CVIndependent

Thu06272019

Last updateTue, 18 Sep 2018 1pm

The first Desert Daze outside of the Coachella Valley or the Morongo Basin occurred Oct. 12-14. While some may say that all of Southern California is a desert, more or less, the weather on Friday the 12th at Lake Perris was decidedly un-desert-like.

Tempestuous clouds forecast rain—and that forecast came true, leading to a truly disappointing Friday night. However, Saturday and Sunday made up for Friday’s abrupt end.

Planners decided to have just one entrance point for all fans to the festival on Friday. Once you got to the entrance gate to Lake Perris State Recreation Area, a bottleneck meant that it took up to three hours to get to the parking lot. As I waited in traffic, a fellow photographer from another media outlet walked by me and waved; she’d decided to make the 45-minute walk from the park entrance. As I waited in my car, I was witnessed an incredible lighting storm that appeared to be right over the festival. The thunder interrupted the boredom of crawling to the festival entrance.

Once I was finally inside the festival, I was able to catch Uncle Acid and the Deadbeats on the Block Stage, which was an incredible psychedelic experience for both the ears and the eyes. The band played in near-complete darkness as festival-goers transported their minds to Haight and Ashbury.

Welcoming the audience, Uncle Acid and the Deadbeats lead singer Kevin Starrs said, “Hello, California, How the fuck are you? This song is called ‘Mind Crawler.’” A neophyte photographer broke a cardinal rule by hitting the band with a flash and was quickly admonished by the lead singer. Starrs reminded the crowd the band had a new album out, called Wasteland, as he introduced the song “Shockwave City.” A melodious tune with woolly-raw guitar tones, it was perfect for a live set.

I rushed over to the Moon Stage, which was on the beach’s edge. It was massive; gone are the days of Desert Daze’s small stages at Dillon’s Roadhouse in Desert Hot Springs. I suspect the Moon stage was three times the size of the entire bar that hosted the festival in 2012. It was hard to gauge the size of the crowd, but I suspect it was larger than the gathering for Iggy Pop’s appearance at Desert Daze last year. Some fans had inexpensive rain ponchos, but were all smiles during the off-and-on sprinkles of rain. As fans waited, a blue orb pulsated on a large screen, later becoming a swirling dot—giving way to cheers as Tame Impala walked onstage. Lead singer Kevin Parker greeted the crowd: “What’s up Desert Daze?” The crowd responded with praise, and Parker replied: “We are Tame Impala; we are from Australia” as cheers were drowned out by air cannons shooting confetti. Fans got to hear the song “Let It Happen”: “I heard about a whirlwind that’s coming ’round. It’s gonna carry off all that isn’t bound, and when it happens, when it happens (I’m gonna be holding on), so let it happen, let it happen.”

Whirlwind indeed: Fifteen minutes into the set, the band was rushed off the stage; I took cover in the press tent, stage right, to wait out the lighting and rainstorm. We could hear an announcement telling everyone that the show would go on, and that everyone was to seek shelter. However, the show would not go on; we were later told to evacuate the festival site and seek shelter in our cars or inside a masonry building—and the only ones in sight were the public restrooms outside the festival grounds. Campers were told not to go back to their tents for safety.

Early the next day, Desert Daze announced through social media and press releases that there would be free parking for the rest of the weekend, and Friday concert passes would be honored for Saturday—but Tame Impala could not return, because the band had other shows.

On Saturday, the parking-planning woes were washed away as more entrances were opened. This gave me time to explore the grounds. I spotted an old Toyota in the parking lot that would be perfect at a commune in Oregon or parked in front of Pie for the People in Joshua Tree. The grounds were nice; there were elaborate canopy structures on the beach that allowed fans to take a nap, reminiscent of a similar structure at Desert Daze in Mecca that shielded fans from the 122-degree heat. Festival mastermind Phil Pirrone’s preparation made all stages within reach, allowing festival-goers to quickly go from one stage to another. He’s proven the ability to bring incredible music to actual music fans: This is a festival for people who seek out unique music and don’t really care if there is a Top 40 star headlining.

Kikagaku Moyo was one of my favorites on Saturday, returning to Desert Daze after an appearance in Mecca in April 2014, bringing back psychedelic goodness with sitars as oil spheres were projected on the backdrop of the stage.

Slowdive was shoegazy cool, playing an impeccable set including the new song “Star Roving,” off the new album Slowdive. Fans dug “Souvlaki Space Station”; it was perfect music for relaxing on a towel on the nearby beach.

Amping things up, the seven members of King Gizzard and the Lizard Wizard wowed with loud and fun psychedelic rock that included the fan favorite “Rattlesnake.”

Sunday was a beautiful day, perfect for a stroll along the beach. Artist Carolina Galleran’s “Alien Cactus Garden,” also known as “Desert Daze,” reminded me that the more Pirrone tried to make Lake Perris look like my desert home, the more I missed the desert.

Julia Holter played an early Sunday set, walking onstage and saying, “The sun has arrived. I don’t do this often but I want to be like you.” She added: “What is going on? Are you going to vote?” The audience responds with optimism. She replied, “I have done my job,” before charming the crowd with a new song, “Underneath the Moon,” from her new album, Aviary—a marvelous track that fits her theatrical voice.

The band Goon, from Los Angeles, was a blast—a new Pixies-like band that would make Black Francis proud. The song ‘Green Peppers” is very weird and enchanting; lead singer Kenny Becker, in a sweetly sharp way, croons about a song he wrote when he was obsessed with Taylor Swift: “Everybody wants to be like you; everyone that knows you, really wants to be just like you.”

Preoccupations is a good example of post-punk. Frontman Matt Flegel’s voice is substantial, allowing him to deliver a worthy performance with songs that deal with a contemptuous stew of passion. Flegel checked in with the crowd: “Is everyone OK? Is anyone in the cusp of OD’ing? OK, we will continue playing. “

Earth, from Washington state, played 2008 album The Bees Made Honey in the Lion’s Skull in its entirety. Lead singer Dylan Carlson introduced the band: “We’re Earth; we are going to start off with, ‘The Driver,’” a song not on the aforementioned album. Slow and mellow was the name of the game, and Earth was masterful.

The polar opposite of the boys from Washington, Death Grips was a scream fest of force through its hour-long set. Fans went crazy as the nonstop mosh pit and crowd-surfing kept staffers—re-enforced with state park police— busy during this crazy set; it was the first time I saw police inside the photo pit the whole weekend. “Giving Bad People Good Ideas” was a pure mix of heavy metal and hard-core punk.

My Bloody Valentine ended the festival as the headliner. No photography was allowed, so I was able to enjoy the show from the beach; the loud set would have liquefied my eardrums as if a garage band was playing inside my cranium. I was able to enjoy the nearly 90-minute set unencumbered by camera gear, and savor songs such as “Soon,” “Only Shallow” and closer “You Made Me Realise.”

Desert Daze is slated to return to Lake Perris in 2019, so we should expect the logistical challenges to be in the past. One thing is very clear: Pirrone’s quest for the best musical experience possible is within his grasp.

Published in Reviews

The Coachella 2016 lineup will most likely be remembered as one of the weakest in years. While last year’s lineup at least offered variety, this year’s slate somehow seems … limited.

Still, with a little searching, you can find some great acts, both unheralded and well-known.


Friday, April 15 and 22

Volbeat

This Danish metal band is of the more surprising additions to the Coachella lineup, although metal isn’t entirely shunned by Coachella, considering Mastodon played in 2009, and Motorhead played in 2014. Volbeat combines rockabilly, rock ’n’ roll and metal to create an interesting sound. I’ll be the first to admit that Michael Poulsen’s voice is hard to take in, but former Anthrax guitarist Rob Caggiano helps make it all work. Volbeat might be the thing you’ll need to shake off the EDM/electropop vibes on Friday and prepare yourselves for Guns N’ Roses on Saturday.

Mavis Staples

At the age of 76, Mavis Staples (pictured above) has been enjoying a career rebirth thanks to collaborations with Jeff Tweedy of Wilco and a new album, Livin’ on a High Note, produced by M. Ward. Staples was part of the Staple Singers with her father, her brother and her two sisters. At The Band’s last live concert in 1978, she sang “The Weight.” While she’s been singing gospel for most of her life, and you’ll definitely hear some in her set, never fear: She’s got a powerful voice and will be a delight of your first afternoon at Coachella.

G-Eazy

G-Eazy is a rising star in the hip-hop world. The Oakland native has toured with 2 Chainz, Lil Wayne and Snoop Dogg. He also was part of the Vans Warped Tour in 2012. His most recent album, When It’s Dark Out, features collaborations with Big Sean, E-40, Chris Brown, Kehlani, Grace and others. Check out his recent track “Me, Myself and I.”

M83

M83 has been around since 2001, but it took a decade for the band to reach is critical and commercial peak to date, thanks to the concept album Hurry Up, We’re Dreaming. This French electronic band records music that’s catchy, ambient and haunting. The group will soon be releasing the follow-up to Hurry Up, titled Junk, which is sure to be a smash-success. Fun fact: The new album is inspired by ’70s and ’80s shows such as Punky Brewster and Who’s The Boss?


Saturday, April 16 and 23

BADBADNOTGOOD

The name is quite funny, but this Canadian group (right) has left a serious mark on the modern music world. While the group has recorded jazz instrumentals, it is also connected to the hip-hop world, and recently recorded an album with Ghostface Killah, Sour Soul. BADBADNOTGOOD is no stranger to Coachella; the band played the fest in 2012 and surprised the audience when it backed Frank Ocean. The jazzy instrumentals are fantastic, as is the collaborative spirit. Who knows what tricks the band members will have up their sleeves for Coachella 2016?

The Damned

If you call yourself a punk-rocker, and you aren’t familiar with The Damned, it’s time for school on Saturday. The Damned is one of the early British punk bands that formed in 1976 and defined the genre along with The Sex Pistols and The Clash. With goth, psychedelia and punk-rock attitude, The Damned was in a league of their own. Guitarist Captain Sensible struck out on his own in 1978 while The Damned were on hiatus and recorded a recover of “Jet Boy, Jet Girl.” He then went on to have hits with songs such as “Happy Talk” and a hilarious song titled “Wot,” as in, “You say Captain; I say ‘Wot.’” Be sure to make time for The Damned at Coachella; who knows when you’ll be able to see the group again?

Deerhunter

Hailing from Atlanta, Deerhunter is part of the awesome psychedelic rock scene you’ve been hearing thanks to a new group of bands. Frontman Bradford Cox identifies as gay; the title of the group’s debut album, Turn It Up Faggot, referenced what audiences used to scream when the band was first starting out. Few bands have been able to combine shoegaze and the indie-psych garage band sound together so well.

Ice Cube

While many people know Ice Cube for his horrible comedies, his hip-hop career is the stuff of legends. He penned most of NWA’s early material and then went on to a very successful solo career (even if a lot of his early material was in response to NWA’s diss tracks against him for leaving the group). Ice Cube was a straight-up gangsta rapper who had a voice and attitude that sounded like he was kicking in your door to come and get you if you were on his shit list; much of that attitude is still present when he performs live. While Ice Cube said he’d “try” to make a partial NWA reunion happen at Coachella on the heels of the biopic Straight Outta Compton, don’t expect Dr. Dre to show up; if anyone does appear with him, expect Yella, MC Ren, or possibly both.


Sunday, April 17 and 24

Pete Yorn

When you listen to Pete Yorn, not only do you hear some indie-rock; you also hear folk music and a bit of that Bakersfield country music sound from the ’70s. One of the best songs I’ve heard Yorn do is his cover of the Ramones’ “I Wanna Be Your Boyfriend.” Considering this guy has shared the stage with everyone from the Foo Fighters, to the Dixie Chicks, to Coldplay, take some time to check him out.

The Vandals

Along with Pennywise, the Descendents, Black Flag and Social Distortion, The Vandals are one of the bands people think of when it comes to Southern California punk. The band also has a humorous side, including hilarious takes on cowpunk, and a well-known Christmas album and song titled Oi to the World. Bassist Joe Escalante also well-known for being a lawyer, a radio show host and a conservative. Regardless of politics, nobody can deny that the Vandals kick ass.

Death Grips

The group Death Grips has a wild reputation. The experimental hip-hop trio from Sacramento has shunned the traditional ways of doing business and instead opted for shock value and performance art. The group used a picture of a member’s penis as the cover art for the album No Love Deep Webb. This was initially rejected (before later being used with a black slipcase over it); one of the alternative covers featured the legs of a man wearing khakis, white socks and black shoes. Written on the socks: “SUCK MY DICK.” One of Death Grips’ shows in 2013 ended quickly when the intro played, and a career suicide letter appeared onscreen—the group’s way of saying the show wasn’t happening. It seems Death Grips was never meant to be taken seriously, which is probably why it’s such a great group. Warning: Don’t get too close to the stage.

Major Lazer

I don’t think there’s a soul on this planet today who does not know who Diplo is. He’s been interviewed by Charlie Rose, produced a Madonna album, made a cartoon TV show … and made many infamous tweets. When Diplo gets together with Jillionaire and Walshy Fire for Major Lazer, it’s quite a spectacle. At Coachella in 2013, when they performed in the Mojave Tent, it was crammed beyond belief—and the energy drove the over-capacity crowd nuts to the point where I feared for my life. Major Lazer (below) will likely be performing at the same time as headliner Calvin Harris on the final night, but the group will bring the party. And remember: No Coachella story should end with the phrase, “and then I watched Calvin Harris.”

Published in Previews