CVIndependent

Wed07172019

Last updateTue, 18 Sep 2018 1pm

Staff

Best Local Album

Thr3 Strykes, CMNCTN-BRKDWN

When I interviewed them last year, the members of Thr3 Strykes told me that putting together the album that would become CMNCTN-BRKDWN was a proving to be difficult task—and taking a long time.

All that hard work and time was worth it: The final result is awesome, and I can’t think of another album put out this year by a local band that matches its energy and insanity. The track with J. Patron and Christina Reyes of Caxton, called “The Colony,” is a must-hear.

—Brian Blueskye


Best Re-established Band

Sunday Funeral

Sunday Funeral was a worthy Best Local Band finalist this year—and what a year it’s been.

The band that Justin Ledesma has fronted for more than a decade has made a remarkable transformation. At the end of 2016, the members set the foundation by cutting back from a four-piece to a trio; meanwhile, Andrea Taboada took over bass duties.

The members found themselves in the finals of CV Weeklys Battle of the Bands in 2017, and have been playing more shows while putting together some great new original material. They’re a definite contender for Best Local Band honors next year; keep your eye on ’em.

—Brian Blueskye


Best Local Live Music Event

The 4/20 Coachella Inbetweener featuring The Flusters and The Yip Yops

The days between the two Coachella weekends are simply packed with great music events throughout the valley—but the one held this year on April 20 at The Hood Bar and Pizza may have topped them all.

The Flusters and the Yip Yops packed The Hood for the 4/20 Coachella Inbetweener, with the bar having to turn away patrons when the venue reached its capacity. Both bands put on spectacular co-headlining sets—after collaborating on marketing materials that were genius and went above and beyond.

—Brian Blueskye


Best Benefit Show

The Concert for Autism

Josh and Linda Heinz, the husband-and-wife duo in Blasting Echo and 5th Town, have now been producing the Concert for Autism for 10 years—and every year, it continues to grow.

Because Josh and Linda are the parents of autistic children, this is a cause that is very near and dear to their hearts—and their efforts to help others facing the same challenges that their family faces are simply remarkable.

Of course … the show is always fantastic, too.

—Brian Blueskye; photo of Josh Heinz by Cory Courtney.


Best Customer Service for Those Quitting Smoking

Desert Vapors

I recently transitioned from cigarettes to vaping—I tried to quit cold-turkey, but needed help with the transition away from cigarettes. I had a lot of questions, and I went to a few shops to get some information and ask questions.

Desert Vapors, with locations in Palm Desert and Indio, had by far the best customer service of the vape shops I went to—and I wound up purchasing my first vaping kit from them. I went back a few days later after having some problems and got service that went above and beyond.

Also, the flavors that they offer are fantastic.

—Brian Blueskye


Best Pet Grooming

Desert Pet Grooming

Let’s face it: When a pet groomer is named something like Royal Canine Resort and Day Spa, and the cutesiness level of the place is off the charts, that fluff is for human companions. All Fido cares about is that the potentially stressful grooming experience goes quickly and without a hitch. As for us human companions … if the grooming shop is welcoming, clean and safe, who needs to feel as though our pet is in the line of succession for the British throne?

Desert Pet Grooming, in Cathedral City at Vista Chino and Landau Boulevard, offers everything you need in a quality pet groomer—without the silliness and added cost of massaging the human companion’s ego. The functional shop is spic and span, and all the grooming is done out in the open. The groomers we’ve tried there have all been great, but Brenda in particular will treat your furry friends like her own.

—Jeff Clarkson


Best Great (but Unpretentious) New Restaurant

Justin Eat and Drink

We like this restaurant on Highway 111 in Cathedral City for the very reason that it’s unpretentious. The Coachella Valley can always use more restaurants like this—serving tasty, interesting food, at reasonable prices, in a simple but hip atmosphere.

This place doesn’t go over the top like some of the restaurants geared toward tourists here in the valley. It’s just a casual, contemporary setting where one can enjoy a relaxed dinner. The portions aren’t huge, but they’re price-appropriate, and while the menu is not extensive, everything we’ve ordered has been delicious.

Although the service is sometimes slow, it’s always friendly—and the food is definitely worth the wait. Now that the restaurant is becoming more popular, reservations are recommended. Justin, the owner/chef, may even pop out and greet you at your table.

—Jeff Clarkson; photo courtesy of Justin Facebook page


Best Local Restaurants (on a National Scale)

TKB Bakery and Deli

Shabu Shabu Zen and Sake Bar

It’s simple math: If there’s a list of, say, 100 top places to eat in the United States, that means the average state will be home to two places on the list. Right? Right.

That means if, say, a not-huge community like the Coachella Valley by itself were home to two places on the list, that would be freaking amazing. Right? Right!

Well, that’s exactly what happened in the case of Yelp’s 2017 list of the Top 100 Places to Eat for 2017. Rancho Mirage’s Shabu Shabu Zen and Sake Bar, long an Independent staff favorite, was No. 78 on the crowd-source review website—an amazing accomplishment. However, what Indio’s TKB Bakery and Deli has accomplished is even more fantastic: It came in at No. 5 on the list—making the Top 5 for the third straight year, something no other restaurant in the whole country has done.

TKB and Shabu Shabu Zen prove that despite some deficiencies, the Coachella Valley dining scene has much to be proud of.

—Jimmy Boegle


Best Quail

Rio Azul Mexican Bar and Grill

I grew up eating quail—not all the time, or even regularly, but often enough that I knew what to expect whenever one of these gorgeous but silly small birds wound up on my dinner plate.

Well … at least I thought I knew what to expect.

That all changed the first time I enjoyed the codorniz estilo Ernesto at Rio Azul Mexican Bar and Grill in downtown Palm Springs. The grilled quail with sautéed tomatoes, potatoes, Anaheim peppers, garlic, green onions and cilantro is very, very good by itself. However, when it’s paired with Chef Ernesto’s diablo cream salsa, which is served on the side … well, let’s just say that none of the quail dishes I had while growing up were anywhere near this good.

A plate of codorniz estilo Ernesto, paired with a Rio Azul house margarita, is about as close as one can get to culinary nirvana here in the Coachella Valley, as far as I am concerned. My mouth is watering just thinking about it.

—Jimmy Boegle


Best Prime Rib

TRIO Restaurant

TRIO is one of my favorite restaurants—but the place used to frustrate the heck out of me.

Thankfully, that’s not the case anymore.

Several years ago, TRIO would occasionally offer prime rib as a special—and after ordering it a time or two, I was hooked: It was the some of the best prime rib I’ve ever had. (Considering I grew up on a cattle ranch, this is high praise, indeed.)

Problem is … because it was a special, the prime rib wasn’t always on the menu. Therefore, there was a time or three that I got a hankering for prime rib, went to TRIO with my fingers crossed … and got frustrated when the server told me prime rib was not on offer that particular night. However, that’s no longer an issue: Every Tuesday at TRIO is now Prime Rib Tuesday—and the meal costs a downright-reasonable $26.

This system is not perfect—a prime-rib hankering can occur on non-Tuesdays, after all—but at least now I know precisely when I can go to Trio to get that hankering satisfied. And that is a very good thing.

—Jimmy Boegle

On this week's tryptophan-filled weekly Independent comics page: This Modern World watches as President Trump expands his cabinet on Parallel Earth; Jen Sorenson shakes her head at "kettling"; The K Chronicles listens to some country music; Red Meat looks on as Earl considers taking a dive; and Apoca Clips delays the end of the world.

On this week's shaking-its-head weekly Independent comics page: Jen Sorenson examines the difference between patriotism and nationalism; The K Chronicles pays tribute to the scariness of the vacuum cleaner; This Modern World wonders how low the GOP will go; Apoca Clips looks in on a budding romance; and Red Meat needs help with an insulin shot.

On this week's unseasonably cool weekly Independent comics page: This Modern World explores Donald Trump's crisis-management system; Jen Sorenson serves the 1 percent; The K Chronicles reminds us about the self-shooting gun; Apoca Clips gives Kevin Spacey a trim; and Red Meat spends the night in the tree house.

On this week's Pride-tinged weekly Independent comics page: Jen Sorenson looks at our sexual-harassment culture; The K Chronicles gets awkward with pumpkin spice; This Modern World fears that everything is terrible; Red Meat finds a way to keep meal costs down; and Apoca Clips uses the Zoltweet 2000.

On Nov. 7, voters who live in the city of Palm Springs will go to the polls to select two new members of the Palm Springs City Council.

This election will mark a complete changing of the guard, so to speak, after the indictment of former Mayor Steve Pougnet and a couple of developers on corruption charges two years ago. The two new members will replace retiring City Council members Ginny Foat and Chris Mills, and joining three new members who were elected two years ago: Geoff Kors, J.R. Roberts and Mayor Rob Moon.

With City Manager David Ready, this new council will help guide a city that is enjoying the best of times … and, at the same time, suffering through the worst of times.

The city is more popular than ever as a tourism destination—yet it is enduring the aforementioned scandal involving its huge, signature downtown development project. Some areas, such as the Uptown Design District, are enjoying a resurgence—yet the homelessness problem continues to worsen.

The Independent’s Brian Blueskye recently spoke to each of the candidates about these various issues and more. He asked them about the issue of homelessness; the new vacation-rental ordinance; the lack of affordable housing in the city; ethics and transparency;the downtown redevelopment project; and the city’s relationship with the Agua Caliente Band of Cahuilla Indians. Finally, he asked each candidate whether the city is opposed to fun—a charge against the current council leveled by some, including the Cactus Hugs website.

Here’s what each of the candidates had to say.

The Palm Springs City Council Candidate Interview: Christy Holstege

The Palm Springs City Council Candidate Interview: Glenn Flood 

The Palm Springs City Council Candidate Interview: Henry Hampton

The Palm Springs City Council Candidate Interview: Judy Deertrack

The Palm Springs City Council Candidate Interview: Lisa Middleton

The Palm Springs City Council Candidate Interview: Robert Julian Stone

On this week's pumpkin-spice-free weekly Independent comics page: Apoca Clips gets its dossiers mixed up; Red Meat hops in the time machine with Milkman Dan; Jen Sorenson looks at "politicization"; The K Chronicles has a revelation about squirrels; and This Modern World is in a state of denial.

A while back, Independent contributor Baynard Woods put out a call for alternative publications across the country to share information about musicians who are writing and performing protest songs in the era of President Donald J. Trump.

The response was amazing: More than 20 publications—including the Coachella Valley Independent—did writeups on protest songs created in their markets. Many of them are fantastic.

Here is the compilation—and we’ll start off our abbreviated list with the Independent’s contribution. —Jimmy Boegle

The After Lashes, “We the Sheeple”

Coachella Valley

The After Lashes is a new all-female punk band that features Ali Saenz, the wife of former Dwarves and Excel drummer Greg Saenz.

Frontwoman Esther Sanchez explained the inspiration behind the band’s song “We the Sheeple.”

“‘We the Sheeple’ was an easy song to write, because it came from a place of frustration and growing resentment toward the current powers that be, and, of course, more specifically, Donald Trump,” she said. “We have a president who calls anything he doesn’t like ‘fake news’ while simultaneously spending an insane amount of time tweeting nonsense and lies like a crazy person.

“The policies he intends to establish are harmful to pretty much everyone who is not wealthy; unfortunately, so many who voted for him were unknowingly voting against their own best interests. The song is very much about uniting against a tyrant, because that is precisely what we believe Trump to be.” —Brian Blueskye

Keith Morris, “What Happened to Your Party?”

Charlottesville, Va.

Known to at least one of his fellow musicians as “our rockin’ protest grouch in chief,” Keith Morris has a slew of protest songs, such as “Psychopaths and Sycophants,” “Prejudiced and Blind” and “Brownsville Market,” from his Dirty Gospel album, plus “Blind Man,” “Peaceful When You Sleep” and “Border Town” from Love Wounds and Mars. His latest release: “What Happened to Your Party?” —Erin O'Hare

Thunderfist, “Suck It”

Salt Lake City

Sure, there are more articulate ways to denounce Trump than a song called “Suck It.” Countering blustery, bigoted bullshit with artfully composed, well-reasoned takedowns is how we’ll effect change. That doesn’t mean we can't occasionally vent our rage by strapping on Les Pauls, cranking up Marshalls, raising middle fingers and offering a blues-based, punk-rock invitation to fellatio. And maybe also, as the final, snarling chord slides into silence, by calling him a “fat baby fuckface.” —Randy Harward

Dooley, Lor Roger and TLow, “CIT4DT”

Baltimore

This Boosie-tinged Thee Donald diss from Baltimore, which dropped long before inauguration, still thrills: “Boy ain’t even white, you yellow / You said you’d date your own daughter; you a sicko.” Stakes are high here, too—the mastermind behind it, Dooley, is Muslim—and right-wing semi-fascist snowflakes took the song totally seriously, denounced it as a “death threat” (“CIT4DT” stands for “chopper in the trunk for Donald Trump”) and bemoaned its Baltimore origins. Meanwhile, the trio responsible for it thought the shit was hilarious. —Brandon Soderberg

Trombone Shorty and Dumpstaphunk, “Justice”

New Orleans

Trombone Shorty and Dumpstaphunk teamed up on a song called “Justice”—released on the day Donald Trump was inaugurated president. A mélange of funk, jazz and New Orleans brass band sounds, the video for “Justice” slyly marries video footage of Trump against pointed lyrics.

“Inauguration day seemed to be an appropriate time to voice the need for equal say and opportunity for all people,” said Dumpstaphunk’s Ivan Neville. “We entered a New Year with a lot of unanswered questions on the subject of ‘justice’ that we all felt a little uneasy about. But there’s only so much we can do and this track is our way of expressing our worries.” —Gambit Weekly

Lonely Horse, “Devil in the White House”

San Antonio, Texas

Shots fired! Lonely Horse comes out guns-a-blazing with the track “Devil in the White House.” Opening with a sludgy cadence that crescendos into a tumultuous rock ’n’ roll explosion, the “desert rock” duo of Nick Long and Travis Hild make very clear their feelings about the 45th POTUS. —Chris Conde

Mal Jones, J Blacco, Lost Firstborne, and DJ Shotgun, “CODE RED: Hands Up, Don’t Shoot"

Jacksonville, Fla.

The spate of deaths at the hands of law enforcement led Mal Jones and his collaborators to take action.

“We came up with this song after all of the recent acquittals in the cases related to the steadily rising murders of unarmed black men in the hands of law enforcement in America,” Jones said. “We wanted to protest about this issue in the most effective way we know how—through song. Blacco explained how the song came together.

“My inspiration for writing my verse was, first, the climate of events going on at the time,” he said. “It was right after the Alton Sterling situation (Alton Sterling was shot and killed in Baton Rouge, La., by police while he was being held down on the ground.) When my man Lost Firstborne played the beat, that’s just what the track was speaking to me. It had a haunting soulful vibe about it, so once I heard it, everything flowed rather easily,” —Claire Goforth

Lingua Franca, “A Man’s World“

Athens, Ga.

Shortly after Inauguration Day, two Athens studios invited 19 local bands to commemorate the dawn of the Trump Age, tracking 20 songs in a marathon 48-hour session. While much of the resulting album, Athens Vs. Trump Comp 2017, is suitably bleak, ascendant emcee Lingua Franca’s “A Man’s World” stands out for its sheer defiance. “Frenzied and indiscreet,” it’s a fiery feminist anthem for the resistance. —Gabe Vodicka

OG Swaggerdick, “Fuck Donald Trump”

Boston

Among diehard hip-hop heads as well as artists, Boston’s underground rap scene is renowned as one of the most lyrically elaborate and intellectual anywhere. But when it comes to straight-up protesting and verbally impaling the potty-mouthed POTUS, there’s something undeniably satisfying, even admirable, about OG Swaggerdick’s simple and straightforward election anthem, “Fuck Donald Trump.” From the fittingly filthy rhymes—“never give props to a punk ass trick / motherfuck Donald Trump, he can suck my dick”—to the strangers on the street who gladly join along in rapping in the video, these are protest lyrics you’ll still be able to remember and perhaps even rap for relief on occasions when the president leaves you otherwise speechless. —Chris Faraone

Clint Breeze and The Groove, “Blood Splatter”

Indianapolis

Featuring more than a dozen guest contributors—including poets, rappers and jazz musicians—Clint Breeze’s album Nappy Head weaves a phantasmagoric assemblage of words and sounds into a razor-sharp critique of racial oppression in modern America.

“I wanted to symbolize the state of oppression that black people experience every day,” he said, “from not getting fair treatment in the justice system, to getting shot and killed by law enforcement, to being unfairly treated in the workforce—you name it. I wanted to make a statement on how we as black people view this oppressive society that we live in. I also wanted to give a different perspective from white people. I have a couple of my friends who are white on the album speaking about the nature of white privilege.”

“Blood Splatter” is the record’s most cutting track, featuring spoken word artist Too Black, with cascading cymbal cracks and careening sax. —Kyle Long and Katherine Coplen

Priests, “Right Wing”

Washington, D.C.

There’s been no shortage of scathing political protest songs coming out of D.C. since, well, the birth of punk. But in recent years, post-punk quartet Priests has succeeded in reminding the rest of the country that D.C. is, and always has been, pissed the fuck off.

“Right Wing,” off the band’s breakthrough EP Bodies and Control and Money and Power, so perfectly captures the ass-backwardsness of living in a country controlled by capitalists, fascists, racists, and war mongers. “Everything everything / So right wing / Everything everything / So right wing / Purse searches, pep rallies / Purse searches, SUVs,” sings Katie Alice Greer. It reads like a short, poetic treatise on how the toxicity of right-wing ideals infects everyday life. —Matt Cohen

Withdraw, “Disgust”

Columbia, S.C.

On its 2017 debut EP Home, Columbia’s Withdraw oscillates violently between bristling, pedal-to-the floor emo (think At the Drive-In) and brutal, clawing crust punk. And on “Disgust,” the band proves the virtue of its versatility, shifting from an unflinchingly blackened hardcore blitz that bashes sexual abusers to a more expansive, anthemic coda that seeks to lift up the victims— “You are not tarnished!” It’s a potent statement, a searing declaration of alliance in musical realm more often derided for problematic gender politics. —Jordan Lawrence

NODON, “Alt-Wrong”

Burlington, Vt.

NODON is an anti-fascist, anti-hate power-punk duo born out of the 2016 presidential election. Seething with caustic epithets, the duo’s songs condemn xenophobia, sexism, homophobia, white supremacy and, above all, President Donald Trump.

“Alt-Wrong,” from the 2017 EP, Covfefe, delivers a swift and vicious kick to the alt-right’s figurative crotch. Over razor-sharp guitar riffs and seething drums, NODON screams its battle cry: “Annihilate this hate! Not right! Alt-wrong!” —Jordan Adams

Rmllw2llz, “So Amerikkkan”

Louisville, Ky.

Nationwide, when you think of the Louisville music scene, your mind probably bounces to My Morning Jacket, Bonnie “Prince” Billy or maybe even White Reaper—all who are great—but the city’s hip-hop scene is packed with poignant hip-hop artists, and if you’re looking for a pure protest song, look no further than Rmllw2llz’s “So Amerikkkan,” in which he says: “Fuck Trump, he’s a bum and Hillary trash, too.”

The song was released a few months ago, but if you give it a listen, you can hear a lot of the country’s past, present and future angst packed into a few powerful minutes. —Scott Recker

Michael Bone, “My Peace Will Outlive You”

Chico, Calif.

Michael Bone is a Chico musician, husband and father who has a day job teaching music to developmentally disabled kids, a night job playing drums for jazz-combo Bogg, and dozens of side projects including running the 1day Song Club. The latter is a songwriting group that receives a one-word prompt every other week, after which participants are tasked with writing, recording and submitting a song to be posted online (at www.1dayclub.com) within 24 hours.

“My Peace Will Outlive You,” an angst-ridden yet hopeful slice of psychedelic pop, is Bone's contribution to the prompt of “Trump.” —Jason Cassidy

Dais, “Atrocity”

Rochester, N.Y.

Dais tells you exactly where it stands on “Atrocity,” the first track off its self-titled debut EP. The post-hardcore band makes a racing, pounding apology to the Earth before (sort of) slowing down to confront the powers that be.

“Show us a tyrant / And we’ll show you our grievance / Fuck that, we will fight this,” vocalist Travis Rankin yells and strains in defiance.

“The person who the States had elected was talking about withdrawing us from The Paris Climate Accord,” Rankin says. “We felt betrayed and began writing this song. It’s an apology to the Earth for us not being as good to it as it has been to us.” —Jake Clapp

Iris DeMent, “We Won’t Keep Quiet”

Iowa City, Iowa

Back in February, Iowa City held a Solidarity Rally Against the Ban, proclaiming support for immigrant populations and refugees in the wake of Trump’s first and most ridiculous attempted travel ban. In between the community leaders, local politicians and youth speakers, a variety of area musicians performed, including the brilliant Iris DeMent. She debuted a song, “We Won't Keep Quiet,” that captured the feeling in the crowd that day in a really powerful way. —Little Village

Joshua Asante, “No Time for Despair”

Little Rock, Ark.

Joshua Asante, best known for fronting the bands Amasa Hines and Velvet Kente, is also a photographer—someone who delights in the tangible process of making art. It’s in his latest work as a solo artist that this becomes most evident, Asante hunching down over a briefcase stuffed with loop stations and processors.

Of “No Time For Despair,” Asante says: “In times of distress and turmoil, it’s easy to get kinda caught up in the collective despair, so the lyrics are very much about, like, ‘Yeah, times are tumultuous, but there’s also a lot of really wonderful magical things that are going on in your life.’ ... That is probably the supreme act of defiance—to be joyful, to be loving.” —Stephanie Smittle

The Whiskey Farm, “Flag Pin”

Madison, Wis.

The Whiskey Farm is an Americana/folk rock band from Madison, Wis. Formed in 2010, the band has produced four albums and won Madison Area Music Awards in the Folk/Americana and Ensemble Vocals categories.

The band’s most recent album, Songs of Resistance (2017), is the band’s first record comprised entirely of social and political music, covering topics including immigration policy, faux patriotism, money in politics, gun control, equal rights and gerrymandering. “Flag Pin” is a tongue-in-cheek blues-inspired indictment of opportunistic patriots, including Trump.

The band released Songs of Resistance as a benefit for the ACLU of Wisconsin. —Catherine Capellaro

E-Turn, “Ill Legal Alien”

Orlando, Fla.

Orlando MC E-Turn raises a particularly eloquent middle-finger in the face of Donald Trump. The Persian American, outspoken, femme MC is a firebrand on the mic, and her lyrics deftly meld the personal with the political in ways that hardcore dudes could only dream of. The fury and technique with which she drop bars—and other, usually male, MCs—onstage is the proud definition of a nasty woman. Her anthemic “Ill Legal Alien” may predate Trump’s election, but the Swamburger-produced track (Solillaquists of Sound) is still furiously of-the-moment. —Matthew Moyer and Bao Le-Huu

Cheap Perfume, “Trump Roast”

Colorado Springs, Colo.

Cheap Perfume is a four-piece Colorado Springs band who followe in the tradition of feminist punk acts like Le Tigre and The Slits. “Trump Roast” is, not surprisingly, one of the band’s biggest crowd-pleaser, as Stephanie Byrne and Jane No deliver a “Dear Don” letter to the resident president, culminating in a final verse that grows more timely, and more serious, with each passing day: “You wanna ban Muslims? Well, we wanna ban you / Your fascist ideas wrapped in red, white, and blue / Your KKK clones won’t be the ones to choose / Enjoy your last gasp ’cause racism’s through.” —Bill Forman

DBL DRGN, “Trim the Bushes”

Charleston, S.C.

Several election-reflection songs that came out of Charleston following Nov. 7, 2016. One of those that stood out is by a local hip-hop duo—Damn Skippy and Bad Mojo—dubbed DBL DRGN. Before releasing the audio, the guys filmed the video for the song “Trim the Bushes” on Election Day. With Bad Mojo dressed as a dragon, high-fiving passers-by, the silly aspect of the visuals was meant to complement the circus-like atmosphere of the 2016 election; it also brought a smile to the faces of voters on an otherwise stressful day. The video was released on Inauguration Day, another attempt to lift the spirits of those who felt the doom and gloom all too well that January morning. The duo rather brilliantly mashes up George Bush (“Fool me once ... can’t get fooled again”) with Bob Marley (“You can fool some people sometimes but you can’t fool all the people all of the time”), while the video shows footage of Donald Trump’s remarks on everything from immigration and Mexicans to birtherism, Putin, John McCain and women. The acknowledgment of all the things progressives find disturbing about the current administration, coupled with the sense that folks should keep their heads up (and alert) and stick together for the duration of the hand we’ve been dealt, made for a perfect combo. —Kelly Rae Smith

On this week's stunningly delightful weekly Independent comics page: Jen Sorenson invites you to choose your own sexual-harassment adventure; The K Chronicles finds similarities between a famous cartoon character and a child; This Modern World fills in a citizen regarding the last month's insanity; Red Meat fears more layoffs are on the way; and Apoca Clips listens to Trumpy ramble on and on.

On this week's fall-tinged weekly Independent comics page: Jen Sorenson looks behind the conspiracy theories; The K Chronicles takes a survey; This Modern World talks to a gun nut; Apoca Clips listens in as Trumpy and Pence talk strategy; and Red Meat gets ready for bed.