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16 Jun 2015

Review: The June 2015 Splash House

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RAC was one of Splash House June 2015's big names. RAC was one of Splash House June 2015's big names. Guillermo Prieto/Irockphotos.net

When you’re at Splash House, you have a choice: Should you focus your attention on the world-class DJs and EDM artists, or should you watch what’s going on in the pools?

The answer, if possible, is to do both. All three participating venues this past weekend—the Hilton Palm Springs, the Hacienda Cantina and Beach Club, and the Saguaro—featured both crowds and music that were quite entertaining.

As for the crowds: Splash House attendees go all out when it comes to wild choices regarding pool floaties. I saw them in the shape of everything from slices of pizza, to an ice cream sandwich, to a pig—an even an alpaca. The body paint, swimsuits and T-shirts worn by attendees are also often quite creative, and the dancing ranges from silly to downright mesmerizing.

When the DJs demanded attention, the crowd was there to give it to them—if attendees were into it, of course. There were moments at all three venues when the crowd was not feeling what was being played, meaning the DJs were ignored—or attendees hopped on a shuttle to go to another venue.

On Saturday at noon at the Hacienda, Aaron C, was the first of the local DJs to kick things off. Meanwhile, Lee K’s 1 p.m. set at the Saguaro was … repetitive. She essentially looped the same beat for an hour, and unsurprisingly, many attendees didn’t appear to be interested.

Following Lee K. was former Hacienda resident DJ Colour Vision. It wasn’t long before people were coming out of the Saguaro pool and making their way to the dancing area. His tropical house tracks got people moving—and kept them dancing until the end.

At the Hilton in the late afternoon, Anna Lunoe turned in a lively set for a large crowd that had gathered for her performance. She didn’t stick to a specific sound, instead playing a variety with heavy bass sounds and interesting rhythms. Close to the end of her set, she declared into a microphone: “I ALWAYS DELIVER!” This earned her a loud ovation.

18-year-old Justin Jay closed out the day at the Hacienda, from 5 to 6 p.m. He is reportedly a piano prodigy who found a love for DJing, and his set consisted of retro feel-good music that went all the way back to the soul era. He wasn’t afraid to include some amusing tracks such as the 69 Boyz’ “Tootsee Roll,” which was a big deal if you grew up in the ‘90s. Another amusing pick: Quad City DJs’ “Space Jam,” from a 1996 movie with the same title featuring Michael Jordan and the Looney Tunes.

During Viceroy’s 6 p.m. set at the Saguaro, it highly evident that the Saguaro was definitely the place to be: The entire pool was full of people to see this big name in the DJ world.

Over at the Hilton, house music DJ and Grammy Award-winning producer Gigamesh was the second-to-last performer for the night. His set consisted of many of his own remixed tracks, such as Donna Summer’s “Bad Girls,” and Michael Jackson’s “Don’t Stop ’Til You Get Enough.” Gigamesh put on a delightful set, and people were grooving all over the place. At the end of his set, he thanked the crowd and closed with his remix of Radiohead’s “Everything in Its Right Place” as the legendary RAC began transitioning over to his set.

Speaking of RAC (Remix Artist Collective): It was just André Allen Anjos. The collective, which used to include four additional members, has been known for creating remixes that go beyond the typical remix norm. Their takes on various songs made the collective quite popular. Anjos’ set was a lot of fun and was a great way to close out the first day of Splash House.

On Sunday at noon at the Hacienda, Independent resident DJ Alex Harrington started things off, and was followed by Luca Lush, who appeared to have technical problems: The Pioneer CDJs didn’t seem to be working correctly and threw off the beat of the tracks he was playing; the sound began to skip and repeat itself.

Throughout the day at the Hilton, it was quieter than it had been on Saturday. During Vanilla Ace’s late-afternoon set, not many people were in the pool or dancing in front of the stage. Turns out many of the attendees were over at Saguaro, taking in sets by Hippie Sabotage and an encore performance by Justin Jay—or they were at Hacienda getting ready for a closing set by Bakermat.

During Bakermat’s set, his sexy version of house music had a good-sized crowd dancing; he even brought out a saxophonist who played with one of his tracks.

Over at the Saguaro, things were quite chaotic as Thomas Jack transitioned over from a set by SNBRN. While I thought the Saguaro’s pull area was full on Saturday, it was even more crowded on Sunday, with wet bodies fresh out of the pool standing shoulder to shoulder—and so many people in the pool that you could barely see the color of the water, which was just plain disgusting at that point.

During some of the late afternoon/evening acts at the Hilton, trap music and DJs that played with heavier bass and drum-style sounds ruled the day. Wave Racer and Cashmere Cat were both into the heavy bass sound, and when Cashmere Cat closed out the Hilton, the first track he played sounded like an engine going faster and then slowing down.

The atmosphere at Splash House is quite fun; it feels like you’re at one of those wild house parties from a comedy film. Splash House offers a more relaxed and “chill” atmosphere as an electronic music festival—and the charm of Palm Springs makes it work.

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