CVIndependent

Sun06162019

Last updateTue, 18 Sep 2018 1pm

The second of this summer’s two Splash House parties landed Aug. 10 at the Palm Springs Air Museum.

By now, Splash House is running like a fine vintage watch: Shuttles running from the three main pool-party venues—the Renaissance, the Riviera and the Saguaro—delivered Splashers to the pre-party at the Air Museum on Gene Autry Trail. I’m sure most of the young fans understood the deep connection Autry had to music, baseball and Palm Springs.

I am kidding: These EDM fans were here to party and listen to the best electronic music, in an effort to warm up for the pool parties that followed the next two days.

The Black Madonna headlined the pre-party. I had no idea who she was, which allowed me to listen with no biases or preconceived notions. It turns out she is a native of Kentucky who began her career as many do, by selling mix tapes in warehouses and—in her case—farm fields that became underground music venues. She magically melds different genres of music into tracks that fit well together, helping her stand out in the bro-dominated EDM scene. Her original mix of “He Is the Voice I Hear” was absolutely enchanting.

British DJ Hannah Wants brought her house beats to the Saguaro on a very hot Saturday afternoon. The Saguaro is the über-party place of Splash House; the proximity of the room’s balconies to the elevated DJ stage makes it a faultless spot if attendees do not want to leave their rooms.

Louis the Child was excited to be headlining the Renaissance on Saturday night. Robby Hauldren asked the crowd if they wanted a standard set, or a one-of-a-kind set. The crowd was mum on the subject, so the duo went with an incredible new set. “It’s Strange” was a pleasing tune. Aware of the long, hot day, Hauldren inquired as to the mood of the audience: “Are you still all right out there? Are you feeling the love? Are you feeling amazing?” This garnered a cheer from the sun-baked crowd.

Hauldren announced with excitement: “This is our first time headlining a festival.” He then announced the last song, a recorded track, “Better Not” (featuring Wafia), which played as they waved to fans.

One of the highlights of the Splash House after-hours party, once again held at the Air Museum, was Mija—a post-modern harlequin-like tech-house dream. Her “Notice Me”—with the words “I want you so badly in this weather, If only we could be together”—was joyful.

I was excited to see DJ Alex Harrington, whom I first met several years ago at Splash House when Gorgon City played in front of a few hundred fans at the now-defunct Hard Rock Hotel. Alex got the nod to open on the same stage where Gorgon City was the headliner last Sunday at the Renaissance. Harrington, a local and a former Independent contributor, has a new record coming out, Stargazer, and this was a great opportunity to show case his talent to a noon crowd who got to listen to his original material.

Splash House is like any music festival, in the sense that one can find gems while wandering around early in the day—like Silva, a DJ/producer playing a 1 p.m. set at the Riviera.

On a shuttle ride back the Saguaro, I met Kaley from Los Angeles, and Tina from Portland. Both ladies had floaties that were partially inflated. As Kaley was inflating her floatie, she said the air valve tasted like salad—and that she hates salad. She later explained that the night before, after the Louis the Child set, they’d acquired the floaties after they were abandoned by their previous owners; presumably, the person who previously inflated the floatie liked salads. Later that day, they waved happily when they spotted me at the Riviera. The best thing about Splash House is that everyone is in good spirits; it is easily the most laid-back music scene I cover all year.

Early Sunday evening, Grammy-nominated Camelphat packed the Renaissance during their nearly 90-minute set, keeping the bass strong, which re-energized the dancers.

Gorgon City returned to Splash House to close out the night. Fans adored new track “Love Me.” I am sure that while standing on the massive stage, they reflected upon the first time they played this event—in a room that was smaller than that stage.

As Splash House concluded for another year, I wondered: Is this a music festival, or just a well-planned pool party? Frankly, I don’t think it matters, because attendees are getting exactly what they paid for—a fun weekend under the sun with thousands of like-minded fun-seekers.

Published in Reviews

A sold-out Splash House officially got the summer season started in Palm Springs June 8-10. The celebration started at the Palm Springs Air Museum on a pleasant if windy summer night, before the daytime fun began at The Renaissance, The Riviera and The Saguaro.

I’ve been coming to Splash House for a few years now, so I fully understand how this hip counterpart to Coachella is an excellent excuse to party—and show off the results of your CrossFit training. Cole Porter said it best: “And that’s why birds do it, bees do it—even educated fleas do it; let’s do it.” And so some of the best DJs around created the soundtrack as the young and the young at heart looked for love—or at least a dance partner for the night.

The VIP section at the Palm Springs Air Museum allowed attendees to spread their figurative wings and relax on comfortable couches—and even offered access to the side of the stage, allowing attendees to be next to the talent, yet away from the crowded masses.

Touch Sensitive was the standout in the early evening at the museum, thanks in part to the disco song about positive affirmation, “Veronica”: “Hey baby, am I the only one that makes you lose your mind? Yes baby, hey baby, am I the one you want to fuck all the time? Yes baby.”

On Saturday afternoon at the Riviera, SMLE was a blast, spinning the original track “With Me” featuring Mary Ellen and Hyper Turner: “I’m waiting for my phone to ring; I’m wondering where you could be, and I’m waiting for that knock on my door, feeling restless; I can’t take any more.” The Riviera pool was crammed with so much splashing I was surprised there was any water left after the SMLE set.

The Dusky DJ set highlighted an awesome fun mashup featuring “Oh Yeah” by the Swiss band Yellow, highlighted on Ferris Bueller’s Day Off—which came out decades before most of the audience was born.

The Grammy-nominated Duke Dumont closed out the Renaissance on Saturday, pleasing sunbathers and dancers loving the cool ambiance of “Ocean Drive”: “Don’t say a word while we danced with the devil.”

Security was over-the-top Sunday for attendees trying to get into the Riviera. People wearing just bikinis and banana hammocks were being patted down in search of contraband … which was odd. However, the line was worth it to see Chet Porter, who greeted the crowd: “Hello, Splash House; my name is Chet Porter. Are you having a good time?” Fans grooved to “Sad Machine X I love Kayne Mashup,” a fantastic improvement to the self-love tune, “I Love Kanye” by Kayne West.

After three days in the heat, another enjoyable Splash House was in the can. I’ll see you in August for Splash House Part II.

Published in Reviews