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Last updateTue, 18 Sep 2018 1pm

Brian Blueskye

Stagecoach is a country-music festival, of course, but it’s known for featuring performers across a wide variety of country-music subgenres—and that fits Nick 13 just fine.

Nick 13, the frontman and guitarist of the Berkeley, Calif., psychobilly-punk-rock group Tiger Army, is making his second solo appearance at Stagecoach.

“It was a bit intimidating. That was my first live appearance as a solo artist,” said Nick 13, in a recent phone interview, about that first Stagecoach performance, back in 2010. “I was playing in the Palomino tent, and the artists immediately following me were Ray Price and then Merle Haggard. There were a lot of old-timers in the audience who were basically saving their seats for those artists. During my act, when I started playing, it got a positive response very quickly. It felt like a real accomplishment to me.”

Nick 13 said that when he decided to take that break from Tiger Army to record a solo album, he was influenced by hillbilly and bluegrass music from the 1930s through 1960s. “That stuff has been an influence on Tiger Army, to an extent, but only to an extent. I guess as the years went by, I found myself more and more drawn to those styles and to those sounds. And as a listener, I kept going deeper and deeper.”

In spring 2011, Nick began recording his self-titled solo debut album, at studios in Nashville and Los Angeles. Nick’s inspiration from the Bakersfield sound and the early roots of California country music was important to him during those recording sessions, he said.

“If you go back to the 1940s, Hollywood was arguably more of a center for hillbilly music than Nashville was at the time; we had the recording studios and the cowboy-movie element,” Nick said. “The West Coast sound has definitely been a big influence on me.”

Nick’s songwriting abilities—featuring literary inspiration, earnestness and a fair amount of storytelling—have always made him a bit of an outsider in psychobilly and punk rock. He used Buck Owens as an example to explain his method: “For traditional country music, I was always drawn to the earnestness of it. When some people think of Buck Owens, they think of Hee Haw, unfortunately. … But if you listen to the raw emotion, storytelling and earnestness of his records from the early-to-mid-60s, that’s some of the best music that was ever made.”

Nick 13 was released in June 2011 on Sugar Hill Records. The reception has been mostly positive; Great American Country and Country Music Television took notice, and his music video for “Carry My Body Down” even reached No. 1 on CMT’s Pure 12-Pack Countdown. (Scroll down to hear an acoustic performance of the song.)

“The fact it was well-received by so many people into Americana, people in the underground, and, to some extent, the mainstream country world, it was nice,” he said.

When it comes to his Stagecoach performance this year, Nick 13 cited that variety of country subgenres as something that excites him.

“One of the things that makes (Stagecoach) unique is the artistic commitment to representing the whole spectrum of country music,” he said. “You do have those huge multi-platinum headliners, but you also have the best in Americana and some of the incredible legacy artists who don’t make it to the West Coast that often. I don’t know if you get it all in one place anywhere like you do at Stagecoach.”

Nick 13 plays on Saturday, April 27, at Stagecoach. The festival takes place Friday, April 26, through Sunday, April 28, at the Empire Polo Club, 81800 Avenue 51 in Indio. Passes for all three days start at $239. For tickets or more information, visit www.stagecoachfestival.com.

Alex Harrington—music fans know him as All Night Shoes—says that in the world of electronic music, it’s hard to stay unique.

Harrington hesitates when I ask him how he would define his music, which blends ambient and dance music together with a hint of Daft Punk.

“I’ve been referring to it as ‘tropical house,’” Harrington says. “I don’t like to put labels on myself, but if I had to put a label on myself, that’s what I would define it as.”

The 26-year-old La Quinta resident who once played acoustic-guitar performances in local coffee houses always had a desire to make electronic music. He saved his money to purchase the equipment he needed and made the transition a year ago. He makes his music on a MacBook with Logic Pro software and uses various keyboards and synthesizers.

Alex’s initial challenge was to create a sound of his own.

“The challenge is actually trimming down the influence I put in my songs,” he says. “Often times, for me, I love the genres. … But to get them to work together is where it’s a challenge.”

Over the past year, as Alex continued to develop his own songs and remixes, he has found himself generally unconcerned about sounding like too much like his influences while trying to stay original.

“I didn’t think I started to sound like Daft Punk, Brian Eno, Moby and all my other influences until about six months ago, because you just start to enjoy your own music, and you start notice the influences coming in naturally in your own music,” he says

Alex is aggressive in terms of how he produces his music as an independent artist; he’s a passionate believer in social media and utilizes it to connect with other local artists with whom he can collaborate. He’s driven and motivated to manage his own music, noting the advantage of being in business for himself and therefore collecting 70 to 90 percent of his own royalties.

Alex’s talent as a producer comes into play when he finds himself working with other artists.

“With social media, it’s very easy to reach out to other artists. I ask my friends who are artists if they want to be on my tracks. It’s really just about working with as many people as possible and being open-minded. The way I look at it, if I’m working with a new artist who isn’t that polished, it’s a challenge for me to get them to that point for my song. I think there’s a beauty in that, because you can help make each other better.”

Alex’s hard work has managed to pay off. In August 2012, he released his first EP, Crystal Son, via iTunes; he released his follow-up EP, Frisco in February, which he says is a nod to his Northern California roots. (Scroll down to hear the song “Frisco.”)

While he continues to evolve as an artist, he aspires to be in commercial production and to play in more clubs. He’s also currently working on new material titled Pacific Dreams that he hopes to release in May.

His first live performance will be on Saturday, April 6, at The Hue Music and Arts Festival at Dateland Park in Coachella.

“The way I see it, every band and DJ playing The Hue is bringing something different,” he says.

He mentions the diversity of the festival with some of the bands playing, specifically mentioning Ivanna Love.

“She’s played at some of the clubs in Palm Springs. She’s pretty (big) in the LGBT culture here, which is really cool, because having an artist like that represented in The Hue Festival shows how eclectic it’s going to be.”

All Night Shoes will play Saturday, April 6 at The Hue Music and Arts Festival at Dateland Park, 84521 Bagdad Ave., in Coachella; admission is free. For more on All Night Shoes, visit soundcloud.com/allnightshoes.

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