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Last updateTue, 18 Sep 2018 1pm

The 13th annual fall Joshua Tree Music Festival had a fine four-day run.

Located at the Joshua Tree Lake Campground, the festival features some local regulars, like Gene Evaro Jr. and the Desert Rhythm Project. New this year was a solo appearance by Jesika Von Rabbit, who previously appeared with Gram Rabbit, which is on hiatus.

Beyond the locals: Festival-goers are treated to bands from all over the world—and every year, I wonder if I am in a musical bubble, since most of the bands are completely new to me. Perhaps Barnett English, the founder of the festival, is just better at keeping up with the best new music in the world. I suspect the latter is true, and I’m grateful for the musical education Mr. English provides me twice a year.

I was able to catch most of Gene Evaro Jr.’s show on Thursday; he had fans swooning … or was it Piper Robinson, the bass player, who had fans mesmerized? Evaro always delivers an incredible performance, and it is only a matter of time before he receives wider acclaim. He played a favorite, “Hold Onto Nothing,” a song he wrote after quitting his old day job.

Raul Del Moral was up next on the Boogaloo Stage, bringing his soulful tunes to a receptive audience. The night was a mish-mash, with Afrolicious joining Mustafa Akbar, and then Raul Del Moral returned later, creating a medley of slamming soul funk. Songs about rising up and living in the moment were the theme of the night … possibly a deliberation on our times.

Friday brought Evanoff to the Indian Cove Stage, pounding the best of electronic dance music supported by real musicians. This band would fit well at a pool party in Palm Springs, with groovy joy and melodic beats.

Monophonics was jubilant. Lead singer Kelly Finnigan asked, “Joshua Tree, are you feeling great? Are you feeling magnificent?” The response: a cheer from fans.

Matador! Soul Sounds vocalist Adryon De Leon announced, “We are the real fucking deal,” making sure the attendees knew she was not part of a cover band. No, she’s part of a badass band with a badass sound.

Jesika Von Rabbit came to Joshua Tree Festival for the first time with her new band. She greeted familiar faces: “Hi JT Fest!” A recorded backing track blurted, “Today we see our phones every two minutes. Did the world change?” As I notice many millies staring at their phones as Jesika Von Rabbit started her set with the acoustic “Devil’s Playground,” a Gram Rabbit song—tipping her rabbit ears to her first appearance at this festival many years ago. The audience went crazy and danced away during her impeccable 75-minute set.

At one point, Jesika said, “I love the rabbit ears, the Royal Order of Rabbits.” It was evocative nod to the happy cult that has followed Von Rabbit through the years in various reincarnations. I spied Travis Cline, a member of the original Gram Rabbit band, working in production at the festival and watching his old band mate. “Olde October Moon,” another song from her old band, was perfect for the season. Another old band mate, Brandon Henderson handled the lighting and projection duties that conveyed a psychedelic vibe.

Beyond the music, at the Joshua Tree Music Festival, you are surrounded by art everywhere you walk. Lali Whisper is an incredible artist who works with mirrors; she previously contributed a piece in May. As a backdrop to the natural mirror of the small pond at the campground, she assembled mirrors that were unmarked and pristine. She left felt markers so festival-goers could write their feelings and thoughts.

Sunday’s stand out was the Kolars. I have seen the Kolars several times, since the duo performs in the desert on a regular basis, but it was a treat to see a 90-minute set, which pushed Lauren Brown to her limits as she tap-danced on a kick drum while providing half of the sound. Rob Kolar is the other half of this big-sound band that would be home at a rockabilly festival or a desert generator party.

As the show ended, Brown limped over to the merch table in front of the Copper Mountain stage to greet fans. What a trooper.

With another festival in the can, you really must come to the next festival in May. You’ll experience the best music in the world you have never heard of. This is a rare festival which has 60- to 90-minute sets, allowing the listener to appreciate deeper cuts.

Published in Reviews

Last weekend, great music came to the high desert during the 14th annual spring Joshua Tree Music Festival.

Locals refer to this event as “our festival”—for good reason. Most of the festival staffers are friends and family members who volunteer their time to make the festival happen. The icing on this gluten-free cake is the talent of the promoter Barnett English, who brings in great musical acts from all over America and the world.

Gene Evaro Jr., who recently toured with Elle King (Grammy nominee and JTMF alum), kicked things off on the Boogaloo Stage on Thursday. Gene is a homegrown star who gets better and better every time he performs. This is to say: When I saw him opening for King last year at the Observatory in Orange County he was amazing. Now you get that feeling that he could really become a star. Dam-Funk and the Light closed the event on Thursday night with plenty of funk jams after pausing during the first song to correct issues with a monitor.

Considering there are so many music festivals out there, groups need courage to bring music that does not get played at every other fest. Dakhabrakha offered the perfect example of great world music by way of the Ukraine. This folk band was my highlight for Friday. The Main Squeeze from Chi-Town pumped up some old-school soul with some smooth vocals by Corey Frye that had me wanting to put on a velvet jacket.

The standout on Saturday was the Desert Rhythm Project, headed by Mikey Reyes on guitar and Bryanna Evaro on bass—who happened to strap a knife onto her calf. The Desert Rhythm Project shared a great funky, reggae, desert mishmash sound.

I got to see a wonderful performance on Sunday by local favorite 3rd Ear Experience, with stunning vocals by Amritakripa Watts-Robb on “I Am,” off of the 2015 release Kiss the Bliss. 3rd Ear Experience offered the best of local world music at this year JTMF. I’m someone who loves to listen to short-fast jams, and 3rd Ear Experience created a convert in me; I dug their desert psychedelic space tracks. Not to be outdone by Bryanna Evaro, 3rd Ear Experience a brought sword-wielding belly-dancer. As the sun began to set, people held hands, watching the sun before everyone migrated to the Boogaloo Stage.

Gene Evaro Jr. came back on Sunday to that Boogaloo Stage, creating a party atmosphere that included a giant bouncing beach ball. Evaro Jr. shared a fantastic new tune, “California Is Burning,” just released in March. Kudos to Amanda Davis, a backup singer in the band who had been resting her voice. She is now making a splash by singing again.

I am fortunate enough to cover many of the major music festivals in California, but the Joshua Tree Music Festival is special to me, because it is powered by the love of music and love we have for our friends and neighbors. It is truly an organic gathering of progressive people that can’t be mass produced.

Find more from Guillermo Prieto at www.facebook.com/irockkphotos and irockphotos.net.

Published in Reviews