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If I had one day in a year to hear and see live music in a year, I would go to one day of Desert Daze.

The festival once again returned to the 420-acre Institute of Mentalphysics, sandwiched between Yucca Valley and Joshua Tree, on Oct. 12-15. Gone was the “pitchfork” animosity yielded last year by some misplaced musical souls who did not understand this was a celebration of music done respectfully among the sacred joshua trees that surround this community.

Local artist Erica Svenneby summed up the excitement of the weekend thusly: “Fucking Iggy Pop in my backyard!” (See Brian Blueskye’s detailed review, with some of my pics, here.) That’s a slight understatement in my opinion, but a true reflection of the excitement of the festival. However, Iggy was not the only legend in attendance; John Cale was there to bring true musical balance to the utopian lineup, for example.

From the parking lot, attendees walk up a dirt path and run into a teepee sculpture made of wood branches— the go-to place for selfies. The structure was created by local artist Ben Allanoff, a recent transplant from L.A. who previously created sculptures for the Joshua Tree Music Festival.

Before I saw my first band, I ran into the Entrance band founder Guy Blakeslee and his fellow musicians.

If you got there early last Friday, you were able to experience Starcrawler—part glam punk, part garage rock that freaked the crowd out in a very good way.

My crush for the duo of Deap Vally continues; they practically ripped open the Wright Tent on Friday with sonic blasts coming from Lindsey Troy and Julie Edwards with the perfect song, “Bad for My Body.” I spied the proud spouse of Julie Edwards, Phil Pirrone, with his year-old adorable daughter attached to his hip as he juggled baby-sitting duties with being the head honcho and founder of Desert Daze.

Ty Segall was back in the desert, after performing earlier this year at Pappy and Harriet’s, with a magnificent new tune “Alta,” and the wonderful song “Fanny” a song about his dog. Closing out the Moon stage on Friday was Courtney Barnett and Kurt Vile and the Sea Lice, introducing fans to songs from Lotta Sea Lice, out on Matador Records, which relaxed the late evening crowd in a sea of love.

Jesika Von Rabbit sizzled on the Wright Stage during her early-afternoon performance on Saturday, featuring a new band and introducing a great song “Palm Springs Livin’.” There were plenty of familiar faces from the desert paying homage to the Queen of the High Desert music scene, including artist Bobby Furst, the owner of Furstworld, which hosts some of the best unground parties in JT.

I had no idea who the Gories were until I ran over to the Block Stage on Saturday. Hailing from Detroit, this band was the highlights of the festival. As I listened to “I Can’t Take It” and the cover of Suicide’s “Ghost Rider,” I smiled and asked myself where have you been all my life?

The great thing about being able to go to shows on a regular basis is you meet super fans like Amber, whom I met when the San Jose stoner gods Sleep played at Pappy and Harriet’s earlier this year. Sleep played the entire 1992 album, Holy Mountain; it took just less than 80 minutes to perform. The stage quickly filled with a fog of ganga that would rival the cloudy banks that cover the Golden Gate.

I don’t know whether Phil Pirrione made a conscious decision to book as many gods of garage rock at the festival as possible, or whether the magical earth of the Institute of Mentalphysics pulled in Thurston Moore of Sonic Youth to play on Saturday. No stranger to the desert, Thurston has previously played at Pappy and Harriet’s. Moore’s guitar talked with inspiring riffs of “Speak to the Wild,” played under the shadow of a joshua tree stage left.

Australia’s King Gizzard and the Lizard Wizard was back for another Desert Daze on Saturday, with awesome psychedelic rock playing homage to the local fauna with the song “Rattlesnake,” a cautionary tale, perhaps, for those who chose to camp at the festival, with this sinister verse: “Vegetation aggravation found him hiding. Snake is smiling.”

The Eagles of Death Metal’s Jesse “Boots Electric” Hughes stole the show on Sunday with his rock ’n’ roll revival that made you a true believer in the power of rock, ending the sermon with a cover of David Bowie’s “Moonage Daydream,” featuring the shredding genius and sartorial splendor of Dave Catching.

After being pumped up by the Eagles of Death Metal, Spiritualized softened the crowd out—ending a perfect musical weekend.

Published in Reviews

When I interviewed local music legend Jesse Hughes in August 2015, he was in good spirits and quite excited about the then-soon-to-be released Eagles of Death Metal album, Zipper Down.

“This album is like John Holmes, only with a bigger dick,” Hughes told me. “I’ve never been one of those dudes who has tried to change or do something different. I pretty much want to make Little Richard proud, and I feel that this album has gotten me closer to that goal than any other record.”

Sure enough, the Eagles of Death Metal made waves with the release of Zipper Down—the band’s first new release in seven years. In fact, the Palm Desert-born band was enjoying the most critical acclaim it had ever received.

This high would not last: On Nov. 13, 2015, during an EODM concert in Paris at the world-famous Bataclan, the venue was attacked by terrorists. While the band escaped physically unharmed, 89 people lost their lives.

A new documentary directed by Colin Hanks, Eagles of Death Metal: Nos Amis (Our Friends), was screened at the Palm Springs International Film Festival on Saturday night, Jan. 14, at the Annenberg Theater. Both Jesse Hughes and Josh Homme attended the screening, as did Colin Hanks, who introduced the film and took questions afterward.

The film will air on HBO starting Monday, Feb. 13.

The documentary starts with Jesse Hughes at home in Los Angeles, about three months after the attack, on the day he and the rest of the band were slated to return to Europe to resume the tour. Gone is Hughes’ jovial, comedic attitude that he so often displayed while off-stage: He appears nervous as he packs his luggage and his manager hands him the boarding passes for the band and crew. He emotionally explains that the rock ’n’ roll music for which he’s always been known is now a huge question mark—because the tragedy in Paris will always be what comes up when people talk about the band.

The film covers the backstory of the band. Hughes and Homme talk about the first time they met each other, as kids in Palm Desert—and include an anecdote about Homme rescuing Hughes from bullies who had thrown him in a pool and wouldn't let him out. Homme describes Hughes as a guy who loves to talk about himself—although that talk is so amusing that you want him to keep talking.

Homme, who can't always tour with Eagles of Death Metal, was not with the band at the Bataclan. He describes being in a recording studio when he started receiving alarming text messages from the band at the time of the attack.

The band members each describe the attacks and their aftermath. While most of the members have already told these stories to VICE, Dave Catching—the band's guitarist and owner of the Rancho de la Luna studio in Joshua Tree—tells his story for the first time: He describes spending two terrorizing hours in a dressing room, hiding in the shower with the door barricaded. He said terrorists tried at various points to get into the dressing room—and that one of the terrorists eventually blew himself up nearby.

The final portion of the film shows the moment when the band finally plays again in Paris. Homme and Hughes are filmed greeting many of the survivors of the attack, shaking their hands and hugging. One man tells Hughes he saw the terrorists enter the Bataclan—and feels sorry because he didn't do anything to stop them. Hughes emotionally tells the man that he’s not at fault.

Eagles of Death Metal: Nos Amis (Our Friend) is a heartrending look at Hughes, a rock ’n’ roller who lived through an event that would change him and his band forever. The film pays tribute to the victims in a beautiful way, and affirms that the terrorists in no way won anything as a result of the attack.

While the Eagles of Death Metal EODM will be associated with tragedy forever, the members confirm: They still believe in rock ’n’ roll.

Eagles of Death Metal: Nos Amis (Our Friends) premieres Monday, Feb. 13, on HBO.

Published in TV

Friday the 13th of November 2015 will forever be remembered by fans of desert rock.

Of course, we all know what happened on that day: Armed gunmen shot and killed 89 concert-goers, and wounded more than 300 fans, at an Eagles of Death Metal show at the Bataclan in Paris. It was the worst of a series of deadly terrorist attacks in Paris that night.

The hard-edged pop band features frontman Jesse Hughes, with Josh Homme—frontman of the platinum-record-selling Queens of the Stone Age—on drums; both grew up in Palm Desert. The band also includes guitarist Dave Catching, who resides in Joshua Tree at his world-famous recording studio Rancho de la Luna. While Hughes and Catching were on the Bataclan stage on Nov. 13, Homme was not; he had been on the European tour but had returned home to be with his wife, who is expecting their second child.

It was an hour into their set when gunfire broke out. The band was quickly ushered offstage and escaped harm’s way. However, the band’s merch manager, Nick Alexander was not so lucky: The 36-year-old British resident was shot and killed—and a wave of shock is still resounding in the music community here at home.

“I spent a lot of time with Nick, but the thing about the touring merch job, it’s one of the more thankless jobs,” drummer Patrick Carney of The Black Keys told Rolling Stone; Carney had worked with Alexander, but was not in Paris during the attacks. “You do it because you just want to travel, and you’re interested in meeting new people, and it’s really hard work. It’s not the job you take if you’re into partying. … He was just a sweetheart, that guy.”

Within 24 hours, fans started a social-media campaign to launch the Eagles of Death Metal single “Save a Prayer” (a Duran Duran cover on EODM’s latest release, Zipper Down) to No. 1 on the charts. Within 24 hours, the single had risen to No. 5 in Norway, and was No. 1 on Amazon. Duran Duran’s Simon Le Bon said all proceeds from the song would be donated to a charitable organization.

Anyone who didn’t know about the Eagles of Death Metal before the attacks certainly knows about them now. Unfortunately, that includes some morons. At the Faithful Word Baptist Church in Tempe, Ariz., Pastor Steven Anderson—who has clearly never heard one note of the band’s music—gave a sermon, posted online, in which he referred to EODM as a death-metal band, and the group’s fans as Satan worshipers.

“When you go to a concert of death metal, somebody might get killed!” he said. “You know, you’re worshiping death! And then, all of a sudden, people start dying! … Well, you love death so much; you bought the ticket; you love worshiping Satan! Well, let’s have some of Satan’s religion come in and shoot you! I mean, that’s what these people should think about before they go into such a wicked concert.”

Believe it or not, after saying he didn’t condone the shootings, Anderson’s rhetoric then got even worse: “But you know what? Nobody should be at a concert worshiping Satan with this drug-pushing hillbilly faggot. And that’s what he is.”

Here at home, we are happy our friends escaped safely, yet deeply saddened by the loss of the lives of Nick and all of those fans. It’s a testament to the state of affairs in our world that you never know when your time on the planet is up; it could even end at the next desert-rock show.

Read more from Robin Linn, including an expanded version of this story, at www.desertrockchronicles.com.

Jam in the Van is an Internet music program that’s taking the music world by storm. It is quickly becoming as recognizable as the giant music festivals to which it travels. What MTV was to music videos in the early ‘80s, Jam in the Van is to music festivals and independent artists today.

The van is a moving piece of art, covered with colorful portraits of rock legends and wallpapered in memorabilia from shows gone by. It is also a solar-powered recording studio that travels to the hottest music festivals. Parked outside of Bonnaroo, High Sierra, SXSW and Bottle Rocket, JITV entrepreneur Jake Cotler and his crew invite performing artists inside for a three-song set, documented with state-of-the-art recording gear by pros who are passionate about capturing the magic.

The concept was born in 2011 in the expanded consciousness of Jake Cotler. In a psychedelic haze at the Bonnaroo Music Festival in Manchester, Tenn., beneath the starry sky on top of their rented RV, Jake and his and partners, Dave Bell and Louis Peek, thought, “What if we could bring the music to us?” The young festies had been attending Bonnaroo since 2002, and each year, they rented an RV to the tune of a couple of grand. They began contemplating what would happen if they bought an old RV, loaded it with recording gear, and got the bands they were traveling to see to record live sets inside the van. They bought the first jam-van off craigslist for $800, parked it in the alley behind Cotler’s Venice Beach home, and began inviting bands to come play.

Cotler remembers the first time they were invited to park the van backstage at Bonnaroo in 2012.

“Everything but the engine is powered by the sun,” he said. “The studio is fully solar-powered, amps and all. We use four-domestic sized solar panels on the roof of the van to run everything. That’s why we can pull up literally anywhere and film our sessions.

“… The first Bonnaroo we worked at was pretty surreal for us. That was probably the last year that Bonnaroo was really awesome, 2012. Just three months prior, we’d been on the side of the road in Fort Stockton, Texas, broken down in a 1984 Jam Van that died on us on the way back from SXSW. We had to sell the van to a sheriff on the side of the road who was going to use it for storage and to let his nephew sleep in. We packed everything up in a U-Haul and drove back to L.A. with two choices on our minds: Throw in the towel and say it was fun while it lasted, or crowd-fund a new van, and make shit happen. We went with option B, because we don’t quit shit, and we succeeded.

“In the midst of our crowd-funding venture, we signed a deal with Bonnaroo to be part of the festival and film bands backstage. So that first time we … got to be backstage at the festival that started it all. That was really a good feeling.”

The show has picked up sponsors and has filmed hundreds of live music segments. The crew visits major music meccas and music festivals. In April, the crew visited our high desert for a two-day shoot before making their way down to Coachella to record some of this year’s best acts, wrapping things up with desert-based War Drum.

Day one took place outside the van at desert rock icon Brant Bjork’s Low Desert Punk studio in Joshua Tree. The shoot started off with several songs by Brant’s band Low Desert Punk, fresh off this year’s Coachella stage. They included a track from his recent release, Black Flower Power. Next up was DRUG, a surf-punk trio featuring Jamie Hafler on guitar and bass (using a custom built double-neck guitar, allowing him to pull off the feat), and the dramatic impassioned vocals of frontwoman Cristie Carter. A last-minute addition to the lineup was Gram Rabbit songstress Jesika von Rabbit, who took the intimate route with her vocals and guitar. The grand finale featured The Atomic Sherpas.

Day two occurred inside the van at the world renowned Rancho De La Luna Recording Studio in Joshua Tree, where the cream of the desert rock crop gave the crew a taste of what our underground music scene is all about. Guitarist Bobby Nichols (Inner Planetary Monks), drummer Rob Peterson (The Pedestrians) and bassist Armando Flores (The Pedestrians, Blasting Echo) recorded as Sundrug Experiment. They set the mood for the day with fiery psychedelic jams. Next up was Americana indie-band Gene Jr. and The Family, making Joshua Tree proud with its polished pop-infused rock. Waxy then delivered an authentic set of desert stoner rock; Fatso Jetson made the trek from L.A. and blew EVERYONE away with a flawless set of pounding compositions. The evening ended with punk-laden power pop by desert bad-boys, Eagles of Death Metal. Dave Catching and Bingo Richey were going over new tunes that are part of their latest project, the Mojave Lords, predicted to be the desert’s new supergroup.

Visit Jam in the Van at www.jaminthevan.com. Read more from Robin Linn, including an expanded version of this story with video imbeds, at www.desertrockchronicles.com.

It’s March … so we all know what’s comin’, weather-wise. We strongly recommend getting out and enjoying some fantastic events before the broiler gets turned on.

The McCallum Theatre’s schedule is full of music events in March. While Johnny Mathis’ March 7 and 8 performances are sold out, here are some other shows to consider: At 8 p.m., Tuesday, March 17, singer-songwriter Don McLean will be stopping by. McLean wrote the 1971 hit single “American Pie,” for which he’s widely known; however, he’s written many other great songs, too. After catching his performance at Stagecoach last year, I can say he’s worth seeing. Tickets are $25 to $65. At 8 p.m., Friday, March 27, Chinese classical pianist Lang Lang will be performing. Tickets are $65 to $125. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs Resort Casino has some great stuff going on in March. At 8 p.m., Saturday, March 7, Grammy Award-winning singer-songwriter Melissa Etheridge will play. Etheridge won an Academy Award for her song “I Need to Wake Up,” for Al Gore’s documentary An Inconvenient Truth. Tickets are $29 to $59. At 8 p.m., Saturday, March 14, R&B superstar Ne-Yo will be stopping by. Ne-Yo has won multiple Grammy Awards; this is one you don’t want to miss. Tickets are $49 to $109. I was very excited when I heard about the next event … but there’s a twist: At 8 p.m., Friday, March 27, ’60s pop group The Monkees will perform. Here’s the twist: The show is slated to include only Micky Dolenz and Peter Tork. Michael Nesmith, with whom Tork and Dolenz reunited with after the death of Davy Jones in 2012, will for some reason not be taking part in this show, barring a change in plans. Tickets are $29 to $59. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Agua Caliente Casino Resort Spa has a couple can’t-miss shows scheduled, too. At 8 p.m., Saturday, March 7, comedian Kathy Griffin will be returning to The Show for what should be a very funny performance. After a successful run with her reality show Kathy Griffin: My Life on the D-List, Griffin is still going strong. Tickets are $65 to $85. At 8 p.m., Saturday, March 28, the ’90s-swing-revival band Big Bad Voodoo Daddy will take the stage. If you don’t remember, swing music enjoyed a very brief comeback in the decade thanks to acts such as the Brian Setzer Orchestra and the Cherry Poppin’ Daddies. Big Bad Voodoo Daddy has continued on successfully since then. Tickets are $40 to $70. The Show at Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Spotlight 29 had a strong February—and that strength continues into March. At 8 p.m., Saturday, March 7, you’ll be happy to find a night of “country music without prejudice” with Big and Rich and special guest Cowboy Troy (pictured above right). During the ‘MERICA! years of the previous decade, Kenny Alphin and John Rich rode the charts, and also had several successful collaborations with Cowboy Troy, an African-American artist who does rap country music. Tickets are $80 to $100. At 8 p.m., Saturday, March 28, plus-size comedian Ralphie May will be performing. May was the runner up on the first season of Last Comic Standing. He was also a contestant on Celebrity Fit Club. Tickets are $25 to $35. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Morongo Casino Resort Spa has one event in March that leads to this question: Are you ready to rock? OK, just joking: At 9 p.m., Friday, March 13, Kenny G (pictured below) will be stopping by. That’s right: The smooth-jazz sax man will be performing here! Despite harsh criticism from some of bop-jazz’ notable musicians, Kenny G has captivated audiences while selling millions of records around the world. Haters gonna hate! Tickets are $60 to $70. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Pappy and Harriet’s Pioneertown Palace will host some amazing musicians in March. At 8:30 p.m., Saturday, March 14, Dave Catching and Rancho de la Luna will be taking over Pappy’s with performances by Earthlings?, Dinola and Rancho de la Lunatics. Tickets are $10. At 8 p.m., Friday, March 27, there will be a much-anticipated performance by Gang of Four. The English post-punk outfit just released a new album. Tickets are $25. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; pappyandharriets.com.

Copa has several interesting events booked for March. At 8 p.m., Friday, March 6 and Saturday, March 7, Copa will be hosting performances by actress Molly Ringwald. Actually, she’s more than just an actress: Ringwald is also a decent vocal jazz singer! Her 2013 album Except Sometimes included a jazz-style cover of the Simple Minds’ “Don’t You (Forget About Me)” from her ’80s film The Breakfast Club. Tickets are $45 to $75. Copa, 244 E. Amado Road, Palm Springs; 760-322-3554; www.coparoomps.com.

Be sure to watch the websites and social-media presences of venues not listed here for newly announced events. Have a great March, everyone!

Published in Previews

The term “desert rock” defines a genre of music and bands, all from the local scene, that changed the face of music—and one of the most important musicians within that genre is Dave Catching, the owner of the Rancho de la Luna recording studio and the guitarist for Eagles of Death Metal.

Catching will be celebrating his 53rd birthday in style with a two-day concert extravaganza on Friday and Saturday, June 6 and 7, at Pappy and Harriet’s Pioneertown Palace.

Beyond the Eagles of Death Metal, Catching has also been associated with Queens of the Stone Age, Tex and the Horseheads, The Ringling Sisters, earthlings?, Mondo Generator and other bands.

During a recent phone interview, Catching told his back story.

“I started playing music when I was 15 back in Memphis, Tenn.,” Catching said. “My brother was a musician, and I used to sneak his guitar out from under his bed. He caught me, and he showed me a few chords so that I could actually play stuff. That was the first time I started playing music.”

Catching said his brother and his uncle played in bands together, including a band that played covers of songs by Alice Cooper, Jimi Hendrix and David Bowie.

“I used to go to their rehearsals and hang out with them. They were both really great musicians and singers who inspired me.”

Catching never had any plans to own a recording studio or to live in the High Desert. However, that began to change in 1994. Fred Drake was interested in purchasing Rancho de la Luna; at the time, Catching owned a restaurant in New Orleans.

“(Fred Drake) called me when I owned my restaurant and asked me if I wanted to be partners,” Catching said. “It was so cheap that I sent him the money to buy it. I had no intentions of ever living in Joshua Tree. I thought I was going to be in New Orleans for the rest of my life. But it was such a great deal, and I loved Fred so much, so I just said ‘Yes,’ and we started the studio then.”

Drake, a founding member of earthlings?, died in 2002. He was beloved in the local music scene.

“He was in several bands, and he worked in another studio called Dominion Way. It was a rehearsal studio, and I used to rehearse there. Iggy Pop used to rehearse there back in 1988, and I started rehearsing there. (Drake) was an established figure around that part. It’s amazing what things he could do with the little equipment they had. It was incredible.”

After an electrical fire at his restaurant in New Orleans, Catching found himself living at and working out of the studio. Shortly after Catching moved, the Rancho de la Luna recorded a band called Kyuss, featuring Josh Homme. The rest, as they say, is history.

“I got a phone call from my best friend Hutch, who did sound for Kyuss; he now does sound for Queens of the Stone Age and Jack White. I called him to check in and say hi, and he told me Kyuss was going to Europe and needed a guitar tech,” Catching said. “I’d already met those guys through him before. … I needed something to do to get out of town. I became their guitar tech for a couple of tours, and we all became friends.

“Kyuss broke up, and Josh got a phone call from Roadrunner Records to do a song for a compilation record. He asked me and a couple of friends to be a band to do the song, and we called (the group) Queens of the Stone Age. Their producer, Chris Goss, had always told Kyuss, ‘You guys sound like Queens of the Stone Age.’”

As the Queens of the Stone Age began to rise, Rancho de la Luna became more established and has since become a prime recording spot for numerous well-known bands, including the Arctic Monkeys and, more recently, Foo Fighters. Catching said he never expected Rancho de la Luna, co-owned by Teddy Quinn, to become what it is today.

“We were just doing our thing,” Catching said. “(The members of Kyuss and Queens of the Stone Age) were just kids, and I was older than those guys, and we were just having a great time. They just wanted to come up and check out our studio, and did some recording. I didn’t really think about anything other than just having a good time at my place.”

Catching today splits time between New Orleans and Joshua Tree.

“I get the best of both worlds living in Joshua Tree and New Orleans: The driest place on Earth, and the wettest place on Earth,” he said, exaggerating slightly. “I’m pretty much sober when I’m in the desert, and I’m pretty much not sober when I’m in New Orleans. I think both places save me and keep me sane.”

The former restaurateur said he still loves to cook, too.

“It’s one of the best ways to bring people together,” Catching said. “It’s an enjoyable time to gather around the kitchen, throw a bunch of things together—and you have to eat. If it’s really good, it makes everybody a little happier.”

As for the local music scene circa 2014, Catching said it’s increasingly diverse—and he’s including a lot of those local-music friends, old and new, during his birthday celebration.

“A lot of the bands I like such as Parosella, Jesika von Rabbit and many others are playing,” he said. “We’re also going to do the Rancho de la Lunatics, which is a bunch of us just jamming. It will showcase a lot of bands that I like that are around the area now.”

Dave Catching’s Incredible Pappy and Harriet’s Birthday Spectacular takes place on Friday and Saturday, June 6 and 7, at Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, in Pioneertown. Friday tickets are $15; Saturday tickets are $20. For tickets or more information, call 760-365-5956, or visit pappyandharriets.com.

Brandon Ray Henderson is an icon in the Coachella Valley music scene. On top of being a great bass-player, he’s an accomplished guitar-player who has toured Europe with Brant Bjork, and was a founding member of Half Astro. He currently plays guitar in The Pedestrians, as well as a Misfits tribute band called Astro Zombies; finally, he plays bass for Parosella. However, he may be best known locally for his booking talents; he recently finished a stint at The Hood Bar and Pizza, during which time The Hood hosted Jello Biafra and the Guantanamo School of Medicine, Voodoo Glow Skulls, Adolescents, and legendary surf-guitar virtuoso Dick Dale, as well as many others. Brandon will be playing with Parosella on Friday, June 6, and Astro Zombies on Saturday, June 7, at Pappy and Harriet’s Pioneertown Palace for Eagles of Death Metal guitarist Dave Catching’s Birthday Spectacular; get full details and ticket info at pappyandharriets.com. Here are Henderson’s answers to The Lucky 13.

What was the first concert you attended?

I went to a lot of small, random punk shows as a young teenager. My first real concert would be the 1997 Warped Tour where I saw Descendents, blink-182, The Vandals, Strung Out, Mighty Mighty Bosstones, Pennywise, and the Aquabats, from what I can remember.

What was the first album you owned?

Beastie Boys, Licensed to Ill. I used to play the cassette in my Teddy Ruxpin that I got for Christmas in 1986.

What bands are you listening to right now?

I always have my favorite go-to bands like Lagwagon, RKL, Bad Religion, Descendents, NOFX, The Vandals, and AFI that I keep in steady rotation. Lately, I’ve been into other artists like Radical Face, Brothers Comatose, Jason Cruz and Howl, the Dresden Dolls, Metric, Sun Kil Moon and Arcade Fire. The most recent Queens of the Stone Age record is very enjoyable. I wish had some Tribesmen recordings; I would listen to the shit out of them.

What artist, genre or musical trend does everyone love, but you don’t get?

Jay-Z.

What musical act, current or defunct, would you most like to see perform live?

Elliott Smith, or Jimi Hendrix with Band of Gypsys would be super-rad.

What’s your favorite musical guilty pleasure?

“Paparazzi” by Lady Gaga. That song rules! I always look both ways to see who is paying attention before I start singing along.

What’s your favorite music venue?

It’s pretty hard to narrow that down to just one. I love intimate venues like the Troubador in West Hollywood. The Melkweg in Amsterdam and The Arena in Vienna, Austria, are also great to perform at and/or see a show at.

What’s the one song lyric you can’t get out of your head?

“Am I following all of the right leads, or am I about to get lost in space?” “Lost in Space,” The Misfits.

What band or artist changed your life? How?

I heard the record No Control by Bad Religion when I was 9 years old and have never been the same. That sparked my intense passion for punk rock and vocal harmonies.

You have one question to ask one musician. What’s the question, and who are you asking?

I would like to ask Prince: How many pairs of shoes do you own?

What song would you like played at your funeral?

Hopefully after the service, everyone has a big party, and they play “Shout” by Otis Day and the Knights. I’m pretty sure my dear friend Ryan Edgmon will oversee and make that happen.

Figurative gun to your head, what is your favorite album of all time?

Lagwagon, Trashed.

What song should everyone listen to right now?

“The Decline” by NOFX. It’s an 18-minute song packed with musical variety and lyrics that make you think. (Scroll down to hear it.)

Published in The Lucky 13

When it comes to pre-Coachella shows, Pappy and Harriet’s Pioneertown Palace almost always has some of the best—and such was the case on Thursday, April 10, when the Afghan Whigs put on a fantastic outdoor show.

Distillers frontwoman Brody Dalle (right) took the stage as the sun began to set. During a set of mostly Distillers songs, Dalle opened with “Die on a Rope.” Dalle explained that earlier in the day, she had been in some sort of accident with a Joshua tree, and that her left leg was a little numb—but she never showed any signs that it hindered her. When Dalle and the band (which includes Distillers and Spinerette guitarist Tony Bevilacqua) played “Sick of It All” and “I Am Revenant” toward the middle of the set, she was on fire, belting out the lyrics and playing her guitar masterfully. It’s been said that Dalle’s voice is not that attractive; however, she is a punk-rock frontwoman, after all, and her voice suits the themes of her songs quite well.

Toward the end of her set, Dalle pointed out two young kids standing in front of the stage and asked how old they were; when the boys said they were 13, she cheered them on. One of the boys screamed out that it was his birthday; Dalle then wished him a happy birthday.

One of the last songs in her set was a cover of the Misfits’ “Hybrid Moments,” before she closed out with “Underworld.”

The Afghan Whigs broke up in 2001, with a temporary reunion in 2006 before reuniting again in 2012—but the band played like they’d never left. After an instrumental intro, the band blasted into a song that will be on their upcoming album, Do the Beast, called “Parked Outside.” Their second song, “Matamoros,” is also on the upcoming album, and the songs prove that Greg Dulli and the rest of the guys still have their songwriting abilities. Do the Beast marks the band’s return to Sub Pop Records, and is one of the most anticipated albums of 2014.

A special moment occurred when the Whigs played “When We Two Parted”: Some members of the audience noticed during the mellow instrumental that the moon in the Pioneertown sky had an aura around it. People immediately took out their phones and started photographing the remarkable sight; the band seemed a little lost as to what was going on before Dulli began to sing.

Before playing two more new tracks—“Royal Cream” and “I Am Fire”—Dulli announced that the new album was recorded “right down the road” at Rancho de la Luna, and dedicated both songs to Eagles of Death Metal’s Dave Catching, the owner of the Rancho de la Luna, who was in the audience.

The band returned to the stage for the encore with a cover of Andrew Lloyd Webber’s “Heaven on Their Minds” from Jesus Christ Superstar, and immediately followed with “Somethin’ Hot,” which was played with such intensity that everyone was moving along to the music, including Pappy’s security man, Big Dave Johnson, who was caught headbanging to the song.

Before the Afghan Whigs left, the band said they had been virgins to playing at Pappy and Harriet’s, and thanked the crowd for “popping their cherry” and “going easy on our hymen.” They then closed with a great performance of “Faded.” Throughout the entire show, the vocals were flawless, and the guitar solos were extraordinary.

After the Afghan Whigs were finished around 10:30 p.m., it was time for Pappy’s second show, this one indoors, featuring GOAT. Many people were curious about the mysterious band which claims to be from a village in Sweden that was pillaged by Christians who accused the villagers of practicing witchcraft. The members perform in costumes and masks, concealing their identity.

Before GOAT took the stage, Holy Wave, a psychedelic rock band from Austin, Texas, performed a short but impressive set consisting of a sound as if someone took the Doors and combined them with Moby Grape. The band members of the band, with the exception of the drummer, rotated instruments, moving between keyboard, bass and guitar.

Cell phones came out the minute that GOAT, minus the two female vocalists, walked in from the patio behind Pappy’s onto the stage and began to tune their instruments. After what seemed like a 10-minute-long tuning session, the band began to play rather suddenly. The two female vocalists seemingly came out of nowhere, dancing and chanting vocals over the psychedelic-rock-meets-Afrobeat sound. They then performed an incredible live set that included their jams “Goatman,” “Let It Bleed” and “Run to Your Mama.”

Pappy and Harriet’s owners Robyn Celia and Linda Krantz deserve applause for assembling the best Coachella celebrations, and things are only getting better: The Pixies are playing at Pappy’s next Thursday night.

Below: The Afghan Whigs. Photo by Guillermo Prieto/Irockphotos.net.

Published in Reviews

When I asked Teddy Quinn to tell me about his life, he didn’t know exactly where to begin.

The host of the famous open-mic nights at Pappy and Harriet’s and the Joshua Tree Saloon, and the owner and founder of Radio Free Joshua Tree, is a colorful figure of the high desert, and he’s been in the entertainment business for more than 50 years. In fact, the story of Teddy Quinn begins in Hollywood in the ’60s, where he was a child actor who made appearances on Bonanza, Bewitched and General Hospital. He also had a recurring role on the short-lived sitcom Accidental Family.

“I retired of my own free will when I was about 12,” he said in a recent phone interview from Joshua Tree. “I was more interested in rock ’n’ roll, poetry and art. I wasn’t really into TV. Even before that, I was always into music; I grew up on The Beatles, of course.”

Throughout his childhood, Teddy would act as a DJ for his older siblings; he also began writing songs at an early age.

After his “retirement,” as his adulthood years began, Teddy tried to establish himself as a musician in Hollywood, eventually ending up in a band with Fred Drake, who would become his close friend and confidant. The two of them made regular trips to Joshua Tree, and fell in love with the high desert.

“We would always try to go to the Joshua Tree Inn and try to get the room that Gram Parsons died in, and we’d go visit Cap Rock in Joshua Tree National Park, where the unsuccessful attempt to cremate (Gram Parsons) happened,” he said.

He and Drake eventually made the move to Joshua Tree, where they co-founded the famous Rancho de la Luna recording studio 20 years ago, which they co-owned until Fred Drake’s death in 2002. Teddy handed his portion of the studio to Eagles of Death Metal guitarist Dave Catching, who is still the owner and who lives at the studio.

When I asked Teddy what it is that makes him continue to stay in Joshua Tree, I could feel his love for the high desert in his voice. “I’m sitting here in my room looking outside at this beautiful sky, the mountains surrounding me, the desert, and the vastness of what I’m looking at outside. It just feels like it’s open to all possibilities,” he said.

Teddy fell into doing open-mic nights about 10 years ago, on Monday nights at Pappy and Harriet’s in Pioneertown, and on Tuesday nights at the Joshua Tree Saloon. The open-mic night at Pappy and Harriet’s, in particular, is known for luring in local musicians and residents of Joshua Tree. Some of the performers Teddy tells me about: a retired man who served in the Marines with the late George Jones, a harp player who has been known to sit in through the night, a couple in their 60s who both play accordions, and a variety of other local musicians.

“I never know what to expect,” he said. “The variety is always completely amazing. I’ve never once left there feeling disappointed, and I’ve always left surprised every time.”

Teddy told me about one night when a young woman asked to sing.

“I had no idea who this girl was; all she told me was her name was Leslie. She got up and sang, and all the employees from the kitchen ran out, asking me, ‘Do you know who that is?’ And it ended up being Leslie Feist (Feist), who at that time had the No. 1 hit song in the world.”

He also has a story about how he and a friend of his played a cover of “19th Nervous Breakdown” by the Rolling Stones, at first completely oblivious to the fact that Theodora Richards, daughter of Keith Richards, was sitting at one of the tables with friends.

“I went up to Theodora and told her, ‘I hope it’s OK we were singing your dad’s song,’ and she said, ‘It was fucking brilliant!’ It was just a funny convergence of things,” he said with a laugh.

Ted said he advises potential performers to get there early for either of the open-mic nights, as the lists tend to fill up—usually before he even arrives. He also recommended that those who make it on the list be patient and hang out through the entire thing.

And if you’re planning on just showing up to observe, chances are you’re going to have a really good time.

Teddy Quinn hosts an open-mic night at 7:30 p.m. on Mondays at Pappy and Harriet’s, 53688 Pioneertown Road, Pioneertown; 760-365-5956. He also hosts the open mic at 7:30 p.m. on Tuesdays at the Joshua Tree Saloon Grill and Bar, 61835 Twentynine Palms Highway, Joshua Tree; 760-366-2250. For those who don’t get up to Joshua Tree, you can hear Teddy on Radio Free Joshua Tree at www.radiofreejt.com.