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01 Oct 2018

Content Shifter: Rocktober Goes to 11 With These Short-Lived TV Shows!

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After 22 perfect episodes between 2007 and 2009, New Zealanders Jemaine Clement and Bret McKenzie quit their very-loosely autobiographical HBO series Flight of the Conchords, because writing music and comedy was too much work. After 22 perfect episodes between 2007 and 2009, New Zealanders Jemaine Clement and Bret McKenzie quit their very-loosely autobiographical HBO series Flight of the Conchords, because writing music and comedy was too much work.

After Zeptember comes Rocktober—not, repeat, not, Trucktober or any other “-tober” extrapolation. Those are consumer market mind-control operations perpetuated by the Deep State government, aka the alien lizard people who run the planet. If you listened to my short-wave radio show, you’d know this already.

Anyway: The scripted rock ’n’ roll TV series has been attempted many a time, but few ever crack the two-season mark. This makes sense, because rock that goes on and on for an interminable amount time just devolves into “progressive” or “jam” (both also evil creations of the lizard people), and no one needs that.

Here are 11 rock ’n’ roll series to stream in honor of Rocktober:

Metalocalypse (Seasons 1-4 on Amazon and iTunes)

One of the rare exceptions to the two-season rule, Brendon Small’s Metalocalypse thrashed on Adult Swim from 2006 to 2013, chronicling the exploits of death-metal superstars Dethklok. The band members may be morons, but they rule the world and throw down insanely brutal grooves that concert attendees only occasionally survive. The heaviest show ever.

Sex&Drugs&Rock&Roll (Seasons 1-2 on Hulu)

Denis Leary’s 2015-16 comedy Sex&Drugs&Rock&Roll is the Spinal Tap-esque tale of The Heathens, a notoriously volatile ’90s rock band who released their debut album and broke up on the same day. Twenty-odd years later, they reform with the help of Leary’s young rocker daughter (Elizabeth Gillies); egomaniacal hilarity ensues. SDRR isn’t a thinker, but it is rock ’n’ roll.

Vinyl (Season 1 on HBO Go and Amazon)

One-season wonder Vinyl presented a skewed dramatization of New York’s ’70s rock scene that didn’t quite nail the take—even with Martin Scorsese, Terence Winter and Mick Jagger producing, it wasn’t excessive enough. It’s still a fun ride, though, with faux New York Dolls and Velvet Underground stand-ins, and glimpses of the Boogie Nights greatness that could have been.

Flight of the Conchords (Seasons 1-2 on HBO Go and Amazon)

After 22 perfect episodes between 2007 and 2009, New Zealanders Jemaine Clement and Bret McKenzie quit their very-loosely autobiographical HBO series Flight of the Conchords, because writing music and comedy was too much work—what do you people expect of a musical comedy duo? Kanye West could only dream of creating a jam like “Hiphopopotamus vs. Rhymenoceros.”

Garfunkel and Oates (Season 1 on Amazon)

Comedy duo Riki Lindhome and Kate Micucci’s 2014 IFC series Garfunkel and Oates was sold short on arrival as a “female Flight of the Conchords,” which doesn’t do it justice: G&O is also dirty AF. Not to mention educational: “The Loophole” teaches young girls that anal sex is cool with Jesus, while “Weed Card” should be an anthem for medical marijuana. Women ahead of their time.

Roadies (Season 1 on Amazon)

It should have worked: Cameron Crowe (Almost Famous) made a 2016 tribute to the rock ’n’ roll lifestyle of touring starring Luke Wilson, Carla Gugino, Luis Guzmán and Imogen Poots; featuring drop-ins by Eddie Vedder, Lindsey Buckingham, Jim James and Gary Clark Jr.; and it all … went nowhere. Roadies mostly corrected its rom-com vs. rock course over 10 episodes, but it was too late.

The Get Down (Seasons 1-2 on Netflix)

While not as much of a mess as Vinyl, Baz Luhrmann’s 2016-17 musical history tour The Get Down, about the rise of hip-hop in the ’70s, still suffers from being a bit much (because, Baz Luhrmann). After a bloated debut episode, it gets waaay better and redeems itself over 10 subsequent hours, and the music is undeniably fantastic. Lament the coulda-been ’80s season.

Major Lazer (Season 1 on Hulu)

Major Lazer, a gonzo cartoon series that’s a mash-up of ’80s-style animation (think He-Man and G.I Joe), superhero culture, hip-hop and electronic dance music, premiered on then-obscure FXX’s even-more-obscure late-night ADHD animation block in 2015. Like the musical group it’s vaguely based on, Major Lazer is best experienced on quality drugs for maximum euphoria.

Dead Last (Season 1 on YouTube)

In 2001, The WB (known these days as The CW) launched and aborted a supernatural comedy series about a struggling bar band who stumbled upon the power to talk to ghosts—and then help them cross over from this realm. Yeeeah. Still, Dead Last’s Scooby-Doo charm and dark humor (the band doesn’t give a shit about the ghosts; they just wanna rock) is worth a YouTube binge.

Z Rock (Seasons 1-2 on Hoopla)

One of the more WTF? series in IFC’s WTF? history, 2008’s Z Rock followed the fictionalized hijinx of real-life Brooklyn power trio ZO2. By night, they were aspiring rock stars; by day, they were a children’s party band. ZO2 were apparently connected, with guests like Dave Navarro, Dee Snider, Gilbert Gottfried, Steel Panther and dozens more making hilarious cameos. But still, WTF?

Yacht Rock (Season 1 on YouTube)

In the mid-2000s, hipsters and music snobs alike were held rapt by Yacht Rock, a 12-episode mockumentary tribute to ’70s/’80s SoCal soft rock. Steely Dan, Kenny Loggins, Toto, The Doobie Brothers, Hall and Oates, The Eagles and even Van Halen are recreated (intentionally terribly) here; despite the grainy 2005 resolution, Yacht Rock is still vitally important. Just ask Weezer.

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