CVIndependent

Fri06052020

Last updateMon, 20 Apr 2020 1pm

We’re under an emergency shelter-at-home order in California, with a lot of businesses closed down—meaning many people are now without a steady income, including the Coachella Valley’s hard-working, talented musicians.

Many of us also now have a lot of time on our hands … so why not use that time to get to know the local music scene better—while supporting these musicians in the process?

Also, remember that music can be a healer of wounds! For me, music can turn a terrible day into a great day—so I hope that this list can bring you joy in this uncertain time.

Because of all this, I’ve compiled a “Coachella Valley Quarantine” playlist of some of my favorite songs by valley bands. By streaming their songs on Spotify, Apple Music, YouTube or any other service, you will also assist them financially … not much, but every little bit helps!

Click here for the Spotify version of the playlist.

Click here for the YouTube version.

“Last Day,” Captain Ghost

I started the playlist off with this one, because the only way to transition into the apocalypse is with roars and sick guitar riffs. This song is as heavy as it is funky—dare I say, with perhaps a hint of ska? The screamed-out chorus lines of “set forth your hands / like it’s the last day on Earth” make this song a perfect soundtrack for the end times. You can read more about Captain Ghost in the interview I did with them last year at CVIndependent.com; facebook.com/CaptainGhostBand.

“Coachella Gold,” Giselle Woo and the Night Owls

After being announced as part of the 2020 Coachella lineup, Giselle Woo and the Night Owls’ profile in the music scene became bigger than ever. Alas, the postponement of the festival means the world will have to wait to experience in person the greatness we’ve seen evolving over the past few years. “Coachella Gold” makes you proud to live here—and a sense of community is definitely something we all need during this time. Learn more about Giselle here; facebook.com/GiselleWooandTheNightOwls.

“Beat Up Your Mom (Sides One and Two),” Sleazy Cortez

In these times of mass hysteria and paranoia, you really could use a good laugh. Sleazy Cortez’s comedy stoner-punk jams are a perfect 20-second hand wash to take your worries away. You don’t even have to worry about too many lyrics, because the only words to this song are: “Beat up your mom.” Side One’s fast punk transitions beautifully into Side Two’s slow-burning blues groove for an epic 3 1/2-minute track. Learn more about Sleazy Cortez here; sleazycortez.bandcamp.com.

“Alone,” Black Water Gospel

“This is how it feels to be alone,” sings Lance Riebsomer in the chorus of this song. The desperation in his voice echoes many people’s uncertainties in this time of isolation—yet this song has one of those guitar solos will help you feel amazing. It’s hard to describe, so just listen. I challenge you to not bob your head at least once throughout the entire track; it may be impossible. Read more about Black Water Gospel here; facebook.com/BlackWaterGospel.

“Back on Track,” Brightener

Whenever I listen to Brightener, I can’t help but smile. Will Sturgeon has a voice that just makes you happy, and any track from his band will lift your spirit. It’s no wonder the band has played many top-notch gigs in Los Angeles, not to mention Coachella in 2016. “Back on Track” is one of Sturgeon’s funkier songs, and will make your stay-cation a lot dancier. Learn more about Brightener here; brightener.bandcamp.com.

“Gallium,” Calico Wonderstone

Calico Wonderstone dominated the backyard music scene, but has only played a few shows at local venues, so the band’s name is unknown to many. The band dropped a five-song EP, but has not played a show since releasing it, meaning it has been severely underappreciated. “Gallium” is an indie-rock jam, and lead singer Ramses Lopez’s unique vocal style adds an edgier tone to the groove; soundcloud.com/calicowndrstne.

“Mainframe,” Fever Dog

Fever Dog has brought full effort into each of the genres the band has pursued. The group’s first two albums were heavy stoner rock, and then in 2017, Fever Dog released the Mainframe EP—three tracks of psychedelic jams. The title track sounds like something straight out of Pink Floyd, and is the perfect track to let your mind wander away from the negativity. Learn more about Fever Dog here; feverdog.bandcamp.com.

“Elevator Dance,” The Flusters

The Flusters offer a perfect mix of dreamy grooves and rockin’ choruses. Take “Elevator Dance,” for example; the verses are very Doors-esque, with lead singer Doug VanSant’s reverbed voice haunting the listener’s ear. But then, the guitar turns up for the choruses—and turns the slow groove to a full-on jump-around-and-dance vibe. Check out more about The Flusters here; theflusters.com.

“Wao Wao,” Ocho Ojos

Ocho Ojos’ catalogue features the best of the best when it comes to psychedelic cumbia. The band has played Coachella twice, and has performed at pretty much every venue in the valley—a handful of times—while sprinkling some out-of-town shows in between. The Latin rhythms shine bright on “Wao Wao,” and the 4 1/2-minute banger features synth player Danny Torres and guitarist Cesar Flores trading off solos in epic fashion; facebook.com/ochoojoscv.

“Funk Jam,” Desert Rhythm Project

This is a pretty self-explanatory track from Joshua Tree favorites Desert Rhythm Project. Funk is a healer of many things; in fact, I’ve been told there’s nothing a little groove can’t fix. Lead singer Mikey Reyes' soothing voice guides listeners through this song; it’s almost as if he’s checking in with us after every extended groove to make sure we’re OK. And this track is packed tight with groove, as it’s a six-minute song that features every essential funk instrument—horns, bass and, of course, a talk-box solo; desertrhythmproject.com.

“Sand Dune,” FrankEatsTheFloor

Shameless self-promotion: This is my band, and a song I wrote—of which I’m particularly proud. I used our desert landscape to represent how lonely you can feel in a situation of unreciprocated love. I wrote it when I felt lonely; I was sitting inside all day staring at the sand dunes, but now that I have to stay inside, I truly understand how lonely it can be living in a sandy jungle. The bassline is prominent, primarily because I wrote the song around the riff—but also because it sounds cool. Learn more about us here; facebook.com/FrankEatsTheFloor.

“Tied Up,” Instigator

We’re all tied up at home, so why not throw on this aptly named metal tune from local rockers Instigator? The intro riff has been stuck in my head ever since I first heard it; about 40 seconds into the song, the headbanging begins in full effect. Leader Mark Wadlund just posted on Facebook: “‘Coronavirus’ is a great name for a song on a heavy-metal concept album about disease,” so maybe something good will come out of this situation. Read more about Instigator here; facebook.com/instigatorofficial.

“Isolated,” Israel’s Arcade

Speaking of aptly named songs, this indie-rock track from Israel’s Arcade is the perfect song for your isolation blues. “Don’t come find me … let me rot,” sings Israel Pinedo over a melancholy instrumental—featuring some sweet saxophone backup. The standout part of this track is the lead guitar, as its back-and-forth rhythm, while extremely catchy, elicits a true sense of loneliness. Learn more about them here; instagram.com/israelsarcade.

“Strange,” Ormus

Ormus’ first album was a collection of hard-hitting metal-punk tracks, complete with frontman Martin Posada’s death growls. But “Strange” sounds like something straight from the ’70s, with Posada and bass-player Serene Noell sharing vocal duties on a rock track that’s very Black Sabbath-esque. However, Ormus’ signature sound comes back in the middle of a song, for a minute-long metal-punk death-growl interlude; facebook.com/ormusband.

“Bad Conscience Blues,” Plastic Ruby

Plastic Ruby’s unique “Desert Jangle” sound slows down a bit on “Bad Conscience Blues.” Lead singer John Marek’s reverb-caked voice sings over a slow-burning psychedelic-blues track that is as groovy as it is bluesy. The three-minute-long jam would not be complete without the organ solo, however—as everybody knows that you can't have psychedelic jams without an organ. Learn more about the band here; plasticruby.com.

“King Street,” Pescaterritory

“King Street” is one of those songs that makes you feel cool. The pounding rock beat of the song may just lead you to strut around your isolation chamber. Halfway through the song, guitarist Jason Zembo steals the show with what may be one of my favorite guitar solos of all time. The best way to beat the virus is with rock ’n’ roll! Read more about the band here; facebook.com/pescaterritory.

“Ppl Like U,” Throw the Goat

The first release from Throw the Goat after a recent lineup change proves that the same ol’ Goat is still there. It’s a punk outcry against hypocrites and the current state of the world—a perfect song for letting out your rage. The band is setting up for a full album about the political nonsense, appropriately titled Vote Goat 2020. Read more about the group here; facebook.com/throwthegoat. (Photo below by Keleigh Black)

“The Death of a Gentleman,” YIP YOPS

The Yip Yops’ recent lineup departures left the group as a two-piece—but the boys are determined to not change the sound that much. “The Death of a Gentleman” is an ’80s-style synth-rock gem that sounds so much like Depeche Mode. It’s groovy; it’s danceable; it even has somber moments. A lot of ground is covered in three minutes, and will cover many of the moods you are feeling during this time. Read more about them here; yipyops.com.

“Baby’s Breath,” Koka

Another notable band in the backyard-show scene in the valley is Koka, an indie-rock group with soothing melodies that offer a bedroom-pop vibe. Their sounds have brought them Internet attention, with “Baby’s Breath” nabbing more than 37,000 listens on Soundcloud alone. Lead singer Edith Aldaz’s vocal lines are catchy; singing the oohs of this song’s chorus will definitely help alleviate some stress; instagram.com/koka.wav.

“I Wanna Be Over You,” The Hive Minds

The last song on this playlist ends things on a high note. A happy instrumental is met by lead singer Derek Jordan Gregg reminiscing about the good times: “Remember the way that I fell when I held you, December.” Gregg wants to go back to “feeling himself”—don’t we all? This song is cheery and proves that music can be a source of joy, even in times like these; www.facebook.com/thehiveminds.

Local band Pescaterritory has played together for less than a year, but the group is already quite popular—popping up at shows all over town, and even getting attention from radio stations in the United Kingdom. The attention is much-deserved, as the four teens excel with a stacked set list of original material mixed with covers of influential classic-rock songs. On guitar for the band is Jason Zembo, who is the latest to take The Lucky 13; here are his answers.

What was the first concert you attended?

Although I had gone to Coachella and Stagecoach through connections, I didn’t much care for the music, as I was too young. The first concert I went to for the music was a Rush concert—the 40th anniversary of the late Neil Peart joining the band. (May he rest in peace.) I actually discovered Rush through Guitar Hero. From then on, I adored Rush, and my father soon surprised me with tickets to one of their concerts.

What was the first album you owned?

I didn’t initially purchase albums; I usually just shuffled songs that interested me, either from the radio or my dad’s collection of rock gems. I remember my dad listening to The White Album by the Beatles all the time on long road trips, but the first album that I actually got into and bought was Pink Floyd’s The Wall. To this day, it is still one of my favorite albums of all time. Although it was a long first album (a double LP), it showed me what rock was capable of, and introduced me to concept albums.

What bands are you listening to right now?

For a while, I was getting into prog: the early Genesis stuff, Yes, Jethro Tull, King Crimson, etc., and then I moved on to acts like Crosby, Stills and Nash; Neil Young; Simon and Garfunkel; and Cat Stevens—music that soothes the soul—but now I’ve started appreciating the Beatles more. I am also now into some of their solo records, and listening to George Harrison’s sitar work has also inspired me to listen to some Ravi Shankar. Also, Led Zeppelin, The Beach Boys, Pink Floyd and Bowie.

What artist, genre or musical trend does everyone love, but you don’t get?

The one musical trend that I just can’t seem to enjoy is the use of electronic instruments, such as drums, which a lot of music today uses. I do not like the timbre of electronic music, and a lot of it feels lifeless. A part of this issue for me is the production, which is so polished that it leaves no room for human error. It is much more pleasing to hear real instruments played by real people than artificially made beats lacking dynamics or individuality. Also: One band I’ve never really gotten into was AC/DC, which may anger some people, but I’ve never really been too intrigued by their music—although I can’t deny that they do have some good music to get you hyped up.

What musical act, current or defunct, would you most like to see perform live?

I would love to see early Genesis led by Peter Gabriel live. Their music is so complex, and back in his prime, Peter Gabriel’s showmanship was something unparalleled. It’s like musical theater brought into rock. Every time I watch a video of Genesis live, I can’t help but be amused by the energy and talent onstage. Seeing Led Zeppelin in their prime would be a close second, especially if they pulled out some acoustic guitars and mandolin.

What’s your favorite musical guilty pleasure?

I don’t really have any guilty pleasure artists, unless you count Tenacious D as a guilty pleasure, but I’d heavily disagree with that classification. A lot of ’70s soft rock such as “Brandy” by Looking Glass has always made me feel great. Other guilty-pleasure songs include “Ocean Man” by Ween, “Escape (The Piña Colada Song)” by Rupert Holmes, “I’m Gonna Be” by The Proclaimers, “Down Under” by Men at Work, and a few Bee Gees songs.

What’s your favorite music venue?

I love all venues as long as they have power to plug in an amp. Obviously Madison Square Garden, the Hollywood Bowl and all of the other hot spots are incredible and have such a vast history. But to me, those are just the vessels for the music: So as long as there is good music, it is a good venue.

What’s the one song lyric you can’t get out of your head?

“In charge of who is there in charge of me / Do I look on blindly and say I see the way? / The truth is written all along the page / How old will I be before I come of age for you? / I get up, I get down / I get up, I get down / I get up, I get down,” “Close to the Edge,” Yes.

What band or artist changed your life? How?

Led Zeppelin, David Bowie and the Beach Boys. Led Zeppelin is probably my favorite band of all time, because of how organic they are. All of their music comes from the soul, and their catalog is so diverse. Led Zeppelin’s diverse range of music really opened the door for my music tastes, and they are still at the top of the rock totem pole. I got into David Bowie around seventh-grade, and his music and multiple personas taught me to be myself more than any other artist. I was in awe of his individuality, and having him as an early influence taught me to be myself and gave me confidence in my everyday endeavors. The last influence is the Beach Boys, in particular Brian Wilson, who has influenced me the most as a musician and composer. I got into the Beach Boys after watching a video on the greatest harmonies in rock ’n’ roll, and “Good Vibrations” was at the top of the list. I then proceeded to listen to The Smile Sessions and later Pet Sounds, as well as many other Beach Boys songs. … Being in choir since middle school, I have always loved harmonies, and hearing such beautiful melodies and accompaniment blew my mind. From the Beach Boys, I embraced sensitivity, and my musical horizon was widened to a degree unmatched by any other artist.

You have one question to ask one musician. What’s the question, and who are you asking?

“What’s up?” to Paul McCartney.

What song would you like played at your funeral?

“Forever” by the Beach Boys. Its lyrics are beautifully simple: “Let the love I have for you, live in your heart and beat forever. … So I’m going away, but not forever, I got to love you anyway, forever.”

Figurative gun to your head, what is your favorite album of all time?

All the Pink Floyd albums, starting with Meddle up to The Wall, are five-star albums for me; same with the first six Led Zeppelin albums. I would probably choose either Pet Sounds or Dark Side of the Moon as my favorite album, though, since those albums will always be timeless for their lyrical themes and exquisite music. If there were a gun to my head, I’d be dead, because I can’t pick just one album.

What song should everyone listen to right now?

If you have the time to listen to a 23-minute song, listen to “Supper’s Ready” by Genesis. (Scroll down to hear it!)

Published in The Lucky 13

January is bringing a brand-new festival to the land of festivals!

4xFAR, presented by Land Rover, is a brand-new music, food and adventure festival coming to Empire Grand Oasis in Thermal on Saturday and Sunday, Jan. 18 and 19. It will feature music with headliners Anderson .Paak and Mark Ronson, as well as a plethora of adventure activities, such as mountain biking, climbing, fly fishing and off-roading! General-admission tickets are $95 for one day, or $185 for both; head to 4xfar.com to get ’em.

The illustrious McCallum Theatre is featuring wonderful events throughout January. At 8 p.m., Friday, Jan. 10, double-trouble actor and singer Jack Jones will grace the McCallum stage. He has more than 50 years of jazz and pop performances under his belt, so it’s no wonder The New York Times said that “he is arguably the most technically accomplished male pop singer.” Tickets are $40 to $90. At 8 p.m., Tuesday, Jan. 14, put on your green duds, and head to the McCallum to enjoy the Derina Harvey Band. This Celtic-rock group is described in press materials as being like “a rockier version of Canada’s Great Big Sea, if fronted by Adele.” Whoa! Tickets are $25 to $55. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs is hosting a plethora of big acts to start off the New Year. At 8 p.m., Saturday, Jan. 11, George Thorogood and the Destroyers will bring 45 years of hard rock to Indio. While the weather may be freezing you to the bone, come and get “Bad to the Bone” with bona fide rock legends. Tickets are $39 to $59. If you’ve been missing the classic sounds of the Motown era, you’re in for a real treat on Saturday, Jan. 18, at 8 p.m., as both The Temptations and The Four Tops are returning to town. Both groups’ hits have been tugging on your heart strings for more than five decades. Tickets are $39 to $69. At 8 p.m., Friday, Jan. 24, the legendary Tony Bennett will bring his “I Left My Heart” Tour to the Fantasy Springs stage. He’s been performing for nearly 70 years, with more than 50 million records sold; come witness one of music’s living icons while you still can. Tickets are $49 to $109. If you don’t want to bother paying for heat in your own home, come out at 8 p.m., Saturday, Jan. 25, when 98° promises to set the stage on fire. If the ’90s is what you’re longing for, both music-wise and temperature-wise, this show is for you. Tickets are $39 to $69. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Spotlight 29 is showcasing a few festive events in January. At 8 p.m., Saturday, Jan. 11, Mexican singer-songwriter Pancho Barraza will return to Coachella. Do you really need more of an excuse to go dance? Tickets are $65 to $85. At 8 p.m., Saturday, Jan. 25, Spotlight 29 is featuring a very unique event titled ¿Y Si Me Caso? This “musical wedding” promises to be as musical as it is dramatic, as one man decides which woman he should marry. Tickets are $25 to $65. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Agua Caliente intends to turn the heat up on those cold winter nights.At 8 p.m., Saturday, Jan. 11, the one-and-only D-O-double G is coming to town. That’s right, Snoop Dogg, with openers O.T. Genasis and Warren G, is bringing that West Coast gangsta rap to Rancho Mirage, and you’d be a fool to miss out. Tickets are $85 to $115. If R&B is more your speed, then on Saturday, Jan. 18, at 8 p.m., make sure you catch Boyz II Men. Since the ’90s, the boyz have been putting audiences in their feelings with emotional ballads and sweet harmonies, so be there! Tickets are $65 to $85. At 8 p.m., Saturday, Jan. 25, the Long Island Medium herself, Theresa Caputo, will return to The Show. This night will include Caputo’s stories about her experiences as a medium, and will feature interactions with some of the audience members. Tickets are $75 to $120. Agua Caliente Resort Casino Spa Rancho Mirage, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

At Morongo, you can catch a few fun performances this month. At 8 p.m., Friday, Jan. 10, enjoy Baby Bash performing for Jimmy Reyes’ Birthday Bash. Come get your 2000s rap fix and celebrate a birthday at the same time! Tickets are $10. At 8 p.m., Friday, Jan. 24, Hollywood Medium Tyler Henry brings “An Evening of Hope, Healing and Closure” to Cabazon. This is a brand-new live show, that, of course, includes an audience Q&A and readings. Tickets are $69. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Pappy and Harriet’s is the home of more than a few rockin’ shows this month. At 9 p.m., Saturday, Jan. 11, Pappy’s will host the Americana-folk of Justin Townes Earle (below). The son of Steve Earle, who was named after the legendary Townes Van Zandt, has more than lived up to his impressive musical pedigree. Jonny Two Bags opens, and tickets are $25. At 8:30 p.m., Thursday, Jan. 16, indie surf-rock group Surf Curse will jam the night away. This is one of my favorite bands right now, offering an extremely dance-y and catchy vibe across songs that are sure to make any one with ears wanna jump around. Tickets are $16 to $18. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

Toucan’s has some appealing LGBT-slanted events on the January docket. At 7:30 p.m., Saturday, Jan. 4, country-music man Ty Herndon returns to Palm Springs for a night of country hits from his late ’90s heyday, with newer songs as well. Tickets are $30 to $40. At 7:30 p.m., Saturday, Jan. 11, Jai Rodriguez kicks off his 2020 cabaret tour with “Tales of an Aging Twink.” He’s appeared on Broadway in Rent, and was part of the original Queer Eye cast, so it’s safe to say this night will be one to remember. Tickets are $25. And on Friday, Jan. 31, at 7:30 p.m., drag queens Jackie Beat and Sherry Vine will bring their comedy show “Best Frenemies” to Toucan’s. Tickets are $25. Toucans Tiki Lounge and Cabaret, 2100 N. Palm Canyon Drive, Palm Springs; 760-416-7584; www.reactionshows.com.

The Purple Room promises to entertain with a packed January schedule. At 8 p.m. Friday, Jan. 10, catch two-time 2018 Grammy nominee Clint Holmes sing both hits and originals with his jazz vocal stylings. Tickets are $60 to $65. At 8 p.m., Saturday, Jan. 25, Amanda McBroom will return to the Purple Room—this time performing songs from noir films! Tickets are $35 to $40. And on Friday, Jan. 31, at 8 p.m., witness the Black Market Trust combine jazzy hits with Django Reinhardt-style guitar-playing into one magnificent show. Tickets are $35 to $40. Michael Holmes’ Purple Room, 1900 E. Palm Canyon Drive, Palm Springs; 760-322-4422; www.purpleroompalmsprings.com.

If you’ve been itching to support local talent, get thee to The Date Shed at 8 p.m., Friday, Jan. 10, to catch local rappers Provoked Poetry, Willdabeast, Thoughts Contained and DJ ODC for Provoked Poetry’s album release. Tickets are $10. And on Saturday, Jan. 25, at 8 p.m., you can see three of the valley’s best young rock groups: Pescaterritory, Israel’s Arcade and Instigator, at Pescafest. Tickets are $10. The Date Shed, 50725 Monroe St., Indio; 760-775-6699; www.facebook.com/dateshed.

Published in Previews

Take rock music out of a 1970s time capsule; add rock ballads with memorable riffs, blazing guitar solos and commanding vocals with sweet three-part harmonies—and you have Pescaterritory.

Pescaterritory includes four high schoolers: vocalist Aiden Schaeffer, 16, a senior at Shadow Hills High School; drummer Nick Willman, 16, a senior at La Quinta High School; bassist Gavin Lopez, 14, a freshman at Palm Desert High School; and guitarist Jason Zembo, 15, a junior at Palm Desert High School. Despite having only eight performances under their belts, the band’s music is being heard around the world: Pescaterritory’s first two singles, “Better Off Dead” and “King Street,” were recently broadcast on the US10 Radio Show, hosted by Barry Tomes, in the United Kingdom.

How did that happen?

“Pappy and Harriet’s has an open-mic night on Mondays, and we decided the night before to go play there,” explained Zembo. “We had played there before, and it really helped us grow—we gained a lot of followers on Instagram—so we decided to go again. It just so happened that … there was a radio host from Birmingham named Barry Tomes in the audience. He thought our band was really great and invited us on his show. My father exchanged emails with him, and he asked us to send over some recordings. We didn’t have any recordings yet, so we went right into the studio.”

Before Pescaterritory came along, the boys took part in the Academy of Musical Performance program.

“We’ve been all band-hopping for a really long time, and we were all finally ready to make a band that’s gonna be the band,” Schaeffer said. “We were all on the same page and wanted to work together. We’ve only been together for a year.”

Zembo added: “We started practicing in late July (2018), but it was very on and off due to our other bands and summer school. Eventually we came together and decided to make Pescaterritory a priority. Our first show sounded really good, and we were very tight. Right away, we knew that it was a good decision to keep going with this band.”

While some bands play their first show at a birthday party or open mic, Pescaterritory’s came at the Indian Wells Tennis Garden during the Garden Jam Music Festival, supporting acts including Lukas Nelson and Promise of the Real and blues legend Buddy Guy. Pescaterritory has also performed at Whisky a Go Go in West Hollywood.

“We did a cover of ‘Comfortably Numb’ by Pink Floyd and turned it into an 11-minute jam,” Zembo said about the Tennis Garden gig. “It was our first ever show, and our improv went so well; it was really eye-opening. Pappy’s open mics were also huge for us. They only give you two songs each night, but the people gave us very good responses for only playing two songs.”

Lopez added, “The first night we played at Pappy’s was Coachella weekend, so there was a really big gathering of people up there.”

As for that Whisky a Go Go show: “We were actually able to sell out of all of the pay-to-play tickets,” Zembo said. “We had a lot of family members wanting to go, and Gavin always brings a crowd; he’s a party animal! The only bad part was the three-hour drive to Los Angeles.”

While their music is reminiscent of classic rock, the members of Pescaterritory want to be defined by their own sound.

“We all have our influences, but we’re really just doing our own thing,” said Zembo. “We’re not trying to bring out one sound, but mending a bunch of sounds that are working well together. We want to bring back rock ’n’ roll in terms of the instruments, the feeling, the improv-filled live shows. Most music nowadays is to tracks, which takes away from the heart and soul of the music.”

The Pesca boys laugh and goof off like any group of great friends. They told some hilarious stories—there was that one time when Willman’s dog pooped on Zembo’s Les Paul—and joked about the fashion sense of rock ’n’ rollers.

“I do wear women’s clothing from time to time onstage, because of my smaller figure, but I do not wear panties at all,” Zembo said. “No women’s bottoms—only from the waist up. … Actually, I think I do have a pair of women’s jeans, but I wear them like a badge of honor, like the old rock ’n’ rollers. Robert Plant wore women’s jeans!

“I’m not really shooting for sex appeal; I’m shooting for rock ’n’ roll. Most shows, I wear a jacket with no shirt, showing the six pack,” Zembo continued as his bandmates laughed. “I wouldn’t go totally shirtless. Nick would, but I have class, mixed with some rocker tint of ‘I just don’t care.’ Usually, Gavin has a tuxedo on; Nick is shirtless; and I’m somewhere in between.”

Schaeffer added: “I’ll show up with nipple piercings and be suspended from the ceiling.”

While the boys know how to have fun, they take their music very seriously. Schaeffer talked about his relative inexperience and rewarding growth as both a vocalist and a music writer, and all of the members discussed their goal—to make music for a living.

“Popularity is all up to chance, but as long as we keep working hard, and people dig us, we’ll be able to make enough to keep making the music,” Zembo said. “I just want to continue making music for life. We’re all young, and there’s so much potential, but we still have a lot to grow. The music business is a hard business to crack, but as long as we’re doing enough to make a living, that’s all that matters.”

Schaeffer added: “We’re very passionate. That’s what makes us a lot better as musicians. We all want the same thing. It’s truly what we love in this world.”

For more information, visit facebook.com/pescaterritory.