CVIndependent

Sat09192020

Last updateMon, 24 Aug 2020 12pm

If you are looking for a good, standard action-thriller to put into your Netflix queue, Triple Frontier is a safe bet. Maybe it’s too safe, in fact, but regardless, after a one-week theatrical release, the movie is now available for streaming.

The latest from the streaming giant sends the likes of Ben Affleck, Oscar Isaac, Garrett Hedlund, Pedro Pascal and Charlie Hunnam into the jungle to rob a South American drug lord’s house of millions of dollars.

Former special-forces operative Santiago “Pope” Garcia (Isaac) has become bored to death as a military adviser to police making drug busts. During a particularly bloody mission, he overhears a captured dealer divulge the location of a drug lord’s personal home, where he keeps all of his money. Pope gets to thinking and then calls upon some of his former Special Ops buds to pay the kingpin a house call and relieve him of some of his dirty money. The catch: The mission will be off the books, of course, and totally illegal.

After years of military service with nothing to show for it, Pope and his buddies Redfly (Affleck), Ironhead (Hunnam), Ben (Hedlund) and Catfish (Pascal) are looking for a little payback. Tom “Redfly” Davis is the most reluctant at first, but a divorce and child-support payments prompt him to eventually go all-in.

The first stage of the mission has the men attempting what is supposed to be a quick, easy theft of the money while most of the family is at church, and the drug lord is left behind. This gives director J.C. Chandor (A Most Violent Year, All Is Lost) an opportunity to present an effectively chilling heist inside a jungle mansion. Of course, things don’t exactly go according to plan.

The next stage has the boys getting into some skirmishes in the jungle and in a small village; again, things aren’t going as easily as Pope proposed in his initial plans. The third stage has the men moving hundreds of pounds of money toward and eventually through the Andes—first on mules and then on their backs, as they try their darndest to salvage the mission’s booty.

All three stages are well-done, although there are not many surprises. Triple Frontier doesn’t rack up points for originality, but it does score with the casting, with all five main leads making solid contributions. They are all good enough to distract you from the fact that the movie itself is almost completely devoid of originality.

That’s OK. Sometimes a great cast and some decent firefights are all you need to quench your action-thriller thirst; in that sense, Triple Frontier hits the marks.

Also, it’s fun to watch this movie if you pretend that Affleck’s character is actually a retired Batman who has come upon hard financial times and is forced to sell condos for a living. I admit that this notion was playing in my head, especially in the moments when Redfly (That could be a bat’s nickname!) gets all dark and brooding.

Of the performances, Isaac’s is the most memorable—no big surprise, considering he’s easily the best actor in the bunch. Pascal is good as the down-on-his-luck pilot who needs some scratch to offset the legal cost of his latest blunder. Hedlund offers some decent comic relief as the angriest and most impatient of the group.

The movie does boast one sequence—a helicopter flight over mountains that is in danger of crashing due the large quantity of cash dangling from its bottom—that is a truly original moment. Otherwise, Triple Frontier is the sort of film like the ones Stallone, Willis and Schwarzenegger used to turn out. While that’s not high praise, it’s hardly a condemnation. There’s a time and a place for a good junk-food movie—and Netflix knows it.

Triple Frontier is now streaming on Netflix.

Published in Reviews

Director and co-screenwriter Dee Rees paints a bleak picture of post-World War II Mississippi in Mudbound, a performance powerhouse that showcases the talents of Carey Mulligan, Garrett Hedlund, Jason Clarke and, most notably, Jason Mitchell (Straight Outta Compton).

After the war, a traumatized Jamie McAllan (Hedlund) returns home to stay on a farm with his brother, Henry (Clarke), and Henry’s wife, Laura (Mulligan). Ronsel Jackson (Mitchell) also returns to the farm, but while both men were regarded as heroes overseas, their return is fraught with alcohol abuse for Jamie—and rampant racism toward African-American Ronsel.

Henry and Laura have problems of their own as they deal with the troubled Jamie and Henry’s hateful father, Pappy (a sinister Jonathan Banks). This is one of those movies you know won’t end well, and while Rees allows for occasional moments of relief, it is a mostly somber affair with a devastating finish.

Mitchell continues to emerge as one of his generation’s best actors, while Hedlund does perhaps his best work to date. Both actors put full body and soul into their roles and create characters that leave a mark. The always-reliable Mulligan is great as the wife forced to live out her life on a muddy, flooded farm in order to appease her dopey husband. Clarke paints Henry as a man of few commitments and quiet reserve—the kind of guy you can’t depend upon in a fight.

The movie is packed with stellar acting, and Rees does a solid job with the technical elements.

Mudbound is currently streaming on Netflix.

Published in DVDs/Home Viewing

A cavalcade of stars shows up for this pretty, if meandering, adaptation of Jack Kerouac’s semi-autobiographical novel, On the Road.

Sam Riley (who was so damn good in Control) provides a decent center as Sal (essentially Kerouac). He finds himself on a long road trip that involves hand jobs from Kristen Stewart and him watching sex acts performed on Steve Buscemi. (Yikes!)

In short, this movie is a bit crazy, and its unpredictability keeps it interesting. Garrett Hedlund is solid as a character loosely based on Neal Cassady, and Stewart sheds her Bella image for a good, carefree performance. Others in the cast include Amy Adams, Viggo Mortensen and Kirsten Dunst.

The movie is OK, but I was looking for a little more meat on the bone, considering the subject matter.

On the Road is now available On Demand.

Published in DVDs/Home Viewing