some reason, includes the Blythe area)—lived outside of an incorporated area.

In 2035, that number is projected to be 308,600, or 35 percent of the total population of 884,000.

In the past, when a large number of people moved into an unincorporated area, the residents would often band together to incorporate and create a new town or city, or an adjacent city would annex the area. However, “the game is different today,” Kirk said, considering that governments at all levels—and especially at the state and county levels—are navigating through financial problems.

“I think it’d be a struggle for a new city to be formed, and a very big challenge for older cities to expand,” Kirk said. “That means the challenge is going to fall upon the county’s shoulders to service these populations.”

That’s not to say that the area’s cities don’t have expansion plans—for example, Coachella is planning some annexation of land involving the La Entrada development, Lopez said, and Pettis noted that Cathedral City has designs on the Thousand Palms area. Still, it’s safe to say that many of the largest-growing areas in the valley will wind up unincorporated.

The biggest concern that the Riverside County Sheriff’s Department has about this extra burden is finding qualified law-enforcement officials to handle it all—especially if growth comes quickly.

“Deputy sheriffs and correctional deputies are required to meet strict requirements to ensure they can handle the demands of a career in law enforcement. The hiring process for a new deputy sheriff can take between eight and 12 months, with another year of training. The skill level and experience takes even longer to achieve, so you need to consider the lead time necessary to reach the intended goal,” wrote Riverside County Chief Deputy Rodney Vigue, in response to an emailed list of questions from the Independent.

These requirements, when combined with the projected growth explosion, have Vigue concerned.

“Less than 1 percent of the candidates who apply for a deputy sheriff position are hired, and all the agencies in the Coachella Valley and throughout the state are competing against each other for the same candidates,” Vigue wrote.

Vigue, like Kirk, expressed concerns about the state’s financial picture.

“The unforeseen impacts the state may have on existing funding sources and any future cuts have the potential to force local communities to evaluate budget priorities,” Vigue wrote. “For example, the recent influx of state prisoners into the county correctional facilities and into our communities, as a result of the state corrections realignment, has strained local obligations. This impact is not only being felt from a county perspective, jail-overcrowding and a rise in crime, but also from each city that is trying to make the community safer. The shift from state responsibility to the county has strained an already overburdened correctional system, which will take years of planning and funding to overcome.”

So, in other words, as the Coachella Valley gets older, more Hispanic and a heck of a lot bigger, don’t expect everything to be smooth sailing.

“The department will need to look toward innovative programs, technology and volunteers to assist with controlling crime and maintaining the quality of life we currently enjoy in the Coachella Valley,” Vigue wrote.

Ah, spring in the Coachella Valley. Some days feature the Best. Weather. Ever. Other days make it clear that the furnace we call “summer” is going to be here all too soon.

Whether the weather’s amazing or appalling, there’s no sense in sitting around at home; spring in the Coachella Valley is simply packed with great things to do—no matter your interest, your budget, or what part of the valley you live in.

We here at the Independent have scoured the various press releases and arts websites, and we came up with this selection of eight spring highlights. (OK, the last one occurs when it’s actually summer. But it’s the freaking Village People, people.)

Oh, and before we begin: If you’re part of an arts organization, gallery or special event, make sure to send all of your info to This email address is being protected from spambots. You need JavaScript enabled to view it., so we can keep our readers (who, like you, are all stunningly smart and gorgeous) in the know.

Thanks! And enjoy!

 

What: Roger Ballen Photography

When: Through Sunday, July 28

Where: New Media Gallery at the Palm Springs Art Museum, 101 N. Museum Drive, Palm Springs:

How much: $12.50; $10.50 seniors; $5 students; free to members, kids 12 and younger, and active duty military and families; free to all every Thursday from 4 to 8 p.m., and the second Sunday of each month

Contact info: 322-4800; www.psmuseum.org

Why: When it’s hot out, the museum offers an awesome respite.

At some point this spring, it’s going to get hot—so hot that, as Dave Barry once wrote, “nuns are cursing openly on the street.”

And at some point when it’s nun-cursingly hot, you’re going to want to get out and do something, despite the outdoor oven. We recommend the Palm Springs Art Museum.

Among the exhibits the museum has on display this spring is Roger Ballen Photography. Ballen is a New York native who moved to South Africa to work in geology after earning his doctorate in mineral economics. “Fascinated by the uncertain and precarious conditions he found, he began photographing people in small towns at the margins of society. Ballen documented these residents through a series of unsettling portraits that reveal the human condition even as his subjects exhibit idiosyncratic manners and habits,” says a write-up on the museum website.

He’s since shifted away from documentary photography, and today, his photos increasingly “exploit the shallow space between a constructed backdrop and the camera in a way that is immediate and confrontational. However, the overall effect is less aggressive than intimate and challenging,” continues the website.

If you understand all of that art-speak, get thee to the Palm Springs Art Museum. If you don’t understand it, let me translate: His photos look as cool as the air conditioning inside of the museum. So, go.

 

What: The Alvin Ailey American Dance Theater

When: 8 p.m., Thursday, April 11

Where: McCallum Theatre, 73000 Fred Waring Drive, Palm Desert

How much: $49 to $99

Contact info: 340-2787; www.mccallumtheatre.com

Why: Modern dance doesn’t get any better.

In 2011, Robert Battle became only the third artistic director in the 55-year history of the Alvin Ailey American Dance Theater. When he started making his own mark on the lauded modern-dance company—it started as an all-African American modern-dance company in 1958, and went on to become a model organization, both in terms of creative influence and management—some critics were less than pleased.

“Battle faced the tough New York critics when he presented his first Big Apple season as artistic director (in the winter of 2011),” wrote Margaret Regan of the Tucson Weekly (who happens to be one of this country’s foremost arts writers). “Several writers seemed wary of the Ailey troupe’s accessibility and celebratory appeal. A review by The New York Times’ Alistair Macaulay was headlined ‘Trying Always to Please, Rarely to Challenge.’”

What was Battle’s response?

“I was too busy celebrating,” he told Regan. “There’s so much to celebrate. (That is) what is wonderful about the company and what we do. People leave the theater feeling uplifted. It’s an important aspect of what we do. There’s so much cynicism in the world. People can come here and feel connected.”

Now in his second season as artistic director, Battle continues to craft the company in his own way, while still honoring Ailey and Judith Jamison, Battle’s predecessor. The show at McCallum is slated to include works by young choreographer Kyle Abraham; Czech Jiří Kylián; Garth Fagan (the choreographer of The Lion King play) and others, in addition to Battle’s own works—and, of course, dances from Ailey himself, including “Revelations” in its entirety.

Alvin Ailey Dance is just one small part of a packed schedule at the McCallum through May 10, when comedian/flight purser/complete lunatic Pam Ann (aka Caroline Reid) will close out the 2012-2013 season. Check the website for a complete schedule.

 

What: Tru, the final play in the 2012-2013 season for Coyote StageWorks

When: Friday, April 19, through Sunday, April 28

Where: The Annenberg Theater at the Palm Springs Art Museum, 101 N. Museum Drive, Palm Springs

How much: $39 to $55

Contact info: 325-4490 (box office); www.coyotestageworks.org

Why: Because a theater company named after margarita-drinking episodes is putting on a Truman Capote play, and that is all-around awesome.

OK, we’re being a bit smart-assed in our description of why this play is worth your attention, although the company is indeed named after El Coyote, the Los Angeles Mexican restaurant where founding artistic director Chuck Yates and his friends—many of whom are involved with Coyote StageWorks—would mark important moments in their lives “by raising a margarita together,” according to the theater-company website.

Nonetheless, this play—starring Yates as a lonely Capote looking back on his life—is rarely performed (the Coyote StageWorks folks say they’re one of the “few” companies granted the rights to perform it), and it’s adapted from the works of Capote, so you know it will be entertaining.

Throw in the play’s Tony Award-winning pedigree, and the fine reputation Coyote StageWorks has, and this sounds like a winner. Check out the website for more details.

 

What: Gabriel Iglesias

When: 8 p.m., Saturday, May 4; 6 p.m., Sunday, May 5

Where: Agua Caliente, 32250 Bob Hope Drive, Rancho Mirage

How much: $45 to $75

Contact info: (866) 923-7244; www.hotwatercasino.com

Why: Because fluffy is funny.

In 2006, Gabriel Iglesias appeared on the NBC TV show Last Comic Standing, in which comics compete in a competition to become … well, y’know, the last comic standing.

Iglesias was doing well on the show—which offered him his first real widespread exposure—and was among the final eight contestant-comedians. Then he was caught using a Blackberry to communicate with the outside world. This was a no-no, and Iglesias was thrown off the show.

Despite that bit of cheating and idiocy, Iglesias has had the last laugh: He’s gone on to not only have a bigger career than any of the other comedians on that season of Last Comic Standing; he’s arguably gone on to have a bigger career than any winner of Last Comic Standing.

Also, if you saw Magic Mike: Remember the DJ who got Adam (“The Kid”) in trouble by getting him to deal drugs? Yep, that was Iglesias.

Other performers at Agua Caliente this spring include Melissa Etheridge, Penn and Teller, and even Tony Bennett. Check the website for a complete list.

 

What: Cyndi Lauper headlines the 20th Evening Under the Stars, a benefit for the AIDS Assistance Program

When: 6 p.m., Saturday, May 11

Where: O’Donnell Golf Club, 301 N. Belardo Road, Palm Springs

How much: $395 and up

Contact info: 325-8481; www.aidsassistance.org

Why: It’s a great cause, and Lauper is a class act

Despite all sorts of wonderful medical advances, HIV and AIDS are still around, and they’re still wreaking havoc on people’s lives.

That’s where the AIDS Assistance Program comes in. The program helps low-income folks with HIV/AIDS by distributing $100 in food vouchers to them every month, and by offering counseling and training seminars to help those folks get back on their professional and social feet. According to the AIDS Assistance Program website, some $7 million in direct service has been extended to some 1,500 clients since the program began in 1991—and the AAP receives no state or federal funding.

Therefore, the AAP needs to raise money—and a lot of it, and one way in which the AAP does that is through the annual Evening Under the Stars gala. The event includes cocktails, dinner and dancing, as well as a ceremony honoring three people who have gone above and beyond to help AAP and its clients.

Of course, this year’s event also includes a performance by Cyndi Lauper, who is as busy as ever. Did you know that in 2010, the renowned singer, actress and gay-rights activist released an album called Memphis Blues, which became the year’s top blues album? And that she’s written a musical with Harvey Fierstein, called Kinky Boots, that’s opening on Broadway this April?

Tickets for the gala start at $395 (although $270 of that is tax-deductible). It’s a lot of money, sure, but AAP is an amazing cause—and that money will get you an amazing evening under the stars, too.

 

What: Bye Bye Birdie

When: Friday, May 17, through Sunday, May 26

Where: Palm Canyon Theatre, 538 N. Palm Canyon Drive, Palm Springs

How much: $32

Contact info: 323-5123; www.palmcanyontheatre.org

Why: Because OMG IT’S HEARTTHROB CONRAD BIRDIE!!!

Can we get a round of applause for the folks at the Palm Canyon Theatre? Whereas most local theater companies go on hiatus when temperatures hit triple-digits and the snowbirds exit stage left, these people stick around and provide quality theater almost year-round.

In May, Palm Canyon Theatre will be the home of the classic Bye Bye Birdie. In this musical, set in 1958, heartthrob rock ’n’ roller Conrad Birdie is drafted into the Army—but before he departs, he heads to little Sweet Apple, Ohio, to sing to one lucky member of his fan club. Birdie creates quite a stir among the small town and the family of the chosen fan, Kim MacAfee—and the hijinks (and songs) ensue.

Also on the rather-diverse boards for the Palm Canyon Theatre are The Vagina Monologues (April 5-7), Hair (April 19-28), and Pippin (July 12-21).

 

What: Scotty McCreery in concert

When: 8 p.m., Saturday, June 1

Where: Spotlight 29 Casino, 46200 Harrison Place, Coachella

How much: $45-$65

Contact info: (866) 377-6829; www.spotlight29.com

Why: Because OMG IT’S HEARTTHROB SCOTTY MCCREERY!!!

Scotty McCreery was just a wee lad of 17 in 2011, when he cruised to victory on the 10th season of American Idol.

What has he done since then, you ask? Well, he promptly released his debut album, Clear as Day, which went to No. 1 and achieved platinum status; and he followed that up with a Christmas album, Christmas With Scotty McCreery, that went to No. 2 on the country charts and reached gold status, even though it was a freakin’ Christmas album.

He’s now at work on a new album, taking college classes, and sniveling to the media about how tough it is to date while on tour. And he’s only 19. OK, everyone, say it along with me: Awww, poor thing!

So, yeah, it’s OK to hate McCreery a little. But there’s no denying his talent; with that deep voice of his and his good looks (didja know he’s part Puerto Rican?), he’s a contender to become the most successful Idol alum of all time.

He’ll kick off the month of June at Spotlight 29’s Spotlight Showroom. Other bookings this season include the Spring Love Tour on Saturday, April 6 (highlight: Exposé singing “Point of No Return”!), comedian Brian Regan on Friday, April 12, and Mexican comedian Jo Jo Jorge Falcon on Saturday, May 4. Check out the website for a full schedule.

 

What: The Village People, in concert with KC and the Sunshine Band

When: 8 p.m., Saturday, July 6

Where: Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio

How much: $39 to $69

Contact info: 342-5000; www.fantasyspringsresort.com

Why: Because you can stay there, and I’m sure you will find many ways to have a good time …

True story: When I was little, my mother—a conservative housewife who lived on a cattle ranch just outside of Reno, NV—would occasionally clean house to a Village People 8-track. She loved this 8-track, and would turn it up to a volume usually reserved for Boeing 747 engines.

In other words, as a child, I was routinely subjected to disturbingly loud renditions of lyrics like: “It’s fun to stay at the YMCA! They have everything for young men to enjoy! You can hang out with all the boys!”

It’s no wonder I turned out gay.

Anyhow, the Village People and another ’70s mainstay, KC and the Sunshine Band, will be rocking the Fantasy Springs Special Events Center on July 6. (Fun fact: That same day, KC and the Sunshine Band’s Wayne Casey will get his own star on the Palm Springs Walk of Stars.)

In other words: Start working on your YMCA dance now!

Visit the Fantasy Springs website for a list of other upcoming shows; there’s some good stuff coming up, ranging from John Legend (Saturday, April 6) to Pepe Aguilar (Saturday, May 4) the Doobie Brothers (Saturday, June 15).

It all began at an Ace Hotel job fair in 2009.

“Our vice president saw Linda in line, with this fabulous glittery dress and a pair of her signature glasses,” recalled Jason Dibler, the hotel’s general manager. “He said, ‘I don’t know what she does, but we need her.’”

That’s how Linda Gerard started her rapid ascent toward becoming something of a Palm Springs icon. Sadly, the hostess of the Ace’s wildly popular Sissy Bingo Monday nights is currently in the battle of her life: Several weeks ago, Gerard was diagnosed with lung cancer. Now, her friends and fans are joining forces to put on a fundraiser at the Ace next Monday evening, March 25.

That Ace’s vice president’s instincts have paid off: It turns out that woman in line is one hell of a performer. She was Barbra Streisand’s understudy when Funny Girl was on Broadway. She became a Provincetown singing legend, and opened one of the East Coast’s biggest lesbian bars in that town in the 1970s. Later, she moved to West Hollywood and opened The Rose Tattoo cabaret club. She even made a splash on Deal or No Deal, with the briefcase-holding models wearing oversized glasses in tribute as she won some good money.

Of course, Linda made an instant splash at the Ace. Her first gig was as the hostess at the King’s Highway restaurant, and somewhere along the line, she started singing—for a diner’s birthday, perhaps. So then she became the singing hostess, which led to a bingo night in the Amigo Room bar. Of course, this was no regular bingo night; Linda often would stop calling numbers and break into song, or a story about her life, or something else entertaining.

“It got so busy, so fast, that we moved (the bingo night) to the restaurant,” Dibler said, citing social networking as being key to Linda’s rise: Someone would post a video on Facebook, for example, of Linda doing her thing, and people would decide they needed to check her out themselves.

The Ace also released a compilation album of some of Linda’s songs, Fabulous Selections, on vinyl. (You can listen to some excerpts online at the Ace website. Good stuff.)

Gerard said that on a Monday in February, Linda showed up for bingo not feeling well—she was having difficulty breathing—but she still put on a fine show. She was soon thereafter diagnosed with lung cancer.

This Monday, March 25, starting at 7 p.m., the Ace is throwing a “Linda Fabulous” party. A portion of bar proceeds and all revenues from rooms booked for that night with the code “fabulous” will be donated to Linda (plus, the resort fee will be waived, and patrons will receive a 25 percent discount). Linda will also receive the proceeds from raffle tickets, and the raffle prizes look pretty sweet, with well more than a dozen businesses—from LuLu California Bistro to Vons to the Living Desert to the Ace itself—chipping in.

The entertainment lineup is impressive as well. Performers include Lady Tigra (of L’Trimm), Sean Wheeler (of Throw Rag and a frequent collaborator with Zander Schloss), JP Houston and the Fabulous Band, DJ Day, Rachel Dean, Giselle Woo, Alf Alpha and Ace karaoke host Kiesha. Manny the Movie Guy will host.

There’s also a chance of an appearance by Linda, the OWL (Older, Wiser Lesbian) herself, depending on how she’s feeling. Here’s what she wrote in a letter to friends and fans posted on the Ace website: “Thank you so much for your love and support. I look forward to returning to the Ace very soon. I will do everything in my power to rid my body of the monsters inside me and once again join you in King’s Highway, outside on the patio, the Amigo Room or wherever you are at the Ace. I will wear my giant glasses, sing lots of songs and even play some fucking bingo Monday nights. I hope to see many of you on the 25th. And again, thank you. This will be a celebration for all of us.”

Hear, hear.

Linda Fabulous takes place at 7 p.m., Monday, March 25, at the Commune space at the Ace Hotel, 701 E. Palm Canyon Drive, in Palm Springs. Admission is free, but donations, raffle-ticket purchases and generosity are appreciated. For more information, visit acehotel.com/fabulous.

Hundreds of attendees came out to peruse the offerings of dozens of local authors at the Palm Springs Writers Guild's annual Desert Writers Expo.

The event—held at the Rancho Mirage Public Library on Wednesday, March 20—included about 42 authors who have penned books on topics ranging from "cyber thriller" to travel to past-life regression. 

The Independent stopped by and took a few snapshots of the event. Enjoy.

Thursday, 21 March 2013 15:00

The Lucky 13: DJ Odysey

Pablo Rocha, 32, was born in Palm Springs, and the automotive technician (it’s a “fancy way to say mechanic,” he says) has lived in the Coachella Valley his entire life. Local-music fans know Rocha as DJ Odysey, and they can catch him in action at 10 p.m., Friday, March 22, at Bar, 340 N. Palm Canyon Drive, in downtown Palm Springs. Admission is free (and the cocktails, while obviously not free, are fantastic, by the way). For more information on Bar, visit www.barwastaken.com; for more on DJ Odysey, visit soundcloud.com/DJ-ODYSEY.

What was the first concert you attended?

I’m a bit embarrassed to say … it was a Beach Boys concert, ha ha, with my dad while I was in middle school. The first event I attended by choice, on my own, was B-Boy Summit ’96. It wasn’t really a concert, but more of a hip-hop conference. Break-dancers, DJs, graffiti artists, rappers and hip-hop fans from all over the world would attend these—and they used to be free. I got to see some of the most well-known “underground” DJs play and stood onstage with them. Pretty exciting stuff for a 16-year-old kid.

What was the first album you owned?

The first album I can remember having is DJ Jazzy Jeff and the Fresh Prince, He’s the DJ, I’m the Rapper. I was a big fan of them as a kid, and I got into DJing because of this album. One side was all songs, and Side B was more Jazzy Jeff doing his own thing, scratching over beats. I still listen to this album from time to time. It’s a classic to me, and it played a huge part in what I do now.

What bands are you listening to right now?

I listen to all kinds of groups, and different genres of music. I’m a big People Under the Stairs fan, so a lot of times, I find myself listening to their catalog, old and new. I’m feeling Kendrick Lamar; I like his Section.80 album. His new one is also good. But I like more of a boom bap, golden-era hip-hop-type of sound. So I listen to more of ’90s hip hop or anything that sounds like it. I’ve also found myself listening to Marvin Gaye’s Here, My Dear album a lot lately. Very very, deep album.

What artist, genre or musical trend does everyone love, but you don’t get?

The one genre of music that everyone loved but that I didn’t get was dubstep. It just never rubbed me the right way—but to each his own.

What musical act, current or defunct, would you most like to see perform live?

Like I said, I’m a big golden era (late ’80s-late ’90s) hip-hop fan. I’ve had the chance to see many of my heros from that era such as A Tribe Called Quest, De La Soul, KRS-One, Nas, Cypress Hill, Ice Cube, Xzibit, Mos Def and Talib Kweli, etc. The one person I have yet to see perform live would have to be Rakim.

What’s your favorite musical guilty pleasure?

I’ll get down to some ’80s freestyle music: Exposé, Trinere, Debbie Deb, Pretty Poison, Starpoint, etc.

What’s your favorite music venue?

I saw a really good show at Club Nokia at L.A. Live. The sound was great, and you get a good look at the stage wherever you stand.

What’s the one song lyric you can’t get out of your head?

“Thinkin’ of a master plan / Cuz ain’t nuthin but sweat inside my hand / So I dig into my pocket, all my money is spent / So I dig deeper but still comin’ up with lint,” Eric B. and Rakim, “Paid in Full.”

What band or artist changed your life? How?

I can’t name a single band or artist who changed my life, but I can tell you that hip-hop “culture” itself changed my life: everything that revolves around the music—of course, not what you see on TV now, but what it once was. Every genre of music, I think, there is a lifestyle that stands behind it. Hip-hop locked me in at the age of 6 or 7. I was always into break-dancing, and at age 9, I decided I wanted to be a DJ, not to mix, but to scratch! That’s all I wanted to do when I first started at 14. It can be compared to a guitarist or drummer jamming out and improvising. Same with the break-dancing, graffiti and emceeing. It all goes together: Hip hop is like Voltron! Ha ha. I honestly don’t know where I’d be without it.

You have one question to ask one musician. What’s the question, and who are you asking?

I would ask J Dilla: “What was going through your head as you were in the hospital, on your death bed, creating your last album?” R.I.P. J Dilla.

What song would you like played at your funeral?

A Spanish Tex-Mex song by Ramon Ayala, “Entierrenme Cantando,” which translates to “Bury Me Singing.”

Figurative gun to your head, what is your favorite album of all time?

It would have to be The Pharcyde’s Bizarre Ride II the Pharcyde.

What song should everyone listen to right now?

Everybody should listen to my remix of Eric B. and Rakim’s classic “I Know You Got Soul.” Ha ha, I had to give my self a plug. (Scroll down to hear it.)

Friday, May 31, may seem like a long way away, but the organizers of Palm Springs Desert Resorts Restaurant Week say it never hurts to get an early start on planning.

“Every year, my husband and I make it a staycation,” said Kim Crandal, the executive director of Restaurant Week, during which a bevy of local restaurants will be offering special three-course prix-fixe menus for either $26 or $38 per person.

Given that this year’s Restaurant Week is bigger than ever, perhaps planning is a good idea. For one thing, the week is much longer than a week—it runs for 17 days, in fact, from Friday, May 31, through Sunday, June 16.

Why the expansion?

“We took a look at the history of requests from some of the restaurants,” Crandal said. “… So many people were experiencing success.”

As of now, 79 restaurants throughout the valley—including local favorites, big chains and eateries that are new to the scene—are signed up to participate.

But the week goes beyond food; the tag line for the event is “Eat. See. Stay.” Crandal said numerous hotels and resorts (that would be the “stay” part) are participating, as are various attractions and spas (that would be the “see” part).

“We are focusing more on crafting the ‘see’ and ‘stay’ components so people understand it’s more than a restaurant week,” she said. What do you do during the day?”

About a dozen hotels are currently signed on, and the 20 or so “see” partners include everything from the Palm Springs Art Museum to Knott’s Soak City to the Desert Springs Spa to Desert Adventures Eco-Tours and Events.

Restaurant Week also has something of a special relationship with “Forever Marilyn,” the 26-foot-tall sculpture of Marilyn Monroe that currently graces downtown Palm Springs. She was installed just before last year’s Restaurant Week, and she’ll be taken down and moved (temporarily, many hope) during this year’s Restaurant Week. While plans are not yet finalized, an idea is being batted around to create a more life-sized Marilyn Monroe representation—a statue, perhaps, or a cut-out—and have her pop up at the various restaurants during the 2 1/2 weeks of Restaurant Week.

Crandal noted that some folks are indeed already making Restaurant Week plans. For example, she cited a group of about 90 golfers from Santa Barbara who have made Restaurant Week an annual trip.

“It’s really building a nice following,” Crandal said.

Palm Springs Desert Resorts Restaurant Week takes place from Friday, May 31, through Sunday, June 16. For a complete list of participants and updates, visit www.palmspringsrestaurantweek.com.

Student and professional artists came out to the parking area behind "Forever Marilyn" in downtown Palm Springs on Saturday, March 16, for the Third Annual Palm Springs Chalk Art Festival.

Chosen subjects ranged from turtles to angels to a image from Oz the Great and Powerful. Students competed for a $250 first-place prize, while the pros (who, unlike the students, had to pay an entry fee and/or get sponsors) competed for prizes topping out at $500.

The event was presented by the Palm Springs Sun-up Rotary Club and the City of Palm Springs Public Arts Commission. Proceeds were slated to go to the Rotary Foundation, Palm Springs Unified School District art education, and the Rotary's PolioPlus program.

The Independent stopped by to take some pictures about an hour before judging was slated to begin. Scroll down to see our pictures (please ignore the photographers's shadow in one of them; he had a brain malfunction in the 90-plus-degree heat).