CVIndependent

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Last updateTue, 18 Sep 2018 1pm

Ryan “Motel” Campbell is asked how he’d categorize his art.

He pauses to contemplate. “I’d say that my work is … contemporary, fluid motion, cubist, urban, contemporary.”

He laughs. “That’s the short version,” he adds.

The description (aside from the two mentions of “contemporary,” perhaps) actually fits Campbell’s works nicely—as everyone can see at 6 p.m., Wednesday, Oct. 16, when Campbell will paint a 10-foot-by-5-foot mural live, as part of the Coachella Valley Independent’s Official Launch Party.

The Independent is celebrating our one-year anniversary online, as well as the launch of our monthly edition, with free drinks from 6 to 8 p.m.; a DJ set by All Night Shoes; and the live creation of the mural on canvas, which will later be donated to the LGBT Community Center of the Desert, for the organization’s silent auction at the Center Stage event.

Campbell, 32, is an accomplished artist whose works and installations have been featured in galleries far and wide. (See just a small sampling of his works at www.ryanmotelcampbell.com/index.html.)

Ryan “Motel” Campbell—the nickname came to be, he says, because friends used to regularly stay at his house, aka the “Motel Campbell”—teaches regularly at Venus Studios, which is co-sponsoring the launch party; the good folks there are donating the canvas on which Campbell will paint, as well as other materials.

He says he often came to the desert while he was growing up in Los Angeles, and he credits the Coachella Valley for giving him inspiration.

“I really love the desert—something about the energy, something about just being here, I connected with immediately,” he says. “I would come here from Los Angeles and feel just completely disconnected, which is great.”

As a kid in L.A., Campbell fell in love with graffiti.

“I went and wrote on every mailbox and every sidewalk, and I’m not proud of it,” he says. “… I knew better. I had a very nice upbringing. My family taught me to always be respectful. But I needed to have my voice heard.”

In 2001, he decided to move to the Coachella Valley; his mom already lived in here, in Palm Desert.

“I had the opportunity to move here and jumped all over it,” he says. “I moved here—and found myself totally bored out of my mind.

“Oddly enough, in the bag of things that I brought with me—my worldly possessions—I had my sketchbook. So I broke out my sketchbook, and I just started drawing. I started looking at a lot of the graffiti I was doing and saw the monotony in it. I saw that I wasn’t really progressing. … I felt like I needed to push myself.”

Campbell started visiting local museums and galleries; those visits led to what he called a “wave of inspiration.”

“I said, ‘You know, I want to do something different. I want to try to really take the fundamentals of this graffiti art … and put it into creating something that’s more fine art’—art that spoke to me, that I was able to connect with and identify with and really enjoy.”

The melding of influences has led to Campbell’s “contemporary, fluid motion, cubist, urban, contemporary” style.

“It’s very inspired,” Campbell says about his art. “It’s inspired by movement. It’s inspired by motion, a lot of fluidity. I think that depicted where I was and where I am in life. I like to cruise through. I don’t want to fight too much.”

Today, in a way, Campbell has come full-circle: He often teaches alternative-education classes to kids with whom he can closely relate.

“I was basically going in to teach (kids who were just like) myself when I was in high school,” he says. “I was going in to teach kids who were rebellious and angry and wanted to do vandalism and go out and make a name for themselves.”

He says some kids even recognized him and his works from his graffiti days.

“The question (from the kids) was always like, ‘How come you don’t go out any more?’ he says. “For me, the necessity and the outlet have changed over time.”

Today, he says, kids have more outlets than he did when he was young. He cites skate parks as an example, as well as some of the efforts that forward-thinking arts organizations like Venus Studios are making.

“Kids want to go out and paint. They want to go out and write their name,” he says. “They want people to go out and see the work that they’re making. What I’ve been able to do with Venus Studios is we have Spray Paint Session Saturdays, where we invite people to come in and bring their spray paint. We give them a large-size canvas to paint on, to display their work in a venue where they’re not harming anybody, and they’re not getting into any trouble. They have an audience that’s interested in what they have to say, in a place where they can show their work.”

When asked what attendees at the Independent Launch Party can expect while Campbell spends four to six hours creating a brand-new work of art, he says that he often draws inspiration from the audience when he produces live works.

So come and help create Campbell create a contemporary, fluid-motion, cubist, urban, contemporary piece of art—for a good cause to boot.

Ryan “Motel” Campbell will paint starting at 6 p.m., Wednesday, Oct. 16, at the Coachella Valley Independent’s Official Launch Party. The event takes place at Clinic Bar and Lounge, 188 S. Indian Canyon Drive, Palm Springs. A hosted bar will be open from 6 to 8 p.m., and All Night Shoes will spin music all night. Admission is free. For more information, call 760-904-4208. Below: “Reclining Nude” (from life study), 48 by 36 inches; acrylic, spray paint and charcoal on wood. Above: “Sorting It All Out,” 24 by 24 inches; acrylic, spray paint and charcoal on wood.

Published in Visual Arts

I have done pretty much everything there is to do at a newspaper during my career. But last week, I did, to quote Monty Python, something completely different.

I rented a 24-foot U-Haul truck, drove to the printer, and picked up 15,500 copies of the debut issue of a brand-new paper; I then trucked that haul to our distributor.

Yep. That was a first.

As I type, those 15,500 copies of Vol. 1, Issue 1 of the Coachella Valley Independent are on racks and/or are about to be distributed on racks throughout the Coachella Valley.

The feedback is starting to dribble in already, for which I am grateful. For example, one person was kind enough to call me at 7:45 a.m. on Saturday and praise the food writing, and to suggest that I freelance for The Desert Sun, because the daily seems to need food writers right now. (Um … no.)

If you have thoughts or suggestions, of course, you are welcome to call or email, just like this gentleman did. (I just ask that if you’re calling, at least wait until after 8 a.m. Maybe 8:30 a.m. on the weekend.)

One thing that nobody needs to call to tell me is that the font was a wee bit too small. It looked OK on screen, but on paper, it’s just a wee bit … too wee. For the next print edition, we’ll bump up the main font-size a half point, and the sans-serif (the font used for the DVD reviews and the Lucky 13 interviews) a full point.

And the crossword-puzzle text? It’ll be actually completely readable next time. Sorry about that. Hey, when you launch a new publication with a new design and a new everything, there’s gonna be some learnin’ to do.

But overall, all of us here at Independent World Headquarters are quite proud of how the debut print issue turned out, in terms of content, design and even advertising. We hope you like it.

We also hope that y’all will make, or will continue to make, CVIndependent.com a regular destination. While we’re pleased as punch with the print issue (well, except for that crossword thing), we’re also proud of the great stuff we’ve been posting each and every day for months now here at CVIndependent.com. After all, every bit of copy in the print issue appeared first, in one form or another, on the website.

To reiterate, feedback and comments are appreciated; I can be reached at This email address is being protected from spambots. You need JavaScript enabled to view it. and 760-904-4208. As always, thanks for reading us, both in print and in pixels.

Published in Editor's Note

Watching the birth a brand-new publication has been one of the weirdest, yet coolest experiences of my life.

It’s been one fascinating trip after another. Fighting with the website’s template during the build. Explaining to people, or trying to explain to people, what the Independent is. (“It’s like an alternative newsweekly, but it’s updated daily, and it’s online-only—except for the quarterly we’re printing, starting the first week of April, and we’ll probably increase print frequency later … oh, hell, just go read our mission statement.”) Watching the unique visitors go from single-digits per day to double, and to triple, with four digits just around the corner.

It’s been frustrating and awesome and bizarre and rewarding.

Now that the Independent has a fair number of actual readers (including you, and I thank you for that), we’ve started to get that most vexing of all things to an editor: reader feedback.

One on hand, reader feedback is the most important thing to an editor. We do what we do for our readers, and if our readers aren’t responding, then how in the hell do we know people are reading?

On the other hand, a lot of (but certainly not all) reader feedback is … well, inane at best, and horrifying at worst.

If you’ve ever perused the comments on a large newspaper website, you know what I am talking about. Ignorance! Racism! Name-calling! It’s all there!

Anyway, I wanted to take some time to address two bits of reader feedback we’ve received in recent weeks.

So, the poorest school district in the desert and our only community college found ways to educate the most underserved in the desert … and your point is? Students at (Coachella Valley Unified School District) need help. (College of the Desert)? Guess what, it's the only way a lot of locals can get training and education while staying in the desert. I don't see your point. Biased reporting, too. After all, isn't there another side to these bonds? As in, what are they being used for? Oh, that's right. Construction of new campuses, offering more opportunities for locals. But I can see why you'd leave that out—after all, it wouldn't fit your sensational agenda here.

Krystal Herrera, on "Taxpayers on the Hook for Hundreds of Millions After School Districts Issue ‘Irresponsible’ Bonds”

I appreciate this comment from Krystal (despite her misplaced barbs), even though … well, it shows that she misses the point of Saxon Burns’ story, which we posted on Feb. 15.

I think it’s splendid that our community is investing in schools. Krystal’s right when she says College of the Desert is the best way for locals to get an education without leaving the Coachella Valley. And she’s right when she says students at the Coachella Valley Unified School District need help.

So the issue is not that these school districts issued bonds to bring them much-needed money for much-need construction projects. The issue is the fact that the way in which these schools issued these bonds is literally going to cost us taxpayers hundreds of millions of dollars more than needed.

College of the Desert and CVUSD could have issued more-traditional bonds and gotten the same amount of money upfront. The problem is, the districts (and, therefore, the taxpayers within those districts) then would have started paying that money back right away. That could have meant tough choices for school administrators if the economy did not continue improving.

Instead, these administrators sold capital appreciation bonds—a type of bond that does not need to be repaid right away. But in exchange for that flexibility, more money—a lot more money—needs to be paid back, over a longer period of time. It’s like buying something with a credit card with zero interest at first—and a ridiculously high interest rate down the line.

In this case, College of the Desert and CVUSD used that credit card knowing that they weren’t going to be making those payments until the ridiculous interest rate kicked in. And we taxpayers are the ones who are getting screwed in the process.

As I said, I really appreciated Krystal’s comment. On the flip side, there’s … this, presented here unedited, which recently appeared in my email inbox with the subject line “CV INDEPENDANT”:

Dear Sir(s);

With great enthusiasm I welcome you to the most media cluttered place on the planet. For a valley of around 300K, there now seems to be a publisher for every 100 residents. I live in LA and I have property in the CV. We have about half of the publiishers here that the CV has.

Oh, and by the way, love your line about 'indepedent journalism', free of the influence from our advertisers. I have a lifetime in publishing and, if you haven't already experienced it, having your biggest advertiser quit because of something you published is the most embarrassing and company-killing thing I can think of. You don't have any advertisers...so, either you will alienate your advertisers or you are independently wealthy and don't need them. Nice line, but complete bullshit.

Let me tell you a cool little story. When I was a young advertising representative I walked into a local car dealership and asked for ads. The GM looked at me and said, 'You know young man, I see or talk to about 50 of you guys a week. If all you publishers and ad people were buying customers, I wouldn't be in the sad shape that I am in.'

Good luck!

Ben Dover

Remember what I said above about “inane at best, and horrifying at worst”?

This is in response to the Independent’s mission statement, which, in part, reads: “We believe in true, honest journalism: We want to afflict the comfortable, and comfort the afflicted. We want to be a mirror for the entire Coachella Valley. We want to inform, enlighten and entertain. We will never let advertisers determine what we cover, and how we cover things. In other words, we will always tell it how we see it.”

Well, apparently, Mr. “Dover” took umbrage with said statement. And he's about 100k short on the number of people here. Anyway, here’s my response to him:

“I appreciate you reading the Independent, and encourage you to keep doing so. As for the line about independent journalism, Google me, or ask around Tucson journalism circles, or ask around alternative journalism circles, and you'll find that I practice what I preach.

“I hope the Independent's brand of journalism and ethics can heal your cynicism a bit, too. :)”

So, there you go. Keep the feedback coming, folks; we’ll run that feedback, sometimes with responses, periodically in our Opinion section. And, as always, thanks for reading the Coachella Valley Independent.

Published in Editor's Note

Ever since I was an intern at the Reno News & Review in the summer of 1996, I have been something of a newsweekly nerd.

Every time I’d visit a new city, I’d scour newsracks and bookstores for the local newsweekly. I love the mix of hard-hitting local news, compelling commentaries and unmatched arts-and-culture coverage.

Sometime in the mid 2000s, I visited the Coachella Valley for the first time, when my significant other and I came to visit a friend. I did my usual find-the-newsweekly thing … and I couldn’t find one. There was the Desert Post Weekly, a weak Gannett-owned faux-newsweekly in which the locally produced stories could be counted on one hand. There was The Desert Entertainer, which seemed to specialize in coverage of events that took place at the local casinos. And that was it.

Meanwhile, Garrett and I started to fall in love with the place—the culture, the mountains, the diversity, and so many other things.

I decided to look into starting a real newsweekly in the Coachella Valley. Over several years, I crunched numbers, did interviews and got bids; I put together a business plan; and in the spring of 2008, I presented the plan to Wick Communications, the company I have worked for since November 2001, and for which I have been the editor of the Tucson Weekly since January 2003.

My plan was to start a print weekly, the Coachella Valley Independent, with a staff of about seven folks—in other words, I wanted to hit the ground running. However, the budgeted first-year financial loss—in the neighborhood of a quarter-million bucks—was unappetizing to the Wick folks, and understandably, they said no, especially since the economy was at that point showing sides of weirdness. Several months later, we’d all begin to realize that weirdness was actually the first manifestations of the Great Recession.

In the years since, I have visited the Coachella Valley several times every year, falling in love with the area a little more each time. During every trip, I’d think of that business plan. And I’d pick up every publication I could find. Some publications—the Desert Star Weekly and then later, the Coachella Valley Weekly—came. Others—like the LGBT-focused The Bottom Line—went. While some of the valley’s publications had their positive moments (as well as not-so-positive ones), I learned some of them were selling editorial articles to advertisers—and not labeling those articles as advertorials. That, combined with the continuing mediocrity of the daily Desert Sun, was disheartening.

As it stands right now, if a Coachella Valley reader wants honest community news coverage, or an unbiased food review, or just good, compelling writing, where can they go?

Enter the Coachella Valley Independent.

I, along with my partner, Garrett, have decided it’s time to make the leap. I have given my notice at the Tucson Weekly, and in January, we’re moving to the Coachella Valley so I can dedicate myself to the Independent full-time. We’re winging it as we do this on our own; the plan is to spend a good chunk of the year building up the publication online, and if all goes well, in the fall, we’ll launch a print version.

Seeing as we’re building this from nothing, there will be growing pains. We started the website from scratch, and as of now, it’s probably about one-third built. (Call it our very, very beta version.) Most of the content currently on the site is nowhere as in-depth as the content will be when we’re here full-time. And we’re doing this on a budget that makes the word “shoestring” sound generous.

But we’re going to pull this off. We love good, honest, true, fun journalism, and the positive effect it can have on communities. As we say on the (very, very beta version’s) “about” page: “We believe in true, honest journalism: We want to afflict the comfortable, and comfort the afflicted. We want to be a mirror for the entire Coachella Valley. We want to inform, enlighten and entertain.

“We will never let advertisers determine what we cover, and how we cover things. In other words, we will always tell it how we see it. For example: Some other publications in this valley do puff-piece reviews or feature stories on advertisers to make said advertisers happy. We will never, ever do that. If we lose an advertiser due to an unflattering story, a negative review or something else, so be it.”

Welcome to the Coachella Valley Independent.

Published in Editor's Note

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