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The Warped Tour started back in 1995 and has been a summer fixture since then, shaping music tastes and exposing fans to different genres of music and counterculture.

However, all good things must come to an end: On June 21, the Warped Tour began what is being billed as its final “full cross-country” run, in Pomona. With the Hootenanny defunct and FYF cancelled for 2018, the Warped Tour is a now almost-unheard-of festival that does not cost hundreds of dollars: For $45, you could gain admission. The Warped Tour was the Coachella for the common Joe or Jane.

One of the unique aspects of the Warped Tour is the schedule changes during each festival stop. I originally planned to see Throw the Goat, but when I messaged the lead guitarist the day before, Puke told me he did not know when the band would take the stage until they checked in; unfortunately, they were slotted for an 11 a.m. set, which made it impossible for me to get there to see them perform. I was able to catch them at their merch table after their show. In order to accommodate the flexible schedule, Warped Tour has an inflatable schedule board that fans photograph so they know the actual set times, or you can opt to pay $2 to get a paper schedule from a concession stand.

Fun fact: Ernie Ball, a leading manufacturer of musical strings and accessories, has sponsored the Warped Tour’s Battle of the Bands for more than 20 years—and has manufacturing facilities in Coachella.

The Pomona show featured veteran acts like Reel Big Fish, Shiragirl and The Used. Well-liked bands like Black Veil Brides, 3OH!3 and Tonight Alive pleased the younger fans in attendance.

I wandered over to the Mutant White Lightning stage to catch Nekrogoblikon, touring in support of new record Welcome to Bonkers. But the band’s 2:10 p.m. start time was delayed by technical difficulties, drastically cutting the goblin-loving metal band’s set—and foreshadowing many delays to band start times throughout the day.

The Shiragirl Stage was back again, featuring female artists. Shira Yevin, aka Shiragirl, was a treat, along with Turbulent Hearts, an L.A.-based band.

Doll Skin, an all-female band from Phoenix, showed why the Warped Tour is a favorite place to be for an up-and-coming band. The song “Family of Strangers” sped things up and got the crowd to mosh, pumped up with pop punk. When the band announced it was going to sing about lesbians, it got a big cheer from the crowd. Awesome song, but I missed the title.

Reel Big Fish offered the band’s usual over-the-top fun, starting the set with a cover of “Take on Me” by A-ha. Lead singer Aaron Barrett had to remind us that this would be the last one: “I am never going to go to another Warped Tour again.”

Tonight Alive followed and received an enthusiastic response for song “Crack My Heart”—but there was an apparent medical emergency in the middle of the crowd. Singer Jenna McDougall asked for healing hands and prayers, cutting the set short.

The Journeys stages right and left alternated bands—so if one band was delayed on the right, a delay occurred for the follow-up band on the left, and so on. 3OH!3 changed the tone at the Journeys Left Food stage with fun songs “My First Kiss” and “Starstrukk.” You can never go wrong with songs about kissing and Daisy Dukes.

The Maine, all dressed in red, was nostalgic, reminding everyone that this was the last Warped Tour stop in Pomona, and reaching back to charm the crowd with a cover of Blur’s “Woo Hoo.” Testing the musical knowledge of the crowd, lead singer John O’Callaghan asked, “How the heck are you? We are the Foo Fighters from Phoenix, Arizona. We are an old, band and this is an old song,” introducing “Am I Pretty?”

Waterparks was identified on the stage backdrop as “god’s favorite boy band.” I never knew The Almighty got involved in picking favorites, and God apparently had other plans, sending technical delays that resulted in a 23-minute delay and turning the set into an acoustic-only affair. Vocalist Awsten Knight went onstage with a guitar and played a few songs, including “We Need To Talk,” “Lucky People,” and “21 Questions.”

The Used headlined the Journeys Left Foot stage. The band was wearing tie-dye, and Bert McCracken was surrounded by smoke as he entered and started their set with “Take It Away.” The audience reacted positively to the short set, which also included “The Bird and the Worm” and “Listening.”

Echosmith killed it with “Cool Kids” from Talking Dreams—perhaps an anthem of the Warped Tour generation: “I wish that I could be like the cool kids, ’cause all the cool kids, they seem to fit in. I wish that I could be like the cool kids, like the cool kids.”

Black Veil Brides closed out the Journeys Left Foot stage with a set including “Rebel Love Song.”

Only time will tell if the Warped Tour organizers change their minds and decide not leave this iconic festival behind. Rumors are floating already that a 25-year tour is planned … but who knows?

Published in Reviews

It’s a common argument in the local music scene: Is Throw the Goat a metal band … or is it a punk band?

The Idyllwild three-piece’s new album, The Joke’s on Us, settles the argument once and for all: Throw the Goat is definitely a do-it-yourself punk-rock band.

The band is currently taking pre-orders for The Joke’s On Us, which will be released Jan. 26, via PledgeMusic. If Throw the Goat receives more than 100 percent of goal, the members will donate 10 percent of the overage to the American Red Cross.

During a recent interview at The Hood Bar and Pizza, we talked about the title of the EP the band released last year before the presidential election, Vote Goat, as well as the title of the new album.

“There are a lot of people in the political climate who dismissed certain things last year, thinking, ‘It’s just a joke.’ I think now, with how the way things turned out, the joke is on all of us,” said guitarist Brian “Puke” Parnell.

Drummer Troy Whitford, who is celebrating his one-year anniversary with Throw the Goat and will also appear for the first time on the band’s recordings with The Joke’s On Us, said it was important to “go there” politically.

“It’s almost kind of like a responsibility to say something,” Whitford said. “We all have our own opinions toward the political climate, but it would be bullshit and against ourselves to write more songs about drinking and having a good time, boys and girls, and all that other bullshit. There are things that need to be put into perspective, and people need to acknowledge what’s going on.”

The recording sessions for the album started on Halloween.

“I guess if you put it all together, it took about a month,” Parnell said. “Recording, editing, mixing and getting the masters back took about 32 days.”

Bassist and lead vocalist Michael Schnalzer said there are pluses and minuses when it comes to DIY recording.

“It gave us freedom we never had, which can be positive and a negative,” he said. “I think it made it easier to work through the problems we ran into. But it also made it harder, because you can do whatever you want. We’re really fucking picky when it comes to ourselves. The vocals drove me insane.”

Parnell laughed and added: “It would have only taken three weeks if we were less picky.”

Schnalzer said a couple of the tracks stray from the typical Throw the Goat formula.

“Puke wrote a song called ‘High,’ and it’s going to be the lead single on the album,” Schnalzer said. “That one is just an ear worm and is probably one of the poppiest tracks we’ve ever written—not that that’s a bad thing, because it’s still heavy as shit. This album gets a little weird for us, because it also has our heaviest song ever, ‘The Joke’s On Us,’ which is the title track. That song is about as metal as Throw the Goat will ever get.”

Earlier this year, Throw the Goat went on a national tour, and also played in the United Kingdom.

“We were gone for six weeks,” Schnalzer said. “In the middle of a trip like that, it feels like it’s never going to end. Once it’s over, it seems like a blur. Getting the opportunity to go to the UK again was pretty mind-blowing. But getting to tour around the country and getting to play for people who we’ve never seen, and play with bands we’ve never met before—it was super-cool.”

Of course, it was the first Throw the Goat tour for Whitford.

“(Troy) was the man!” Parnell said. “If I was riding shotgun, and Mike was in the driver’s seat, Troy would all of a sudden appear out of the back and be like, ‘A little peanut butter cracker sandwich, gentlemen?’”

Parnell said the band has big hopes for The Joke’s On Us.

“We’re trying to be on the charts, which is the main reason behind the PledgeMusic thing,” he said. “For an independent band to register with SoundScan, and do all that other kind of chart stuff that people have to do independently, it’s a big pain, but PledgeMusic makes it super-easy. With the way album sales go these days, it doesn’t really take that much overall to make an impact. It’s the first time we’re going to be doing that, and it’s the first time we’re doing vinyl and doing it ourselves. There are people we’ve been talking to about taking it a little further, like independent labels who are somewhat interested if we chart in that opening week.”

Schnalzer agreed that using PledgeMusic was a fine idea.

“The response has been good,” he said. “I’ve always been personally hesitant at crowd-funding, but PledgeMusic is a lot more legitimate and made specifically more for musicians. It’s not just trying to crowd-fund an album; you do a pre-order and (there are) all kinds of major acts on there. It’s a professional venue to find bands, check them out and help along with the process—and there aren’t really record labels anymore. It’s a way for bands representing themselves to professionally and legitimately get the money raised to put out merchandise and albums.”

Whitford said the options for musicians on PledgeMusic are far better than those on other platforms.

“On Kickstarter, you’re trying to raise funds to do something,” he said. “With PledgeMusic, you’re doing something, but you’re making it available beforehand, and you’re able to give different options for purchase to help out the cause itself. You don’t have to buy the album; you can buy other things to help it. It’s like pre-ordering a video game and getting that package that won’t be available once it’s released. It’s like you’re saying, ‘We’re doing it; here’s a chance to get it before everyone else.’”

Whitford added that PledgeMusic has given them the opportunity network with other bands, and breaks down the demographics of who is buying the record—some of which have surprised Whitford.

“You have people pre-ordering your album all over the world,” he said. “There have been the same amount of people pre-ordering our album in the UK as there have been in the desert.”

Parnell said that the process has made them add another goal to their 2018 list.

“Arthur Seay from House of Broken Promises has told us, ‘Hey, man, you definitely want to go play in (continental) Europe,’” Parnell said. “For 2018, that’s one of the things we want to do. We’ve played the UK a couple of times, and it’s cool that we have a solid fan base there, but the next time we do that, we’re going to attach it to a European tour playing in France, Germany, the Netherlands, Ireland and places like that.”

To pre-order Throw the Goat’s The Joke’s On Us, visit www.pledgemusic.com/throwthegoat. For more information, visit www.throwthegoat.net.

Published in Previews

Traffic is increasing on Highway 111. Pumpkin spice lattes (ew!) are here. Yep … fall has arrived, and that means season is here, too—and October has plenty of events great for locals, snowbirds and tourists.

The McCallum Theatre is reopening for the season—and it is opening with a bang. The first event of the McCallum’s season, at 8 p.m., Saturday, Oct. 7, features comedian/actor Bill Murray performing with cellist Jan Vogler, violinist Mira Wang and pianist Vanessa Perez. This collaboration will meld Bill Murray’s love for classical music with the world of literature. Tickets are $57 to $107. At noon, Sunday, Oct. 22, the McCallum will be holding its Sixth Annual Family Fun Day. The event will feature Erth’s Dinosaur Zoo Live. Tickets are $10 to $30. At 8 p.m., Saturday, Oct. 28, get in the spirit (no pun intended) with Dia de Los Muertos Live. The Day of the Dead celebration will feature the Grammy Award-winning Latin band La Santa Cecilia; the Latin tribute to Morrissey and the Smiths known as Mexrrissey; and the Grammy-nominated Mariachi Flor de Toloache. Tickets are $27 to $67. McCallum Theatre, 73000 Fred Waring Drive, Palm Desert; 760-340-2787; www.mccallumtheatre.com.

Fantasy Springs Resort Casino has a very busy month. At 8 p.m., Friday, Oct. 6, get ready to get physical, because Olivia Newton-John will be stopping by. The Grease star is still in high demand and just released a new album, Liv On, with Beth Nielsen Chapman and Amy Sky. Tickets are $39 to $69. At 8 p.m., Saturday, Oct. 7, it’ll be a double bill when The Isley Brothers and The Commodores perform. I’ve seen the Commodores perform before, and I can say this: The group puts on a show that you will never forget. Tickets are $39 to $79. At 8 p.m., Friday, Oct. 20, Fleetwood Mac members Lindsey Buckingham and Christine McVie will take the stage. It appears Fleetwood Mac will be going on a farewell tour in 2018. That’s great … but I don’t believe it will be a “farewell” by any means. Tickets are $49 to $99. Fantasy Springs Resort Casino, 84245 Indio Springs Parkway, Indio; 760-342-5000; www.fantasyspringsresort.com.

Agua Caliente Casino Resort Spa has a packed October that includes two sold-out Van Morrison shows, so consider these other great events. At 9 p.m., Friday, Oct. 20, country music singer and songwriter Randy Houser will be performing. He’s known for penning the hit country song “Honky Tonk Badonkadonk” with Jamey Johnson, which was recorded by Trace Adkins. He’s also had success with his song “Boots On.” Tickets are $45 to $65. At 8 p.m., Thursday, Oct. 26, blues guitarist Joe Bonamassa (upper right) will be in concert. Bonamassa is on the list of modern greats in the blues world, and he’s performed with Eric Clapton, Stephen Stills, Buddy Guy and many others. He was opening shows for BB King before he was 18. Tickets are $89 to $149. At 8 p.m., Saturday, Oct. 28, renowned crooner Johnny Mathis will be stopping by. After 65 years in the industry, Mathis is Columbia Records’ longest-signed artist. He’s never had a slump and has continued to perform sold-out shows all over the world. However, this show hadn’t sold out as of our press time, so get your tickets quick! They’re $90 to $120. The Show at Agua Caliente Casino Resort Spa, 32250 Bob Hope Drive, Rancho Mirage; 888-999-1995; www.hotwatercasino.com.

Spotlight 29 has some compelling Saturday events in October. At 8 p.m., Saturday, Oct. 14, Latin-music star Espinoza Paz will be performing. In Mexico, they call him “the people’s singer-songwriter.” He’s one of the most popular performers there, and if you’re a Latin-music fan, this is one you won’t want to miss. Tickets are $45 to $65. At 8 p.m., Saturday, Oct. 28, controversial comedian Andrew Dice Clay will do his act. The Diceman is known for his extremely raunchy comedy, and he smokes while offending the masses. Women’s groups have put him on their hit lists, and he’s been banned by many television networks. Warning: His comedy is not for the faint at heart. Clay also believes that Donald Trump stole his comedy routine and used his persona during his presidential campaign. Tickets are $30 to $50. Spotlight 29 Casino, 46200 Harrison Place, Coachella; 760-775-5566; www.spotlight29.com.

Morongo Casino Resort Spa has a busy October—but it seems most of the shows are already sold out. However, at noon, Saturday, Oct. 7, you can get out your lederhosen for Oktoberfest. There will be authentic Bavarian brews and brats, as well as some fun and games. Tickets are $20 to $30. Morongo Casino Resort Spa, 49500 Seminole Drive, Cabazon; 800-252-4499; www.morongocasinoresort.com.

Stop me if I am repeating myself: Pappy and Harriet’s Pioneertown Palace has a busy October … but some of the shows have already sold out. However, as of this writing, there were still tickets left for some great events. At 7 p.m., Saturday, Oct. 7, jazz organist/pianist and gospel musician Cory Henry and the Funk Apostles will be performing. He’s a two-time Grammy Award winner, and he played the Apollo Theater when he was just 6 years old. His 2016 album The Revival reached No. 5 on the Billboard gospel chart. Tickets are $20. At 7 p.m., Friday, Oct. 20, indie-supergroup The Skiffle Players (below) will visit. This band includes Cass McCombs and members of both Beachwood Sparks and Circles Around the Sun. This is a fantastic-sounding folk project that will be perfect for a night at Pappy’s. Tickets are $15 to $20. At 7 p.m., Saturday, Oct. 28, the Los Angeles string-band Moonsville Collective will play. Plan on hearing a lot of harmonies, mandolin, banjos and upright bass. Tickets are $15. Pappy and Harriet’s Pioneertown Palace, 53688 Pioneertown Road, Pioneertown; 760-365-5956; www.pappyandharriets.com.

Now, for some shameless self-promotion: The Hood Bar and Pizza is where you will want to be at 9 p.m., Saturday, Oct. 7, for CV Independent Presents Sinner Sinners, Throw the Goat and Dali’s Llama. Sinner Sinners is a fantastic punk-rock band from Los Angeles—but its founders, Steve and Sam Thill, are from Paris, France. They’ve collaborated and toured with Eagles of Death Metal, and recently recorded a new album, Optimism Disorder, at Rancho de la Luna in Joshua Tree. Admission is free. The Hood Bar and Pizza, 74360 Highway 111, Palm Desert; 760-636-5220; www.facebook.com/thehoodbar.

The Purple Room Palm Springs is back in action. Just so you know, at 7 p.m. every Sunday, owner Michael Holmes performs The Judy Show, a comedy-based drag show devoted to Judy Garland. Tickets are $25 to $30. At 8 p.m., Friday, Oct. 6, Kal David and Lori Bono and the Real Deal will take the stage. Kal David has had an impressive career; the native Chicagoan and his wife are residents of the desert and perform locally often. Tickets are $25 to $30. At 8 p.m., Saturday, Oct. 28, Iris Williams will be performing a benefit show for the Love and Love Tennis Foundation. The Welsh cabaret-style singer is well-known for her performance of the song “He Was Beautiful,” and she had her own television series on the BBC. Tickets are $35 to $40. Michael Holmes’ Purple Room, 1900 E. Palm Canyon Drive, Palm Springs; 760-322-4422; www.purpleroompalmsprings.com.

Published in Previews

This past spring, Throw the Goat toured the United States and even made it overseas to play in the United Kingdom. The Idyllwild punk outfit seems to have a promising future; catch the band at the Red Barn on Saturday, Sept. 30. For more information, visit www.throwthegoat.net. Recently, guitarist Brian “Puke” Parnell answered the Lucky 13; here are his answers.

What was the first concert you attended?

My dad is a bassist, so my first shows as a kid were usually bands that he was in. But when I was in my teens, we won tickets off the radio and saw The Black Crowes at Glen Helen Amphitheater. That was huge. I think possibly my second concert was at the same place the next year for the second annual Ozzfest.

What was the first album you owned?

Because of my folks, we had pretty much all the necessary classic rock, new wave of British heavy metal and hair-metal albums covered in the household record collection. I started to get into hip hop and new jack swing in the early ’90s at the same time I was getting into grunge. The first time I spent money at a record store, I came home with Kris Kross’ Totally Krossed Out on cassette, plus Pearl Jam’s Ten and Boyz II Men’s Cooleyhighharmony on CD.

What bands are you listening to right now?

I’m loving the new Dead Cross album. I’m a big Mike Patton fan, and everything he does with Dave Lombardo is awesome. The new Bloodclot is really cool. Same with Mutoid Man. And the new Prong. I just heard the new Dale Crover album and loved it. And I’m really looking forward to the next record from The Bronx.

What artist, genre or musical trend does everyone love, but you don’t get?

I have no idea what the fuck happened to alternative music. What is this supposed to be an “alternative” to, other than “good”? Same thing happened to hip hop. I can’t stand that robot voice on everything.

What musical act, current or defunct, would you most like to see perform live?

I’m a hardcore Nine Inch Nails fan. Like, forever. Haven’t seen them live in seven years, and the last one was at a festival. I’d like to see them indoors, maybe a theater show. Other than that, I’m always waiting for the next Snot reunion.

What’s your favorite musical guilty pleasure?

I’m a sucker for The Cure, Depeche Mode, The Smiths and all my old school goth-boy jams. Tori Amos is my homegirl. None of it makes me feel guilty—only when I listen to whiny emo albums from the 2000s, but that’s rare.

What’s your favorite music venue?

This is a seriously difficult question. After so many tours, you end up with favorites all over the place. I’m gonna keep it California and say the Troubadour in West Hollywood. I’ve had so many great times there, and the sound is always perfect. TTG has yet to play there, actually. That would be incredible!

What’s the one song lyric you can’t get out of your head?

Not to plug the band or anything, but the lyric that plays in my head most is usually the chorus to our song “Bullshit.” It really resonates when you’re surrounded by people who seem to gain pleasure from making your life difficult. The line is simply: “I love it, give me more of your bullshit.” Sarcasm is my go-to coping mechanism.

What band or artist changed your life? How?

My music tastes got progressively heavier when I was in middle school. I was listening to a lot of stuff that was supposedly really scary and brutal. I ended up renting The Downward Spiral from the Ontario City Library, already being a fan of the earlier Nine Inch Nails stuff, and it blew my mind. It creeped me out like nothing else had at the time. And it was heavier and grittier than anything I’d ever heard. It was so diverse and musical. I became a mega-fan. From there, I discovered the world of industrial music and IDM (intelligent dance music) by researching bands that influenced NIN, and also bands on his label. It changed everything.

You have one question to ask one musician. What’s the question, and who are you asking?

I think I’d ask Dave Grohl to do our next record for us! That would be the raddest thing ever!

What song would you like played at your funeral?

Not sure yet what I want done with my remains. If there’s a casket, I’d want them to play Pantera’s version of “Planet Caravan” by Black Sabbath as it’s being lowered.

Figurative gun to your head, what is your favorite album of all time?

If there was a gun to my head, I wouldn’t have had nearly the same amount of time to come to a conclusion. I’d probably just blurt out something stupid. But after much non-gunpoint consideration, I’ve decided it’s a tie between Nine Inch Nails’ The Fragile and Queens of the Stone Age’s Songs for the Deaf. A close (third) would either be Rage Against The Machine’s Evil Empire or Depeche Mode’s Songs of Faith and Devotion.

What song should everyone listen to right now?

“Halo of Flies” is Track 1 on Sieg Howdy! an album by Jello Biafra with The Melvins. It’s a cover of an Alice Cooper song. I’ve heard a lot of people cover Cooper before. That’s hallowed ground as far as I’m concerned, so I wouldn’t suggest it unless it was really good. Check it out.

Published in The Lucky 13

Throw the Goat is a local band that’s finally starting to get the recognition it deserves.

The band has two full albums to its credit—Black Mountain (2012) and Blood, Sweat and Beers (2015). Last year, the band released a new EP, Vote Goat, and picked up a new drummer, The Sweat Act and 5th Town’s Troy Whitford. Catch the group in action at The Hood Bar and Pizza on Saturday, Jan. 21, and The Date Shed on Saturday, Feb. 4.

During a recent interview before a practice session at Whitford’s home in Palm Desert, we talked about the band’s name.

“It’s kind of the Ronnie James Dio heavy-metal handshake (like the devil horns gesture),” guitarist Brian “Puke” Parnell said. “There’s also this thing in Spain where these golden eagles co-exist with mountain goats, and it’s part of their food chain: If there’s a wandering goat on the side of a mountain, a golden eagle will come down and lift it up, and drop it off the side of the cliff, which tenderizes it, and then they pick up the whole fucking thing and take it back to their nest. There are videos of it on YouTube. It’s awesome! You gotta check it out.”

Throw the Goat actually calls Idyllwild home.

“It’s actually benefited us more than anything,” Parnell said. “It’s a small town; everybody knows each other, and in the really early days, we would get a lot of people from the town itself who would come to any show we would play—but I wouldn’t call us ‘big fish in a small pond.’”

Frontman and bassist Michael Schnalzer said that being from Idyllwild has helped the group when playing out of town.

“It’s an easy way to stand out when we play in places like Los Angeles,” Schnalzer said. “People usually say, ‘Where the hell is Idyllwild?’ We’re probably one of two or three actual bands up there. I think we’re the only original band currently playing in Idyllwild. Most of the other bands are cover bands that play on the weekends at the restaurants. I’d say it’s helped us a lot and given us an identity we wouldn’t have had if we tried to be a band in a major market like Los Angeles. Plus, we get to drive a lot!”

Throw the Goat has been called a metal band by some, and a punk band by others. So what is Throw the Goat’s real sound?

“When we figure that out, we’ll let you know,” Parnell said with a laugh. “We don’t sound like The Stooges or The Ramones. But when we play to punk crowds, people are like, ‘Fuck yeah!’ and when we play to metal crowds, people are like, ‘Fuck yeah!’ Every show we walk away from, there’s always somebody who’s blown away by it. There’s usually one person who comes up to us and says, ‘I’m not usually into that kind of music, but I love what it is you guys do.’ Whatever ‘that kind of music’ is, we’re pretty clueless.”

Schnalzer said he does not care much for labels.

“We set out to play guitar-based music in a slightly oppressive manner, which could be punk, metal, rock or any sub-genre you want to put a label on,” Schnalzer said. “I’ve never been one to listen to just one type of music. I also don’t identity as exclusively metal or punk. I’ve always listened to all of it. I think on Black Mountain, there’s more of a rock and metal spectrum. But there’s punk in there, too. Blood, Sweat and Beers is like a punk/thrash spectacle, but there’s some metal in there. The new EP is more punk than anything we’ve ever done, but there are some Top 40 arena-rock songs. If you like loud guitars and abrasive vocals, you’ll like Throw the Goat.”

Schnalzer explained how Whitford came to join the group.

“We were looking around for a new drummer, and when we played with The Sweat Act a few times, the first thing I noticed was Troy,” Schnalzer said. “Troy’s drumming stood out, and he was killing it. We’ve been Sweat Act fans since the first time we saw them. We knew we wanted to go in another direction as far as drumming goes, and Troy was the first person we actually hit up.”

Whitford said that when Parnell sent him a message on Facebook, he suspected an invitation to join the group was coming.

“For me, at the time that it happened, my wife was a bigger Throw the Goat fan than I was. It took Brian about 30 minutes to ask me, but I was star-struck. Within the first two minutes, I knew he was going to ask, but I just wanted to see how long I could keep him going,” Whitford said with a laugh. “‘You had me 29 minutes ago. You had me at: Hey, Troy.’” 

Whitford said he feels at home in Throw the Goat.

“I’ve had their songs stuck in my head since the first practice,” he said. “The second band I was ever in was this kind of band, and it’s always been the kind of music that I’ve followed, especially when it comes to tempo. To be part of it now, it’s amazing to me. I can’t wait to play our first show—especially with how fast things have been happening, and the music has been progressing. It is a little different, and I feel like the way that I play and my influences, I bring more of a punk side to it that makes it a little less metal.”

The beer of choice for Throw the Goat: Pabst Blue Ribbon. In fact, Throw the Goat received a grant from Pabst Blue Ribbon.

“They don’t officially sponsor bands,” Schnalzer said. “They gave us $1,000. Any artist can apply to Pabst Blue Ribbon for grants, because it’s part of their branding right now. They’re trying to support DIY musicians and artists trying to do their thing. That’s a cool thing they do. They’re hands-on with all the people they support. For us, it’s a big refund on all the beer we’ve drank. We’ve been drinking Pabst Blue Ribbon since day one.”

Whitford, however, has had to readjust to the iconic lowbrow beer.

“It was my beer of choice until I became a beer snob,” Whitford said. “It’s nice to put it back in my system. Now, I can put down $2 or $3, and it’s like two full mugs of beer. I’m building up my tolerance.”

Throw the Goat will perform with Murkocet, Bridger and Perishment at 9 p.m., Saturday, Jan. 21, at The Hood Bar and Pizza, 74360 Highway 111, in Palm Desert. Admission is free; visit the Throw the Goat Facebook page for more information. Throw the Goat will play with Mondo Generator and Doors to Nowhere at 8 p.m., Saturday, Feb. 4, at The Date Shed, 50725 Monroe St., in Indio. Admission is $10; visit www.dateshedmusic.com for more info.

Published in Previews