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Last updateTue, 18 Sep 2018 1pm

Summertime in the Coachella Valley can be brutal—but those of us who live here year-round know that the local music scene never stops because of a little heat.

The Hood Bar and Pizza in Palm Desert, Kilo's Cantina in Thousand Palms, and Plan B Live Entertainment and Cocktails in Thousand Palms hosted many local rock shows during the summer—and the crowds often came out. The Hood Bar and Pizza, for example, hosted several weekend shows at which attendance was near capacity; the venue also launched and regular theme nights, including an open-mic night on Wednesday, and comedy night on Sunday.

Here are some photos of local musicians from shows that happened over the summer.

Published in Reviews

The Flusters have achieved big things locally. Now, the band is working to achieve big things beyond the Coachella Valley.

On June 1, The Flusters began an all-or-nothing, 30-day Kickstarter campaign to raise $20,000 in “seed money” by June 30. The goal is to boost the band as the members leave their day jobs to embark on a six-week, 20-city national tour, as well as release the Flusters’ second EP in the fall.

The crowd-funding campaign has a lot of perks offered to those who donate, including new limited-edition merchandise and a copy of their new EP once it’s released. The campaign’s updates have included video footage of a private performance for a teenage girl, graduating from high school, whom band members called their “biggest fan”; the release of the music video for their song “Your Arms”; and a video of a mural of the band being painted by local artist Adam Enrique Rodriguez in their practice space.

As of this story’s posting, the campaign had received $14,308 in donations.

I recently visited the Flusters’ headquarters in Palm Desert before a scheduled practice to discuss the campaign and the plans surrounding it. Will Sturgeon, front man of Brightener, was also present and picking away on guitarist Danny White’s Fender Telecaster as we discussed the campaign. Sturgeon recently ran a successful Kickstarter campaign for Brightener’s new album; he raised $7,665, with an original goal of $7,000.

“All of our money goes to Will Sturgeon,” front man Doug VanSant joked.

Sturgeon smiled, nodded and said, “Time is money.”

VanSant continued: “The Kickstarter was something we had planned to do ever since our first EP release last year. We knew that we wanted seed money to grow our project to the next level, and had seen people like Will close in on a couple of successful ones himself. Our friends Kreg and Kelly at (Palm Desert restaurant) Wilma and Frieda’s also ran a successful one. It was something that we always had in our scope to do, and we finally did it. Will has been a huge help in doing consultation for this, and he’s been our co-producer. He plays keyboards with us, and very early on, we had meetings in phone and in person on how to do this. His knowledge is invaluable.”

The Flusters took a risk by running an all-or-nothing campaign: If the band members don’t raise the whole $20,000, they’ll receive nothing. It’s a risky endeavor; popular local band The Hive Minds failed to reach a crowd-funding campaign goal, despite a well-done video to promote it and a lot of great perks. Sturgeon also helped the Hive Minds with that campaign. VanSant said the Hive Minds’ experience proves that crowd-funding can be tough.

“I watched their video, and they had a great video,” he said. “They said exactly what they were going to do with the money, and they were clear-cut in their goals and offered great rewards, but it didn’t work. We backed that project, too.

“We have so many people counting on us,” VanSant continued. “The live venues are counting on us; our management is counting on us; and our fans are counting on us.”

The other band members expressed nervousness as well.

“To imagine doing this without all of that (crowd-funding money) is another terrifying thought; it’s like Russian roulette,” Danny White said.

Mario Estrada laughed and added: “But that’s also what makes it really fucking exciting!”

Meanwhile, the band continues to prepare for the tour and to head into the recording studio to record Extended Play No. 2. Drummer Daniel Perry explained that the recording will include some familiar tracks.

“It’s going to have ‘Elevator Dance,’ and our instrumental ‘Stinger,’ as well as a new song called ‘Everyday Dreaming’ and ‘Time Traveler,’” Perry said. “We are also going to finish it up with a song we’ve re-worked and re-titled ‘When Will Then Be Now?’ We’re going to do the new two in between synth instrumentals ‘003’ and ‘004’ as well.”

Similar synth tracks—a few seconds of strange noises in between tracks—can also be found in the form of “001” and “002” on the first EP. I asked VanSant about the reason behind them, and he responded that all will be revealed with the next EP release.

“If you read the project updates, you’ll read the narrative of EP 1. … That story gets continued in EP 2. EP 2 serves as the mirror of EP 1,” VanSant said. “Every song has a counterpart; every synth sequence has a counterpart; and (EP 2) picks up literally where EP 1 left off. There’s going to be a complete seamless transfer of all 10 songs across the board. When you get the double EP, there’s actually going to be a bonus track at a secret Web location, and we’ll release the location when you buy it, and it’ll be hidden in the sleeve. But you’ll have to get that sleeve at our live show, and you’ll have to hunt for it.”

While the EPs are linked, the band will be recording the second one at a different studio, with a different producer.

“We’re going to a place called comp-ny in Los Angeles to work with a guy named Be Hussey, who runs comp-ny, and he recently won a Latin Grammy Award as a producer,” VanSant said. “For tracking, we’re going to give this studio a shot, and we’re a band that tracks easily, because we have a pretty organic sound. Obviously, our comfort level is to mix with Will (Sturgeon), but we might mix with Be. We don’t want to fix what isn’t broken, but do things in a grander fashion.”

The Flusters’ tour will include gigs in VanSant’s hometown of Philadelphia, and White’s hometown of Jackson, Miss. The band had help in mapping it out from Sherpa Management, a Los Angeles outfit put together by musicians and for musicians.

“We had Sherpa Management schedule the whole thing,” White said. “They’ve been extremely supportive and helpful. We couldn’t ask for a better team in our corner. But as far as people showing up, it’s going to happen, and probably not going to happen. It’s just going to be what it’s going to be. The main thing for us is getting that experience on the road to get ready for the next tour.”

VanSant said he’s a little worried about mishaps that come with touring.

“The logistics worry me a bit,” VanSant said. “Is the bus going to crap out? Is the sewage pump on the bus going to work? Will any of our gear break down? Are we going to get held up somewhere? These are things life throws at you. Having cultivated a strong group mentality of, ‘Let’s get through this,’ and, ‘Let’s be solution based’ when challenges and adversity come across our plate, we don’t bicker at each other. We’re working together, and the Kickstarter is proof—and we’re right on target.”

VanSant said the goal after the tour and second EP is to focus on writing more music, and working together to keep reaching for more success.

“We already have about five songs for our full-length album. We’re starting to book shows through November and looking to do some pretty big-ticket shows coming up here,” VanSant said. “It’s going to be a mixture of playing new markets, playing bigger venues in the same markets, and promoting those two EPs—and leveling up and staying busy. We believe we need to give ourselves six months, a full trial of focusing on The Flusters. That means jumping in the bus and going to another market for a week or two, setting up a residency to play that city, and then bouncing to another city.

“A lot of bands can’t level up, because they can’t chase the opportunity. Everybody scatters to the corners to their day jobs and tries to pay their bills, and we’ve decided to work together to pay all our separate bills. The solution is within this band. If we can play one gig and pay Daniel Perry’s car payment, that’s worth it to us. If we can play one gig and pay my rent for that month, that’s how we want to make our living. We’re going to go find the gigs—and they’re out there.”

For more information on The Flusters, visit www.theflusters.com.

In the summer of 2015, I visited music producer Ronnie King’s studio, “Chateau Relaxo,” in Thermal as the Yip Yops recorded a new album.

At the time, the Yip Yops seemed ready to take the mainstream-music world by storm. The young band had just signed with talent-management company Hood and Associates, which was helping the band create that aforementioned album.

Shortly after that August 2015 article came out, the band’s name was changed to IIIZ. However, after a performance at the 111 Music Festival under that name in the fall, the band announced it had left Hood and Associates and was returning to its original name. Nonetheless, Hood and Associates released the album under the IIIZ name. (Today, the Yip Yops disavow that album.)

However, talent wins out—and the Yip Yops are as popular as ever, as shown by the band’s addition to the Coachella lineup. In between Saturday Coachella performances, the band will play at The Hood Bar and Pizza with the Flusters on Thursday, April 20.

I caught up with frontman Ison Van Winkle and drummer Ross Murakami in Palm Desert to discuss what happened with Hood and Associates.

“Basically, we were a younger, less-experienced band,” Van Winkle said. “We were promised the world, and we believed it. We thought it would be an interesting journey. It just ended up being the worst-case scenario. They wanted to push us in a direction that we didn’t have any desire to go in, and in the moment, we were trying to be open, collaborative and cooperative. … We grew a lot in that process, and looking back on it, we’re a much stronger band and stronger friends. In that situation … we knew we had an out, and we decided to exercise it and void the contract. It was bullshit what they did, and they were completely out of line.”

Murakami said they were saved by a good lawyer.

“The whole thing was a learning experience,” he said. “Now we’re moving forward. In a way, we were prepared for the worst-case scenario. Our lawyer wrote up the contract in a pretty smart way. We didn’t like them, and we didn’t want to be a part of that anymore. Now we’re free.”

Van Winkle said other local publications have incorrectly written about the band’s status, adding that one publication—which he would not name—incorrectly reported that the band members don’t have the rights to their own music.

“We’ve been completely free with no ties whatsoever for the past year,” Van Winkle said. “I think there’s a big misconception, because there have been other articles and such, where people ask if we own the music, and, ‘How can they play these songs live?’ We own the songs, and we have owned the songs this entire time. The way that it was all set up was that we licensed them to use the recordings from Ronnie King’s studio—that’s it. They still have that right, and they can do with (the recordings) what they want. We don’t really care for those recordings, anyway. That’s it, and that’s where the line is drawn. We own all the music; we own all the rights to play it live; and we feel that needs to be pretty clear.”

Van Winkle said Hood and Associates was very controlling during the recording process of that album released under the IIIZ name.

“We don’t think that Ronnie King was able to produce to his full potential because of the label we were working with,” Van Winkle said. “It was a controlled environment, and he would tell us his frustrations as we would tell him ours. Our insight into working with Ronnie King on those sessions is not the Ronnie King most people work with. It was a very controlling, very grueling process.”

The Yip Yops have started to record again.

“We wanted to do some recording and remind ourselves of what we set out to accomplish,” Van Winkle said. “We wanted to do it ourselves and not with anyone else. We’re going to control what it sounds like, and looking back at those recordings, everyone in our band feels they are eons better than what we did with the label. … It was a good reboot to everything. Since then, we’ve never stopped.”

The Yip Yops played with the Flusters on April 20 last year at The Hood Bar and Pizza, and also played at the Flusters’ EP release party last September. That second show was sold out, and The Hood Bar and Pizza’s security team had to turn away people long before 10 p.m., when the Yip Yops took the stage.

“The Flusters are always an amazing band to be working with,” Murakami said. “We’ve had a lot of meetings and calls, and it’s always been so fun to be working on something with the Flusters.”

Van Winkle said the Yip Yops have a lot in common with the Flusters; for example, the bands have similar goals.

“Both of our bands have a similar vision for the potential both of us have—just the drive and desire to keep progressing and keep getting out there,” Van Winkle said. “Both bands realize that this is our home, and it always will be, but to do what we feel the music has a potential to do, you have to get out and expand. Neither one of us wants to just play The Hood every weekend; we want more than that, and there’s more there. It’s good to have that, because we can push each other and reach that goal.”

Van Winkle said  the Yip Yops have no regrets about where they’ve been during the past two years. He also explained where the band is at in the recording process.

“The main question we always get asked is, ‘Where can we hear your music?’ or, ‘When are you going to come out with some music?’” he said. “We know there’s a demand and an interest for it, at least locally, and from our point of view, we want to fulfill that desire, but we want to make sure we’re putting our best foot forward. We want to make sure what we put out can last longer than we can. With that, it’s taken us a little longer.”

The Yip Yops will perform with The Flusters and Quay at 8 p.m., Thursday, April 20, at The Hood Bar and Pizza, 74360 Highway 111, in Palm Desert. Admission is $8. For more information on the Yip Yops, visit www.yipyops.com.

Published in Previews

It’s time to wind down after the busy holiday season—and January is filled with some great shows to help you do just that.

The McCallum Theatre has some fine post-holiday events. At 8 p.m., Saturday, Jan. 14, Broadway and Hollywood icon Vanessa Williams will be appearing. Williams had the No. 1 single in 1992, “Save the Best for Last,” and went on to create other hits, such as “Love Is,” “Colors of the Wind” and “Where Do We Go From Here?” She’s also had a successful film career. Tickets are $57 to $97. At 8 p.m., Wednesday, Jan. 18, another actor/singer will be performing: Rick Springfield. Springfield is best remembered for his run on General Hospital, and for his hit tune “Jessie’s Girl.” Springfield has fought alcoholism and depression, but has found sobriety and a healthy mindset within the last few years. Tickets are $37 to $87. At 8 p.m., Friday, Jan. 27, author Garrison Keillor will be returning to the McCallum to share stories about his life growing up in the Midwest. Tickets are $47 to $97. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Agua Caliente Casino Resort Spa has a big show booked: At 8 p.m., Saturday, Jan. 21, Aerosmith frontman Steven Tyler (right) will be performing with The Loving Mary Band. It’s been said that Aerosmith might be bowing out of the game soon, and Tyler seems to enjoy performing solo, so it might just happen. Tickets are $165 to $215. The Show at Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Fantasy Springs Resort Casino is hosting some great comedy and music that’ll help you snap out of those holiday blues. At 8 p.m., Friday, Jan. 13, Emmy and Grammy Award winner Kathy Griffin will be appearing. The comedienne, actress and best-selling humor writer is guaranteed to make you laugh. Tickets are $39 to $69. At 8 p.m., Saturday, Jan. 14, it’ll be a double Motown bill when The Temptations and the Four Tops stop by. While the groups are only touring with one original member each, the show should still be a good time. Tickets are $39 to $59. At 8 p.m., Friday, Jan. 20, Terry Fator will be bringing his comedy-based puppet show to Fantasy Springs. Fator can be hilarious; one of my favorite puppets is an Elvis impersonator. In my own opinion, he’s funnier than Jeff Dunham. Tickets are $39 to $79. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Spotlight 29 has an event in January you won’t want to miss. At 8 p.m., Saturday, Jan. 21, jazz guitarist George Benson will be performing. While Benson is classified as a jazz guitarist, his music also includes funk and soul. He’s won 10 Grammy Awards throughout his career. Tickets are $55 to $75. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Pappy and Harriet’s Pioneertown Palace has some fun shows on the docket. At 8 p.m., Thursday, Jan. 5, Los Angeles psychedelic-pop band Haunted Summer (below) will be returning—with local favorite The Flusters on the bill as well. Haunted Summer did some recording at Rancho de la Luna in 2015; hopefully we’ll see a new album soon. Admission is free. At 8 p.m., Saturday, Jan. 28, Los Angeles-based Americana band Moonsville Collective will be stopping by. Moonsville Collective has shared the stage with Old Crow Medicine Show, The White Buffalo, Wanda Jackson and Donavon Frankenreiter. Tickets are $10. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

The Date Shed has a couple of events about which you should take note. At 8 p.m., Saturday, Jan. 7, there will be a performance from Pato Banton. Banton, a London-based Reggae singer and DJ, has worked with Ranking Roger, UB40 and the Mad Professor. This should be a great show for reggae-lovers. Tickets are $15 to $20. At 8 p.m., Saturday, Jan. 21, West Covina-based rapper Mr. Capone-E will take the stage. He’s known for his collaboration in 2006 with Twista on the song “Don’t Get It Twisted.” Tickets are $25. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.dateshedmusic.com.

The Purple Room has a busy schedule of events. At 8 p.m., Friday, Jan. 6, check out The Buddy Holly Review. As a big fan of Buddy Holly myself, I’m excited about this one. It’s been said that this tribute band does not disappoint. Tickets are $25 to $30. At 8 p.m., Saturday, Jan. 14, Charles Herrera will be performing a show titled “There’s Always Room for Cello,” which will include guest Keisha D—as well as some of the best string musicians in the Coachella Valley! Tickets are $25 to $30. Michael Holmes’ Purple Room, 1900 E. Palm Canyon Drive, Palm Springs; 760-322-4422; www.purpleroompalmsprings.com.

The local folks behind New W8ve Entertainment are kicking off a new night at The Beer Hunter. Symara Stone and Hannah Mills will perform on the patio at the first #W8vyWednesdays, starting at 4 p.m., Wednesday, Jan. 11. Admission is free. The Beer Hunter, 78483 Highway 111, La Quinta; 760-564-7442; www.laquintabeerhunter.com.

Published in Previews

It’s been a remarkable year for The Flusters. The band has taken the stage at both Coachella and Echo Park Rising, after being voted the “Best Local Band” by Independent readers.

Now the band is releasing its first EP. On Friday, Sept. 30, the Flusters will celebrate the release at The Hood Bar and Pizza with The Yip-Yops, Brightener and a special performance by Cakes and Brains.

During a recent interview in their new practice space in Palm Desert, guitarist/vocalist Doug Van Sant, guitarist Danny White, bassist Mario Estrada and drummer Daniel Perry all talked about the new EP.

“It took three days to record—two days in North Hollywood, and one day in Palm Desert,” Van Sant said.

Added White: “There were also about two months of pre-production in getting the songs right.”

Much of the recording was done at ReadyMix studios, with Paul Horabin in North Hollywood, while the vocals were recorded with Will Sturgeon, of Brightener, in Palm Desert; he served as the mixer and co-producer.

“He’s really easy to work with,” Van Sant said of Sturgeon. “I’d be interested to see how he’d work with a band that didn’t have as complete of a vision as we did. His producing was less vision creation and more nuts and bolts. When it comes to the fifth corner of the sound you hear in the EP, he produced it fully and wrote all the keyboard parts.”

White said all the pre-production work meant the band was truly ready when it came time to enter the studio—and even then, the recording process was trying.

“We learned it was very tiring,” White said. “I actually had a caffeine overdose and had to sit down for two hours because I thought I was going to throw up or die. We were so fried and trying to find the energy to get this stuff done within the two days we had to do it.”

Estrada said the band underestimated how tough the recording process would be.

“We’d be playing all day and thinking, ‘We’ll play; we’ll do everything during the day; and we’ll go out at night,’” he said. “We finished the first day, and we went out once just to get pizza together. We were that fried.”

While Daniel Perry is The Flusters’ current drummer, Chris O’Sullivan was the drummer during the recording process. Van Sant said they decided to keep O’Sullivan’s drumming on the album.

“It would be manipulation by omission to not credit him, and I’m not here to do that, and we’re not here to do that,” Van Sant said. “There’s zero ill will toward Chris. He did an excellent job on the album and was in the studio with us the entire time, doing his thing. … We’re not shy to give praise to people who had anything to do with this record.”

The title on the EP art is simply Extended Play No. 1. That hints at the fact that The Flusters are already working on the second EP. Perry said he’s enjoying the band’s writing process.

“It’s so comfortable, so easy, and so fluid,” Perry said. “Mario and I have known each other for quite a long time. We’ve jammed together before and have a sense of how each of us plays. He already knows how Doug and Dan work; I just kind of adapted to it. Their style is what I actually grew up on—that dream/surf feel. It’s everything that embodies me as a musician. I’ve never felt so fluid with a band like I do with these guys.”

However, the writing process is not always easy and fluid.

“It gets heated in this room sometimes,” White said.

It’s clear all of The Flusters’ hard work has paid off. The band has had some nice out-of-town shows and is gaining respect within the Los Angeles independent-band scene. The Flusters have found a kinship with Haunted Summer, who shared the stage with The Flusters at Chill Bar last November during the George Zander benefit show put on by the Independent.

“Beyond the artistic part, they’ve become really close friends,” White said about the members of Haunted Summer. “Anything we get to do with them, we love. We’re huge fans of them as musicians and people, and John Seasons has gone above and beyond for us. We are extremely grateful for that and for them to care and be fans of theirs.”

Van Sant said The Flusters have achieved success because the members work together as a team.

“It’s all done by delegation. Everybody in this band has a job beyond their instrument,” Van Sant said. “Danny is a great liaison to our Los Angeles circuit. Mario has a great relationship started with the East Valley. Daniel is good with gear management and knows a lot about electronics, sound, music and production.

“I’ve taken the manager’s reins. (At night in bed, I ask myself), ‘Have I done everything today that I possibly could do with the hours in the day with this band?’ If I can’t answer that, I can’t sleep. I have had many sleepless nights: ‘If the bass trap over there in the corner falls down because it’s too hot, it has to get fixed now, not tomorrow—right fucking now!’ The other guys have been on the ass end of that mentality from me, and I’m sure it hasn’t been pleasant.”

As for the album release show on Sept. 30: It’s going to include something that should bring back memories for anyone who has followed the Coachella Valley music scene over the years—a reunion of local band Cakes and Brains.

“People are going to get the flashbacks and say, ‘I remember those guys from high school! They’re still doing stuff? Let’s go check them out!’” Perry said. “I know I would. It would give me the nostalgia feels and want to experience that again. Their shows were so fun.”

The Flusters will perform with Brightener, The Yip Yops, and Cakes and Brains at 9 p.m., Friday, Sept. 30, at The Hood Bar and Pizza, 74360 Highway 111, in Palm Desert. Admission is free. For more information on the Flusters, visit www.theflusters.com.

It is unbelievable how far the band The Flusters has come in such a short amount time.

Last Saturday at noon, the members of the band crossed an item off their bucket lists when they stepped onto the Outdoor Stage at Coachella. Each year, a local band or two gets the coveted, albeit difficult slot. There’s usually not much of a crowd on hand at noon, but many locals—including Ian Cush of the Coachella Valley Art Scene, Matt Styler of the Hive Minds, Giselle Woo and some devout Flusters fans turned out—turned out to watch the band play, as did a handful of Coachella early birds who did not know The Flusters.

While the Flusters were playing, Goldenvoice founder Gary Tovar appeared onstage and took some photos and video of the band with his phone.

Shortly after the impressive show, frontman/guitarist Doug Van Sant, guitarist Danny White and new drummer Daniel Perry appeared in the press tent. Doug Van Sant mentioned Coachella was on their bucket list—but he had no idea it would happen this year.

“No, not at all,” Van Sant said. “It was a big fat no. We hoped for it. We tried to remain in sight and plain view of those who are connected with Coachella and selecting local acts. We did the best, and we did everything we could. When Brightener went on for last week, we said, ‘Well, that’s this year’s local band.’ If there was another local band we wanted to see do it, it was Brightener. Will (Sturgeon) has worked with us, so we thought it was good for them.”

Danny White said the experience of playing Coachella was highly rewarding.

“I think it was one of the greatest feelings I’ve ever had,” he said. “… The blood, sweat and tears—to have it pay off in the way that it has, and this is only the beginning—it’s only going to grow. There’s going to be a lot more hard work put in, and this is going to continue to get better.”

Van Sant mentioned when Independent readers voted for The Flusters as the Best Local Band in 2015.

“When CV Independent readers named us as the best band for 2015, the first thing I said to the guys is, ‘We won; what’s next?’ That’s the way we have to live our lives and go through our careers as artists. Same with this: Coachella is done; what’s next? How we can we use this experience to better our future and our music? That’s where my head is at right now. What is next?”

So, what is next?

“We’re focusing on recording an album, and we’re focused on getting some booking and representation,” Van Sant said. “We’re looking to poke our heads into SXSW next year. We’d like to open for some bigger acts in the greater Los Angeles area. We’d like to get our EP distributed in the widest way possible when that releases this summer—and have a kick-ass release party.”

The Flusters’ audience has grown subsantially since the group’s genesis a little more than a year ago. Many people have taken an interest in this indie-surf band from the desert, and the crowds get bigger each time it plays in local venues. During the “In-Betweener” on April 20 at The Hood Bar and Pizza, the place was packed with many familiar faces from previous Flusters shows—as well as many new people who came to check The Flusters out.

“It just shows we have the love of our fans, and they respect us as much as we respect them,” said Daniel Perry, the newest member. “It’s such an experience to see people love what you do as much as you love it yourself. It is one of the greatest feelings to know people are enjoying it.”

Perry explained how he joined the band after The Flusters parted ways with former drummer Chris O’Sullivan.

“About two or three months ago, Mario (Estrada), our bassist, had just sent me a text message asking me if I wanted to jam. I said yes one day, hung out, played some stuff and had some fun. We were just talking, and he told me The Flusters were looking for a new drummer. He asked me if I was interested in auditioning for it. For me, 2016 was the year for change. … I jammed with him and Danny once, and they gave Doug the final go. After that, we had a couple of practices, did a couple of shows, and it was great chemistry from the start. When I first started, I felt like I had been in the band the entire time.”

Van Sant said Perry has made needed adjustments in a short period of time.

“We didn’t know in the beginning,” Van Sant said. “He hadn’t found his sweet spot with us yet. We were rushing him, and he was scrambling, and I told him, ‘We need control; we need to hear what we’re doing, and we don’t need rushing tempos.’ I pulled him aside when he got it under control and I told him, ‘I want you to arrive now. I need you to arrive.’ A switch clicked on, and we got our set together for Coachella, and he’s been great.”

Van Sant said he’s touched by the love he and other local musicians have received.

“I have to say: Coming from Philadelphia, there’s a lot of hater mentality out there,” Van Sant said. “It’s not really hater mentality, but they’re out for themselves and their own projects. Coming out here and having this happen, I got personal texts from several local artists such as the guys from Monreaux, the guys from the Hive Minds, all the other guys from Brightener, and the guys from the Yip Yops. People were so happy for us and supportive. It’s also been coming from the Coachella Valley Art Scene, CV Independent, and all these wonderful people in the scene—it means a lot to us. I’m not used to that.”

When the Coachella Valley Art Scene announced the first 111 Music Festival last year, the idea of putting local bands and DJs on SunLine buses seemed pretty crazy. But the festival was a success—and the 111 Music Festival will return for a second year on Sunday, Nov. 1.

The festival will take place on the 19-mile long Route 111 Line from Palm Springs to Indio—and back again. Bands playing the festival include The Flusters, Alchemy, Brightener, CIVX, IIIz (formerly the Yip Yops), Machin’ and others. The fare will be $3 for the whole festival; a one way ride will cost $1.

Coachella Valley Art Scene founder and director Sarah Scheideman and marketing director Ian Cush recently explained how they came up from the concept. (Full disclosure: I also do work for the Coachella Valley Art Scene.)

“It actually came from Portland,” Scheideman said. “I went up there (to Oregon), and I saw a much smaller version of it, and I thought it was a cool idea. I thought about doing it down here in the Coachella Valley. It was like, ‘They do it, so why can’t we do it?’”

Cush explained the differences between Portland’s festival and the 111 Music Festival.

“Their festival is tiny,” Cush said. “They have carolers and things. Sarah mentioned she had a good time with it, and that it was fun and cool. I worked with SunLine before, doing their training and tutorial and training video. I said, ‘Let’s do something like that, but really put it on the bus.’ The one thing that comes down to this festival is that this place is open to ideas, too.”

Cush said there was no resistance to the idea when it was pitched to SunLine.

“The logistics of it is where there was a lot of worry,” Cush said. “I think we came in strong with the idea, and we were both passionate about the idea. I called them on the phone, and within two minutes, I had the CEO on the line. They were like, ‘Yes, we want to do something like this!’ Once they met us and realized we’re not completely crazy, it was more like, ‘How is this going to work?’ We still probably freaked them out every day.”

The festival results in no changes to the normal SunLine schedule.

“We didn’t want to change anything that they were already doing; we just wanted to add to it,” Scheideman said.

The response to the 111 Music Festival last year was quite positive.

“Ridership was good, but we could have had more riders,” Cush said. “I think there was a little worry the first time of, ‘Is every bus going to be full?’ It’s such a small venue. You put 30 people on there, and it’s packed. We had a worry and said, ‘Let’s not go too crazy.’ So many people talked about it that the idea now is clear. Everyone was excited about doing it, too.”

Playing on the bus isn’t hard for some bands, although others obviously cannot play on a bus. When I was discussing the idea with Dan Dillinger of Bridger, he remarked, “You think we could fit Katie (Cathcart’s) drum set on a bus?”

Cush said organizers talk to participating bands in advance about what they can and can’t bring.

“The nice thing about bands is they are road guerillas,” he said. “(Some) brought the full arsenal. We did have some inverters go down on the bus, and they just had to play acoustic. They also had some swinging mics, because things move on a bus. That’s what makes it cool, though: It’s live, and it’s a crazy event; everyone is in there together. You’re going over bumps, and you’re mobbing. It’s like road trippin’ with the family.”

Local musician Alfa Cologne said his performance last year offered him some welcome exposure.

“It was very interesting. It gave me a new crowd to play music to: people who were just riding a bus, and also people who came to see me play on the bus,” he said. “It was a little wobbly; the mic was swinging, and felt like a Disney ride at times. But it was a very fun experience.”

There will be some changes to this year’s festival. Scheideman said an event in downtown Cathedral City has been added.

“This year, instead of having people get on the bus and not have any direction, we’re going to be directing traffic toward the Cathedral City City Hall lawn, where we’re going to have a stage, and headlining bands performing on the stage,” she said. “You can ride the bus with the bands to here, and they’ll perform on the stage, too.”

Cush said almost every city on the Route 111 Line has been supportive of the festival.

“Next year, the line will go all the way into Coachella. Coachella has been a donor; they see it coming, and they want to be a part of it,” he said. “They donated last year, and they donated this year. Every city on the route donated to this festival. It’s a true public festival, and it’s for the people. The whole point is we’re connecting everyone: Everyone is getting on the bus together and enjoying this experience. Cathedral City stepped up and said that they wanted to be more involved, and they let us have the lawn to produce something.”

Cush said he hopes next year’s fest has even more stages.

“I hope next year, we do the same thing we’re doing in Cathedral City at city hall in Coachella, Indio and Palm Desert. Why can’t we do the entire valley?” he said. “I also hope businesses along 111 will do something for it. They don’t need our permission, and they can get involved. If the stop comes by your business, offer something.”

The 111 Music Festival takes place from 3 to 10 p.m., Sunday, Nov. 1. For more information, visit 111musicfestival.com.

Published in Previews

With a sound that combines surf rock and indie rock, The Flusters is a new local group that is winning over crowds of various ages after shows at The Hood Bar and Pizza, and a performance at Doo Wop in the Desert. For more information, visit www.facebook.com/theflusters. Frontman and guitarist Douglas VanSant was kind enough to answer the Lucky 13.

What was the first concert you attended?

I remember going to the Y-100 FEZtival in Camden, N.J., when I was 14. Ben Folds Five, Marcy Playground, Everclear, Fuel, The Mighty Mighty Bosstones and Green Day performed.

What was the first album you owned?

Nirvana’s Nevermind, of course. What else?

What bands are you listening to right now?

Dum Dum Girls, The Internet, Disasterpeace, Alex Cameron, Earl Sweatshirt, Perfume Genius, Kendrick Lamar, PJ Harvey, Nick Cave and the Bad Seeds, and Rafter.

What artist, genre or musical trend does everyone love, but you don’t get?

Anything produced by American Idol EVER.

What musical act, current or defunct, would you most like to see perform live?

Bjork. Kraftwerk, too … not too far behind Bjork.

What’s your favorite musical guilty pleasure?

Lisa Lisa and the Cult Jam, Stevie B, or any freestyle, actually.

What’s your favorite music venue?

For large shows: The Gorge in George, Wash. For small shows: Johnny Brenda's in Philadelphia.

What’s the one song lyric you can’t get out of your head?

"I'm fucked up homie, you fucked, but if god got us then we gon' be all right," Kendrick Lamar, “Alright.”

What band or artist changed your life? How?

Roy Orbison. I didn't develop a friendship with my father until I was 30 years old. One of the first things we shared as friends was our love of Roy. He is a huge inspiration to me musically as well.

You have one question to ask one musician. What’s the question, and who are you asking?

"Who's the most interesting person you've ever met and why?" while I'm having coffee and smoking cigarettes in a diner with Tom Waits.

What song would you like played at your funeral?

“The Nothing Song” by Sigur Ros.

Figurative gun to your head, what is your favorite album of all time?

Jeff Buckley, Grace.

What song should everyone listen to right now?

“Lake St.” by The Flusters. (Scroll down to hear it!)

Published in The Lucky 13